Search results for ""Author David Lloyd""

This is the second selection of old photographs of Ludlow in the Archive Photographs Series. This new collection of over 200 evocative images traces some of the changes that have taken place in and around this vibrant community over the last century. The history of Ludlow is examined throughout the decades, from the beginning of the twentieth century up until the present day.The reader can see the progression of the history of the town, the changes that have taken place in transport and industry, the shops and streets that have changed over the years, and the experiences of external events such as two world wars that have helped shape and change the nature of the town. This second selection is a collaboration by the original author, David LLoyd, and photographer Gareth Thomas. Each image is accompanied by supporting text providing a wealth of local colour and historical detail.This fascinating collection will re-awaken memories among older residents, while showing the young, the face of the area as it used to be.

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THE SUNDAY TIMES BESTSELLER FROM CRICKET'S HUGELY POPULAR COMMENTATOR With his infectious enthusiasm for the game, David 'Bumble' Lloyd blends immense knowledge and experience with an eye for the quirky detail and an unending fund of brilliant stories. This definitive autobiography recalls his childhood in Accrington, Lancashire, when, after a long day playing cricket in the street, he would get his chance to wash himself in his family's bath - but only after his parents and uncle had taken their turn first. From being last in the tin bath, he moved on to make his debut for Lancashire while still in his teens, eventually earning an England call-up, when he had to face the pace of Lillee and Thomson - with painful and eye-watering consequences. After retiring as a player, he became an umpire and then England coach during the 1990s, before eventually turning to commentary with Sky Sports. After spending more than 50 years involved with the professional game, Bumble's memoir is packed with hilarious anecdotes from the golden age of Lancashire cricket through to the glitzy modern era of T20 cricket. He provides vivid behind-the-scenes insight into life with England and on the Sky commentary team. Last in the Tin Bath is a joy to read from start to finish and was shortlisted for the British Sports Book Awards Autobiography of the Year.

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This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, in nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh: major Irish contemporary poets never before the focus of a book-length study.

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Under Representation shows how the founding texts of aesthetic philosophy ground the racial order of the modern world in our concepts of universality, freedom, and humanity. In taking on the relation of aesthetics to race, Lloyd challenges the absence of sustained thought about race in postcolonial studies, as well as the lack of sustained attention to aesthetics in critical race theory. Late Enlightenment discourse on aesthetic experience proposes a decisive account of the conditions of possibility for universal human subjecthood. The aesthetic forges a powerful “racial regime of representation” whose genealogy runs from enlightenment thinkers like Kant and Schiller to late modernist critics like Adorno and Benjamin. For aesthetic philosophy, representation is not just about depiction of diverse humans or inclusion in political or cultural institutions. It is an activity that undergirds the various spheres of human practice and theory, from the most fundamental acts of perception and reflection to the relation of the subject to the political, the economic, and the social. Representation regulates the distribution of racial identifications along a developmental trajectory: The racialized remain “under representation,” on the threshold of humanity and not yet capable of freedom and civility as aesthetic thought defines those attributes. To ignore the aesthetic is thus to overlook its continuing force in the formation of the racial and political structures down to the present. Across five chapters, Under Representation investigates the aesthetic foundations of modern political subjectivity; race and the sublime; the logic of assimilation and the stereotype; the subaltern critique of representation; and the place of magic and the primitive in modernist concepts of art, aura and representation. Both a genealogy and an account of our present, Under Representation ultimately helps show how a political reading of aesthetics can help us build a racial politics adequate for the problems we face today, one that stakes claims more radical than multicultural demands for representation.

