Search results for ""Author Brian Roberts""
Open University Press BIOGRAPHICAL RESEARCH
"Roberts is certainly successful in conveying a sense of the rich diversity of biographical research. This is a book based upon a formidably wide-ranging bibliography together with his own, by no means insignificant, contributions to the field…[the]…reader will be left in no doubt as to the central importance of biographical research and of its legitimate position within the social sciences" - David Morgan, Emeritus Professor of Sociology, Manchester University (former President, British Sociological Association), Auto/Biography, a BSA Study Group journal, 2002."Brian Roberts’ book is a highly accessible introduction to biographical method…The author deftly and confidently addresses the available work in a variety of disciplines ranging from education through oral history, feminism to memory… I warmly recommend this book to any historian interested in biography and what its study can tell them about what they do’. - Alun Munslow, Professor of History, Staffordshire University (Editor, Rethinking History), Rethinking History, 7:3, pp. 451-5, October, 2003* What is biographical research?* Why has it attracted so much interest?* How can biographical research be carried out?Biographical Research reflects a rapid expansion of interest in the study of lives taking place within the social sciences. Life story, oral history, narrative, autobiography, biography and other approaches are being used more and more to explore how individuals interpret experiences and social relationships. This book examines the methodological and theoretical developments associated with research on lives in sociology, oral history, ethnography, biography, and narrative analysis. The author includes numerous examples of biographical research from his own work and other studies, and addresses important areas such as the collection and interpretation of materials, uses of biographical research, oral and written accounts, the interview relationship, the construction of the story, memory, audience, and the researcher's own biography. In conclusion it draws out common themes and emerging concerns. Biographical Research is a comprehensive guide to major issues in the study of lives for students and researchers in the social sciences and related fields.
£29.99
The University of Chicago Press Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925
As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America's musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America's capitalist order.
£26.96
Taylor & Francis Inc Mathematical Models for Structural Reliability Analysis
Mathematical Models for Structural Reliability Analysis offers mathematical models for describing load and material properties in solving structural engineering problems. Examples are provided, demonstrating how the models are implemented, and the limitations of the models are clearly stated. Analytical solutions are also discussed, and methods are clearly distinguished from models. The authors explain both theoretical models and practical applications in a clear, concise, and readable fashion.
£205.00