Search results for ""Author Daniel Wildenstein""

The catalogue, divided into two volumes, follows chronologically the development of Gauguin's work. Each painting is reproduced in color and is followed by commentary which analyzes the aesthetic qualities of his work and its relation to Gauguin's personal and professional life, bringing to light his tumultuous cultural, social and political world. Side-bars and inserts accompany the text reproducing photographs of family, friends and colleagues (which include other artistic greats as Pissaro and Van Gogh), and portions of letters they exchanged. The expositions of each painting and their history are carefully recorded in the catalogue. A final, vibrant chronology of Gauguin's life further enlivens the reading of this brilliant text, and opens the doors to a sensuous and pulsating world. The second volume is entirely dedicated to the works spanning from 1887-1888. 1888 was a year of artistic and intellectual upheaval in Europe, full of change and revolution. This volume closely follows and documents Gauguin's progressive escape from the boundaries of Western art and his search for freedom of expression, which he finds by mastering his formula on synthetism, a form of primitivism. This authoritative, and at the same time entertaining work, can be appreciated by both the novice and professional. It can be read chronologically or in order of interest. Ideal for the arm chair art traveler for it features paintings from over 40 museums and private collections worldwide, and includes 9 never before seen paintings by Gauguin.

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No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

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No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

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