Search results for ""Author Brian Evenson""

CRIMINAL ENTERPRISE by S. D. Perry Thomas Chase wakes up from cryosleep to his first day at a new job - as a pilot for a contraband drug company dropping a shipment on Fantasia, a planet hiding an elaborate drug manufacturing operation. Everything from synthetic heroin to MX7 is cooked here, in protected caves guarded by the savage Aliens. When Chase touches down on Fantasia, a chain of events begins that cannot be stopped. As criminals and competitors try to take over the drug empire from the dangerous kingpin, Chase and his brother Pete are caught in the crossfire... with the Aliens adding blood to the mix. NO EXIT by B. K. Evenson After thirty years of cryosleep, Detective Anders Kramm awakens to a changed world. The Alien threat has been subdued. Company interests dominate universal trade, with powerful men willing to do anything to assure dominance over other worlds. But Kramm has a secret. He knows why the Company killed its top scientists. He knows why the Aliens have been let loose on the surface of a contested planet. He knows that the Company will do everything it can to stop him from telling his secret to the world. Haunted by the brutal murder of his family, Kramm is set adrift amid billion-dollar stakes… with Aliens waiting around every corner.

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Brian Evenson delves deeply into the pages of Chester Brown's (Louis Riel, Paying for It) seminal comic-book Yummy Fur, from its beginnings as a mini comic to its afterlife in the graphic novels it spawned. Brian's comics archaeology excavates the discarded fragments of Brown's masterpiece Ed The Happy Clown, examines the never re-printed adaptions of the Gospels, considers the juxtaposition of religion and absurdism, and meditates on the pleasures of reading serialized pamphlet comic books. The book also features a new interview with Chester Brown, shining a new spotlight on this important work. Brian Evenson is the author of eleven prize-winning books of fiction, including The Open Curtain, Last Days, Windeye, and Immobility. His work has been translated into over a dozen languages. He lives and works in Providence, Rhode Island, where he teaches at Brown University.

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In an unnamed country, the President of the Republican Council, wanting to "do something big," strikes upon the idea of building a 1,500-meter high mountain as an inspirational monument to national greatness. Construction of the mountain will reduce unemployment, attract hordes of tourists, and the idea can even be exported for sale to other countries. Mountain R relates the rise and fall of this insane project through the eyes of those involved over several decades: the President whose double-talk sets the plan in motion, a worker who, years later, tells his daughter about the disastrous consequences of the never-completed mountain, and an author commissioned to write a novel about the project. An incisive satire about the dangers of half-witted government officials who use political rhetoric to manipulate the patriotism of their constituents, Mountain R is a humorous yet disturbing allegory quite appropriate to our times.

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Evenson is a major figure among writers who straddle the line between genre forms and literary concerns, and he was recently the subject of a 5 x 5 interview (five interviewers, and spread over five full-length conversations) with The Believer bringing his work to an even wider audience Evenson's straight genre work is published by Tor, and there's a large cross-over audience primed to enjoy his more literary work. Evenson’s work has been compared to that of J. G. Ballard, Jorge Luis Borges, Paul Bowles, Franz Kafka, Cormac McCarthy, Robert Coover, Edgar Allan Poe. Evenson has also won the ALA RUSA Award for Best Horror Novel and was a finalist for the Edgar Award. Last Days will be published alongside two other re-releases (The Open Curtain and Father of Lies) as well as a new collection, A Collapse of Horses all with a unified design and new introductions This is Evenson's foray into hard-boiled detective fiction, but it still circles around his concerns with the abuse of power and the danger of organized religion

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Praise for Incidents in the Night Book 1: finalist for the Los Angeles Times Book Prize (Graphic Novel category): "One of 10 Best Comics and Graphic Novels of the year."--Time "A treat for sophisticated adult story omnivores with a taste for bizarre mysteries."--Library Journal "Incidents owes more than a bit to Jorge Luis Borges's short stories."--Douglas Wolk, The Washington Post At the end of first Incidents in the Night, David B. met an uncertain demise in a bizarre cliffhanger. In Book 2, the worlds of Epileptic and Incidents in the Night become entangled as the author's dead brother, Jean-Christophe, joins the cast to solve the mystery and uncover the occult machinations of the mad editor, Emile Travers. Book 2 is another treat for lovers of books and literary mysteries. Once again the translation is by acclaimed novelist Brian Evenson. David B. is one of the world's finest cartoonists and a co-founder of the legendary L'Association collective. He is the author of many graphic novels including Epileptic, which was awarded Angouleme International Comics Festival Prize for Scenario and the Ignatz Award for Outstanding Artist. Brian Evenson is the author of eleven prize-winning books of fiction, including The Open Curtain, Last Days, Windeye, and Immobility. His work has been translated into over a dozen languages. He lives and works in Providence, Rhode Island, where he teaches at Brown University.

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Winner of the 2022 Nobel Prize in Literature “Annie Ernaux’s work,” wrote Richard Bernstein in the New York Times, “represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory.” In the New York Times Book Review, Kathryn Harrison concurred: “Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse.” In this “journal” Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where “things seen” reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.

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Thomas Bernhard is "one of the masters of contemporary European fiction" (George Steiner); "one of the century's most gifted writers" (Newsday); "a virtuoso of rancor and rage" (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, it is only in recent years that he has gained a devoted cult following in America. A powerful, compact novella, Walking provides a perfect introduction to the absurd, dark, and uncommonly comic world of Bernhard, showing a preoccupation with themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Walking records the conversations of the unnamed narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard's highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking.

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Winner of the 2022 Nobel Prize in Literature “Annie Ernaux’s work,” wrote Richard Bernstein in the New York Times, “represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory.” In the New York Times Book Review, Kathryn Harrison concurred: “Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse.” In this “journal” Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where “things seen” reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.

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In The Deaths of Henry King, the hapless Henry King, as advertised, dies. Not just once or even twice, but seven dozen times, each death making way for a new demise, moving from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré’s macabre, gravestone-rubbing-style art, Henry King’s ends are brought to a vividly absurd life. Brian Evenson is the author of a dozen books of fiction, most recently the story collection Windeye and the novel Immobility (both finalists for a Shirley Jackson Award). His novel Last Days won the ALA’s RUSA award for Best Horror Novel of 2009. His novel The Open Curtain was a finalist for an Edgar Award and an International Horror Guild Award. He lives in Providence, RI, where he teaches in Brown University’s literary arts department. Jesse Ball is the author of five novels, including the forthcoming A Cure for Suicide (Pantheon, 2015), Silence Once Begun, and several others. He has received numerous awards, including a 2014 NEA Creative Writing Fellowship and the 2008 The Paris Review’s Plimpton Prize. He gives classes on lucid dreaming and lying in the SAIC’s MFA Writing program. Lilli Carré is an artist living in Chicago. She has created several books of comics, including Heads or Tails (Fantagraphics), and her first children’s book, Tippy and the Night Parade (Toon Books). Her work has appeared in The New Yorker, The New York Times, and Best American Comics.

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Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancée on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe.Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.

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