Search results for ""Author Catherine Ingrassia""

A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature

Read more less

A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature

Read more less

Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue.This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

Read more less

Until this book, there has not been a collection that focuses exclusively on Pope's satiric masterpiece. The seeming resistance to fully engage the poem belies its centrality within eighteenth-century culture. Like Gulliver's Travels or The Beggar's Opera, the poem's hybridity actually changes and imrpoves upon the forms it parodically controls. But unlike those texts, it proves difficult to teach, despite multiple points of entry. The essays in this volume attempt to teach the poem from a variety of perspectives and, in doing so, to illuminate its role as literary history, cultural artifact, and material object. They suggest the ways the poem interacts with and influences the dynamic milieu from which it springs. George Rousseau once remarked that The Dunciad had yet to be mined as either material or as a material object. His essay in this volume begins to redress that state of affairs by exploring the relationship between Pope's psychosexual development and his antipathy to opera. Approaching this under-studied Popeian aversion from a second perspective, Valerie Rumbold explores the theme of opera within The Dunciad in Four Books to reveal internal tensions and complicated examples of shared authorship in the poem. Her essay illustrates the challenge historical analysis poses to the tradition of reading the poem as an expression of absolutes. Laura J. Rosenthal's and Eric V. Chandler's essays each examine, in different terms, the construction in the 1740s. Similarly, Linda Zionkowski discusses Pope's centrality in the debates over the often-gendered nature of literary labor, and his repudiation in Book IV of The Dunciad of the concepts of masculine conduct from which he was excluded. Catherine Ingrassia looks at the reconstruction of Pope's body and persona (which both suffer from a compromised masculinity) in Edmund Curll's pamphlets responding to the 1728 Dunciad. Thomas Jemielity reads The Dunciad as "mock-apocalypse" and suggest how such a reading complicates the

Read more less