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David 'Bumble' Lloyd is one of cricket's great characters - hilarious, informative and insightful, and filled with boundless enthusiasm for the game. Now, in Cricket Characters, he tells the stories of the most important, influential, talented and entertaining characters he has come across in sixty years in the game. Following on from the bestselling successes of Last in the Tin Bath and Around the World in 80 Pints, in his new book Bumble looks back at the cricketers who have had the greatest impact on him throughout his career. From the gnarly veterans he first played against as a teenager in the Lancashire League, through the old pros he met on the county circuit while at Lancashire on to a revealing insight into life alongside Mike Atherton, Ian Botham, Nasser Hussain and Shane Warne in the commentary box, this book reveals Bumble at his best: telling great stories about his favourite people. Along the way, the reader not only learns who have been the funniest or most dangerous players to be around, but also gets an insight into what makes a team gel and players to perform at their very peak. It's the perfect gift for any cricket fan who loves the game and needs something to keep them amused as the autumn draws in and winter takes over.

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Under Representation shows how the founding texts of aesthetic philosophy ground the racial order of the modern world in our concepts of universality, freedom, and humanity. In taking on the relation of aesthetics to race, Lloyd challenges the absence of sustained thought about race in postcolonial studies, as well as the lack of sustained attention to aesthetics in critical race theory. Late Enlightenment discourse on aesthetic experience proposes a decisive account of the conditions of possibility for universal human subjecthood. The aesthetic forges a powerful “racial regime of representation” whose genealogy runs from enlightenment thinkers like Kant and Schiller to late modernist critics like Adorno and Benjamin. For aesthetic philosophy, representation is not just about depiction of diverse humans or inclusion in political or cultural institutions. It is an activity that undergirds the various spheres of human practice and theory, from the most fundamental acts of perception and reflection to the relation of the subject to the political, the economic, and the social. Representation regulates the distribution of racial identifications along a developmental trajectory: The racialized remain “under representation,” on the threshold of humanity and not yet capable of freedom and civility as aesthetic thought defines those attributes. To ignore the aesthetic is thus to overlook its continuing force in the formation of the racial and political structures down to the present. Across five chapters, Under Representation investigates the aesthetic foundations of modern political subjectivity; race and the sublime; the logic of assimilation and the stereotype; the subaltern critique of representation; and the place of magic and the primitive in modernist concepts of art, aura and representation. Both a genealogy and an account of our present, Under Representation ultimately helps show how a political reading of aesthetics can help us build a racial politics adequate for the problems we face today, one that stakes claims more radical than multicultural demands for representation.

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Worcestershire is a county of wide, fertile valleys, drained by the Severn, the Avon, the Teme and the Stour and ringed by some of England’s best-known hills, including the Malverns and the Cotswolds.This concise but comprehensive account is based on a wealth of published and unpublished research. It is both highly readable and well illustrated, and will interest the general reader, students and local groups seeking to put their own work within a wider perspective. Particular attention is given to the settlement of the county, especially to its colonisation by the Hwicce in the sixth and seventh centuries. There are fascinating insights into the lives of ordinary people through the ages, based on records such as medieval monastic estate records and later probate inventories. Throughout, local happenings are related to national trends, and dramatic events such as the Battle of Evesham of 1265 and the Gunpowder Plot of 1605 are highlighted.Contrasts between rural and urban areas are explored, and products such as the carpets of Kidderminster, the salt of Droitwich and the glass of Stourbridge are seen within a wider economic context. Information on important individuals is also examined, some of whom, such as Edward Elgar and the poet Piers Plowman, are already well known, while others emerge from local records for the first time. This book reaches right up to the 1990s, including the triumphs of Worcestershire County Cricket Club and the day-to-day concerns of the Archers in the final chapter.

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Provides a new approach to contemporary Irish poetry Offers a fresh approach to Irish poetry, bringing together well-known poets with new and exciting innovative work Combines illuminating close readings of poetry with reflections grounded in critical and aesthetic theory Introduces a number of contemporary Irish poets whose work has not received sufficient critical attention Puts Irish poetry in dialogue with major debates and concerns of European and American poetics Challenges conventional assumptions about the forms and values of Irish poetry This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh; major Irish contemporary poets never before the focus of a book-length study.

