Search results for ""Author Christian Wiman""

Named as a 2020 Book of the Year by The Times Literary Supplement Survival Is a Style, Christian Wiman's first collection of new poems in six years, may be his best book yet. His many readers will recognize the musical and formal variety, the voice that can be tender and funny, credibly mystical and savagely skeptical. But there are many new notes in this collection as well, including a moving elegy to the poet's father, sharp observations and distillations of modern American life, and rangy poems that merge and juxtapose different modes of speech and thought. The cumulative effect is extraordinary. Reading Survival Is a Style, one has the sense one is encountering work that will become a permanent part of American literature.

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What is it we want when we can't stop wanting? And how do we make that hunger productive and vital rather than corrosive and destructive? These are the questions that animate Christian Wiman as he explores the relationships between art and faith, death and fame, heaven and oblivion. Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read.

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Evocative poems and prose fragments about home, selected by one of the most celebrated poets of our time “This is a book of longing, yes, and also spiritual discernment, political awareness, historical memory, and deep intimacy.”—Carolyn Forché In this poignant collection, Christian Wiman draws together one hundred evocative poems and prose fragments about home, exploring home’s deep theological, literary, philosophical, historical, political, and social dimensions. Wiman calls home “a house, a country, a language, a love, a longing, a grief, a god.” It’s “a word that disperses into more definitions than one book can contain.” The tensions between diffusion and concentration, roaming and rootedness, precarity and security are everywhere in this book, often in the same poem. Ranging from early modernism to the current moment, and from southern Africa to the Arctic Circle, the selections are as diverse as the poets included. Collectively they envision an imaginative home for even the most homeless of modern readers. Completed entirely during quarantine, amid the miseries of separation and isolation, the collection offers a powerful vision of home as both a place and a way.

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Few contemporary writers ask the questions about faith, morality, and God that Christian Wiman does, and even fewer - perhaps none - do so with his urgency and eloquence. Wiman, the author of My Bright Abyss and an award-winning poet, lays the motion of his mind on the page in this genre-defying work, an indivisible blend of poetry, criticism, theology, and searing memoir. As Marilynne Robinson wrote, “[Wiman's] poetry and his scholarship have a purifying urgency that is rare in this world . . . It enables him to say new things in timeless language, so that the reader’s surprise and assent are one and the same.” Zero at the Bone begins with Wiman’s preoccupation with despair, and through fifty brief pieces, framed by two more, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman’s thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and more join his own. At its heart and Wiman’s, however, are his family - his young children (who ask their own invaluable questions, like “Why are you a poet? I mean why?”), his wife, and those he grew up with in West Texas. Wiman is the rare thinker who takes up the mantle of our greatest mystics and does so with an honest, profound, and contemporary sensibility. Zero at the Bone is a revelation.

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One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet“Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy.”—David Skeel, Wall Street Journal “Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary.”—Adrianna Smith, The Atlantic Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world? In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim “light writes white”—no agony, no art. His rich selections awaken us to the essential role joy plays in human life.

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To celebrate the centennial of Poetry, editors Don Share and Christian Wiman combed the magazine's vast archives to create a new kind of anthology, energized by a self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive - or even to offer the most familiar works - they have assembled a collection of poems that, in their juxtapositions, echo across a century of poetry. The result is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and most of all, a book that lovers of poetry will devour, debate, and keep close at hand.

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When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature. But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist. Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind? This issue of Plough explores these and other fascinating questions about the natural world and our place in it. In this issue: - Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald. - Gracy Olmstead revisits the land her forebears farmed in Idaho. - Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world. - Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming. - Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies. - Iván Bernal Marín visits Panama City’s traditional fishermen. - Maureen Swinger recalls to triumphs of second grade in forest school. - Edmund Waldstein questions head transplants and the limits of medical science. - Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith. - Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline. You’ll also find: - An essay by Christian Wiman on the poetry of doubt and faith - New poems by Alfred Nicol - A profile of Amazon activist nun Dorothy Stang - An appreciation of Keith Green’s songs - Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh - Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the Sun Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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“Justice” has become a rallying cry for many Christians today. And for good reason: justice is at the heart of the kingdom of God, as the Bible makes abundantly clear. Yet when our eyes are opened to the many injustices of today’s world, it’s easy to feel overwhelmed. Where is a person to start? And more fundamentally, what is the nature of the justice we ought to be pursuing? In this second issue, we explore how to build the justice that Jesus and the Hebrew prophets call for – not as a vague ideal, but as a way of life. Bold, hope-filled, and down-to-earth, Plough Quarterly features thought-provoking articles, commentary, interviews, short fiction, book reviews, poetry and artwork to inspire everyday faith and action. Each issue brings together essential voices from many traditions to give you fresh insights on a core theme such as peacemaking, biblical justice, children and family, building community, man and woman, nature and the environment, nonviolence, or simple living. Starting from the conviction that the teachings and example of Jesus can transform and renew our world, it aims to apply them to all aspects of life, seeking common ground with all people of goodwill regardless of creed.

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What we want for schools reveals what we value as a society. “What’s the point of school?” Parents have a stock set of responses, but the question remains unsettled, even two centuries after the Prussians invented compulsory education. The Prussian idea of what a school is for – to mold the populace to serve the state – seems unacceptable today. In vogue, instead, are slogans like “acquiring marketable skills” and “realizing your full potential.” These ideas powerfully shape our culture. Ultimately, they boil down to pursuing one supreme value: individual success in a competitive world. Schools are a mirror of our society as a whole; what we want for schools makes plain what and whom we value in our common life. In the Christian tradition, the life of discipleship is also a school. In this educational community, under the instruction of our one Teacher, we learn not to seek empowerment, but to find strength in weakness; not to out-achieve others, but to serve them; not to pursue our passion, but to obey a call. Also in this issue: poetry by Christian Wiman; reviews of new books by Robert Macfarlane, Jackie Morris, Francisco Cantú, Leif Enger, Carol Anderson, Stephanie Land, and Susan Wise Bauer; and art by Margaret McWethy, Albrecht Dürer, Raphael, Gérard David, Jackie Morris, Gustaf Tenggren, Sergey Dushkin, Anja Percival, Dmitry Samofalov, Christoph Wetzel, Sherrie York, Cathleen Rehfield, Paweł Kuczyński, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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