Search results for ""Author Christopher Hampton""

There's this monstrous idiot - this monstrous elected idiot - who keeps telling his fellow-idiots to throw my books on a bonfire and beat me up in the street. Stefan is a successful author - widely read, universally admired, and translated into every language.

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The scandalous reputation of Laclos's novel, first published in 1782, is based on its chilling portrayal of the mannered decadence and sexual cynicism of the French aristocracy in the last years of the ancien regime. Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.Les liaisons dangereuses was premiered by Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, on 24 September 1985, and won Christopher Hampton the Evening Standard Award for Best Play and the Laurence Olivier Award for Best New Play in 1986.

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ATONEMENTTHE SHOOTING SCRIPT®Screenplay by Christopher HamptonBased on the novel by Ian McEwanIntroduction by Christopher HamptonA Newmarket Shooting Script® Series Book 30 Colour photos in a colour insertThe official screenplay book tie-in to the adaptation by screenwriter Christopher Hampton (Academy Award® winner for Dangerous Liaisons) of Ian McEwan's best-selling 2002 novel, starring James McAvoy (BAFTA Award nominee for The Last King of Scotland) opposite Academy Award-nominated Keira Knightley, directed by Joe Wright (Pride & Prejudice), coming from Focus Features in December. Filmed on location in the U.K., the story of Atonement spans several decades. In 1935, 13-year-old fledgling writer Briony Tallis (Saoirse Ronan) and her family live a life of wealth and privilege in their enormous mansion. On the warmest day of the year, the country estate takes on an unsettling hothouse atmosphere, stoking Briony's vivid imagination. Robbie Turner (James McAvoy), the educated son of the family's housekeeper, carries a torch for Briony's headstrong older sister Cecilia (Keira Knightley). Cecilia, he hopes, has comparable feelings; all it will take is one spark for this relationship to combust. When it does, Briony-who has a crush on Robbie- is compelled to interfere, going so far as accusing Robbie of a crime he did not commit. Cecilia and Robbie declare their love for each other, but he is arrested-and with Briony bearing false witness, the course of three lives is changed forever. Briony continues to seek forgiveness for her childhood misdeed. Through a terrible and courageous act of imagination, she finds the path to her uncertain atonement, and to an understanding of the power of enduring love. Praise for the film Atonement:"Impressively directed, beautifully photographed and superbly adapted drama with terrific performances from its cast."-The View (London)

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This first collection of Hampton's work includes The Philanthropist, which premièred at the Royal Court Theatre in 1970 and went on to become one of the Court's longest-running West End transfers. The volume also contains Treats, Savages and Hampton's deeply affecting drama about the relationship of the French poets Rimbaud and Verlaine, Total Eclipse.

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Benjamin Rubin is a cantankerous old writer, whisky aficionado and pedant, still basking in the reflected glory of long-ago success. Martin Wegner is a rising young literary star, heralded as 'the voice of his generation'.When Martin is given the opportunity to develop his new play under the mentorship of his idol, the writers meet in a dilapidated art-nouveau villa somewhere in the German countryside. Two massive egos are set on a collision course in this perceptive and compelling comedy about art and artists and the legacy of fame.Christopher Hampton's translation of The Mentor by Daniel Kehlmann premiered at the Ustinov Studio, Theatre Royal Bath, in April 2017.

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Simon Weinberg is dead. And, on a November morning, six people gather at his funeral - brothers and a sister, lovers and in-laws. Mourning allows them a special privilege and, for a few hours, they are isolated in another world under a lingering sun, in the shadow of the deceased.Written by the winner of the award-winning Art, Conversations after a Burial is a savage but richly comic play which explores that ineffable moment of mourning, when the newly deceased is still almost palpable, the moment in which one can maintain the memory of a breath, the intense pause between absence and the return to everyday existence, between loss and life.

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Two couples. Friendship, suspicion, deceit. And the truth. Florian Zeller's The Truth, in the English translation by Christopher Hampton, premiered at The Chocolate Factory, London, in association with Theatre Royal Bath. It follows the phenomenal success of The Father (Theatre Royal Bath, Tricycle, London and West End) and The Mother (Theatre Royal Bath, Tricycle, London), both by Florian Zeller and translated by Christopher Hampton.

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What happens when two sets of parents meet up to deal with the unruly behaviour of their children? A calm and rational debate between grown-ups about the need to teach ids how to behave properly? Or a hysterical night of name-calling, tantrums and tears before bedtime?Boys will be boys, but the adults are usually worse - much worse.Christopher Hampton's translation of Yasmina Reza's sharp-edged play God of Carnage premiered at the Gielgud Theatre, London, in March 2008. Christopher Hampton has translated five plays by Yasmina Reza: 'Art', The Unexpected Man, Conversations after a Burial, Life x 3 and God of Carnage.Winner of three 2009 Tony Awards, including Best Play.Winner of the 2009 Olivier Award for Best Comedy.

