Search results for ""Author Diller Scofidio"

In "Diller Scofidio + Renfro: Architecture after Images", Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York's High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade. Dimendberg also explores the relation of work by DS+R to that of earlier modernists such as Marcel Duchamp and John Hejduk. He reveals how the architects' fascination with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media. Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, "Diller Scofidio + Renfro" is the most thorough consideration of DS+R in any language. Illustrated with many previously unpublished renderings in addition to photos from contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.

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The ciliary muscle reproduces the effect of a lens and allows the eye to focus or blur vision. The ciliary muscle became the emblem of the critical vision that Diller + Scofidio (+ Renfro) had of their heterogeneous fields of research and experimentation. Their interdisciplinary projects range from objects, installations and performances to media and architecture. In recent years they have expanded - with a third partner joining their studio - to embrace projects on an urban scale. Diller + Scofidio (+ Renfro): The Ciliary Function covers their development documenting about twenty works, from the earliest to the most recent and includes essays investigating the studio's context, influences and strategies, some interviews with the architects, and a scheme showing the evolution and growth of the studio from 1979 to today.

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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. "The ICA's decision to hire Diller + Scofidio reflected our belief in the firm's vision that architecture can shape as well as reflect contemporary experience," stated Jill Medvedow, director of ICA. The architects balanced use of cool and transparent glass with the warmth of wood and the energy of light, as well as their design of spare, flexible spaces for presenting contemporary art, was a revelation for a city and an architectural community. ''Their brilliant and beautiful design of the ICA was a harbinger of change: edgy, bold and breathtaking, transforming the landscape for contemporary art and culture in Boston and for the artists, art and ideas of our time," Medvedow has said. ILLUSTRATIONS Colour

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How the work of contemporary architecture practices covers far more than the design and construction of buildings – an important and thought-provoking collection of original projects by unique thinkers in the world of architecture and spatial design, such as Diller + Scofidio, David Adjaye, and Ensamble Studio Architectural practice today goes far beyond the design and construction of buildings – the most exciting, forward-thinking architecture is also found in digital landscapes, art, apps, films, installations, and virtual reality. This remarkable book features projects – surprising, beautiful, outrageous, and sometimes even frightening - that break rules and shatter boundaries. In this timely book, the work of award-winning architects, designers, artists, photographers, writers, filmmakers, and researchers – all of whom synthesize and reflect our spatial environments – comes together for the first time. Radical Architecture of the Future's featured architects include Diller Scofidio + Renfro, David Adjaye, SANAA, Amateur Architecture Studio, and Ensamble Studio. Artists, designers, filmmakers, and writers covered include Julie Mehretu, Wolfgang Tillmans, and John Gerrard.

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This book offers architects strategies in the design and manufacturing of custom, repetitively manufactured building components.A total of 36 case studies from around the globe demonstrate the diversity of CRM in architecture and are contributed by architecture firms, including Diller Scofidio + Renfro, Kengo Kuma & Associates, Abin Design Studio, Behnisch Architekten, Belzberg Architects, and many more. The book is organized by manufacturing process and covers the use of various types of glass, clay, plastic, metal, wood, plaster, and concrete. Each process is described with diagrams and text and expanded with one or more examples of customized building components. Projects included are of buildings of various types, sizes, and clients, and many deviate from the typical manufacturing process as they include a secondary process (e.g. casting glass, then slumping it), special tooling modifications (e.g. dams used to subdivide a mold), post-production processes, or other notabl

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Ours is a culture defined by marketing and acquiring. Virtually every activity in our lives is experienced through purchases, from layettes to caskets. The landscape is studded with logos, brand names, and billboards. Branded and On Display examines the work of artists who explore specific strategies of branding and presentation in their response to this pervasively commoditized environment. Representing a range of media - sculpture, video, installation, sound, painting, and photography - the work is compelling and provocative, nudging us to "re-view" our culture with an appraising eye. There is an exhilarating range of concerns and media represented by artists Ai Weiwei, Conrad Bakker, Amy Barkow, Ashley Bickerton, Michael Blum, Louis Cameron, Diller + Scofidio, Terence Gower, Laurie Hogin, Pierre Huyghe, Clay Ketter, Ryan McGinness, Donna Nield, Haim Steinbach, Tempi & Wolf, Yuken Teruya, Hank Willis Thomas, Brian Ulrich, Siebren Versteeg, and Zhao Bandi.

