Search results for ""Author Betsy Wing""
University of Nebraska Press Mahagony: A Novel
A New York Times New and Noteworthy Book Édouard Glissant’s novels, closely tied to the theories he developed in Poétique de la Relation (Poetics of relation), are rich explorations of a deported and colonized people’s loss of their own history and the ever-evolving social and political effects this sense of groundlessness has caused in Martinique. In Mahagony Glissant identifies both the malaise of and the potential within Martinican society through a powerful collective narrative of geographic identity explored through multiple narrators. These characters’ lives are viewed back and forth over centuries of time and through tales of resistance, linked always by the now-ancient mahogany tree. Attempting to untangle the collective memory of Martinique, Mathieu, the contemporary narrator, creates a conscious history of these people in that place—a record that unearths the mechanics of misrepresentation to get at the fundamental, enduring truths of that history, perhaps as only the mahogany tree knows it.
£16.99
University of Nebraska Press The Book of Promethea
In writing Le Livre de Promethea Hélène Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. The result is a stunning example of Pecriture feminine that won kudos when published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."
£20.49
University of Nebraska Press The Fourth Century
The Fourth Century tells of the quest by young Mathieu Béluse to discover the lost history of his country, Martinique. Aware that the officially recorded version he learned in school omits and distorts, he turns to a quimboiseur named Papa Longoué. This old man of the forest, a healer, seer, and storyteller, knows the oral tradition and its relation to the powers of the land and the forces of nature. He tells of the love-hate relationship between the Longoué and Béluse families, whose ancestors were brought as slaves to Martinique. Upon arrival, Longoué immediately escaped and went to live in the hills as a maroon. Béluse remained in slavery. The intense relationship that had formed between the two men in Africa continued and came to encompass the relations between their masters, or, in the case of Longoué, his would-be master, and their descendants. The Fourth Century closes the gap between the families as Papa Longoué, last of his line, conveys the history to Mathieu Béluse, who becomes his heir.
£16.99
The University of Michigan Press Poetics of Relation
Édouard Glissant, long recognized in the French and francophone world as one of the greatest writers and thinkers of our times, is increasingly attracting attention from English-speaking readers. Born in Martinique in 1928, Glissant earned a doctorate from the Sorbonne. When he returned to his native land in the mid-sixties, his writing began to focus on the idea of a "relational poetics," which laid the groundwork for the "créolité" movement, fueled by the understanding that Caribbean culture and identity are the positive products of a complex and multiple set of local historical circumstances. Some of the metaphors of local identity Glissant favored—the hinterland (or lack of it), the maroon (or runaway slave), the creole language—proved lasting and influential. In Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. He sees the Antilles as enduring suffering imposed by history, yet as a place whose unique interactions will one day produce an emerging global consensus. Arguing that the writer alone can tap the unconscious of a people and apprehend its multiform culture to provide forms of memory capable of transcending "nonhistory," Glissant defines his "poetics of relation"—both aesthetic and political—as a transformative mode of history, capable of enunciating and making concrete a French-Caribbean reality with a self-defined past and future. Glissant's notions of identity as constructed in relation and not in isolation are germane not only to discussions of Caribbean creolization but also to our understanding of U.S. multiculturalism. In Glissant's view, we come to see that relation in all its senses—telling, listening, connecting, and the parallel consciousness of self and surroundings—is the key to transforming mentalities and reshaping societies.This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English.
£23.52
University of Nebraska Press White Spirit
After answering a classified ad placed by an import-export company looking for energetic young men willing to take on responsibilities for its African branches—no diploma required—Victor finds himself on The Will of God, a dilapidated boat heading into the heart of darkness as even Conrad couldn’t have imagined. With the piquant mixture of hilarity and painful disenchantment characterizing Paule Constant’s vision of the “colonial novel,” White Spirit follows three innocents—Victor; Lola, a mulatto prostitute; and Alexis, who does not know he’s a monkey—as they negotiate the perverse system of desires and hatreds on an African banana plantation. Selling what no one wants or needs, Victor takes delivery of a barrel of mysterious powder promptly christened “white spirit” for its ability to bleach the black arms of the workers handling the shipment. To become whiter and worthier of love, Lola buys some—and then the rest vanishes. In this nightmarish Africa where colonized and colonizers have each other in a stranglehold, the "white spirit" unleashes an obsession that merges whiteness with a return to paradise—an obsession that can only end in catastrophe. Through it all, with her characteristic caustic language, fierce irony, and enormous tenderness for human frailty, Constant portrays the ridiculous without ridicule—and, miraculously, sparks a light of hope in the midst of the torment and suffering.
£16.99
University of Nebraska Press Outwitting the Gestapo
Lucie Aubrac (1912-2007), of Catholic and peasant background, was teaching history in a Lyon girls' school and newly married to Raymond, a Jewish engineer, when World War II broke out and divided France. The couple, living in the Vichy zone, soon joined the Resistance movement in opposition to the Nazis and their collaborators. Outwitting the Gestapo is Lucie's harrowing account of her participation in the Resistance: of the months when, though pregnant, she planned and took part in raids to free comrades—including her husband, under Nazi death sentence—from the prisons of Klaus Barbie, the infamous Butcher of Lyon. Her book is also the basis for the 1997 French movie, Lucie Aubrac, which was released in the United States in 1999. Purchase the audio edition.
£16.99
