Search results for ""Author Claire Colebrook""

Who Would You Kill to Save the World? examines how postapocalyptic cinema uses images from the past and present to depict what it means to preserve the world—and who is left out of the narrative of rebuilding society. Claire Colebrook redefines “the world” as affluent Western society and “saving the world” as preventing us from becoming the othered them who are viewed in their suffering. Colebrook further examines how the use of postapocalyptic cinema is a humanist—Western, capitalist, colonizing, white, heteronormative, and individualist—creation and challenges the notion that a world built on foundations of exploitation is worth saving. Colebrook combines postapocalyptic fiction, concern over the global climate crisis, colonialism, and anti-Blackness to explain how contemporary postapocalypse blockbusters circulate ideas of whiteness and the right of the privileged to rebuild the world. Who Would You Kill to Save the World? is a provocative addition to the field of extinction studies and challenges the conceptual frames we use to define ourselves.

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Posthumous Life launches critical life studies: a mode of inquiry that neither endorses nor dismisses a wave of recent "turns" toward life, matter, vitality, inhumanity, animality, and the real. Questioning the nature and limits of life in the natural sciences, the essays in this volume examine the boundaries and significance of the human and the humanities in the wake of various redefinitions of what counts as life. They explore the possibility of theorizing life without assuming it to be either a simple substrate or an always-mediated effect of culture and difference. Posthumous Life provides new ways of thinking about animals, plants, humans, difference, sexuality, race, gender, identity, the earth, and the future.

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Until recently, "continental" philosophy has been tied either to the German tradition of phenomenology or to French post-structuralist concerns with the conditions of language and textuality. Giorgio Agamben draws upon and departs from both these lines of thought by directing his entire corpus to the problem of life - political life, human life, animal life, and the life of art. Influenced by the work of Martin Heidegger, Walter Benjamin, and the broader tradition of critical Marxism, Agamben's work poses the profound question for our time - just how exceptional are human beings? This beautifully written book provides a systematic, engaging overview of Agamben's writings on theology, aesthetics, political theory, and sovereignty. Covering the full range of Agamben's work to date, Claire Colebrook and Jason Maxwell explain Agamben's theology and philosophy by referring the concepts to some of today's most urgent political and ethical problems. They focus on the audacious way in which Agamben reconceptualizes life itself. Assessing the significance of the concepts key to his work, such as biopolitics, sovereignty, the "state of exception," and "bare life," they demonstrate his wide-ranging influence across the humanities.

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Until recently, "continental" philosophy has been tied either to the German tradition of phenomenology or to French post-structuralist concerns with the conditions of language and textuality. Giorgio Agamben draws upon and departs from both these lines of thought by directing his entire corpus to the problem of life - political life, human life, animal life, and the life of art. Influenced by the work of Martin Heidegger, Walter Benjamin, and the broader tradition of critical Marxism, Agamben's work poses the profound question for our time - just how exceptional are human beings? This beautifully written book provides a systematic, engaging overview of Agamben's writings on theology, aesthetics, political theory, and sovereignty. Covering the full range of Agamben's work to date, Claire Colebrook and Jason Maxwell explain Agamben's theology and philosophy by referring the concepts to some of today's most urgent political and ethical problems. They focus on the audacious way in which Agamben reconceptualizes life itself. Assessing the significance of the concepts key to his work, such as biopolitics, sovereignty, the "state of exception," and "bare life," they demonstrate his wide-ranging influence across the humanities.

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Posthumous Life launches critical life studies: a mode of inquiry that neither endorses nor dismisses a wave of recent "turns" toward life, matter, vitality, inhumanity, animality, and the real. Questioning the nature and limits of life in the natural sciences, the essays in this volume examine the boundaries and significance of the human and the humanities in the wake of various redefinitions of what counts as life. They explore the possibility of theorizing life without assuming it to be either a simple substrate or an always-mediated effect of culture and difference. Posthumous Life provides new ways of thinking about animals, plants, humans, difference, sexuality, race, gender, identity, the earth, and the future.

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Despite the fact that time, evolution, becoming and genealogy are central concepts in Deleuze's work there has been no sustained study of his philosophy in relation to the question of history. This book aims to open up Deleuze's relevance to those working in history, the history of ideas, science studies, evolutionary psychology, history of philosophy and interdisciplinary projects inflected by historical problems. The essays in this volume (all by internationally recognised Deleuze scholars) cover all aspects of Deleuze's philosophy and its relation to history, ranging from the application of Deleuze's philosophy to historical method, Deleuze's own use of the history of philosophy, his interpretations of other historical thinkers (such as Hume and Nietzsche) and the complex theories of time and evolution in his work. Contributors include: Paul Patton, Manuel DeLanda, John Protevi, Ian Buchanan, Tim Flanagan, James Williams, Eve Bischoff, Jay Lampert.

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