Search results for ""Author Andrew Hankinson""

This is a book about three things: 1. A room called the Comedy Cellar. 2. Who gets to speak in that room. 3. What they get to say. The Comedy Cellar is a tiny basement club in New York’s Greenwich Village. Run according to the principles of its owners, the Dworman family, it became a safe place for stand-ups to take risks and experiment. Superstar comedians such as Amy Schumer, Dave Chappelle, Jon Stewart, and Louis CK became regulars, celebrities started to hang out, the club hosted debates, and everyone was encouraged to argue at its back table. Then the Comedy Cellar ended up on the frontline of the global culture war. Andrew Hankinson speaks to the Cellar’s owner, comedians, and audience members, using interviews, emails, podcasts, letters, text messages, and previously private documents to create a conversation about who gets to speak and what they get to say, and why. Moving backwards in time from Louis CK’s downfall to when Manny Dworman used to host folk singers including Bob Dylan, this is about a comedy club, but it’s also about the widening cultural chasm.

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Winner of the CWA Gold Dagger for Non-Fiction. A letter arrives. You’ve got an appointment with a trainee clinical psychologist on April 29, 2008. You don’t attend. Another letter arrives. It says they don’t normally reschedule appointments, but they know this is hard for you, so they’re offering you another appointment. It’s on May 13, 2008. You don’t attend. Two years later you shoot three people and shoot yourself. You will be called a monster. You will be called evil. The prime minister, David Cameron, will stand up in Parliament and say you were a callous murderer, end of story. You have nine days and your whole life to prove you are more than a callous murderer. Go. Raoul Moat became notorious one hot July week when, after killing his ex-girlfriend’s new boyfriend, shooting her in the stomach, and blinding a policeman, he disappeared into the woods of Northumberland, evading discovery for seven days. Eventually, cornered by the police, Moat shot himself. Here, Andrew Hankinson re-tells Moat's story using Moat’s words, and those of the state services which engaged with him, bringing the reader disarmingly close, at all times, to the mind of Moat.

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