Search results for ""Author Dr Miles Russell""

Piltdown. Even today the name sends a shiver down the collective spine of the scientific community, for this was the most dramatic and daring fraud ever perpetrated upon the world of science and academia. Between 1908 and 1912, a series of amazing discoveries relating to what appeared to be the earliest human were made close to the little village of Piltdown in Sussex. These remains belonged to the developmental ‘missing link’ between man and ape. The basic principles of evolution, first propounded by Charles Darwin some fifty years before, now appeared as indisputable fact. The Manchester Guardian ran the first headline: ‘THE EARLIEST MAN?: REMARKABLE DISCOVERY IN SUSSEX. A SKULL MILLIONS OF YEARS OLD’ it screamed, adding that the discovery was ‘one of the most important of our time’. The news spread quickly around the world, with many voicing their eagerness to examine the find. Few archaeological discoveries have the capacity to be front-page news twice over, but ‘Piltdown Man’ is a rare exception. Forty-one years after he first became famous, the ‘Earliest Englishman’ was again hot news. It was late November 1953, and the world was about to discover that Piltdown Man had been a hoax. Not just any hoax mind, the London Star declared it to be ‘THE BIGGEST SCIENTIFIC HOAX OF THE CENTURY’.

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Written in 1136 by Geoffrey of Monmouth, the Historia Regum Britanniae (History of the Kings of Britain) purported to chronicle the British monarchy from the arrival of the Trojan Brutus, grandson of Aeneas, through to the seventh century AD. The Historia was a medieval best-seller, and copies spread across the whole of western Europe. It was the first work to outline the story of King Arthur. The Historia has long been dismissed as an unreliable piece of medieval propaganda. A new examination of the text, however, shows that it is very much more than that. Miles Russell explains how individual elements can be traced back to the first century BC, a time when Britain was making first contact with Rome. Geoffrey of Monmouth’s skill was to weave these early traditions together with material culled from post-Roman sources in order to create a national epic. In doing so, he also created King Arthur, a composite character whose real origins and context are explained here. This important work establishes Geoffrey of Monmouth as no mere peddler of historical fiction, but as the man who preserved the earliest foundation myths of Britain. It is time to re-evaluate the Historia Regum Britanniaeand shine a new light into the so-called ‘Dark Ages’.

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Starting with the first named resident of the county, Tiberius Claudius Togidubnus, Great King of Britain (with his palace at Fishbourne) and friend of the Roman emperor Claudius, this book reassesses the story of the Roman invasion of Britain and looks in detail at the earliest examples of Roman culture in Britain.

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Roman Britain is usually thought of as a land full of togas, towns and baths with Britons happily going about their Roman lives under the benign gaze of Rome. This is, to a great extent, a myth that developed after Roman control of Britain came to an end, in particular when the British Empire was at its height in the late nineteenth and early twentieth centuries. In fact, Britain was one of the least enthusiastic elements of the Roman Empire. The northern part of Britain was never conquered at all despite repeated attempts. Some Britons adopted Roman ways in order to advance themselves and become part of the new order, of just because they liked the new range of products available. However, many failed to acknowledge the Roman lifestyle at all, while many others were only outwardly Romanised, clinging to their own identities under the occupation. Britain never fully embraced the Empire and was itself never fully accepted by the rest of the Roman world. Even the Roman army in Britain became chronically rebellious and a source of instability that ultimately affected the whole Empire. As Roman power weakened, the Britons abandoned both Rome and almost all Roman culture, and the island became a land of warring kingdoms, as it had been before.

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Discovered in 1811, Bignor is one of the richest and most impressive villas in Britain, its mosaics ranking among the finest in north-western Europe. Opened to the public for the first time in 1814, the site also represents one of Britain’s earliest tourist attractions, remaining in the hands of the same family, the Tuppers, to this day. This book sets out to explain the villa, who built it, when, how it would have been used and what it meant within the context of the Roman province of Britannia. It also sets out to interpret the remains, as they appear today, explaining in detail the meaning of the fine mosaic pavements and describing how the villa was first found and explored and the conservation problems facing the site in the twenty-first century. Now, after 200 years, the remarkable story of Bignor Roman Villa is told in full in this beautifully illustrated book.

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The Roman Empire has been a source of fascination to political thinkers, the obsession of some of the greatest historians, and has influenced art down the ages. Now, in a fresh new take on the era, historian Stuart Laycock sums up the subject in 100 haikus. These original poems are sometimes witty, sometimes sad, sometimes playful, sometime serious, but with only a few syllables to play with they are always concise and to the point. Read them in order for a sense of the vast sweep of Roman history, or dot around and find hidden gems. Power, glory, death, slaughter, murder, ambition, lust, love and triumph. It’s all here. Each haiku comes with a brief historical text to accompany it and an evocative original illustration by John Travis.

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