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Nicolas is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. A different school, a fresh start. When he senses he isn't wanted there, he decides to go back to his mother's. But what happens when the options dry up? I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son completes a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019, and transferred to the Duke of York's Theatre in August.

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I know now, Kostya, I understand that in our work - doesn't matter whether it's acting or writing - what's important isn't fame or glamour, none of the things I used to dream about, it's the ability to endure.The Seagull is one of the great plays about writing. It superbly captures the struggle for new forms, the frustrations and fulfilments of putting words on a page. Chekhov, in his first major play, staged a vital argument about the theatre which still resonates today. Christopher Hampton's new version of this classic, directed by Ian Rickson in his last production as Artistic Director of the Royal Court Theatre, London, premiered in January 2007.

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The MotherAnne loved the time in her life when she prepared breakfast each morning for her two young children. Years later, spending hours alone, Anne convinces herself that her husband is having an affair. If only her son were to break-up with his girlfriend. He would return home and come down for breakfast. She would put on her new red dress and they would go out. The Mother, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath, and premiered in May 2015. Florian Zeller's The Mother was awarded the Moliere Award for Best Play 2011.The Father'A wonderfully peculiar, quietly stunning depiction of dementia... A controlled, unforgettable portrait of losing your memory.' Times'A vivid, lucent translation by Christopher Hampton.' Observer'One of the most acute, absorbing and distressing portraits of dementia I've ever seen.' Daily Telegraph'A play that constantly confounds expectations and works almost like a thriller, with a sinister Pinteresque edge.' GuardianThe Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015. Florian Zeller's The Father was awarded the Moliere Award for Best Play 2014.

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He can't help himself and he plunges into the forest. until the moment it dawns on him: night has fallen and he is completely lost.Pierre finds himself at a turning point, tormented by the conflicting demands of family, career and sexual desire. His struggle to resolve this crisis, without fracturing his marriage or compromising his comfortable way of life, is explored in original and unsettling ways.Florian Zeller's raw and mysterious play, translated by Christopher Hampton, premieres at Hampstead Theatre, London, in February 2022. I'm telling you a story, if that's all right by you. Apparently you've no objection to telling stories yourself. Am I right?

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In Florian Zeller's The Lie, a companion piece to his earlier play The Truth, Michel and Laurence are coming for dinner. But Alice has spotted Michel kissing another woman that very afternoon, leaving her with a dilemma. Her husband Paul believes it is better to behave as if nothing has happened; Alice is far from sure. An argument ensues and as their own relationship is held up to scrutiny, the question as to who is being protected and why grows ever more difficult to answer. Translated by Christopher Hampton, The Lie received its English language world premiere at the Menier Chocolate Factory, London, in September 2017.

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The strongest man in the world is he who stands most alone.Dr Stockmann attempts to expose a water pollution scandal in his home town which is about to establish itself as a spa. When his brother conspires with local politicians and the newspaper to suppress the story, Stockmann appeals to a public meeting - only to be shouted down and reviled as 'an enemy of the people'. Ibsen's explosive play reveals his distrust of politicians and the blindly held beliefs of the masses. Christopher Hampton's version of Ibsen's classic was first staged at the National Theatre, London, in 1997.

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Anton Chekhov's play Uncle Vanya in a new version by Christopher Hampton. This version will be first staged at the Vaudeville Theatre, London, on 25 October 2012 and run until 16 February 2013.'It's often said that the best of the Chekhov plays is the one you've seen most recently. Uncle Vanya doesn't have a suicide, like The Seagull, or an adulterous couple and a duel more or less indistinguishable from murder, like Three Sisters; nor does it seem to announce the end of an era, like The Cherry Orchard: all it has is a series of ludicrously bungled attempts at murder and suicide and adultery. Perhaps these failures are what makes it feel the saddest and most truthful of these great tragi-comedies, in which, possibly unique to all drama, not a single word seems redundant or out of place.' - From the author's introduction.

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Serge has bought a modern work of art for a large sum of money. Marc hates the painting and cannot believe that a friend of his could possibly want such a work. Yvan attempts, unsuccessfully, to placate both sides with hilarious consequences. The question is: Are you who you think you are or are you who your friends think you are?

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André and Madeleine have been in love for over fifty years. This weekend, as their daughters visit, something feels unusual. A bunch of flowers arrive, but who sent them? A woman from the past turns up, but who is she? And why does André feel like he isn't there at all?Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

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