Search results for ""Author Edmund White""

______________ 'Elegant, filthy – and quite possibly the queerest thing you will read all year.' - Guardian 'Intriguing and inventive.' - Electric Literature, "Most Anticipated LGBTQ+ Book of the Year" 'A dizzyingly enticing and kaleidoscopic take on the spectrum of sexual experiences.' - Publishers Weekly, starred review _____________ A daring, category-confounding, and ruthlessly funny novel from National Book Award honored author Edmund White that explores polyamory and bisexuality, ageing and love. Sicilian aristocrat and musician, Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two alternate reading the memoirs they’ve written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he’s had with men and women across his lifetime—most importantly his passionate affair with the author Edmund White. Sweeping outward from the isolated Swiss ski chalet where the couple reads to travel through Europe and the United States, White’s new novel pushes for a broader understanding of sexual orientation and pairs humor and truth to create his most fascinating and complex characters to date. As in all of White’s earlier novels, this is a searing, scintillating take on physical beauty and its inevitable decline. But in this experimental new mode—one where the author has laid himself bare as a secondary character—White explores the themes of love and age through numerous eyes, hearts and minds. Delightful, irreverent, and experimental, A Previous Life proves once more why White is considered a master of American literature.

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______________ 'I find it impossible to imagine anyone better read than White … Wisdom and a certain kind of tenderness are to be found on every page' - Observer 'One of the great prose stylists of our time … There are few paragraphs that pass by without an illuminating, wise or funny comment' - Tim Smith-Laing, Daily Telegraph 'A rallying cry for the pleasures of reading ... The best writers are energetic readers, constantly diving for buried treasure. Anyone who encounters this book is likely to emerge with something new and gleaming' - Financial Times ______________ Edmund White made his name as a writer, but he remembers his life through the books he read. For White, each momentous occasion came with books to match: Proust’s Remembrance of Things Past, which opened up the seemingly closed world of homosexuality; the Ezra Pound poems adored by a lover he followed to New York; the biography of Stephen Crane that inspired one of White’s novels. White's larger-than-life presence on the literary scene lends itself to fascinating, intimate insights into the lives of some of the world's best-loved cultural figures. Blending memoir and literary criticism, The Unpunished Vice is a sensitive, smart account of a life in literature.

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A Boy's Own Story traces an unnamed narrator's coming-of-age during the 1950s. With an introduction by Alan Hollinghurst, author of The Line of Beauty.It was his power that stupefied me and made me regard my knowledge as nothing more than hired cleverness he might choose to show off at a dinner party.Beset by aloof parents, a cruel sister, and relentless mocking from his peers, the unamed boy struggles with his sexuality, seeking consolation in art and literature, and in his own fantastic imagination as he fills his head with romantic expectations. The result is a book of exquisite poignancy and humour that moves towards a conclusion which will allow the boy to leave behind his childhood forever.Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. Lyrical and powerfully evocative, this is an American literary treasure.'Edmund White has crossed The Catcher in the Rye with De Profundis, J. D. Salinger with Oscar Wilde, to create an extraordinary novel' – New York Times

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The letters of a seducer to the great love of his life, a sensual tour-de-force by “the paterfamilias of queer literature” (New York Times)“Can’t sleep tonight. Was lying in bed reading the biography of a great man whose genius deserted him . . . The genius who deserted me was you.” In a series of late-night letters, gorgeous, funny, filled with memory, sensuality, and regret, a seducer calls across the years to the great love of his youth: an older, revered expatriate known, in his adoptive city, as the King of Naples. As the narrator evokes their affair, in scenes of beauty and remorse, his memories range over the men who came after and before, especially the seductive father who still haunts his erotic imagination. First published in 1978, before the trilogy of frankly autobiographical novels that made him famous, Nocturnes for the King of Naples reveals Edmund White at his most poetic, playful, and evocative, a mag

