Search results for ""Author Annie Finch""

For beginning or advanced students of poetry focused on the art of structuring a poem, A Poet's Ear serves as a handbook to writing in numerous fixed forms. Here, Annie Finch's remarkably in-depth introduction to poetic form in English opens a new and exciting world to contemporary poets. From the basic meters and traditional European forms of the ballad and the sonnet to poetic forms brought to English from worldwide cultures and postmodern forms and techniques, A Poet's Ear serves as both a survey and a guide to the exploration of poetic form. More diverse and comprehensive than any other form handbook, A Poet's Ear will be essential to the serious student of poetry.

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Two contemporary poets turns their attention to poetry as a living, rhythmic, often musical performance. Their wide-ranging selections encompass epic, folk songs, the Romantics, the Victorians, poets of the Harlem Renaissance and contemporary hip hop. For many readers, the most familiar poetic metre is the iambic pentameter of Shakespeare, but this only scratches the surface of the extraordinary diversity of rhythmic patterns that poets have employed over the ages. Measure for Measure has sections on Accentual Metre (Kipling, Bishop, Auden), Trochees (Blake, Dickinson, Dorothy Parker), Anapests (Byron, Frost, Langston Hughes); other sections cover iambs, ballads, and more exotic metres like amphibrachs, dipodics, hendecasyllabics and sapphics

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At once handbook, reader, and guide to the literary tastes and wisdom of poets, An Exaltation of Forms is an indispensable resource certain to find a dedicated audience among poetry lovers. The editors invited over fifty contemporary poets to select a poetic meter, stanza, or form, describe it, recount its history, and provide favorite examples. The essays represent a remarkably diverse range of literary styles and approaches, and show how the forms of contemporary English-language poetry derive from a wealth of different traditions.The forms range from hendecasyllabics to prose poetry, haiku to procedural poetry, sonnets to blues, rap to fractal verse. The range of poets included is equally impressive--from Amiri Baraka to John Frederick Nims, from Maxine Kumin to Marilyn Hacker, from Agha Shahid Ali to Pat Mora, from W. D. Snodgrass to Charles Bernstein. Achieving this level of eclecticism is a remarkable feat, especially given the strong opinions held by members of the various camps (e.g., the New Formalists, LANGUAGE poets, feminist and multicultural poets) that exist within today's poetry community. Poets who might never occupy the same room here occupy the same pages, perhaps for the first time. The net effect is a book that will surprise, inform, and delight a wide range of readers, whether as reference book, pleasure reading, or classroom text.

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With its intricate rhyme scheme and dance-like pattern of repeated lines, its marriage of recurrence and surprise, the villanelle has fascinated poets ever since it was introduced almost two centuries ago. Many well-known names in the past have tried their hand at it, and the villanelle is enjoying a revival among writers today. The poems collected here range from the classic villanelles of the nineteenth century - by Thomas Hardy, Edwin Arlington Robinson, Oscar Wilde and others - to such famous and memorable examples as Dylan Thomas's 'Do not go gentle into that good night,' Elizabeth Bishop's 'One Art' and Sylvia Plath's 'Mad Girl's Love Song'. Here too are the cutting-edge works of contemporary poets, including Seamus Heaney, Paul Muldoon, Sherman Alexie and Rita Dove, demonstrating the dazzling variety that can be found within the parameters of a single strict poetic form.

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A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

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Louise Labe (1522-66) remains one of the most important and influential women writers of the Renaissance. Best known for her exquisite collection of love sonnets, Labe played off the Petrarchan male tradition with wit and irony, and her elegies respond with lyric skill to predecessors such as Sappho and Ovid. The first complete bilingual edition of this singular female author, "Complete Poetry and Prose" also features the only translations of Labe's sonnets to follow the exacting rhyme patterns of the originals and the first rhymed translation of Labe's elegies in their entirety.

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