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Irish Experimental Poetry showcases a distinctive and vital body of poetry produced in contemporary Ireland which is modernist and innovative in style, and internationalist in outlook. The volume contains original poems by Maurice Scully, Trevor Joyce, Catherine Walsh, Billy Mills, Fergal Gaynor, and Sarah Hayden, and twelve new essays which explore and elucidate this hidden history of experimental poetry in Ireland.

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Welcome to the weird and wonderful world of "Bumble", the legendary SkySports cricket commentator who's one ball short of an over and delivers madcap moments galore in this ebullient, endearing and hilarious new book. David "Bumble" Lloyd is a legend in our living rooms, a genuine "good bloke" all cricket fans feel they know inside out because of his infectious, larger-than-life personality and that distinctive Lancashire burr. Bumble has become the one constant for passionate English fans in cricket's rapidly changing landscape. He has earned cult status as a commentator and pundit, with viewers loving his unerring dedication to the game's great fables. The World According to Bumble: Start the Car revels in the quirkier and humorous side of cricket, while offering behind-the-scenes action of Lloyd's years spent following cricket around the globe, from Accrington to Lahore. Bumble waxes lyrical on everything from the genius of Shane Warne to the merits of Lancashire’s premier pies … and the delights of finishing the day with a couple of pints and a curry. Enjoy the camaraderie that exists among the SkySports team - including former England captains Sir Ian Botham, Michael Atherton, Nasser Hussain and David Gower - and laugh out loud at the stories and anecdotes which have forged Bumble's character. Whether he is holding up play to retrieve lost balls from the top of sight-screens, or enacting mock pitch reports from car parks, Bumble is capable of stealing the limelight at all times.

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'Part travelogue, part memoir and wholly engaging' Daily MailBestselling author and hugely popular commentator David 'Bumble' Lloyd takes the reader on an unmissable and hilarious tour of the cricketing world as he searches for the perfect pint. After more than 50 years involved with cricket as a player, international, umpire, coach and now commentator, David Lloyd has travelled the world. It's all a long way from his childhood, growing up in a terraced house in post-war Accrington, Lancashire. But cricket has taken him all over the globe, and he has experienced everything from excruciating agony Down Under to the Bollywood glamour of the IPL - he's even risked it all to cross the Pennines into Yorkshire. In Around the World in 80 Pints, Bumble relives some of the most exciting and remarkable periods in his life, showing how his travels have opened up new and exciting avenues for him. The book is packed full of brilliant stories from famous Ashes matches and Roses clashes, sharing the commentary box with Ian Botham and Shane Warne, and much else besides - all told in his idiosyncratic style that has won him so many fans the world over. His previous autobiography, Last in the Tin Bath, was a huge bestseller, and this one is sure to appeal to anyone who shares Bumble's unquenchable love for cricket - and life!

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Water, water, everywhere. Or is it? "The Sound of Thirst" explains the urgency of taking water and waste water seriously in an age where good management and political will are chronically scarce. This book present a moral, economic and sustainable case for financing the many trillions of pounds of work needed worldwide in the coming decades to ensure safe water for all - and a cleaner earth. Leaving behind the old lie that water should be free, "The Sound of Thirst" explores how the human right to water is about empowering people to make reasoned choices about their destiny - and how mismanagement and political expediency have contributed to global inequality. Written by a leading water consultant, "The Sound of Thirst" will appeal to anybody looking to uncover the realities of our common future which lie behind the rhetoric.

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Colour is a key component in art and painting and a crucial aspect of successfully completing an acrylic painting. Ideal for beginning and intermediate artists seeking to develop their acrylic painting skills, Colour Mixing in Acrylic features a range of techniques and valuable instruction for working with and mixing colour in this classic medium. With this comprehensive guide, artists will learn how to mix fresh, vibrant colours in acrylic for painting almost any subject. Beginning with detailed information for using acrylic mixing tools and materials, Color Mixing in Acrylic introduces artists to the basics, including supports, colour palettes, painting knives, mediums, and other essentials designed to assist in effectively using this fast-drying paint. Artists will learn about colour theory, the colour wheel, and basic colour-mixing concepts, in addition to learning about primary, secondary and tertiary colours; colour complements; hue; value; and saturation. Also included is detailed information for learning to mix common acrylics in every major colour group, including vibrant greens for landscapes; soft flesh neutrals for portraits; and tints, shades, and tones for every colour in between. Information is packaged in a comprehensive, easy-to-follow format and includes plenty of inspiration, so that artists can put their newfound skills to practical use. With its breadth of detail and helpful instruction, Color Mixing in Acrylic is a must-have resource for any acrylic painter's reference library.

