Search results for ""Author George Melnyk""

For many years, Canadian cinema was dominated by the documentarytradition of the National Film Board, which tended to promote what filmscholar Jim Leach has called the “nationalist-realistproject”—films that privileged Canada’s naturallandscape and sought to conjure a unified sense of Canadian identityfrom images of empty, untrammelled wilderness and bucolic farmlands.Over the past several decades, however, the hegemony of thisfundamentally colonial, Anglo-centric vision has been challenged byfrancophone and First Nations perspectives and by the growth of cities,where most Canadians now reside, as economic and technological centres.In opposition to the mythic “Canada” shaped through thelens of rural nostalgia, Canadian urban identity asserts itself aspolyphonic, diverse, constructed through multiple discourses andmediums, as an ongoing negotiation rather than a monolithicorientation. Taking the urban as setting and subject, filmmakers areideally poised to capture this multiplicity, creating their own,idiosyncratic portraits of the Canadian urban landscape and of thepeople who inhabit it. Examining fourteen Canadian films produced from the late 1980sonward, including Denys Arcand’s Jésus de Montréal(1989), Mina Shum’s Double Happiness (1994), and GuyMaddin’s My Winnipeg (2007), Film and the Cityis the first comprehensive study of Canadian film and“urbanity”—the totality of urban culture and life asrefracted through the filmmaker’s prism. Drawing on insights fromboth film and urban studies and building upon issues of identityformation long debated in Canadian studies, Melnyk considers howfilmmakers interpret and employ the spatiality, visuality, and oralityof urban space and how audiences read the films that result. In thisway, Film and the City argues that Canadian narrative film ofthe postmodern period has contributed to the articulation of a new,multifaceted understanding of national identity.

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Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topo in 1970. He has been called a cult filmmaker, whose films are surreal, hallucinatory, and provocative.The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky''s films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mim

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In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to World War Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice--and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins--these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.

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Alberta's contradictory landscape has fired the imaginative energies of writers for centuries. The sweep of the plains, the thrust of the Rockies, and the long roll of the woodlands have left vivid impressions on all of Alberta's writers--both those who passed through Alberta in search of other horizons and those who made it their home. The Literary History of Alberta surveys writing in and about Alberta from prehistory to the middle of the twentieth century. It includes profiles of dozens of writers (from the earnestly intended to the truly gifted) and their texts (from the commercial to the arcane). It reminds us of long-forgotten names and faces, figures who quietly--or not so quietly--wrote the books that underpin Alberta's thriving literary culture today. Melnyk also discusses the institutions that have shaped Alberta's literary culture. The Literary History of Alberta is an essential text for any reader interested in the cultural history of western Canada, and a landmark achievement in Alberta's continuing literary history.

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Great Canadian Film Directors is the first major study that reflects the cultural and linguistic diversity of Canada's most dynamic film directors. The 19 essays in this collection focus on each filmmaker's ability to create a vision that both reveals and redefines our national cultures. Together, these essays, by established and emerging scholars, highlight the diversity, imaginative power, and talent of Canadian filmmakers. This collection's value is in its contemporary analysis of major figures as well as critical discussions of the work of women directors and young filmmakers. Filmographies and selected bibliographies for each director provide film students and the movie-going public with an unrivalled study of a cinema that now garners world attention.

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In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to WorldWar Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice--and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins--these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.

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This long-awaited, landmark volume chronicles Alberta writing: the writers, their works, and their vigorous and changing landscape. A must for anyone interested in the cultural history of western Canada.

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As the first collection of literary criticism focusing on Albertawriters, Wild Words establishes a basis for identifyingAlberta fiction, poetry, drama, and nonfiction as valid subjects ofstudy in their own right. By critically situating and assessingspecific Alberta authors according to genre, this volume continues thework begun with Melnyk's Literary History of Alberta.

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Millions of people are displaced each year by war, persecution, and famine and the global refugee population continues to grow. Canada has often been regarded as a benevolent country, welcoming refugees from around the globe. However, refugees have encountered varying kinds of reception in Canada. Finding Refuge in Canada: Narratives of Dislocation is a collection of personal narratives about the refugee experience in Canada. It includes critical perspectives from authors from diverse backgrounds, including refugees, advocates, front-line workers, private sponsors, and civil servants. The narratives collected here confront dominant public discourse about refugee identities and histories and provide deep insight into the social, political, and cultural challenges and opportunities that refugees experience in Canada. Contributors consider Canada’s response to various groups of refugees and how Canadian perspectives on war, conflict, and peace are constructed through the refugee support experience. These individual stories humanize the global refugee crisis and challenge readers to reflect on the transformative potential of more equitable policies and processes. Contributions by Howard Adelman, Irene Boisier Policzer, Shelley Campagnola, Matida Daffeh, Eusebio Garcia, Julia Holland, Bill Janzen, Katharine Lake Berz, Michael Molloy, Adam Policzer, Pablo Policzer, Victor Porter, Boban Stojanović, Cyrus Sundar Singh, and Flora Terah.

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