Search results for ""Author Charlotte Lennox""

The first novel to be written for serial publication by a major female author, Sophia follows the story of two siblings, the virtuous and well-read eponymous heroine and her flighty and coquettish sister. While the latter leads a vapid life in the fashionable world of London, the former flees from a potential seducer to the country, where she pursues true friendship, learning, and an independent living. Previously out of print, the novel explores such issues as the place of female education, the opposition of city and country, the emergence of the literary marketplace, and the development of the individual.This Broadview edition reproduces images from the novel’s original serial publication and also includes other articles from Lennox’s periodical The Lady’s Museum, contemporary reviews of Sophia, and writings on sentimentalism.

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LennoxOs novel, published in 1750, is the first novel of a well-respected author whose work demands significant critical attention. This volume reprints the first edition of the novel, along with an introduction and notes.

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As an orphan under the care of her selfish aunt who pressures her to convert to Catholicism and enter a loveless marriage, Henrietta learns to live by her wits. Henrietta's story draws attention to the difficulty for women of earning a living in mid-eighteenthcentury England and offers readers strikingly insightful and modern reflections on human nature. Charlotte Lennox was a friend of both Samuel Richardson and Samuel Johnson and was generally admired by many of their contemporaries. A major influence on Jane Austen, Lennox is an innovator in the tradition of English women's fiction. Out of print since the late eighteenth century, Henrietta is now available in an edited and fully annotated modern edition.

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Beautiful and independent, Arabella has been brought up in rural seclusion by her widowed father. Devoted to reading French romances, the sheltered young woman imagines all sorts of misadventures that can befall a heroine such as herself. As she makes forays into fashionable society in Bath and London, many scrapes and mortifications ensue - all men seem like predators wishing to ravish her, she mistakes a cross-dressing prostitute for a distressed gentlewoman, and she risks her life by throwing herself into the Thames to avoid a potential seducer. Can Arabella be cured of her romantic delusions? An immediate success when it first appeared in 1752, The Female Quixote is a wonderfully high-spirited parody of the style of Cervantes, and a telling and comic depiction of eighteenth-century English society.

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Charlotte Lennox’s Euphemia, published in 1790 at the end of her professional career, is an extraordinary account of pre-Revolutionary America from a woman’s perspective. Constructed from letters between Euphemia Neville and her friend Maria Harley, the novel tells the story of Euphemia’s marriage to a thoughtless, arrogant man. During the years Euphemia lives in New York City and at the forts at Albany and Schenectady as the wife of a British army officer, she chronicles in her letters to Maria both her private life and how that life intersects with those of other British men and women, as well as the Dutch, Native American, and African American inhabitants of the colony. Set partially in New York State, where Lennox had herself lived as a girl, it also contains a version of a captivity narrative in the story of the capture of Euphemia’s son by Hurons.This Broadview edition includes contemporary reviews of Euphemia and a wealth of other contemporary materials on marriage, travel, the picturesque, and the captivity narrative.

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The Female Quixote (1752), a vivacious and ironical novel parodying the style of Cervantes, portrays the beautiful and aristocratic Arabella, whose passion for reading romances leads her into all manner of misunderstandings. Praised by Fielding, Richardson and Samuel Johnson, the book quickly established Charlotte Lennox as a foremost writer of the Novel of Sentiment. With an excellent introduction and full explanatory notes, this edition will be of particular interest to students of women's literature, and of the eighteenth-century novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This volume compiles and annotates for the first time the complete correspondence of the eighteenth-century British author Charlotte Lennox, best known for her novel The Female Quixote. Lennox corresponded with famous contemporaries from different walks of life such as James Boswell, David Garrick, Samuel Johnson, and Sir Joshua Reynolds, and she interacted with many other influential figures including her patroness the Countess of Bute, publisher Andrew Millar, and the Reverend Thomas Winstanley. In addition to Lennox’s and her correspondents’ letters, this book presents related documents such as the author’s proposals for subscription editions of her works, her file with the Royal Literary Fund, and a series of poems and stories supposedly composed by her son but perhaps written by herself. In these carefully and extensively annotated documents, Charlotte Lennox traces the vagaries in the career of a female writer in the male-dominated eighteenth-century literary marketplace. The introduction situates Lennox in the context of contemporaneous print culture and specifically examines the contentious question of the authorship of The Female Quixote, Lennox’s experimentation with various forms of publication, and her appeals for charity to the Royal Literary Fund when she was impoverished towards the end of her life. The author who emerges from Charlotte Lennox was an active, assertive, innovative, and independent woman trying to find her place—and make a literary career—in eighteenth-century Britain. Thus, this volume makes an important contribution to the history of female authorship, literary history, and eighteenth-century studies.

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