Search results for ""Author Christianne Weber-Stober""

This publication, accompanying the 17th Silver Triennial, presents the current world of international silversmithing and metal design. A rich repertoire of hand-crafted everyday objects illustrates current worldwide approaches that have emerged over the last two years: from coffee and tea pots, via large and small bowls, to candlesticks, vases, salt and pepper casters, cutlery or small table accessories. Every three years renowned designers and emerging young artists from the world of silversmithing participate in the competition. A top-class jury: Dr. Barbara Grotkamp-Schepers, Klingenmuseum Solingen (DE); David Huycke, metal artist and professor in Hasselt (BE); Rosemarie Jager, Galerie im Kelterhaus Hochheim (DE) selects the best of the best. The competition has been held since 1965 to promote international contemporary silversmithing. It is a joint project by the Gesellschaft fur Goldschmiedekunst e.V. [Association for Goldsmiths Art] and the Deutsches Goldschmiedehaus Hanau [German Goldsmiths House], and is one of the most significant events of its kind world-wide. Text in English & German.

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The publication for the nineteenth Silver Triennial provides an exciting review of the current silver scene from across the globe. The competition is organised by the Society for Goldsmiths' Art in collaboration with the City of Hanau, which invited internationally renowned silversmiths and metal designers as well as emergent up-and-coming artists to participate in the competition. The diverse repertoire of silver everyday implements; such as tea-, water- and coffee pots, bowls, cutlery, candlesticks and jars, as well as abstract objects; is exemplary of twenty-first-century silversmithing. A top-class jury selected the award winners and exhibitors. Text in English and German.

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The publication for the 18th Silver Triennial documents the results of the international competition for current trends in the silver scene announced by the Gesellschaft fur Goldschmiedekunst e.V. and the Deutsches Goldschmiedehaus Hanau. Renowned silversmiths and metal designers who are active across the globe as well as up-and-coming artists present their ideas for pitchers, bowls, tumblers, cutlery, candelabras and accessories. A top-class jury Paul Derrez, Galerie Ra, Amsterdam; Dr Wolfgang Schepers, retired director of the Museum August Kestner, Hanover; and Bruno Sievering-Tornow, master silver- and goldsmith, and specialist teacher at the Staatliche Zeichenakademie Hanau selects the best of the best from 2016.

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Since 1965, the Association for Goldsmiths’ Art and the German Goldsmiths’ House Hanau have been organising the Silver Triennial International to promote contemporary silversmithing. The 20th competition demonstrates the variety of works at a high level: 121 silversmiths from 21 countries submitted hollow- and flatware or free-formed works. The focus is not only on technical and artistic aspects; a large number of the entries also have a socio-critical and contemporary historical background. An expert jury was again assembled this year: Dirk Allgaier, head of Arnoldsche Art Publishers, Stuttgart; Dr. Claudia Banz, curator for design at the Kunstgewerbemuseum Berlin; and JaKyung Shin, silversmith and assistant professor at Seoul National University, Korea, selected 67 impressive silver works. Text in English and German.

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Ebbe Weiss-Weingart (b. 1923) is one of the pioneers of international studio jewellery. For over seventy years she has enriched the contemporary jewellery scene with her diverse works. Her inception in the 1950s and 1960s with structured surfaces and galvanised sculptured pieces will never be forgotten. Alongside figurative motifs - in particular, her portrayals of humans and animals - she also created pieces with an ironic and quirky touch. In her last phase of creativity, which began in the 1990s, she had a penchant for working with jewellery made from Chinese jade reliefs. Around 200 illustrations of these jewellery objects documents her award-winning work, and along with previously unpublished photographic material, expands on her hitherto unknown accomplishments. Includes, in full, her speech on the occasion of receiving the Gesellschaft fur Goldschmiedekunst's Ring of Honour, which gives an insight into Ebbe Weiss-Weingart's philosophy and working processes.

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