Search results for ""Author Clifford Davidson""
Medieval Institute Publications Technology, Guilds, and Early English Drama
Technology, Guilds, and Early English Drama is designed to open up a broader scope of study that calls attention to both social organization and material culture as integrally related to the civic drama of England in cities such as Coventry, York, and Chester. It addresses many questions that have been frequently asked about the sources and design of those things that were used in the production of plays. The book will serve as a model for future interdisciplinary research based on records, archaeological finds, evidence from the visual arts, and the playtexts themselves.
£22.00
Medieval Institute Publications Gesture in Medieval Drama and Art
Gesture and movement on stage in early drama have previously received very little attention in scholarship. The present collection of essays is the first book to present sensible, penetrating, and wide-ranging discussions of the gestural effects that were integral to the early stage. In addition to consideration of the influence of classical rhetoric and reference to medieval texts and documents, the essays carefully bring to bear evidence from the art of the period and hence will be of great importance for those interested in the visual arts as well as the theater; eschewing both the naive methodologies promoted in past criticism and ephemeral theoretical concerns, the book is truly ground-breaking. These essays will need to be perused by every serious theater historian or student of art concerned with the late Middle Ages.
£17.50
Medieval Institute Publications The Saint Play in Medieval Europe
This illustrated volume intelligently provides a much-needed introduction to what may have been the most popular variety of drama in the Middle Ages: the saint play. A comprehensive and collaborative survey is provided with an emphasis on interdisciplinary study rather than only literary analysis. While the saint play in England is the connecting theme of the volume, the papers explore other topics necessary to fully understand the culture of the saint play, such as the genre as manifest on the continent, including plays in French, Italian, and German.
£30.00
Medieval Institute Publications Word, Picture, and Spectacle
Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.
£18.00
Medieval Institute Publications Illustrations of the Stage and Acting in England to 1580
This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English printers.
£17.50
Medieval Institute Publications Technology, Guilds, and Early English Drama
Technology, Guilds, and Early English Drama is designed to open up a broader scope of study that calls attention to both social organization and material culture as integrally related to the civic drama of England in cities such as Coventry, York, and Chester. It addresses many questions that have been frequently asked about the sources and design of those things that were used in the production of plays. The book will serve as a model for future interdisciplinary research based on records, archaeological finds, evidence from the visual arts, and the playtexts themselves.
£22.00
Medieval Institute Publications Fools and Folly
The Fool in the Middle Ages and Early Modern period was either a person who capitalized on his natural deficiencies, which were then considered amusing, or a professional entertainer the artificial Fool who specialized in clowning. His distinctive clothing and bauble are known to us through numerous Psalter illustrations where he is shown in connection with Psalm 52, which asserts that The fool has said in his heart there is no God. Attitudes toward the Fool varied, but his place was to become assured on stage, where his role is best known to us through the plays of Shakespeare. The articles in the present volume provide indispensable analyses of the Fool from a number of different perspectives.
£17.50
Medieval Institute Publications The York Corpus Christi Plays
The feast of Corpus Christi, celebrated annually on Thursday after Trinity Sunday, was devoted to the Eucharist, and the normal practice was to have solemn processions through the city with the Host, the consecrated wafer that was believed to have been transformed into the true body and blood of Jesus. In this way the "cultus Dei" thus celebrated allowed the people to venerate the Eucharistic bread in order that they might be stimulated to devotion and brought symbolically, even mystically into a relationship with the central moments of salvation history. Perhaps it is logical, therefore, that pageants and plays were introduced in order to access yet another way of visualizing and participating in those events. Thus the "invisible things" of the divine order "from the creation of the world" might be displayed. The York Corpus Christi Plays, contained in London, British Library, MS. Add. 35290 and comprising more than thirteen thousand lines of verse, actually represent a unique survival of medieval theater. They form the only complete play cycle verifiably associated with the feast of Corpus Christi that is extant and was performed at a specific location in England.
£26.50
Medieval Institute Publications Material Culture and Medieval Drama
The contributions by distinguished American and British scholars to this volume recognize that early drama depended on specific developments in material culture in order to achieve its effects, which included both visual and auditory means of appealing to audiences. The discussions range from the parchment and paper on which the plays were written to the instruments which enhanced their production. Of special interest is Mary Remnant's survey of musical instruments available to producers; she is the recognized expert on medieval English instruments.