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A striking new investigation of design strategies, ideas and critical thinking in interior architecture. Using 40 international case studies, Adaptation Strategies for Interior Architecture and Design starts with the existing building and shows how designers and architects can bring together responses, ideas and resources in order to form new, clear and meaningful spatial designs. With 20 years’ experience in the field, Brooker introduces readers to the importance of context in both its site-specific and cultural meaning – from a disused aircraft hangar, to an old water defense. He examines eight different approaches to show how the adaptation of existing and, in particular, old buildings, can provide unique and unusual transformative solutions for the historic and contemporary built environment. Featured designers Adjaye Associates David Kohn Architects Diller Scofidio + Renfro Doepel Strijkers Architects Fabio Novembre Helix Architecture + Design IwamotoScott Architecture Karim Rashid Mark Horton Architects Morpurgo De Curtis Spark Architects Steven Holl Architects Studio Weave

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Design Technology in Contemporary Architectural Practice lifts the curtain to unveil how eleven world-leading design studios integrate technology (such as computational design, BIM, and digital fabrication) as part of their day-to-day design exploration and delivery. Via first-hand accounts, the book offers rare insights about how these firms apply technology to purposefully disrupt and support their creative design processes in order to then explore how technology can be integrated on an organisational level. The resulting practice stories are loosely tied to four chapters that discuss how Design Technology corresponds to studio culture, collaboration and delivery protocols, business opportunities, knowledge sharing, staff empowerment, and more. The author is less interested in presenting the latest and greatest tools than in focusing on cultural and organisational challenges and opportunities. This book benefits both the professional market (such as design firms reflecting on their technology use), as well as the academic context (with its critical reflection on the interface between design process and technology support). Stories from the following design firms are included:Coop Himmelb(l)auFoster + PartnersBjarke Ingels Group (BIG)Zaha Hadid ArchitectsDiller Scofidio + RenfoHeatherwick StudioMorphosis Architects SO-ILWoods BagotHerzog & de MeuronLASSA

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Architecture Constructed explores the central, open secret of architecture: the long-suppressed conflict between arche and teckton—between those who design, and those who build. This unresolved tension has a centuries-old history in the discipline, persisting through Classical and Renaissance times to the present day, and yet it has rarely been addressed through a historical and theoretical lens. In this book, acclaimed architectural theorist Mark Jarzombek examines this tension head-on, and uses it to rethink the nature of the history of architecture. He reveals architecture to be a troubled, interconnected realm, incomplete and unstable, where labor, craft, and occupation are the ‘invisible’ complements to the work of the architect. Erudite, entertaining, and full of surprising and thought-provoking juxtapositions and challenges, Architecture Constructed is packed with novel insights into the internal conflicts and paradoxes of architecture, and is rich with examples from modern and contemporary practice—including Mies, Koolhaas, Potrc, Hadid, Bawa, Diller + Scofidio—which demonstrate how contemporary architecture inhabits the very same tensions that have riven the discipline since the days of Alberti. This provocative book will stimulate conversations among students, researchers, and designers, as it pushes the boundaries on how we define the professional discipline of architecture and overturns entrenched assumptions about the nature of architectural history and theory.

