Search results for ""Author Doris Lessing""

The Nobel Prize-winner Doris Lessing’s first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid. Set in Rhodesia, ‘The Grass is Singing’ tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding. A masterpiece of realism, ‘The Grass is Singing’ is a superb evocation of Africa’s majestic beauty, an intense psychological portrait of lives in confusion and, most of all, a fearless exploration of the ideology of white supremacy.

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From Doris Lessing, winner of the Nobel Prize for Literature, this is the first instalment in the visionary novel cycle ‘Canopus in Argos: Archives’. The story of the final days of our planet is told through the reports of Johor, an emissary sent from Canopus. Earth, now named Shikasta (the Stricken) by the kindly, paternalistic Canopeans who colonised it many centuries ago, is under the influence of the evil empire of Puttiora. War, famine, disease and environmental disasters ravage the planet. To Johor, mankind is a ‘totally crazed species’, racing towards annihilation: his orders to save humanity set him what seems to be an impossible task. Blending myth, fable and allegory, Doris Lessing’s astonishing visionary creation both reflects and redefines the history of our own world from its earliest beginnings to an inevitable, tragic self-destruction.

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A compelling vision of a disorietating and barbaric future from Doris Lessing, winner of the Nobel Prize for Literature. Many years in the future, city life has broken down, communications have failed and food supplies are dwindling. From her window a middle-aged woman – our narrator – watches things fall apart and records what she witnesses: hordes of people migrating to the countryside, gangs of children roaming the streets. One day, a young girl, Emily, is brought to her house by a stranger and left in her care. A strange, precocious adolescent, drawn to the tribal streetlife and its barbaric rituals, she is unafraid of the harsh world outside, while our narrator retreats into her hidden world where reality fades and the past is revisited …

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The landmark novel of the Sixties – a powerful account of a woman searching for her personal, political and professional identity while facing rejection and betrayal. In 1950s London, novelist Anna Wulf struggles with writer’s block. Divorced with a young child, and fearful of going mad, Anna records her experiences in four coloured notebooks: black for her writing life, red for political views, yellow for emotions, blue for everyday events. But it is a fifth notebook – the golden notebook – that finally pulls these wayward strands of her life together. Widely regarded as Doris Lessing’s masterpiece and one of the greatest novels of the twentieth century, ‘The Golden Notebook’ is wry and perceptive, bold and indispensable.

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Four novellas by Doris Lessing, winner of the Nobel Prize for Literature, that once again show her to be unequalled in her ability to capture the truth of the human condition. The title story, ‘The Grandmothers’, is an astonishing tour de force, a shockingly intimate portrait of an unconventional extended family and the lengths to which they will go to find happiness and love. Written with a keen cinematic eye, the story is a ruthless dissection of the veneer of middle-class morality and convention. ‘Victoria and the Staveneys’, takes us through 20 years of the life of a young underprivileged black girl in London. A chance meeting introduces her to the Staveneys – a liberal white middle-class family – and, seduced, she falls pregnant by one of the sons. As her daughter grows up, Victoria feels her parental control diminishing as the attractions of the Staveneys’ world exert themselves. An honest and often uncomfortable look at race relations in London over the past few decades, Lessing reaffirms her brilliance at demonstrating the effect of society on the individual. With these novellas, and ‘The Reason for It’ and ‘A Love Child’, Lessing proves once again that she is one of our most valuable and insightful living authors.

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A group of squatters rebel against Mrs Thatcher and erupt into violence in this politicised novel from the author of ‘The Golden Notebook’. In a London squat a band of bourgeois revolutionaries are united by a loathing of the waste and cruelty they see around them. These maladjusted malcontents try desperately to become involved in terrorist activities far beyond their level of competence. Only Alice seems capable of organising anything. Motherly, practical and determined, she is also easily exploited by the group and ideal fodder for a more dangerous and potent cause. Eventually their naïve radical fantasies turn into a chaos of real destruction, but the aftermath is not as exciting as they had hoped. Nonetheless, while they may not have changed the world, their lives will never be the same again…

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A collection of charming and celebrated writings about cats, from Doris Lessing, winner of the Nobel Prize for Literature. Doris Lessing’s love affair with cats began at a young age, when she became intrigued with the semi-feral creatures on the African farm where she grew up. Her fascination remained undiminished by the handsome domesticated creatures who shared her flats and her life in London and grew into real love with El Magnifico, the awkwardly lovable cat who in his later years suffered the great indignity of becoming a three-legged beast. Consisting of Lessing’s celebrated collection of stories, ‘Particularly Cats and Rufus’, and the poignant though unsentimental memoir, ‘The Old Age of El Magnifico’, this book is a brilliant evocation of the feline world.

