Search results for ""Author Elizabeth Wilson""

"Fascinating." Perspective “A fascinating, often funny, and eminently stylish personal memoir … I loved it.” - Chris Breward, author of The Suit “Wide-ranging, thought-provoking and important.” - Claire Wilcox, author of Patch Work Elizabeth Wilson is a pioneer of fashion studies, yet she never intended to become an academic. Starting her literary career as a feminist activist writing for the underground press, she went on to explore tennis, ‘bohemians’ and of course fashion – her obsession – along with forays into fiction. Throughout, she has never seen her work as abstract or disengaged from ‘real life’. In her memoir, she traces this relationship between personal experience and her writing, revisiting pivotal moments from childhood, adolescence and adult life to explore her belief that research, by its nature, is always a form of autobiography. She unfolds the garment of her life in a wide-ranging exploration of scenes from her past: her difficult relationship with her mother, fashion in the 60s and gay liberation. In this journey through time she shows how experiences are inseparable from the way we seek to explain and understand them, offering a unique and deeply personal account of her – and our – cultural world.

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London, 1956. A young woman has been found dead in a hotel in King's Cross. It looks like an accident, and Scotland Yard isn't interested in accidents. But Fleet Street journalist Gerry Blackstone reckons there's more to it than meets the eye.Meanwhile, Oxford is filling with Hungarian émigrés fleeing the failed revolution. Special Branch, concerned there could be Soviet spies among the genuine refugees, send in DCI Jack McGovern to keep an eye on proceedings.As McGovern plays spycatcher in Oxford and Blackstone hunts for clues in the seedy corners of London, a complex web of rogues, schemers and potential suspects starts to emerge: the well-to-do madam, the Classics professor, the East London crime boss, the government minister ... does it all lead back to the dead girl in King's Cross? Or is there something even more sinister going on?

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London in the aftermath of WW2 is a beaten down, hungry place, so it's no wonder that Regine Milner's Sunday house parties in her Hampstead home are so popular. Everyone comes to Reggie's on a Sunday: ballet dancers and cabinet ministers, left-over Mosleyites alongside flamboyant homosexuals like Freddie Buckingham. And when Freddie turns up dead on the Heath one Sunday night there is no shortage of suspects. War Damage is both a high-class thriller and a wonderful evocation of Britain staggering back to its feet after the privations of the War. And in Regine Milner it possesses a truly memorable heroine. She's full of secrets - just what did happen in Shanghai before the war? - and surprises - Reggie's living proof that sexual experimentation was alive and well long before the sixties.

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Elizabeth Wilson is one of our most radical cultural critics. In "Cultural Passions" she transcends the division between 'high' and 'low' culture, exploring the emotional commitment people bring to the books, performances, objects and rituals in which they find meaning and challenging an enduring suspicion of the pleasure of the aesthetic. Ranging from Marcel Proust to tarot readings, from urban planning to interiors, Elizabeth Wilson investigates an underlying Puritanism in critical commentary on matters as wide ranging as Roger Federer and C S Lewis, Surrealism and fashion and the relationship of religion to fan culture. She questions why pleasure appears suspect, even as consumer society incites it and turns life into entertainment. She questions why there is such fear of elitism when at the same time the fans of mass culture are held in contempt. Subverting conventional views, her oblique point of view provides startling insights on both familiar and marginal cultural experiences.

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Shostakovich: A Life Remembered is a unique study of the great composer Dmitri Shostakovich, based on reminiscences from his contemporaries: family members, friends, fellow musicians and other prominent figures of the time. Elizabeth Wilson covers the composer's life from his early successes to his struggles under the Stalinist regime, and his international recognition as one of the leading composers of the 20th century. She builds up a detailed picture of Shostakovich's creative processes, how he was perceived by contemporaries and of the increased contrast between his private life and public image as his fame increased.This revised edition, produced to coincide with the centenary of Shostakovich's birth, draws on many new writings on the composer. This provides both a more detailed and focused image of Shostakovich's life, and a wider view of his cultural background. A particular aspect of Shostakovich which is revealed in this new edition is his sardonic and witty sense of humour, displayed in many of his letters to close friends. Shostakovich: A Life Remembered provides fascinating insight into the complex personality and the musical life of this great composer, and examines his position as one of the major figures of cultural life in 20th century Russia.

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The first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life “Playing with Fire is a ground-breaking work—a phenomenal biography of a towering human spirit of everlasting relevance.”—Norman Lebrecht, Wall Street Journal Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin’s favorite pianist. Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet, according to Shostakovich, Yudina remained “a special case. . . . The ocean was only knee-deep for her.” In this engaging biography, Elizabeth Wilson sets Yudina’s extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the postrevolutionary period and the ensuing years of Soviet repression.

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Mstislav Rostropovich, internationally recognised as one of the world's finest cellists and musicians, has always maintained that teaching is an important responsibility for great artists. Before his emigration in 1974 from Russia to the West, Rostropovich taught several generations of the brightest Russian talents - as Professor of the Moscow Conservatoire - over a continuous period of two decades. His students included such artists as Jacqueline du Pré, Nataliyia Gutman, Karine Georgian, Ivan Monighetti and many others Rostropovich's teaching represented not only his individual approach to cello repertoire and instrumental technique, but also comprised a philosophy of life. As soon as he returned from his frequent concert tours, he would launch himself with whirlwind energy into his teaching activities. His lessons, which were conducted as open masterclasses , were awaited eagerly as an event of huge importance. Class 19 of the Moscow Conservatoire, where they were held, was usually packed with students (violinists , conductors and pianists as well as cellists). Often other professors dropped in, as did visiting musicians. The lessons were performances in themselves: Rostropovich - usually seated at the piano - cajoled and inspired his students to give the best of themselves. His comments went far beyond correcting the students in making them understand the essence of the work they were playing. Often this was done through striking imagery, and as such the lessons were addressed to the wider audience present in the classroom as well as to the individual student. Drawing from her own vivid reminiscences and those of ex-students, documents from the Moscow Conservatoire and extensive interviews with Rostropovich himself , Elizabeth Wilson's book sets out to define his teaching, and to recapture the atmosphere of the conservatoire and Moscow's musical life.

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When "Adorned in Dreams" was first published in 1985, Angela Carter described the book as 'the best I have read on the subject, bar none'. Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. Wilson delights in the power of fashion to mark out identity or to subvert it and this brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the 'boho chic' of the mid 90's, retro-dressing and the meanings of dress from the veil to Beck's pink-varnished toenails.

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