Search results for ""Author Caryl Churchill""

The fourth volume of the collected plays of one of the best playwrights alive. Written over a period of ten years and evincing an extraordinary range of topics and techniques, this fourth volume of Caryl Churchill's collected plays confirms her standing as a playwright who is 'amongst the best half-dozen now writing' (The Times). This volume includes: Hotel (Schauspielhaus, Hannover, 1997), an innovative theatre piece combining music, voices and dance, with a text by Caryl Churchill and music by Orlando Gough. This is a Chair (Royal Court Theatre, 1997), a short play about the surreal nature of modern life. Blue Heart (Out of Joint & Royal Court Theatre, 1997), two linked one-act plays, both startlingly innovative, exploring the underpinnings of family relationships. Far Away (Royal Court, 2000), a brilliantly unsettling play about conflict and its unsettling effect on our lives and humanity. A Number (Royal Court, 2002), a fascinating meditation on human cloning, personal identity and the conflicting claims of nature and nurture. Drunk Enough to Say I Love You? (Royal Court, 2006),examining US foreign policy and international power politics through the lens of an intense personal relationship. A Dream Play (National Theatre, London, 2005), a spare and resonant version of August Strindberg's 1901 masterpiece.

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'Make me happen' Your partner's died, could things have been different? Caryl Churchill's short play What If If Only premiered in the Jerwood Theatre Downstairs at the Royal Court Theatre, London, in September 2021, directed by James Macdonald. This edition also includes the resonant and surreal short piece, Air. 'Caryl Churchill has remade the landscape of contemporary drama – and earned herself a place among the greats' Guardian

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Marlene has been promoted to managing director of a London employment agency and is celebrating. The symbolic luncheon is attended by women in legend or history who offer perspectives on maternity and ambition. In a time warp, these ladies are also her co-workers, clients, and relatives. Marlene, like her famous guests, has had to pay a price to ascend from proletarian roots to the executive suite: she has become, figuratively speaking, a male oppressor and even coaches female clients on adopting odious male traits. Marlene has also abandoned her illegitimate and dull-witted daughter. Her emotional and sexual life has become as barren as Lady Macbeth's.

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“I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before.” Three old friends and a neighbour. A summer of afternoons in the back yard. Tea and catastrophe. Caryl Churchill's play Escaped Alone premiered at the Royal Court Theatre, London, in 2016, in a production directed by James Macdonald. It was named Best Play at the 2017 Writers' Guild Awards.

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Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast moving kaleidoscope, more than a hundred characters try to make sense of what they know. Caryl Churchill's play Love and Information was first performed at the Royal Court Theatre, London, in September 2012.

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In Traps, a set of characters meet themselves and their pasts to create "plenty of sinewy lines and joyous juxtapostions" (Plays and Players); Vinegar Tom "is set in the world of seventeenth-century witchcraft, but it speaks, through its striking images and its plethora of ironic contradictions, of and to this century..." (Tribune); Light Shining in Buckinghamshire is set during the Civil War and "unflinchingly shows the intolerance that was the obverse side of the demand for common justice. Deftly, it sketches in the kind of social conditions. that led to hunger for revolution...The play has an austere eloquence that precisely matches its subject." (The Guardian) Cloud Nine sheds light on some of the British Empire's repressed dark side and is "a marvelous play - sometimes scurrilous, always observed with wicked accuracy, and ultimately, surprisingly, rather moving. It plunges straight to the heart of the endless convolutions of sexual mores...and does so with acrobatic wit." (Guardian) Owners:"I was in an old woman's flat when a young man offering her money to move came round, that was one of the starting points of the play" (Caryl Churchill). The plays in this volume represent the best of Churchill's writing up to and including her emergence onto the international theatre scene with Cloud Nine.

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Caryl Churchill's Light Shining in Buckinghamshire, set during the English Civil War, tells the story of the men and women who went into battle for the soul of England. Passionate, moving and provocative, it speaks of the revolution we never had and the legacy it left behind. In the aftermath of the Civil War, England stands at a crossroads. Food shortages, economic instability, and a corrupt political system threaten to plunge the country into darkness and despair. The Parliament men who fought against the tyranny of the King now argue for stability and compromise, but the people are hungry for change. For a brief moment, a group of rebels, preachers, soldiers and dissenters dare to imagine an age of hope, a new Jerusalem in which freedom will be restored to the land. Premiered by Joint Stock at the Traverse Theatre, Edinburgh, in September 1976 during the Edinburgh Festival Fringe, it toured the UK including the Royal Court Theatre, London, in 1976. The play was revived at the National Theatre, London, in 1996 and again in 2015, in a production directed by Lyndsey Turner.