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From Doris Lessing, winner of the Nobel Prize for Literature, this is the second instalment in the visionary novel cycle ‘Canopus in Argos: Archives’. This is the story of the kindly Queen of Zone Three, who rules a land free of all harshness, and her forced marriage with the soldier-king of Zone Four, which is hierarchic, disciplined, inflexible, dutiful. This apparently difficult marriage, unwanted by both, requires a compromise between impulse and reason, between instinct and logic. Ben Ata learns to accept and then to love the ruler of Zone Three and her alien ways; and she learns to love and to need him. But when the Queen is commanded by the Providers to return to her own realm, she must obey, shattering though it is to leave her husband and child. Ben Ata, in turn, is ordered to marry the savage beauty who rules Zone Five, a land that both unites and reverses the other two Zones. In ‘The Marriages …’ Doris Lessing uses science-fiction brilliantly to investigate the conflict between men and women. Once again, invented planets allow her to deploy her unillusioned knowledge of the real world of the reader.

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Included are seminal stories like 'To Room Nineteen'; in which a woman reacts against the oppression of her banal marriage with dreadful results; 'One off the Short List', which traces the surprising conclusion to a seduction gone awry, and 'The Habit of Loving' in which a lonely older man who takes a vivacious young wife witnesses an unexpected reversal of intimacy. Here also are two classic novellas, The Temptation of Jack Orkney and The Other Woman, exemplifying Lessing's impressive understanding of human psychology. Rich and various in mood and background - the settings range across England and France - these stories powerfully convey the uncompromising insight, intelligence and vision of one of the most ardently admired writers of our time.

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A classic tale from Doris Lessing, winner of the Nobel Prize for Literature, of a family torn apart by the arrival of Ben, their feral fifth child. ‘Listening to the laughter, the sounds of children playing, Harriet and David would reach for each other’s hand, and smile, and breathe happiness.’ Four children, a beautiful old house, the love of relatives and friends – Harriet and David Lovatt’s life is a glorious hymn to domestic bliss and old-fashioned family values. But when their fifth child is born, a sickly and implacable shadow is cast over this tender idyll. Large and ugly, violent and uncontrollable, the infant Ben, ‘full of cold dislike’, tears at Harriet’s breast. Struggling to care for her new-born child, faced with a darkness and a strange defiance she has never known before, Harriet is deeply afraid of what, exactly, she has brought into the world …

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Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience – classics which will endure for generations to come. In 1950s London, novelist Anna Wulf struggles with writer’s block. Divorced with a young child, and fearful of going mad, Anna records her experiences in four coloured notebooks: black for her writing life, red for political views, yellow for emotions, blue for everyday events. But it is a fifth notebook – the golden notebook – that finally pulls these wayward strands of her life together. Widely regarded as Doris Lessing’s masterpiece and one of the greatest novels of the twentieth century, ‘The Golden Notebook’ is wry and perceptive, bold and indispensable.

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_______________ 'One of the most inventive, original and disturbing writers of her generation' - Daily Telegraph 'Diski does not do linear, or normal, or boring … In Gratitude amounts to the inner monologue of a highly intelligent, furiously funny, traumatised woman' - Helen Davies, Sunday Times 'She deserves our unfeigned admiration, not for her bravery or her struggle, or any irrelevant tosh like that, but for writing so well' - Guardian _______________ In August 2014, Jenny Diski was diagnosed with inoperable lung cancer and given ‘two or three years’ to live. Being a writer, she decided to write about her experience – and to tell a story she had not yet told: that of being taken in, aged fifteen, by the author Doris Lessing, and the subsequent fifty years of their complex relationship. Splicing childhood memories with present-day realities, Diski paints an unflinching portrait of two extraordinary writers – Lessing and herself. Jenny Diski died a week after the publication of In Gratitude. A cerebral, witty, dazzlingly candid memoir, it is her final masterpiece.

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