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Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings.

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Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

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Features poetry of ten poets, each with an American background and an active, creative engagement with Wales. This title deals with the 'matter of Wales' and the 'matter' of being Welsh-American, developed through divergent poetics and perspectives. It features Jon Dressel, Denise Lever, William Greenway, and William Virgil Davies.

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In the 1970s, '80s and '90s Britain witnessed what many in the business saw as the second great age of radio. It was a period when FM radio blossomed and local stations opened and broadcast across the land. It was a step away from the output of the national broadcaster, the BBC, which had held a monopoly on the airways since its inception. Broadcaster, station manager and regulator for over forty years David Lloyd was very much a part of this revolution and is, amongst his peers, well placed to tell that story. Lloyd describes the period as one of innovation, his aim to create a timeline of radio of this era through to the present day, to capture those heady days, the characters, the fun and heartache, life on the air, life off the air. And to revisit those station launches, company consolidations, the successes and the failures. Told with the insight of an insider, with his characteristic wit and a huge dollop of nostalgia, David Lloyd brings to life a unique age in broadcasting in this fascinating account.

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Lancashire Hotch-Potch is a collection of Bob Bond's drawings on cricket, particularly Lancashire cricket. It also includes some famous Test Match moments at Old Trafford and elsewhere. It’s not a book of statistics but cartoons including all the leading Lancashire players and all the Cup Finals. It will help you relive those moments and memorable matches. Nearly all of the events depicted are from before the Millennium, and this dip into Lancashire's colourful history will undoubtedly jog a few memories. Hear what David Lloyd says about the book: 'I've never been a big reader of books, let alone cricket books... and I have hundreds! I collect 'em but don't read 'em. But I do like picture books. As a lad I used to read comics... Topper, Beazer, Dandy, Beano ... I liked to chuckle at the characters. Bob's book caught my attention. I'm a lifelong Lancs lad... played a bit, coached a bit, talked a bit. The characters he portrays are exactly as I saw them.... True Lancastrians, and all with different characters and characteristics. Back to my comics. Bob's book made me chuckle. Memories, poignancy, nostalgia and fun”. Enjoy this dip into Lancashire's colourful history. What more do you want! Dig in! Over 200 cartoons including full page storyboards of One day finals and important matches.

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The gospels and ancient historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died 'under Pontius Pilate'. But what exactly does that mean? Within decades of Jesus' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur'an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he'd done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Dusenbury reveals Pilate's 'innocence' as not only a neglected theological question, but a recurring theme in the history of European political thought. He argues that Jesus' interrogation by Pilate, and Augustine of Hippo's North African sermon on that trial, led to the concept of secularity and the logic of tolerance emerging in early modern Europe. Without the Roman trial of Jesus, and the arguments over Pilate's innocence, the history of empire--from the first century to the twenty-first--would have been radically different.