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Spanning almost ten years and embracing a remarkable range of style and subject matter, this third volume of Churchill's Collected Plays, introduced by the author, contains: Icecream - an unsettling look at British attitudes to America, and vice versa Mad Forest - Churchill's response to the Romanian Revolution The Skriker - a 'spellbinding' piece combining English folk tales with modern urban life Thyestes - a 'bleakly eloquent new translation of Seneca's Roman tragedy' (Sunday Times). Plus two collaborative pieces combining word and dance: Lives of the Great Poisoners - a libretto to music by Orlando Gough and choreography by Ian Spink A Mouthful of Birds - written with David Lan Caryl Churchill has been hailed as 'a dramatist who must surely be amongst the best half-dozen now writing' The Times

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In this collection of plays from one of our finest dramatists, Caryl Churchill demonstrates her remarkable ability to find new forms to express profound truths about the world we live in. Complete with a new introduction by the author, this volume contains: Seven Jewish Children (Royal Court Theatre, London, 2009): a short play about seven families wondering how to protect their children, written at the time of the bombing of Gaza by Israel in 2008–9. Love and Information (Royal Court, 2012): a fast-moving kaleidoscope in which more than a hundred characters try to make sense of what they know. Ding Dong the Wicked (Royal Court, 2012): two families on opposite sides of a war, locked in identical hatred. Here We Go (National Theatre, 2015): a play about dying and being dead. Escaped Alone (Royal Court, 2016): three old friends and an unexpected neighbour have tea in a sunny back yard, and face catastrophes. Pigs and Dogs (Royal Court, 2016): a look at how colonialism crushed the fluidity of sexuality in Africa and brought a new intolerance, as shown in the Ugandan Anti-Homosexuality Act of 2014. Also included are three previously unpublished short plays, each written in response to political events: War and Peace Gaza Piece (2014), Tickets are Now On Sale (2015) and Beautiful Eyes (2017). 'The wit, invention and structural ingenuity of Churchill's work are remarkable… she never does anything twice' Telegraph 'The most dazzlingly inventive living dramatist in the English language' New York Times

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A brilliant and unsettling play from one of the UK's leading dramatists. At the opening of the play, a young girl is questioning her aunt about having seen her uncle hitting people with an iron bar; by the end, several years later, the whole world is at war - including birds and animals. Caryl Churchill's play Far Away is a howl of anguish at the increasing – and increasingly accepted – levels of inhumanity in a world seemingly perpetually involved in conflict. The play was first performed at the Royal Court Jerwood Theatre Upstairs, London, in November 2000.

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A fascinating meditation on human cloning, personal identity and the conflicting claims of nature and nurture. Bernard thought he was an only child. One day he learns the shocking truth: he is just one of a number of clones. Together, he and his father confront epic questions of identity, intimacy and belonging. Caryl Churchill's play A Number pushes the boundaries of science and ethics with an astonishing twist on the dynamics of the father/son relationship. It was originally produced at the Royal Court Theatre, London, in 2002, winning the Evening Standard Award for Best Play. Set Text: A Number is a set text for AS/A-Level Drama (WJEC) A Number is also available in the volume Caryl Churchill Plays: Four.

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'You western-backed goats, They forced us into slavery and killed millions. Now they want us to accept the sinfulness of homos. It shall not work.' In 2014, Uganda passed an Anti-Homosexuality Act. This short, startling play looks at what lies behind it. Caryl Churchill's Pigs and Dogs premiered at the Royal Court Theatre, London, in 2016, in a production directed by Dominic Cooke.

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Ten short plays by Caryl Churchill, written for stage, radio and TV, selected and introduced by the author. This collection of short plays by one of our leading playwrights opens up a little-known aspect of her writing, and demonstrates her remarkable versatility and breadth of concern. Abortive (Radio 3, 1971) The After-Dinner Joke (BBC TV, 1978) The Hospital at the Time of the Revolution Hot Fudge (Royal Court Theatre, 1989) The Judge's Wife (BBC TV, 1972) Lovesick (Radio 3, 1967) Not Not Not Not Not Enough Oxygen (Radio 3, 1971) Schreber's Nervous Illness (Radio 3, 1972) Seagulls Three More Sleepless Nights (Soho Poly Theatre, 1980) The volume also includes an introduction by the author.

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A short play about death by Caryl Churchill. A funeral party for a man with an adventurous past and a ginger cat that needs a home. Where is he now? Is his heart lighter than a feather? How did he die? And what happens to his friends? Caryl Churchill's play Here We Go was premiered at the National Theatre, London, in November 2015.

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Softcops renders the philosophy of Foucault as a music-hall turn and Victorian freakshow "theatre and history combine to give such intelligent fun" (TLS); Top Girls brings five great and less-than-great women from history together for a dinner party and "has a combination of directness and complexity which keeps you both emotionally and intellectually alert" (Sunday Times); Fen scrutinises the lives of the low-paid women potato pickers of the fens (in Eastern England) and "the playwright pins down her poetic subject matter in dialogue of impressive vigour and economy" (Financial Times) while Serious Money is a satirical study of the effects of the Big Bang - "Pure genius...the first play about the city to capture the authentic atmosphere of the place." (Daily Telegraph)

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Two exhilarating and teasingly entertaining one-act plays from one of the UK’s leading playwrights. Heart’s Desire sees a family awaiting their daughter’s return from Australia, though in a series of alternative scenarios, the play collapses as it keeps veering off in unexpected and ridiculous directions. Blue Kettle tells the story of conman Derek and the five women he misleads into believing he is their biological son. Try as he might, Derek’s plans are scuppered as the play is invaded by a virus. In Caryl Churchill’s ever-inventive style, the two plays in Blue Heart pull apart language and structure in a way that is theatrically remarkable and fast paced, in a stirring yet truthful exploration of family and relationships. Blue Heart was first performed at Theatre Royal, Bury St Edmunds, in August 1997 in a touring co-production by Out of Joint and the Royal Court Theatre. This edition was published alongside the first major revival of Blue Heart, nearly twenty years after its premiere, in a co-production by the Orange Tree Theatre, Richmond, and Tobacco Factory Theatres, Bristol, in 2016.

