Search results for ""Author Christiania Whitehead""

For well over a thousand years, scholars exploited the potential of architecture for allegorical representation. Regardless of whether they were describing the characteristics of romantic love, the framework of the medieval education syllabus, the community of the church, the virginal body, or the contemplative vocation, writers turned repeatedly to the trope of the textual building. What was it about architecture that enabled it to fulfil such diverse functions over such a long timespan? Castles of the Mind identifies and traces two primary traditions of symbolic textual architecture - Christian and classicizing - from antiquity until the end of the middle ages. It charts the evolution of the architectural metaphor over time, in relation to social, political and religious contexts, and offers a wealth of information on secular and devotional allegory. Christiania Whitehead suggests new ways of reading and evaluating major medieval texts, such as Chaucer's House of Fame and Gavin Douglas's Palis of Honoure, as well as reassessing the importance of many less well-known works. Castles of the Mind is a major new contribution to our understanding of the symbolic structures and ideological systems underpinning medieval literary and cultural representations.

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This work addresses the question of female spirituality within medieval theological and devotional writings by examining texts in which women play a significant role, either as authors, recipients, or subjects. It suggests that these texts express the idea of "female vernacular theology".

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The Doctrine of the Hert was the fifteenth-century English translation of De doctrina cordis, the thirteenth-century Latin devotional treatise addressed to nuns. The text progressively pairs the seven gifts of the Holy Spirit with seven key actions of the heart, leading readers toward contemplative unity with God. The text was a religious bestseller. It circulated widely throughout Europe between the thirteenth and fifteenth centuries and was translated into numerous vernacular versions. This book consists of ten essays from an international group of scholars of medieval religion discussing the Middle English text alongside its Latin forebear, and other European vernacular translations (French, German, Spanish and Middle Dutch). Despite its medieval popularity, The Doctrine of the Hert has largely escaped the attention of scholars until recently. Yet it has much to offer regarding our understanding of late medieval female spirituality. University of Exeter Press’s new edition (published June 2009) opens up the field by providing access to the text, and this companion further establishes scholarship on this text.

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This volume makes readily available for the first time a critical edition of The Doctrine of the Hert, the fifteenth-century English translation of De doctrina cordis, a thirteenth-century Latin devotional treatise addressed to nuns. A religious bestseller, the Doctrina circulated throughout Europe between the thirteenth and fifteenth centuries and was translated into six different languages. The Doctrina progressively pairs the seven gifts of the Holy Spirit with seven key actions of the heart, leading readers toward contemplative unity with God. Despite its medieval popularity, the Doctrina has largely escaped the attention of scholars until recently. Exeter’s edition offers a full textual commentary, while its introduction not only examines current thinking upon the Doctrina’s authorship and envisaged primary audience, but also takes advantage of recent scholarly breakthroughs in the understanding of late medieval female spirituality.

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A collection attesting to the richness and lasting appeal of these short forms of Middle English verse. The body of short Middle English poems conventionally known as lyrics is characterized by wonderful variety. Taking many different forms, and covering an enormous number of subjects, these poems have proved at once attractive andchallenging for modern readers and scholars. This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the historyof feelings and emotions, and the relationships of image, song, performance and speech to the written word. The issues covered in the essays include editing lyrics; lyric manuscripts; affect; visuality; mouvance and transformation; and the relationships between words, music and speech. A particularly distinctive feature of the collection is that most of the essays take as a point of departure a specific lyric whose particularities are explored within wider-ranging critical argument. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London; CHRISTIANIA WHITEHEAD is Professor of Middle English Literature at the University of Warwick. Contributors: Anne Baden-Daintree, Julia Boffey, Anne Marie D'Arcy, Thomas G. Duncan, Susanna Fein, Mary C. Flannery, Jane Griffiths, Joel Grossman, John C. Hirsh, Hetta Elizabeth Howes, Natalie Jones, Michael P. Kuczynski, A.S. Lazikani, Daniel McCann, Denis Renevey, Elizabeth Robertson, Annie Sutherland, Mary Wellesley, Christiania Whitehead, Katherine Zieman.

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A collection attesting to the richness and lasting appeal of these short forms of Middle English verse. The body of short Middle English poems conventionally known as lyrics is characterized by wonderful variety. Taking many different forms, and covering an enormous number of subjects, these poems have proved at once attractive andchallenging for modern readers and scholars. This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the historyof feelings and emotions, and the relationships of image, song, performance and speech to the written word. The issues covered in the essays include editing lyrics; lyric manuscripts; affect; visuality; mouvance and transformation; and the relationships between words, music and speech. A particularly distinctive feature of the collection is that most of the essays take as a point of departure a specific lyric whose particularities are explored within wider-ranging critical argument.

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