Search results for ""Author Barnaby Rogerson""

A pocket-sized collection of all the favourite verses that have inspired desert travellers. This collection of poems delights in constructing a sensual Orient of the imagination, from the seven golden odes of Pre-Islamic Arabia to the fevered visions of Coleridge. It is a place where sand dunes bear the impress of a lover, a land ruled by honour and hospitality, where poets and warriors are esteemed, where the sons of noble sheikhs labour in dignity as shepherds, but Kings are imprisoned within the cruelties of their palaces.

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Ignorance about Islam runs deep in the West – ignorance of its rites, its beliefs, and above all its prophet.  Who was Muhammad, the founder of Islam, and the man Muslims believe was God’s last prophet on earth? In this concise and colourful account, the acclaimed writer and broadcaster Barnaby Rogerson tells the story of the illiterate orphan who was raised in the desert and trained as a merchant on the camel trade routes that criss-crossed Arabia, before defying his tribe to found a new religion, establish a world language, and create an almost unstoppable force that only 100 years after his death has conquered an empire stretching from the Pyrenees to the Hindu Kush. It was when he was 40 that Muhammad experienced his first revelation on a mountainside outside Mecca, hearing the divine order: 'Recite!'  From then until his flight from Mecca his tale is one of rejection and persecution, but it is also one of puzzling contradictions: why did he order the mur

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London's poetry ranges from the up-beat rap of Benjamin Zephaniah to Wordsworth's dawn sigh over the beauty of Westminster Bridge, from half-charred lines of Anglo-Saxon to yesterday's lyrics retrieved from a pub floor. Like the city itself this collection is full of grief, irony and delight. It shares no unifying historical vision and offers no single perspective over this tidal valley of mud, gravel, power and gold. Instead the unblinking eyes of the poets, touched by God, madness and desire, create a potent and highly personal corrective to political history.

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The Last Crusaders is about the titanic contest between Hadsburg-led Christendom and the Ottoman Empire in the fifteenth and sixteenth centuries, the last great conflict between East and West - the battles that were fought and the men who led the armies that fought them. It was, in its way, the first world war.

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Recommended on The Rest is Politics and Empire 'A masterly engagement with the most delicate and important of subjects - filled with gentle empathy, learning and rare balance' Rory Stewart 'Rogerson is an original - eloquent and always fascinating' William Dalrymple 'Brilliant' Anita Anand 'This is not a book to be ignored' The Times At the heart of the Middle East, with its regional conflicts and proxy wars, is a 1400-year-old schism between Sunni and Shia. To understand this divide and its modern resonances, we need to revisit its origins, which go back to the death of the Prophet Muhammad in 632, the accidental coup that set aside the claims of his son Ali, and the slaughter of Ali's own son Husayn at Kerbala. These events, known to every Muslim, have created a slender faultline in the Middle East. The House Divided follows these narratives from the first Sunni and Shia caliphates, through the medieval caliphates and empires of the Arabs, Persians and Ottomans, to the contemporary Middle East. It shows how a complex range of identities and rivalries - religious, ethnic and national - have shaped the region, jolted by the seismic shift of the Iranian Revolution of 1979. Rogerson's original approach takes the modern chessboard of nation states and looks at each through its particular history of empires and occupiers, minorities and resources, sheikhs and imams. The result is a book of wide-ranging empathy, understanding and insights.

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For 40 years, Barnaby Rogerson has travelled across North Africa, making sense of the region's complex and fascinating history as both a writer and a guide. Throughout that time, there have always been a handful of stories he could not pin into neat, tidy narratives; stories that were not distinctly good or bad, tragic or pathetic, selfish or heroic, malicious or noble. This book, neither a work of history nor travel writing, is a journey into the ruins of a landscape to make sense of these stories through the lives of five men and one woman. A sacrificial refugee (Queen Dido), a prisoner-of-war who became a compliant tool of the Roman Empire (King Juba), an unpromising provincial who, as Emperor, brought the Empire to its dazzling apogee (Septimius Severus), an intellectual careerist who became a bishop and a saint (St Augustine), the greatest General the world has ever known (Hannibal), and the Berber Cavalry General who eventually defeated him (Masinissa). Though all six lives have been clouded with as much myth as fact, the destinies of these North African figures remain highly relevant today. Their descendants are faced with the same choices: Do you stay pure to your own culture and fight against the power of the West, or do you study and assimilate this other culture, and utilise its skills? Will it greet you as an ally only to own you as a slave? The chosen heroes of this book represent classical North Africa, and not the familiar drum roll of Julius Caesar, Augustus, Trajan, Hadrian, Constantine and Justinian. In between these life stories, we explore ruins which tell their own tales and see the multiple interconnections that bind the culture of this region with the wider world, particularly the spiritual traditions of the ancient Near East. With photographs by Don McCullin.