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Workflows are being rethought and remodelled across the architecture, engineering and construction (AEC) spectrum. The synthesis of building information modelling (BIM) platforms with digital simulation techniques and increasing access to data, charting building performance, is allowing architects to engage in the generation of new workflows across multidisciplinary teams.By merging digital design operations with construction activities, project delivery and post-occupation scenarios, architects are becoming instrumental in the shaping of buildings as well as the design process. Workflows expand the territory of architectural practice by extending designers’ remit beyond the confines of the design stage. The implications for the AEC industry and architecture as a profession could not be greater. These new collaborative models are becoming as important as the novel buildings they allow us to produce.Contributors include: Shajay Bhooshan, John Cays, Randy Deutsch, Sean Gallagher, Ian Keough, Peter Kis, Jonathan Mallie, Adam Modesitt, Rhett Russo, Dale Sinclair, and Stacie Wong.Featured architects: Arup, Diller Scofidio + Renfro, GLUCK+, GRO Architects, PLANT, Populous, Young & Ayata, and Zaha Hadid Architects.

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The founder of the blog A Daily Dose of Architecture, John Hill, is obsessed with his subject and determined to expose his fellow citizens to the glorious structures that shape our environment. In this beautifully designed compendium Hill presents his selection of the most significant building to be built each year from 1916 to 2015. Each two-page spread includes one or two large color photos and text that explains the importance of each structure. Starting with H. P. Berlage's Holland House in London and closing with Diller Scofidio + Renfro's newly completed Broad museum in Los Angeles, Hill has combed the globe for iconic buildings. Notable inclusions are Helsinki Railroad Station; the Solimar Building in Cuba; Le Corbusier's Mill Owners' Association building in Ahmadabad, India; Habitat 67, a housing complex in Montreal; and Tadao Ando's Church of the Light in Osaka, Japan. What makes this collection so extraordinary is Hill's criteria for the buildings included: each must be able to be seen, approached, or explored by the average person.An introductory essay and a timeline that highlights important architectural events round out this engrossing survey that demonstrates the underlying themes and developments in the world of architecture today.

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“A colorful, digestible guide to the late 21st century and the role that architects play or don't play in shaping our collective understanding of citizenship.” –Inc Globalization, technology and politics have altered the definition and expectations of citizenship and the right to place. Dimensions of Citizenship documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This highly readable, visually led paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale. Drawing inspiration from the Eames' Power of Ten, Dimensions of Citizenship provides a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation) and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos). With contributions by Amanda Williams and Andres L. Hernandez in collaboration with Shani Crowe; Design Earth; Diller Scofidio + Renfro, Laura Kurgan and Robert Pietrusko, with Columbia Center for Spatial Research; Estudio Teddy Cruz + Fonna Forman; Keller Easterling; SCAPE; Studio Gang; exhibition curators Niall Atkinson, Ann Lui, Mimi Zeiger; and others. The book is published with seven different covers.

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The traditional veneration of architecture for its monumental and enduring qualities seems to be changing. Architects and other designers are moving away from seeking permanence towards a more open, creative use of what time has to offer. This is revealed in new approaches to historic preservation, the proliferation of temporary structures, concerns regarding sustainability, and the employment of time-efficient processes. Architecture Timed explores the role of ideas about time in the design inclinations and choices of contemporary designers of the environment. Contributors consider how the new can be incorporated into the old; how designing for the very short term has significant advantages; how what is temporary can be re-used; and how the design of materials, buildings and landscapes can improve sustainability and enhance experiences of time passing. Many designers have replaced the ideal of ‘timelessness’ and the view of time as a series of singular, static moments with an enriched and more nuanced perspective, treating time as a source of inspiration to be embraced, not a condition to be defended against. Contributors include: Juhani Pallasmaa, Brian McGrath, Federica Goffi, Jill Stoner, Richard Garber and Eric Parry. Designers featured include: Agence Ter, Shigeru Ban, BanG Studio, Diller Scofidio + Renfro, EMF Landscape Architects, Gluck+, GRO Architects, Interboro Partners, Toyo Ito, Kengo Kuma, Enric Miralles, Eric Parry Architects, Carlo Scarpa, Taylor Cullity Lethlean, UNStudio and Peter Zumthor.