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______________ 'An epic novel' - Telegraph 'A worldly wise delight' - Observer 'Another brilliant accomplishment from one of the country’s most indispensable writers' - Texas Observer ______________ From legendary writer Edmund White, a bold and sweeping new novel that traces the extraordinary fates of twin sisters, one destined for Parisian nobility and the other for Catholic sainthood Yvette and Yvonne Crawford are twin sisters, born on a humble patch of East Texas prairie but bound for far grander fates. Just as an untold fortune of oil lies beneath their daddy’s land, both girls harbour their own secrets and dreams – ones that will carry them far from Texas and from each other. As the decades unfold, Yvonne will ascend the highest ranks of Parisian society as Yvette gives herself to a lifetime of worship and service in the streets of Jericó, Colombia. And yet, even as they remake themselves in their radically different lives, the twins find that the bonds of family and the past are unbreakable. Spanning the 1950s to the recent past, Edmund White’s marvellous novel serves up an immensely pleasurable epic of two Texas women as their lives traverse varied worlds: the swaggering opulence of the Dallas nouveau riche, the airless pretention of the Paris gratin and the strict piety of a Colombian convent. ______________ 'Like a waltz that goes out of control, this is a wild, dizzying, joyful romp ... I loved it' - Ann Beattie 'White’s deeply satisfying character study demonstrates his profound abilities' - Publishers Weekly 'One of the three or four most virtuosic living writers of sentences in the English language' - Dave Eggers '... sacred as well as secular, and always sensuously alive' - Joyce Carol Oates

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From his birth in rural Kentucky during the Great Depression to his suicide in Manhattan in 1985, Coleman Dowell played many roles. He was a songwriter and lyricist for television. He was a model. He was a Broadway playwright. He served in the U.S. Army, both abroad and at home. And most notably, he was the author of novels that Edmund White, among others, has called "masterpieces." But Dowell was deeply troubled by a depression that hung over him his entire life. Pegged as both a Southern writer and a gay writer, he loathed such categorization, preferring to be judged only by his work. Fever Vision describes one of the most tormented, talented, and inventive writers of recent American literature, and shows how his eventful life contributed to the making of his incredible art.

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Edmund White / Samuel Delany Number

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______________ 'A stylish, deftly erudite and enormously diverting book’ - Sunday Telegraph ‘An artfully aimless pleasure cruise around Paris’ - Guardian 'White's genius as a flâneur is revealed in his affinity for unexpected pleasures, and he includes many for our delectation' - New Yorker ______________ A unique and eclectic view of Paris through the eyes of a fierce and witty intellect. A flâneur is a stroller, a loiterer, someone who ambles without apparent purpose but is secretly attuned to the history of the streets he walks - and is in covert search of adventure, aesthetic or erotic. Acclaimed writer Edmund White, who lived in Paris for sixteen years, wanders through the avenues and along the quays, into parts of the city virtually unknown to visitors and indeed to many locals, luring the reader into the fascinating and seductive backstreets of his personal Paris. ______________ 'One has the impression of having fallen into the hands of a highly distractible, somewhat eccentric poet and professor who is determined to show you a Paris you wouldn't otherwise see ... White tells such a good story that I'm ready to listen to anything he wants to talk about' - New York Times Book Review

