Search results for ""Author Bill Holm""

Throughout his life and in his writing, Bill Holm was a humanist whose obsessions included mortality and eternity. He paid special attention to the notion of cycles, patterns, movements, and processes, and many of his most moving poems are dedicated to the friends and family he helped through the last stages of their lives. Collecting the best and most recent poems from Holm's oeuvre, The Chain Letter of the Soul paints a portrait of a man of great heart, broad vision, and startling prescience. Here, fans remember many of their favorites, and new readers discover an enduring voice of American literature through such poems as "Kafka Only Imagined It," "The Dead Get By with Everything," "My Old Friend AT&T Writes Me a Personal Letter," and "Lemon Pie." In these poems, the personal, vulnerable side of a great public figure is revealed.

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Photographer Edward Curtis’s 1914 orchestrally scored melodrama In the Land of the Head Hunters was one of the first US films to feature an Indigenous cast. This landmark of early silent cinema was an intercultural product of Curtis’s collaboration with the Kwakwa̱ka̱’wakw of British Columbia—meant, like Curtis’s photographs, to document a supposedly vanishing race. But as this collection shows, the epic film is not simply an artifact of colonialist nostalgia. In recognition of the film’s centennial, and the release of a restored version, Return to the Land of the Head Hunters brings together leading anthropologists, Native American authorities, artists, musicians, literary scholars, and film historians to reassess the film and its legacy. The volume offers unique Kwakwa̱ka̱’wakw perspectives on the film, accounts of its production and subsequent circulation, and evaluations of its depictions of cultural practice. Resituated within film history and informed by a legacy of Kwakwa̱ka̱’wakw participation and response, the movie offers dynamic evidence of ongoing cultural survival and transformation under shared conditions of modernity.

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Photographer Edward Curtis’s 1914 orchestrally scored melodrama In the Land of the Head Hunters was one of the first US films to feature an Indigenous cast. This landmark of early silent cinema was an intercultural product of Curtis’s collaboration with the Kwakwa̱ka̱’wakw of British Columbia—meant, like Curtis’s photographs, to document a supposedly vanishing race. But as this collection shows, the epic film is not simply an artifact of colonialist nostalgia. In recognition of the film’s centennial, and the release of a restored version, Return to the Land of the Head Hunters brings together leading anthropologists, Native American authorities, artists, musicians, literary scholars, and film historians to reassess the film and its legacy. The volume offers unique Kwakwa̱ka̱’wakw perspectives on the film, accounts of its production and subsequent circulation, and evaluations of its depictions of cultural practice. Resituated within film history and informed by a legacy of Kwakwa̱ka̱’wakw participation and response, the movie offers dynamic evidence of ongoing cultural survival and transformation under shared conditions of modernity.

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The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027

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