Search results for ""Author Danny Robins""

'A wonderfully entertaining ride' - Mark Gatiss, co-creator of Sherlock'A brilliant book, engaging and filmic' - Reece Shearsmith, co-creator of Inside No. 9'Scarily good!' - Danny Wallace, author of Yes ManThe ghosts of today don't live in castles or stately homes, they're in normal houses and workplaces, witnessed by people just like you and me. But are they the dead returning from the undiscovered country of death, or the product of that equally mysterious location, the human mind?'Danny Robins is on a mission to try to solve the greatest of all mysteries do ghosts exist? This thrilling book tells the stories of ordinary people who have experienced extraordinary things and want to understand them. It is also a journey of self-discovery, as Danny explores what the paranormal means to us, and considers the exciting yet terrifying prospect that we are not alone. From poltergeists and apparitions, to UFOs and strange messages from beyond the grave, Into the Uncanny is a page-turning

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'I'd get freaked out here, alone in the dark. Wondering what's lurking at the bottom of the bed, ready to grab your feet.' Jenny and Sam – and their baby Phoebe – have recently moved into their new home. But something feels frightening and wrong. Very wrong. Over the baby monitor, at 2:22 every night, Jenny hears footsteps around her daughter's cot. Could the house be haunted? When their friends Lauren and Ben come round for a housewarming dinner, they drink wine, relive their pasts, and argue about the existence of ghosts. They decide to stay up until 2:22, to discover the truth. Over one adrenaline-filled night – as the foxes scream outside – secrets will emerge and ghosts may appear… Spine-chilling, funny and scary, Danny Robins' play 2:22 was premiered at the Noël Coward Theatre in London's West End in August 2021, directed by Matthew Dunster, and starring Lily Allen, Julia Chan, Hadley Fraser and Jake Wood. It went on to win Best New Play at the 2022 WhatsOnStage Awards, and was nominated for Best New Play at the Olivier Awards. 2:22 provides rich opportunities for any drama group wanting to make things go bump in the night – and their audiences scream.

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