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Global in scope, but refusing a familiar totalizing theoretical framework, the essays in The Politics of Culture in the Shadow of Capital demonstrate how localized and resistant social practices—including anticolonial and feminist struggles, peasant revolts, labor organizing, and various cultural movements—challenge contemporary capitalism as a highly differentiated mode of production.Reworking Marxist critique, these essays on Asia, Latin America, the Caribbean, North America, and Europe advance a new understanding of "cultural politics" within the context of transnational neocolonial capitalism. This perspective contributes to an overall critique of traditional approaches to modernity, development, and linear liberal narratives of culture, history, and democratic institutions. It also frames a set of alternative social practices that allows for connections to be made between feminist politics among immigrant women in Britain, women of color in the United States, and Muslim women in Iran, Egypt, Pakistan, and Canada; the work of subaltern studies in India, the Philippines, and Mexico; and antiracist social movements in North and South America, the Caribbean, and Europe. These connections displace modes of opposition traditionally defined in relation to the modern state and enable a rethinking of political practice in the era of global capitalism. Contributors. Tani E. Barlow, Nandi Bhatia, Dipesh Chakrabarty, Chungmoo Choi, Clara Connolly, Angela Davis, Arturo Escobar, Grant Farred, Homa Hoodfar, Reynaldo C. Ileto, George Lipsitz, David Lloyd, Lisa Lowe, Martin F. Manalansan IV, Aihwa Ong, Pragna Patel, José Rabasa, Maria Josefina Saldaña-Portillo, Jaqueline Urla

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Alan Moore and David Lloyd's powerful epic about loss of freedom and individuality gets the Absolute treatment! Taking place in a totalitarian England following a devastating war that changed the face of the planet, V FOR VENDETTA was the inspiration for the hit 2005 movie starring Natalie Portman and Hugo Weaving. This amazing graphic novel spotlights a mysterious man in a white porcelain mask and his young protege as they fight political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil and details a world where political and personal freedoms are non-existent.

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The gospels and ancient historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died 'under Pontius Pilate'. But what exactly does that mean? Within decades of Jesus' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur'an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he'd done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Dusenbury reveals Pilate's 'innocence' as not only a neglected theological question, but a recurring theme in the history of European political thought. He argues that Jesus' interrogation by Pilate, and Augustine of Hippo's North African sermon on that trial, led to the concept of secularity and the logic of tolerance emerging in early modern Europe. Without the Roman trial of Jesus, and the arguments over Pilate's innocence, the history of empire--from the first century to the twenty-first--would have been radically different.

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Why was Jesus, who said ‘I judge no one’, put to death for a political crime? Of course, this is a historical question—but it is not only historical. Jesus’s life became a philosophical theme in the first centuries of our era, when ‘pagan’ and Christian philosophers clashed over the meaning of his sayings and the significance of his death. Modern philosophers, too, such as Immanuel Kant and Friedrich Nietzsche, have tried to retrace the arc of Jesus’s life and death. I Judge No One is a philosophical reading of the four memoirs, or ‘gospels’, that were fashioned by early Christ-believers and collected in the New Testament. It offers original ways of seeing a deeply enigmatic figure who calls himself the Son of Man. David Lloyd Dusenbury suggests that Jesus offered his contemporaries a scandalous double claim. First, that human judgements are pervasive and deceptive; and second, that even divine laws can only be fulfilled in the human experience of love. Though his life led inexorably to a grim political death, what Jesus’s sayings revealed—and still reveal—is that our highest desires lie beyond the political.

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A Wilder Wales highlights the astonishing transformation of Wales from a poor rural backwater to the crucible of the industrial revolution and offers readers an insight into the ways in which outsiders viewed the land and its people. A fine gift book for discerning travellers and tourists wanting to take words from Wales home. “Even Hannibal himself wou’d have found it impossible to have march’d his army over Snowden” Daniel de Foe, A tour thro’ the whole island of Great Britain... 1724

