Search results for ""Author Gene Logsdon""

First published in 1977, this book—from one of America’s most famous and prolific agricultural writers—became an almost instant classic among homestead gardeners and small farmers. Now fully updated and available once more, Small-Scale Grain Raising offers a entirely new generation of readers the best introduction to a wide range of both common and lesser-known specialty grains and related field crops, from corn, wheat, and rye to buckwheat, millet, rice, spelt, flax, and even beans and sunflowers. More and more Americans are seeking out locally grown foods, yet one of the real stumbling blocks to their efforts has been finding local sources for grains, which are grown mainly on large, distant corporate farms. At the same time, commodity prices for grains—and the products made from them—have skyrocketed due to rising energy costs and increased demand. In this book, Gene Logsdon proves that anyone who has access to a large garden or small farm can (and should) think outside the agribusiness box and learn to grow healthy whole grains or beans—the base of our culinary food pyramid—alongside their fruits and vegetables. Starting from the simple but revolutionary concept of the garden “pancake patch,” Logsdon opens up our eyes to a whole world of plants that we wrongly assume only the agricultural “big boys” can grow. He succinctly covers all the basics, from planting and dealing with pests, weeds, and diseases to harvesting, processing, storing, and using whole grains. There are even a few recipes sprinkled throughout, along with more than a little wit and wisdom. Never has there been a better time, or a more receptive audience, for this book. Localvores, serious home gardeners, CSA farmers, and whole-foods advocates—in fact, all people who value fresh, high-quality foods—will find a field full of information and ideas in this once and future classic.

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“Nan turned to see Ben’s faceturn as hard and white as asauerkraut crock. When he didnot respond, Nan figured thathe was just going to back offas he usually did, the shy andretiring husbandman. She didnot know her history. She didnot know that shy and retiringhusbandmen have been knownto revolt against oppressionwith pitchforks drawn.” — The Last of the Husbandmen In The Last of the Husbandmen, Gene Logsdon looks to his own roots in Ohio farming life to depict the personal triumphs and tragedies,clashes and compromises, and abiding human character of American farmingfamilies and communities. From the Great Depression, when farmers tilledthe fields with plow horses, to the corporate farms and government subsidyprograms of the present, this novel presents the complex transformation of alivelihood and of a way of life. Two friends, one rich by local standards, and the other of more modest means,grow to manhood in a lifelong contest of will and character. In response tomany of the same circumstances—war, love, moonshining, the Klan, weather,the economy—their different approaches and solutions to dealing with theirsituations put them at odds with each other, but we are left with a deeper understanding of the world that they have inherited and have chosen. Part morality play and part personal recollection, The Last of the Husbandmen is both a lighthearted look at the past and a profound statement about the present state of farming life. It is also a novel that captures the spirit of those who have chosen to work the land they love.

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In his insightful book, Holy Shit: Managing Manure to Save Mankind, contrary farmer Gene Logsdon provides the inside story of manure — our greatest, yet most misunderstood, natural resource. He begins by lamenting a modern society that not only throws away both animal and human manure, worth billions of dollars in fertilizer value, but that spends a staggering amount of money to do so. This wastefulness makes even less sense as the supply of mined or chemically synthesized fertilizers dwindles and their cost skyrockets. In fact, he argues, if we do not learn how to turn our manures into fertilizer to keep food production in line with the increasing population, our civilization, like so many that went before it, will inevitably decline. With his trademark humor, years of experience writing about both farming and waste management, and uncanny eye for the small but important details, Logsdon artfully describes how to manage farm manure, pet manure and human manure to make fertilizer and humus. He covers the field, so to speak, discussing topics like: How to select the right pitchfork for the job and use it correctly How to operate a small manure spreader How to build a barn manure pack with farm animal manure How to compost cat and dog waste How to recycle toilet water for irrigation purposes, and How to get rid ourselves of our irrational paranoia about feces and urine. Gene Logsdon does not mince words. This fresh, fascinating and entertaining look at an earthy, but absolutely crucial subject, is a small gem destined to become a classic of our agricultural literature.

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Wyeth People is the story of one writer’s search for the meaning of artistic creativity, approached from personal contact with the work of one of the world’s great artists, Andrew Wyeth. In the 1960s, just beginning his career as a writer, Gene Logsdon read a magazine article about Andrew Wyeth in which the artist commented at length on his own creative impulse. What he said seemed so true and right and so directly applicable to writing as well as to painting that the young writer was transfixed. He was resolved to talk to Andrew Wyeth, even though warned that the artist could be as elusive as a wild rabbit. Not quite by accident, the writer and the painter met in a roadside diner, and what happened from then on is what Wyeth People is about-an effort to explain a famous artist, his work, and the people who love it, by an intrigued outsider. Wyeth People is the result of Gene Logsdon’s search to find the colorful people Wyeth painted and to interview them. Originally published in 1969, Wyeth People describes how the author solved the mystery of the creative impulse, at least to his own satisfaction. It is reprinted here in paperback for the first time. As Logsdon writes: “The story of my search for why I (and millions of other people) find Wyeth’s art among the greatest that human culture has produced, is ongoing. I may never fully end my quest. But this I know. I was lucky enough to have participated in some small way in the cultural process by which an artist and his work became a classic part of American tradition. That I was able to talk to people like Karl Kuerner and Forrest Wall produced in me the same kind of knowledge and exhilaration that I would gain if I were viewing Michelangelo’s David and David came alive and spoke to me.” Swallow Press welcomes the opportunity to bring this remarkable book back into print.

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