Search results for ""Author Claire-Louise Bennett""

A New York Times 10 Best Books of 2022 Selection 'Extraordinary . . . radiant' Sunday Times'An existential tour-de-force' Eimear McBride'Elatingly risky' Guardian 'We read in order to come to life.'With fierce imagination, a woman revisits the moments that shape her life; from crushes on teachers to navigating relationships in a fast-paced world; from overhearing her grandmothers' peculiar stories to nurturing her own personal freedom and a boundless love of literature.Fusing fantasy with lived experience, Checkout 19 is a vivid and mesmerising journey through the small traumas and triumphs that define us - as readers, as writers, as human beings.* A 'Books of 2021' pick in the Guardian, Daily Mail, Daily Telegraph, Irish Times Culture and New Statesman *'This is her new book to shake the world anew' Sebastian Barry'Mesmerising, whip-smart, full of genius . . . It is also very funny' Elaine Feeney'Her voice is all her own' Anne Enright

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Feverish and forthright, Pond is an absorbing chronicle of the pitfalls and pleasures of a solitudinous life told by an unnamed woman living on the cusp of a coastal town. Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

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A book of voices, landscapes and seasons, Ann Quin's newly republished novel mirrors the multiplicity of meanings of the very word 'passage'--of music, of time, and of life itself. A woman, accompanied by her lover, searches for her lost brother, who may have been a revolutionary, and who may have been tortured, imprisoned or killed. Roving through a Mediterranean landscape, they live out their entangled existences, reluctant to give up, afraid of the outcome. Reflecting the schizophrenia of its characters, the novel splits into alternating passages, switching between the sister and her lover's perspective. The lover's passages are also fractured, taking the form of a diary with notes alongside the entries. An intricate system of repetition and relation builds across the passages. 'All seasons passed through before the pattern formed, collected in parts.' Erotic and tense, in Quin's compelling third novel the author allowed her writing freer rein than before, and created a work ahead of its time: her most poetic, evocative and mysterious novel yet.

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Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad GleesonThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release ...Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

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