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On February 21, 1803, Colonel Edward (Ned) Marcus Despard was publicly hanged and decapitated in London before a crowd of 20,000 for organizing a revolutionary conspiracy to overthrow King George III. His black Caribbean wife, Catherine (Kate), helped to write his gallows speech in which he proclaimed that he was a friend to the poor and oppressed. He expressed trust that “the principles of freedom, of humanity, and of justice will triumph over falsehood, tyranny, and delusion.” And yet the world turned. From the connected events of the American, French, Haitian, and failed Irish Revolutions, to the Anthropocene’s birth amidst enclosures, war-making global capitalism, slave labor plantations, and factory machine production, Red Round Globe Hot Burning throws readers into the pivotal moment of the last two millennia. This monumental history, packed with a wealth of detail, presents a comprehensive chronicle of the resistance to the demise of communal regimes. Peter Linebaugh’s extraordinary narrative recovers the death-defying heroism of extended networks of underground resisters fighting against privatization of the commons accomplished by two new political entities, the U.S.A. and the U.K., that we now know would dispossess people around the world through today. Red Round Globe Hot Burning is the culmination of a lifetime of research—encapsulated through an epic tale of love.

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On February 21, 1803, Colonel Edward (Ned) Marcus Despard was publicly hanged and decapitated in London before a crowd of 20,000 for organizing a revolutionary conspiracy to overthrow King George III. His Black Caribbean wife, Catherine (Kate), helped to write his gallows speech in which he proclaimed that he was a friend to the poor and oppressed. He expressed trust that “the principles of freedom, of humanity, and of justice will triumph over falsehood, tyranny, and delusion.” And yet the world turned. From the connected events of the American, French, Haitian, and failed Irish Revolutions, to the Anthropocene’s birth amidst enclosures, war-making global capitalism, slave labor plantations, and factory machine production, Red Round Globe Hot Burning throws readers into the pivotal moment of the last two millennia. This monumental history, packed with a wealth of detail, presents a comprehensive chronicle of the resistance to the demise of communal regimes. Peter Linebaugh’s extraordinary narrative recovers the death-defying heroism of extended networks of underground resisters fighting against privatization of the commons accomplished by two new political entities, the U.S.A. and the U.K., that we now know would dispossess people around the world through today. Red Round Globe Hot Burning is the culmination of a lifetime of research—encapsulated through an epic tale of love.

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Of all the books about cricket, Mike Harfield's "Not Dark Yet" brings a rare authenticity to the subject. This is a book by a genuine cricketer and a genuine cricket fan with a talent for capturing the spirit of this special game in his witty prose. David Lloyd, aka Bumble, laughed so much he agreed to write the Foreword. He even showed the book to Christopher Martin-Jenkins who found it 'very entertaining and enjoyable'. Reading the book raises the spirits with its cheerful jollity. The mixture of banter and eclectic cricketing information carries the reader along, making for both easy and captivating reading. Loosely based around Mike Harfield's captaincy of a cricket XI over 30 years, Not Dark Yet is both the humorous story of his team's efforts and his often irreverent take on first-class and international cricket. For 30 years the Mike Harfield XI has withstood atrocious umpiring, dreadful hangovers, bad haircuts and a woeful lack of talent, only to encounter an even greater adversity - middle age. Spiced with humour and plenty of banter about fellow team-mates and international players alike, their captain's tales convey an authentic picture of one team's endeavours, to which cricketers and non cricketers will easily relate.

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Hungary's political and cultural ferment at the start of the twentieth century produced geniuses such as the literary critic Gyorgy Lukacs, the writer (and later film theorist) Bela Balazs and the composer Bela Bartok. Their determination to participate in contemporary Western art movements was coupled with an enthusiasm for the folk traditions of a disappearing world. This guide introduces Bartok's stage works, where these influences merge: the opera Duke Bluebeard's Castle, and the ballets The Wooden Prince and The Miraculous Mandarin. Composer Julian Grant describes the score for Duke Bluebeard's Castle, a symbolist version of the Bluebird myth. Included in this volume are also the ballet scenarios which originally caught his imagination, and discussions of the choreographic potential and musical qualities of the scores; Ferenc Bonis indicates the increasing appeal for Bartok of the natural world, against the cataclysm of the First World War. Just as they make a powerful triple bill in performance, a comparative study of these works gives an insight into the issues of sexuality, humanity and artistic creativity which they raise.

