Search results for ""Author Charles Gaines""

“Few fish have captured the souls and minds of men and women quite like wild Atlantic salmon.” — Bill Taylor, President, Atlantic Salmon FederationCelebrating 75 years of conservation, the Atlantic Salmon Treasury works as a “best of” for the influential Atlantic Salmon Journal. This fascinating volume includes a curated selection of articles and essays by some of North America’s best writers on the art and lore of the wild Atlantic salmon. Beginning in 1948, the Atlantic Salmon Journal began publishing information and conservation material about the “king of fish.” In 1975, it released a Treasury from its first 25 years. This new edition takes up where the earlier volume ended, tracing the rise of salmon angling as a sport and into the era of conservation and the catch-and-release movement. The result is a journey through time with acclaimed writers such as Harry Bruce, Joan Wulff, Wilfred Carter, Thomas McGuane.

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Endless Shout asks how, why and where performance and improvisation can take place inside a museum. The book documents a six-month series of experimental performances organized by the Institute of Contemporary Art, University of Pennsylvania, where five participants—Raúl de Nieves, Danielle Goldman, George Lewis, The Otolith Group and taisha paggett—collectively led a series of improvisation experiments. These include Miya Masaoka’s A Line Becomes a Circle, which pays tribute to Shiki Masaoka, a subversive Japanese haiku writer; jumatatu m. poe and Jerome “Donte” Beacham’s Let ‘im Move You, addressing the history of J-Sette, a dance form popularized at historically black colleges; and A Recital for Terry Admins by composer George Lewis. The book includes an essay by curator Anthony Elms, conversations with Jennie C. Jones and Wadada Leo Smith on themes of rhythm, rehearsal and improvisation, plus new works created specifically for the book, such as a script by The Otolith Group on blackness and digital color correction.

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The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society. This is the most comprehensive overview available of his remarkable career.

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