£30.00
Medieval Institute Publications The Worlde and the Chylde
The Worlde and the Chylde, issued by the press of Wynkyn de Worde in 1521, is one of the very earliest plays published in England. It also has very considerable interest for its adaptation of the Ages of Man iconography, which is extensively treated in the introduction, notes, and illustrations.
£43.00
Medieval Institute Publications Iconoclasm vs. Art and Drama
The radical Protestantism that led to the suppression of religious drama in England also by the early years of Queen Elizabeth I destroyed perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation as well as new historical information concerning this phase of iconoclasm.
£17.50
Medieval Institute Publications The Fleury Playbook: Essays and Studies
Growing out of a symposium on the Fleury Playbook at the International Congress on Medieval Studies, this book includes essays from the symposium, as well as additional papers written by scholars whose specialties were not represented at the conference. Each essay covers a unique topic in the study of the Playbook, utilizing a diverse set of methodological tools and interdisciplinary approaches for subjects which have not heretofore received adequate scholarly attention. The topics at hand are each of significant interest to the field at large.
£26.50
Medieval Institute Publications The Early Art of Coventry, Stratford-upon-Avon, Warwick, and Lesser Sites in Warwickshire: A Subject List of Extant and Lost Art Including Items Relevant to Early Drama
The study of the early art of England can be frustrating for scholars, as the destruction by iconoclasm and neglect was very thorough in certain regions. This volume seeks to aid those studying the early art, including relics and musical iconography, of Coventry, Stratford-upon-Avon, Warwick, and other Warwickshire locations. Accompanied by 71 illustrations and 2 maps, the subject lists found within provide information from records and antiquarian accounts that should prove invaluable in visualizing the dimensions of the iconography of both lost and extant early art from the region.
£17.50
Medieval Institute Publications The Early Art of Coventry, Stratford-upon-Avon, Warwick, and Lesser Sites in Warwickshire: A Subject List of Extant and Lost Art Including Items Relevant to Early Drama
The study of the early art of England can be frustrating for scholars, as the destruction by iconoclasm and neglect was very thorough in certain regions. This volume seeks to aid those studying the early art, including relics and musical iconography, of Coventry, Stratford-upon-Avon, Warwick, and other Warwickshire locations. Accompanied by 71 illustrations and 2 maps, the subject lists found within provide information from records and antiquarian accounts that should prove invaluable in visualizing the dimensions of the iconography of both lost and extant early art from the region.
£17.50
Medieval Institute Publications A Tretise of Miraclis Pleyinge
Clifford Davidson's newly revised and expanded edition of A Tretise of Miraclis Pleyinge makes available the most significant text of dramatic criticism in Middle English. A polemic against the playing of "miraclis," the Tretise is frequently linked to the Wycliffite or Lollard movements of the late fourteenth and early fifteenth centuries. In an essay on the text's dialect, Paul A. Johnston, Jr. definitively identifies the Tretise as the work of two authors who lived in adjacent counties in the Midlands.
£19.25
Medieval Institute Publications Everyman and Its Dutch Original, Elckerlijc
Faced with death's certainty-and the uncertainty of the time of its coming, particularly in a historical period of widespread plague and other afflictions-as well as the inevitability of the hereafter, what is one to do? Everyman speaks to this dilemma. . . . The protagonist is one who, because he has laid up treasures on earth, has been in a position to do good deeds, but he has been very lax about it and instead has pursued enjoyment and wealth, the latter hoarded instead of being shared with the poor and needy. . . . Now he must, as the medieval mystics knew, endure the solitariness of leaving behind all that has given him comfort in this world. . . . This facing page translation of this Continental play will be useful to all students of theater.
£13.61
Medieval Institute Publications Mary of Nemmegen: The ca. 1518 Translation and the Middle Dutch Analogue, Mariken van Nieumeghen
Mary of Nemmegen, a prose condensation in English of the Middle Dutch play Mariken van Nieumeghen, is an important example of the literature that was imported from Holland in the early part of the sixteenth century. It also may be compared to Everyman, described as a treatise "in the manner of a moral play." Mary of Nemmegen is an analogue of the Faustus story. As such, it is also a window on the obsession in its own time with the occult.
£70.00