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The Prophet Muhammad taught the word of God to the Arabs. Within a generation of his death, his followers - as vivid a cast of heroic individuals as history has known - had exploded out of Arabia to confront the two great superpowers of the seventh-century and establish Islam and a new civilization. That the protagonists originated from the small oasis communities of central Arabia gives their adventures, their rivalries, their loves and their achievements an additional vivacity and intimacy. So that on one hand, THE HEIRS OF THE PROPHET MUHAMMAD is a swaggering saga of ambition, immense achievement, self-sacrificing nobility and blood rivalry, while on the other it allows us to understand some of the complexities of our modern world. For within this fifty-year span of conquest and empire-building, Barnaby Rogerson also identifies the seeds of discord that destroyed the unity of Islam, and traces the roots of the schism between Sunni and Shia Muslims to the rivalry of the two individuals who best knew and loved the Prophet: his cousin and son-in-law Ali and his wife Aisha.

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The English tend either to look towards the Lord in his moated castle or the poor peasant at his gate, to polarise between nob and mob, capitalist and communist. This book takes us into another English landscape. It is the tale of an ordinary family, quietly proud of their parish, pub and position, who treat their children as equals. The only extraordinary thing about them is that they have kept hold of their stories, which now reach back over fifteen generations. This chronicle told backwards from yesterday s gossip to the times of the Tudors reveals a contented England, lived in and loved by a family of vicars and farmers, colonels and brewers, naval commanders and horse-lovers. It is also an honest narrative, recording scandals and suicides beside occasional successes, be they on the battlefield, in the boardroom or the bedroom.

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After witnessing first-hand the death throes of this rich and captivating tradition, Richard Hamilton has tracked down the last few remaining storytellers of Morocco, recording stories that are replete with the mysteries and beauty of the Maghreb. Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Moroccan tales have a huge educational, religious and moral impact on their audience, offering timeless values and guidance to all who listen. With their passing we risk losing something of Morocco's national psyche and also part of the world's tangible heritage. Those who have listened to the storytellers at Marrakech first-hand have witnessed something that is no longer part of this world, a treasure as precious as the planet's most endangered species and of immeasurable importance to humanity.

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This collection of travel writing celebrates friendship and the chance encounters that unexpectedly enrich our lives, which shows the diversity of the Islamic world and the way in which it continues to inspire, bemuse and enrich the western imagination. It includes portraits of scholars and religious leaders, pop stars, writers, sultans, smugglers, fishermen, tearaway drivers and medieval scholars, from a wide variety of voices – wellknown travel writers, sculptors, film-makers, art historians, aid workers, diplomats and translators. The book dedicated to the millions who marched against the war in Iraq, and who wish that Britain's other voice be heard.

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Let It Come Down, with its title from Macbeth, tells the story of Dyar, a New York bank clerk who throws up his secure, humdrum job to find a reality abroad with which to identify himself, and his macabre experiences in the inferno of Tangiers as he gives in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.

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This collection On Travel is clever, funny, provoking and confrontational by turn. In a pyrotechnic display of cracking one- liners, cynical word play and comic observation, it mines three thousand years of wit and wisdom: from Martha Gellhorn to Confucius and from Pliny to Paul Theroux.

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The Prophet Muhammad is a hero for all mankind. In his lifetime he established a new religion, Islam; a new state, the first united Arabia; and a new literary language, the classical Arabic of the Qur'an, for the Qur'an is believed to be the word of God revealed to Muhammad by the angel Gabriel. A generation after his death he would be acknowledged as the founder of a world empire and a new civilisation. Any one of these achievements would have been more than enough to permanently establish his genius. To our early twenty-first century minds, what is all the more astonishing is that he also managed to stay true to himself and retained to his last days the humility, courtesy and humanity that he had learned as an orphan shepherd boy in central Arabia. If one looks for a parallel example from Christendom, you would have to combine the Emperor Constantine with St Francis and St Paul, an awesome prospect. Barnaby Rogerson's elegant biography not only looks directly at the life of the Prophet Muhammad, but beautifully evokes for western readers the Arabian world into which he was born in 570 AD.

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