Search results for ""Author Christopher Reed""
Columbia University Press Bachelor Japanists: Japanese Aesthetics and Western Masculinities
Challenging cliches of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s. Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity.
£27.00
Columbia University Press Bachelor Japanists: Japanese Aesthetics and Western Masculinities
Challenging cliches of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s. Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity.
£90.00
The University of Chicago Press A Roger Fry Reader
In the first decades of the 20th century, the art critic Roger Fry introduced English-speaking audiences to modern French art and formalist aesthetic theory. this text, edited by Christopher Reed, brings together for the first time a comprehensive selection of Fry's essays. Most appear here for the first time since their original publication in scholarly journals and art magazines, while some have never been published before. Representing 40 years of engagement with the arts, the essays cover a broad spectrum of topics, from Fry's influential promotion of Post-Impressionism to art education, museums, architecture, decorative art, and the implications of literature and dance for the visual arts. Reed also provides valuable historical background and considers Fry's legacy for the present.
£36.04
Cornell University Press A Room of Their Own: The Bloomsbury Artists in American Collections
Although of another place and time, the Bloomsbury group confronted issues that are remarkably current: international crises, war, the value of craft in an industrialized world, women's rights, environmental protection, and the search for the true, the good, and the beautiful in their art and their lives. A Room of Their Own: The Bloomsbury Artists in American Collections examines the group's responses to these issues, providing a valuable mirror on how people can address similar concerns today. A hundred years after the Bloomsbury group was established, their story still resonates and brings together a variety of interests across many artistic and intellectual pursuits. This catalog, the companion catalog to an acclaimed exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University in 2008, is illustrated with full-color plates of the two hundred exhibited works, as well as numerous color figures of comparative works and documentary photographs. It also features essays by several leading Bloomsbury scholars. Gretchen Holbrook Gerzina, author of a major 1995 Carrington biography, provides a personal overview of artistic Bloomsbury. Nancy E. Green, the Johnson Museum curator and organizer of the exhibition, explores the Victorian-era influence on sisters Virginia Woolf and Vanessa Bell. Mark Hussey's essay discusses the cultural differences behind how British and American audiences experience Virginia Woolf and the Bloomsbury group. Benjamin Harvey offers "An Appreciation of Bloomsbury's Books and Blocks." Christopher Reed presents personal stories behind many of the prominent Bloomsbury collectors in North America.
£29.99
Pennsylvania State University Press Field Language: The Painting and Poetry of Warren and Jane Rohrer
Field Language presents the work of an extraordinary couple who together left the rural lifeways of their Mennonite upbringing to go “into the world” to create forms of modern art that reflected on the places and culture they came from. Published on the occasion of a retrospective exhibition devoted to the working relationship between abstract painter Warren Rohrer and his wife, poet Jane Turner Rohrer, this sumptuously illustrated book explores the Rohrers’ painting and poetry in relation to their biographies and to the nature of modernism and modernity. The artists, poets, and historians contributing to this volume present a variety of perspectives on the Rohrers, situating their work within the context of modernism, the changing agricultural landscapes of Lancaster County, Pennsylvania, and the aestheticization of local craft practices. Through the work of these two highly original and creative artists, Field Language invites readers to consider relationships between global art movements and local visual cultures, issues of land use, the sustainability of rural communities and cultures, and our own relationships with agricultural landscapes, seasonal change, labor, and human need and desire.In addition to the editors, the contributors include Christopher Campbell, Steven Z. Levine, Nancy Locke, Sally McMurry, Janneken Smucker, William R. Valerio, Jonathan Frederick Walz, and Douglas Witmer.
£34.95