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______________ ‘One of the best writers of my generation’ - John Irving ‘A playful yet searching novel of gay life in the New York of Ed Koch and Studio 54’ - Kirkus ‘Smart, worldly, erudite, well-connected, and funny’ - New York Review of Books ‘Remarkable … America’s most significant gay writer’ - Literary Review ______________ ‘Has everyone always been in love with you? Of course they have, who am I kidding? What did they say about Helen of Troy? That her face launched a thousand ships? That’s you, you’re that beautiful. A thousand ships’ New York City in the eighties, and at its decadent heart is Guy. The darling of Fire Island's gay community and one of New York’s top male models, Guy is gliding his way to riches that are a world away from his modest provincial upbringing back home in France. Like some modern-day Dorian Gray he seems untouched by time: the decades pass, fashions change, yet his beauty remains as transcendent and captivating as ever. Such looks cannot help but bring him adoration. From sweet yet pathetic Fred to the wealthy and masochistic Baron, from the acerbic and cynical Pierre-Georges to Andre, fabricating Dalí fakes and hurtling towards prison and the abyss, all are in some way fixated on him. In return for the devotion and expensive gifts they lavish on him, he plays with unswerving loyalty whatever role they project onto him: unattainable idol, passionate lover, malleable client. But just as the years are catching up on his smooth skin and perfect body, so his way of life is closing in on him and destroying the men he loves. Edmund White has in Our Young Man created some of the richest representations of gay male identity, from the disco era to the age of AIDs. What links them all is the allure and enchantment they find in beauty. Revelling in its magic, Our Young Man nonetheless slips beneath the seductive surface to examine its dangerous depths, exploring its power to fascinate, enslave and deceive. Mesmerising, blackly comic, and delicately crafted, this is an exquisite novel from a contemporary master.

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For the fiftieth anniversary of the Stonewall uprising, an anthology chronicling the tumultuous fight for LGBTQ rights in the 1960s and the activists who spearheaded itJune 28, 2019 marks the fiftieth anniversary of the Stonewall uprising - the most significant event in the gay liberation movement and the catalyst for the modern fight for LGBTQ rights in the United States. Drawing fromthe New York Public Library's archives, The Stonewall Reader is a collection of firsthand accounts, diaries, periodic literature and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots. Most importantly, this anthology shines a light on forgotten figures who were pivotal in the movement, such as Lee Brewster, head of the Queens Liberation Front and Ernestine Eckstine, one of the few out, African American, lesbian activists in the 1960s.

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A Star-Bright Lie recounts the age-old story of the young provincial who comes to New York and is dazzled and betrayed by the bright lights of Broadway, but with a few kinks to the story: the provincial in this case was gay and would later develop into one of America's finest novelists. Coleman Dowell left Kentucky for New York in 1950 and spent the next decade trying to "make it" in the big city. With the same stylish verve and searching analysis that illuminate his fiction, Dowell recounts his frustrating experiences in show biz: early success as staff composer for a TV show (to which he was recommended by Tennessee Williams); next, touted as David Merrick's "Golden Boy, " a failed attempt to adapt O'Neill's Ah, Wilderness! as a musical; several other attempts at a hit on Broadway; and finally, a sabotaged venture at making a musical of Carl Van Vechten's novel The Tattooed Countess. Throughout this memoir are unsparing portraits of Williams, Merrick, Van Vechten, Isak Dinesen, and others of the period. But the real star is Dowell himself: "his paranoia, his bedeviled fascination with glamour, his lyric response to nature, his nostalgia for a Kentucky he'd fled and then reinvented, his Gothic sense of horror, his touchy pride, his passion for black men, his alienation from both heterosexual society and the two forms of gay life he'd known" (from novelist Edmund White's foreword). Illustrated with eight pages of photographs (many, including the cover, by Van Vechten).

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With a foreword by Maggie Nelson, an introduction from Frieze editor Andrew Durbin and afterword from Edmund White 'Unforgettable, heartbreaking' New York Times 'Brilliant' - Dazed 'As brutal as it is elegant' - Neil Bartlett 'Electrifying' - Colm Tóibín 'Dazzling' - Katherine Angel After being diagnosed with AIDS, Hervé Guibert wrote this devastating, darkly humorous and personal novel, chronicling three months in the penultimate year of the narrator's life. In the wake of his friend Muzil's death, he goes from one quack doctor to another, from holidays to test centres, and charts the highs and lows of trying to cheat death. On publication in 1990, the novel scandalized French media, which quickly identified Muzil as Guibert's close friend Michel Foucault. The book became a bestseller, and Guibert a celebrity. The book has since attained a cult following for its tender, fragmented and beautifully written accounts of illness, friendship, sex, art and everyday life. It catapulted Guibert into notoriety and sealed his reputation as a writer of shocking precision and power.

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