Search results for ""Author Donald Whitcomb""

This volume addresses the topical interest in Islam, studying the process of its spread throughout the medieval world and the process of conversion to this religion and adoption of its cultural life. The evidence is presented in a series of essay reports on archaeological approaches in current Islamic Archaeology. These papers are the result of a seminar that attempted a comparative analysis of widely different regions and periods, based on archaeological monuments or artefacts, exploring processes of adaptation or adjustment to local cultural complexes. Islam may be seen as a religion, political system, and cultural complex, a trinity of inseparable aspects. The introduction of these variable characteristics of Islam, during initial contact and afterwards, resulted in changes in identity approached as a sort of "cognitive" archaeology. In each specific case, the author assesses the nature of the pre-Islamic regional tradition, the resulting plurality of cultures as a "multi-cultural" society, and finally a resultant normative condition as a regional or cosmopolitan culture. This exposure to unfamiliar subjects and archaeological perspectives offers a potential for more abstract, comparative modelling in future historical research.

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Featured are thirty-seven illustrations that highlight the magnificence that was the great Islamic port of Ayla on the Gulf of Aqaba. The site is located in modern Aqaba, Jordan and has been excavated by the Oriental Institute under the directorship of Donald Whitcomb since 1986.

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This is a presentation of beautiful colored mosaics. They originate from buildings in the oasis of Jericho and all date from the first half of the eighth century, during the time of Umayyad caliphate of the early Islamic period. Many visitors have had the privilege of seeing the mosaics revealed, but no one has experienced the impact of all these pavements since they were first excavated in the 1930s and 1940s. A few have been published, but the presentation in Hamilton and Grabar (Khirbat al Mafjar: An Arabian Mansion in the Jordan Valley, 1959) is only very fine aquarelle paintings from the originals. In 2010 the Department of Antiquities and Cultural Heritage uncovered, cleaned, and assessed the state of conservation of these mosaics. A series of high-quality digital photographs was prepared by a team from the Department, composed of M. Diab, N. Khatib, Said Ghazal, Rafaat Sharaia, and I. Hamdan, under the direction of ?. Taha, from which the present selection is offered for study and appreciation of this triumph in early Islamic art. These images speak for themselves.

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