Search results for ""Author David A. Powell""

Few students of the Civil War know that legendary historian Edwin C. Bearss produced a classic study on the little-known but significant Tupelo Campaign. The fighting in Mississippi has been overshadowed by Nathan Bedford Forrest’s more spectacular victory at Brice’s Crossroads a month earlier. Bearss performed the research and writing for the Department of the Interior in 1969, and only a handful of softcover copies were produced and circulated. It is published here for the first time, with the assistance of award-winning author David A. Powell, as Outwitting Forrest: The Tupelo Campaign in Mississippi, June 22 - July 23, 1864 .The engagement came about when Maj. Gen. A. J. Smith marched a Federal expeditionary force consisting of his 16th Army Corps into northern Mississippi in early July. The thrust forced a response, the largest of which was delivered by the combined Confederate cavalry commands of Stephen D. Lee (who was in general command) and Forrest.The tactical result was a Union defensive success. The larger Confederate strategic play, however—one that might have changed the course of the war in the Western Theater—would have been to unleash Forrest on a raid into Middle Tennessee to destroy the single line of railroad track feeding and suppling the Union armies of William T. Sherman in his ongoing operations around Atlanta. Instead, his men were contained with the Magnolia State, where his combat effectiveness was severely damaged.Editor Powell has left Bearss’ prose and notes intact, while adding additional sources and commentary of his own. The result is an exceptional study that has finally been made available to the general reading public as part of the Savas Beatie Battles & Leaders Series.

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The campaign for Atlanta was pivotal to the outcome of the American Civil War. Roughly 190,000 men waged war across northern Georgia in a struggle that lasted 133 days. Today a national park at Kennesaw commemorates this titanic fight, and there are a surprising number of physical reminders still extant across the state.The struggle for Atlanta divides naturally into two stages. The first half of the campaign, from May to mid-July, can be defined as a war of maneuver, called by one historian the “Red Clay Minuet.” Under Joseph E. Johnston the Confederate Army of Tennessee repeatedly invited battle from strong defensive positions. Under William T. Sherman, the combined Federal armies of the Cumberland, the Tennessee, and the Ohio repeatedly avoided attacking those positions; Sherman preferring to outflank them instead. Though there were a number of sharp, bloody engagements during this phase of the campaign, the combats were limited. Only the battles of Resaca and Kennesaw Mountain could be considered general engagements.Johnston’s repeated retreats and the commensurate loss of terrain finally forced Confederate President Jefferson Davis to replace him with a more aggressive commander—John B. Hood.This work will portray the first half of the Atlanta Campaign in text and images, using both historic sketches and photographs, as well as post-war and modern images. Extant trenches, rifle pits, redoubts, shoupades, and other works, as well as the battlefields, will be covered, as well as surviving historic structures and the monuments and cemeteries that commemorate the campaign.

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General John Bell Hood’s tenure commanding the Confederate Army of Tennessee stood in marked contrast to that of his predecessor Joseph E. Johnston. Where Johnston was forced to conduct a war of maneuver, parrying William T. Sherman’s repeated flanking attempts, he rarely risked offensive blows. The initiative remained almost entirely with the Federals. When Johnston did stand to accept battle, with only a few exceptions, he received enemy assaults behind fortified lines. However, weeks of retreating undermined morale.With Hood in charge, offense became the order of the day. Hood fought the two largest and bloodiest battles of the entire campaign within the space of two days: attacking at Peachtree Creek on July 20, and again at the Battle of Atlanta on July 22. A third attack at Ezra Church on July 28 was launched by Stephen D. Lee, on his own initiative. The results of all three battles, however, were the same—bloody failures for the Confederates. Thereafter, Hood adopted a more defensive strategy, choosing to preserve what combat power his army retained.The second volume on the Atlanta campaign portrays the final months of the struggle for Atlanta, from mid-July to September, including what remains to be seen of the battles around the city: Peachtree Creek, Atlanta, Decatur, and Ezra Church. The siege will cover historic views of Atlanta, operations east of the city, and the city’s capture. The cavalry chapter focuses on the Union cavalry raids south of Atlanta which ended in disaster. Finally, the fighting at Jonesboro will bring the series to a close.

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The Maps of Chickamauga explores this largely misunderstood battle through the use of 120 full-colour maps, graphically illustrating the complex tangle of combat’s ebb and flow that makes the titanic bloodshed of Chickamauga one of the most confusing actions of the American Civil War. Track individual regiments through their engagements at fifteen to twenty-minute intervals or explore each army in motion as brigades and divisions manoeuvre and deploy to face the enemy. The Maps of Chickamauga allows readers to fully grasp the action at any level of interest. The maps lay out the troops and terrain as they were in September of 1863. Opening and closing chapters describe each army’s approach to the battlefield and the retreat and pursuit to Chattanooga in the aftermath of the bloody combat. In between, sections are devoted to the fighting of September 18, 19, and 20, following the battle as it unfolds from a series of limited collisions between isolated columns into the bloody action of the last two days. Situation maps reflect the posture of each army on an hourly basis, while tactical maps reveal the intricacies of regimental and battery movements. The text accompanying each map explains the action in succinct detail, supported by a host of primary sources. Eyewitness accounts vividly underscore the human aspect of the actions detailed in the maps as brigades and regiments collide. Meticulously researched and footnoted by David Powell with cartography by David Freidrichs, The Maps of Chickamauga relies on the participants’own words to recreate the course of battle.

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While the Music Lasts posits that musical references in literary texts present two significant problems: first, how does the author recreate music or musical experiences? Second, what do these musical allusions say about the culture the author is describing and, of course, about the author her- or himself? Apart from displaying an acute awareness of music—baroque and romantic music; creation and performance; aesthetics and politics—the musical references Sand uses allow for commentary on contemporary politics and social reform and provide a wide range of material for a musico-literary study.

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Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate, far from her native Ile Bourbon (now Réunion). Written in 1832, the novel appeared during a period of French history marked by revolution and regime change, civil unrest and labor concerns, and slave revolts and the abolitionist movement, when women faced rigid social constraints and had limited rights within the institution of marriage. With this politically charged history serving as a backdrop for the novel, Sand brings together Romanticism, realism, and the idealism that would characterize her work, presenting what was deemed by her contemporaries a faithful and candid representation of nineteenth-century France.This volume gathers pedagogical essays that will enhance the teaching of Indiana and contribute to students' understanding and appreciation of the novel. The first part gives an overview of editions and translations of the novel and recommends useful background readings. Contributors to the second part present various approaches to the novel, focusing on four themes: modes of literary narration, gender and feminism, slavery and colonialism, and historical and political upheaval. Each essay offers a fresh perspective on Indiana, suited not only to courses on French Romanticism and realism but also to interdisciplinary discussions of French colonial history or law.

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