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What does it mean to think beyond humanism? Is it possible to craft a mode of philosophy, ethics, and interpretation that rejects the classic humanist divisions of self and other, mind and body, society and nature, human and animal, organic and technological? Can a new kind of humanities-posthumanities-respond to the redefinition of humanity's place in the world by both the technological and the biological or "green" continuum in which the "human" is but one life form among many? Exploring how both critical thought along with cultural practice have reacted to this radical repositioning, Cary Wolfe-one of the founding figures in the field of animal studies and posthumanist theory-ranges across bioethics, cognitive science, animal ethics, gender, and disability to develop a theoretical and philosophical approach responsive to our changing understanding of ourselves and our world. Then, in performing posthumanist readings of such diverse works as Temple Grandin's writings, Wallace Stevens's poetry, Lars von Trier's Dancer in the Dark, the architecture of Diller+Scofidio, and David Byrne and Brian Eno's My Life in the Bush of Ghosts, he shows how this philosophical sensibility can transform art and culture. For Wolfe, a vibrant, rigorous posthumanism is vital for addressing questions of ethics and justice, language and trans-species communication, social systems and their inclusions and exclusions, and the intellectual aspirations of interdisciplinarity. In What Is Posthumanism? he carefully distinguishes posthumanism from transhumanism (the biotechnological enhancement of human beings) and narrow definitions of the posthuman as the hoped-for transcendence of materiality. In doing so, Wolfe reveals that it is humanism, not the human in all its embodied and prosthetic complexity, that is left behind in posthumanist thought.

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Data Cities explains how rocket science and electronic technologies are transforming how we live and understand architecture, as networks of semiconductors, satellites, scanners and sensors convert light into unprecedented formats and contents of information. Flows of data will inform our future behaviours in physical, virtual and hybrid-reality situations, and architecture and cities are being reinvented as not merely static structures, but places that pulse. Davina Jackson surveys exceptional projects created by leading architects, scientists, artists, engineers, geographers, urban planners, gamers, gardeners, filmmakers and musicians, including Lichtarchitektur by Asymptote, Yann Kersalé, Rafael Lozano-Hemmer, Bruce Munro and Leni Schwendinger; VR and AR demos by Greg Lynn, William Latham and Joe Paradiso; creative robotics by Carlo Ratti, Patrick Tresset, Zaha Hadid and Boston Dynamics; laser-cut constructs by Alex Haw and Patrick Keane; living architecture by Philip Beesley, Rachel Armstrong and Mitchell Joachim; space schemes by Foster + Partners and BIG; public buildings by MVRDV, Wolfgang Buttress, Diller Scofidio + Renfro, Santiago Calatrava, Coop Himmelblau, UN Studio, WOHA, SHoP, LAVA and MAD; atmospheric concepts by Philippe Rahm, Daan Roosegaarde and Bruce Ramus; city modelling by UCL CASA, 300.000 KM/s, ETH-Zurich and MIT; and underwater and aerial designs by Marc Newson, Ars Electronica-Spaxels and Kleindienst.

