Search results for ""Author Domenico Starnone""

LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2024Starnone uses languages the way a great painter works with colour, conjuring the illusion of three dimensions from a blank flat surface. Jhumpa Lahiri One of Italy's most accomplished novelists. The GuardianMasterly. Times Literary SupplementThe modest apartment on Via Gemito smells of paint and white spirit.The furniture is pushed up against the wall to create a make-shift studio, and drying canvases must be moved off the beds each night.Federì, a railway clerk, is convinced that, if he didn't have a family to feed, he'd be a world-famous painter.Talented, ambitious, and frustrated, his life is marked by bitter disappointment.His long-suffering wife and their four sons bear the brunt.Years later, his first-born son will tell the story of a man he spent his whole life trying not to resemble.Narrated a

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FROM THE AUTHOR OF THE INTERNATIONAL BOOKER LONGLISTED AND WINNER OF THE STREGA PRIZE THE HOUSE ON VIA GEMITOStarnone uses languages the way a great painter works with colour, conjuring the illusion of three dimensions from a blank flat surface.Jhumpa LahiriCompelling One of Italy's most accomplished novelists.The GuardianTrick is a chillingly weird chamber piece - a very tricksy treat.The TimesTrick is a stylish drama about ambition, family, and old age that goes beyond the ordinary and predictable. Imagine a duel between two men. One, Daniele Mallarico, is a successful illustrator who, in the twilight of his years, feels that his reputation and his artistic prowess are fading. The other, Mario, is Daniele's four-year-old grandson. Daniele has been living in a cold northern city for years, in virtual solitude, focusing obsessively on h

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Imagine a child, a daydreamer, always gazing out of the window.His grandmother, busy in the kitchen, keeps an eye on him.The child stares at a balcony on the opposite building, watching the black-haired girl as she dances her reckless dance. For a love like this, a child can push himself to extreme feats. He can turn into explorer or cabin boy, cowboy or castaway; he can fight duels to the death, or even master an unfamiliar language.His grandmother is not articulate, but does not lack imagination, and her love for the boy is immeasurable. She tells him about the entrance to the underworld, engraving indelible images in her nephew's mind.An irresistible book, as sharp as the swords of fantasy hidden under the bed, as precious as a family jewel, in which the discovery of love and the discovery of death follow each other, marking the end of childhood.

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FROM THE AUTHOR OF THE INTERNATIONAL BOOKER LONGLISTED AND WINNER OF THE STREGA PRIZETHE HOUSE ON VIA GEMITOA FINANCIAL TIMES BOOK OF THE WEEKWhat is most thrilling about Trust is its overwhelming sense of unease... the selves we make' for ourselves and others may be the most dangerous of the stories we tell.Times Literary SupplementCompelling One of Italy's most accomplished novelists.The GuardianStarnone packs a huge amount into a small compass.The Sunday TimesPietro and Teresa's love affair is tempestuous and passionate. After yet another terrible argument, she gets an idea: they should tell each other something they've never told another person, something they're too ashamed to tell anyone. In this way, Teresa thinks, they will remain intimately connected forever.A few days after sharing their shameful secrets

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Absolutely gripping from start to finish… a really stunning book. —Victoria Hislop Ties is the story of a marriage. Like many marriages, this one has been subject to strain, to attrition, to the burden of routine. Yet it has survived intact. Or so things appear. The rupture in Vanda and Aldo's marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. Their marriage is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact. Domenico Starnone's thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one's actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy's most prestigious literary award The Strega.

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The modest apartment in Via Gemito smells of paint and white spirit. The living room furniture is pushed up against the wall to create a make-shift studio, and drying canvases must be moved off the beds each night. Federí, the father, a railway clerk, is convinced of possessing great artistic talent. If he didn’t have a family to feed, he’d be a world-famous painter. Ambitious and frustrated, genuinely talented but full of arrogance and resentment, his life is marked by bitter disappointment. His long-suffering wife and their four sons bear the brunt. It's his first-born who, years later, will sift the lies from the truth to tell the story of a man he spent his whole life trying not to resemble. Narrated against the background of a Naples still marked by WWII and steeped in the city’s language and imagery, The House on Via Gemito – first published 20 years ago - is a masterpiece of contemporary Italian literature.

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A FINANCIAL TIMES 'BEST BOOK OF THE WEEK' CHOICE A sharp, breath-taking exploration of love and relationships. Pietro and Teresa’s love affair is tempestuous and passionate. After yet another terrible argument, she gets an idea: they should tell each other something they’ve never told another person, something they’re too ashamed to tell anyone. In this way, Teresa thinks, they will remain intimately connected forever. A few days after sharing their shameful secrets, they break up. Not long after, Pietro meets Nadia, falls in love, and proposes. But the shadow of the secret he confessed to Teresa haunts him, and Teresa herself periodically reappears, standing at the crossroads of every major moment in his life. Or is it he who seeks her out? Trust asks how much we are willing to bend to show the world our best side, knowing full well that when we are at our most vulnerable we are also at our most dangerous.

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