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I believe in the individual. Look at me. Set in the early Thatcher years, Top Girls is a seminal play of the modern theatre, revealing a world of women's experience at a pivotal moment in British history. Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations it was described by The Guardian as ‘the best British play ever from a woman dramatist’. The play opens with an anachronistic dinner party hosted by Marlene, the newly-promoted manager of the ‘Top Girls’ employment agency. Her guests are five women from the past: a female Pope, a courtesan-cum-nun, a tireless adventurer, an obedient wife from Chaucer and the leader of a charge into hell from a Bruegel painting. The feminist themes introduced by this cacophonous scene echo throughout the more contemporary action of the play, as Churchill uses the setting of the ‘Top Girls’ agency to allow a glimpse into the lives of several very different working women. The play presents complex questions about a feminism which mimics aggressive, oppressive behaviour, and success which can only be achieved by abandoning family ties to force a way to the top. Top Girls premiered in 1982 at the Royal Court Theatre, London. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Top Girls was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a foreword by critic and journalist Ann McFerran.

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Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982. "Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)

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An extraordinary collision of ancient fairytale and fractured urban England. In a broken world, two girls meet an extraordinary creature. The Skriker is a shapeshifter and death portent. She can be an old woman, a child, a young man. She is a faerie come from the Underworld to pursue and entrap them, through time and space, through this world and her own. Caryl Churchill's play The Skriker was originally produced at the National Theatre, London, in 1994.

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A landmark play about sexual politics in colonial Africa and modern-day Britain, in which all our assumptions about sex and gender are stunningly exploded. Set in both colonial Africa and modern-day Britain, Cloud Nine is about relationships – between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, and money. Caryl Churchill's play Cloud Nine was first staged by Joint Stock and premiered in London at the Royal Court Theatre in 1979. It has since been staged all over the world.

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A short play by one of the UK's leading dramatists. 'No one could blame me. I've been hurt. You're a monster.' A child is shut in her room, a dog is dead in the road, someone is kissing her brother in law. A family locked in hatred is sending a son to war. And meanwhile in another country… Caryl Churchill's play Ding Dong the Wicked was first performed at the Royal Court Jerwood Theatre Downstairs, London, in October 2012. It was presented alongside Churchill's full-length play, Love and Information, which was then being premiered at the Royal Court.

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A violent tragedy by a contemporary of Nero, in a faithful and uncut translation by one of our leading dramatists. Atreus, Agamemnon's father, takes revenge on his brother Thyestes by murdering Thyestes' sons and serving their flesh up for their father's dinner. Caryl Churchill's version of Seneca's play Thyestes was first staged at the Royal Court Theatre Upstairs, London, in June 1994, in a production directed by James Macdonald.

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Caryl Churchill's spare and resonant version of Strindberg's enigmatic masterpiece. Written in 1901, a mysterious amalgam of Freud, Alice in Wonderland and Strindberg's own private symbolism, A Dream Play follows the logic of a dream: A young woman comes from another world to see if life is really as difficult as people make it out to be. Characters merge into each other, locations change in an instant and a locked door becomes an obsessive recurrent image. As Strindberg wrote in his preface, he wanted 'to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.' This version of A Dream Play, from a literal translation by Charlotte Barslund, is by leading playwright Caryl Churchill. It was first performed in the Cottesloe auditorium of the National Theatre, London, in February 2005, in a production directed by Katie Mitchell, with additional material by Katie Mitchell and the company. Also included is an introduction by Caryl Churchill.

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Marlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill’s play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family. This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright’s life and work · an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · a succinct overview of the creation processes followed and subsequent performance history of the piece · an analysis of, and commentary on, some of the major themes and specific issues addressed by the text · a bibliography of suggested primary and secondary materials for further study.

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With an introduction by Graham Whybrow, literary manager of the Royal Court Theatre, this anthology collects the defining plays of the 1980s and 1990s in one volume - Top Girls 'The best British play ever from a woman dramatist' (The Guardian) Hysteria 'One of the most brilliantly original and entertaining new plays I have seen in years' (The Sunday Times) Blasted 'Her dialogue is both sparse and stunning. They will call her mad, but then they said that about Strindberg' (Mail on Sunday) Shopping and F***ing 'A real coup de theatre' (Evening Standard) The Beauty Queen of Leenane 'The most wickedly funny, brilliantly abrasive young dramatist ...a born storyteller' (New York Times)The result is a collection of "must reads" that's excellent value for students and theatre fans alike.

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