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CAMINO IMAGINADO Blue leaves, hojas rotas in the shape of stars. Ni un "no" en tu vocabulario but for others; blue in place of green in the shape of Spain. Ojos the color of dirt, chocolate, coffee, time, azules las horas, hojas de horas van y se van, ni una palabra, ni una queja, nor broken bit a tu lado beside me andamos walking, sí walking caminamos caminos like these, such streets, what city. 7/15/95 Paris Xicancuicatl collects the poetry of leading avant-garde Chicanx poet Alfred Arteaga (1950–2008), whom French philosopher Gilles Deleuze regarded as "among those rare poets who are able to raise or shape a new language within their language." In his five published collections, Arteaga made crucial breakthroughs in the language of poetry, basing his linguistic experiments on the multilingual Xicanx culture of the US Southwest. His formal resources and finely tuned ear for sound patterns and language play remain astonishing. His poetical work, presented as a whole here for the first time, speaks more than ever to a moment in which border-crossing, cultural diversity, language-mixing and a multi-cultural vision of America are critical issues.

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Ernie O’Malley was a revolutionary republican and writer. One of the leading figures in the Irish independence and civil wars, he survived wounds, imprisonment and hunger strike, before going to the USA in 1928 to fundraise on de Valera’s behalf. Broken Landscapes tells of his subsequent journeys, through Europe and the Americas, where O’Malley moved in wide social circles that included Paul Strand, Edward Weston, Hart Crane and Jack B. Yeats. Back in Mayo he took up farming. In 1935 he married Helen Hooker, an American heiress, with whom he had three children, Cathal, Etain and Cormac, before a bitter separation. His literary reputation was established with a magnificent memoir, On Another Man’s Wound (1936). In later years he was close to John Ford, and worked on The Quiet Man (1952). This vibrant new collection of letters, diaries and fragments opens up the broad panorama of his life to readers. It enriches the history of Ireland’s troubled independence with reflections on loss and reconciliation. It links the old world to the new – O’Malley perched on the edge of the Atlantic, a folklore collector, art critic and radio broadcaster; autodidact, modernist and intellectual. It conducts a unique conversation with the past. In Broken Landscapes, we travel with O’Malley through Italy, the American Southwest, Mexico and points inbetween. In Taos, he mingled wiht the artistic set around D. H. Lawrence. In Ireland, he drank with Patrick Kavanagh, Liam O’Flaherty and Louis MacNiece. The young painter Louis le Brocquy was his guest on his farm in Burrishoole, Co. Mayo. These places and people remained with O’Malley in his private writing, assembled for the first time from family and institutional archives. Reading these letters, dairies and fragments is to see Ireland in the tumultuous world of the twentieth century, as if for the first time, allowing us to view the intellectual foundations of the State through the eyes of its leading chronicler.

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This famous opera has had a chequered performance history, and Professor Laurel E. Fay, in an illuminating musical analysis, points out that the interpretation of the opera depends very much on which edition is used. Robert Oldani introduces the 'Boris problem': Pushkin's play was not an obvious choice for a young composer, since it had been banned from performance for forty years, and it is the Russian people, rather than any single character, who is the protagonist. Mussorgsky forged his own text and created a legendary masterwork; Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne's comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities.

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Learn everything you need to know to create beautiful floral works of art in oil and acrylic!This comprehensive book opens with a guide to essential information on the necessary tools and materials for both sketching and painting, including pencils, paints and brushes, palettes, supports, and mediums. In addition to learning about basic drawing and painting techniques and colour theory, readers will learn how to create compelling compositions, achieve depth, and render realistic textures. In The Art of Painting Flowers in Oil & Acrylic, several talented and experienced artists guide readers through easy-to-follow lessons covering a variety of floral and plant life, including tulips, dahlias, hibiscus, roses, daisies, freesia, water lilies, bird of paradise, and more. With sections devoted to both mediums, readers will learn everything they need to know to create beautiful floral works of art in oil and acrylic. Along the way, aspiring artists will discover helpful tips and tricks for mixing vibrant colours, working from photographs, working outdoors, and creating volume and dimension.

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