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This book documents contemporary architectural projects designed by women architects participating in diverse forms of practice in diverse regions around the world. Examining each design within its unique context, this collection of forty projects includes beautifully illustrated case studies of transformative buildings, encompassing a range of sizes, building types, materials, and construction methods. Overcoming historical challenges within architectural practice, the women architects in this collection lead their firms and expand the field of architecture. Brit Andresen, Andresen O’Gorman Architects, Australia; Sandra Barclay, Barclay & Crousse Architecture, Perú + France; Tatiana Bilbao Estudio, México; Shirley Blumberg, KPMB Architects, Canada; Eliana Bórmida, Bórmida y Yanzón Arquitectos, Argentina; Fernanda Canales Arquitectura, México; Gabriela Carrillo, México; Aziza Chaouni Projects, Canada; Elizabeth Diller, Diller Scofidio + Renfro, USA; Carmen Espegel, Espegel Arquitectos, España; Yvonne Farrell and Shelley McNamara, Grafton Architects, Éire; Jeanne Gang, Studio Gang, USA + France; Lina Ghotmeh Architecture, France; Melkan Gürsel, Tabanlıoğlu Architects, Turkey, UK + USA; Studio Anna Heringer, Deutschland; Francine Houben, Mecanoo, Nederland, Taiwan, UK + USA; Carla Juaçaba Studio, Brasil; Antonia Lehmann, Izquierdo Lehmann Arquitectos, Chile; Inês Lobo Arquitectos, Portugal; Lu Wenyu, Amateur Architecture Studio, China; Doriana Mandrelli Fuksas, STUDIO FUKSAS, Italia, France, UAE + China; Nina Maritz Architects, Namibia; Valerie Mulvin, McCullough Mulvin Architects, Éire; Sheila O’Donnell, O'Donnell + Tuomey, Éire + UK; Patricia Patkau, Patkau Architects, Canada; Estudio Carme Pinós, España; Samira Rathod Design Associates, Bhārat Ganarājya; Maria Samaniego, arquitectura x, Ecuador; Kazuyo Sejima, Kazuyo Sejima and Associates + SANAA, Japan; Brigitte Shim, Shim-Sutcliffe Architects, Canada; Sonja Petrus Spamer Architects, South Africa; Marina Tabassum Architects, Bangladesh; Kerstin Thompson Architects, Australia; Lene Tranberg, Lundgaard & Tranberg Arkitekter A/S, Danmark; Billie Tsien, Tod Williams Billie Tsien Architects | Partners, USA; Claire Weisz, WXY Architecture + Urban Design, USA; Sarah Wigglesworth Architects, UK; Xu Tiantian, DnA (Design and Architecture), China; Estudio Cazú Zegers Arquitectura, Chile; Maruša Zorec, Arrea Arhitektura, Slovenija

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We are entering a new era of architecture that is technologically enhanced, virtual and synthetic. Contemporary architects operate in a creative environment that is both real and digital; mixed, augmented and hybridised. This world consists of ecstasies, fears, fetishisms and phantoms, processes and spatiality that can best be described as Surrealist. Though too long dormant, Surrealism has been a significant cultural force in modern architecture. Founded by poet André Breton in Paris in 1924 as an artistic, intellectual and literary movement, architects such as Le Corbusier, Diller + Scofidio, Bernard Tschumi and John Hejduk realised its evocative powers to propel them to 'starchitect' status. Rem Koolhaas most famously illustrated Delirious New York (1978) with Madelon Vriesendorp's compelling Surrealist images. Architects are now reviving the power of Surrealism to inspire and explore the ramifications of advanced technology. Architects' studios in practices and schools are becoming places where nothing is forbidden. Architectural languages and theories are 'mashed' together, approaches are permissively appropriated, and styles are not mutually exclusive. Projects are polemic, postmodern and surreally media savvy. Today's architects must compose space that operates across the spatial spectrum. Surrealism, with its multiple readings of the city, its collage semiotics, its extruded forms and artificial landscapes, is an ideal source for contemporary architectural inspiration. Contributors include: Bryan Cantley, Nic Clear, James Eagle, Natalie Gall, Mark Morris, Dagmar Motycka Weston, Alberto Perez-Gomez, Shaun Murray, Anthony Vidler, and Elizabeth Anne Williams. Featured architects: Nigel Coates, Hernan Diaz Alonso, Perry Kulper, and Mark West.

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"A fascinating and insightful meditation on the act of memory as a built reality. " – Daniel Libeskind, architectAn extraordinary book that explores the art, architecture, and design of memorials around the world from the late twentieth century to today – an important book for our timeMemorials hold a special position in the cultural memory of communities, and collective consciousness of communities, cities, and countries. In Memory Of presents an extraordinary and moving collection of more than 60 exceptional structures commemorating some of the most destructive events of the 20th and 21st centuries, including war, genocide, terrorism, famine, and slavery from around the world.This important book highlights memorials built since 1982, featuring works from Berlin to Washington, D.C., from Montgomery, Alabama to Santiago, Chile, each urging us never to forget.In Memory Of features memorials designed by some of today's leading architects, including David Adjaye, Tadao Ando, Diller Scofidio + Renfro, Peter Eisenman, Daniel Libeskind, Maya Lin, Snøhetta, and Peter Zumthor. It also features memorials designed by artists like Elmgreen & Dragset, Isamu Noguchi, Taryn Simon, and Rachel Whiteread. The book includes well-known structures like Maya Lin's iconic Vietnam War Memorial, completed in 1982 in Washington, D.C. and more recent ones like the poignant National Memorial for Peace and Justice, completed by MASS Design Group in Montgomery, Alabama in 2018.With thoughtful essays on the subjects of hope, strength, grief, loss, and fear, and a moving foreword by Sir David Adjaye, In Memory Of helps to contextualize the projects and addresses the emotional aspects of memorialization. Beautifully designed with a minimal, reflective cover, and illustrated with 200 photographs, this book calls out to be experienced, felt, looked at, interpreted, and read in a variety of ways.

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Architecture in Context analyzes the work of contemporary international architects through the presentation of projects that exemplify their architectural vision and their connection with the spaces with which they work. It explains how the interaction between architecture and landscape is a pivotal aspect, and it describes the design strategies that architects use to insert buildings into the landscape with minimal environmental impact. At the center of designers' work, we find an attention to the identity of the place and the environment, consideration of cultural and social values, and observation of the intrinsic characteristics of the local site and materials. Presenting projects of different scales and sizes, from airports to museums, schools, private houses, public buildings, hotels, and industrial sites, this volume offers up a wide array of the most significant architectural projects by the most respected contemporary architects around the world. Projects: Azerbaijan: Autoban, Heydar Aliyev International Airport (Baku). China: Li Xiaodong Atelier, Liyuan Library (Beijing). Chile: Cazu Zegers Arquitectura, Tierra Patagonia Hotel (Torres del Paine); Rodrigo Duque Motta, Elqui Domos Astronomical Hotel (Pisco Elqui, Paihuano). Colombia: El Equipo Mazzanti, Parque Biblioteca Espana (Medellin). Denmark: 3XN, Frederiksberg Courthouse (Copenhagen). France: 5+1AA Alfonso Femia Gianluca Peluffo, Renovation of Les Docks (Marseille). Italy: Diverserighestudio, Opificio Golinelli (Bologna); Pietro Carlo Pellegrini Architetto, Secondary School (Riccione); MCA Mario Cucinella Architects, Municipal Nursery School (Guastalla); Enzo Eusebi + Partners, Salpi Plant (Preci). Portugal: ANDRE, Casa do Vigario (Paredes). Senegal: Toshiko Mori Architect, Thread Artist Residency and Cultural Center (Sinthian). South Africa: Peter Rich Architects, Mapungubwe Interpretation Centre (Limpopo). The Netherlands: Neutelings Riedijk Architects, Rozet Cultural Center (Arnhem). UK: Steven Holl Architects, Reid Building, Glasgow School of Art (Glasgow). USA: Diller Scofidio + Renfro, The Roy and Diana Vagelos Education Center (New York); Michael Maltzan Architecture, Star Apartments (Los Angeles); Thomas Phifer and Partners, Corning Museum of Glass Extension (Corning).

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The acclaimed exploration of the iconic ‘park in the sky' in New York that reshaped global perceptions of urban space - back in print Since opening to the public in 2009, the High Line has rapidly become one of New York City's most popular and beloved attractions. Phaidon's bestselling The High Line was the first book to document the creative process behind this remarkable architectural achievement comprehensively from concept to completion. Seven chapters offer a multidimensional perspective from the minds behind the iconic structure. Now back in print, and featuring over 1,000 images, including drawings and plans, this visual masterpiece captures the High Line's very essence.

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