Search results for ""Author Andrew Feldherr""

Public spectacle--from the morning rituals of the Roman noble to triumphs and the shows of the Arena--formed a crucial component of the language of power in ancient Rome. The historian Livy (c. 60 B.C.E.-17 C.E.), who provides our fullest description of Rome's early history, presents his account of the growth of the Roman state itself as something to be seen--a visual monument and public spectacle. Through analysis of several episodes in Livy's History, Andrew Feldherr demonstrates the ways in which Livy uses specific visual imagery to make the reader not only an observer of certain key events in Roman history but also a participant in those events. This innovative study incorporates recent literary and cultural theory with detailed historical analysis to put an ancient text into dialogue with contemporary discussions of visual culture. In Spectacle and Society in Livy's History, Feldherr shows how Livy uses the literary representation of spectacles from the Roman past to construct a new sense of civic identity among his readers. He offers a new way of understanding how Livy's technique addressed the political and cultural needs of Roman citizens in Livy's day. In addition to renewing our understanding of Livy through modern scholarship, Feldherr provides a new assessment of the historian's aims and methods by asking what it means for the historian to make readers spectators of history.

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Provides a unique and accessible understanding of Sallust and his influence on writing the history of Rome Gaius Sallustius Crispus ('Sallust', 86-35 BCE) is the earliest Roman historian from whom any works survive. His two extant writings chronicle crucial moments of a political, social, and ethical revolution with profound consequences for his own life and those of his audience. After the Past: Sallust on History and Writing History examines what it meant to write the history of contentious events—Catiline’s famous rebellion in 63 BCE and the war waged against the North African king Jugurtha fifty years earlier—while their effects were still so vividly felt. One of the first book-length treatments of Sallust in over fifty years, the text offers a comprehensive reading of Sallust’s works using the tools of narratology and intertextual analysis to reveal the changing functions of historiography at the end of the Roman Republic. Author Andrew Feldherr’s comprehensive approach examines the literary strategies used by Sallust and many of the most interesting and significant aspects of the historian’s accomplishment while advancing the study of historiography as a literary form, reconsidering its relationship to rival genres such as rhetoric and tragedy. Pursuing a focused and distinctive scholarly argument, this book: Provides a comprehensive approach to Sallust’s extant works Explores how Sallust helped his readers to reflect on their own relationship with their tumultuous past Contributes to understanding Roman conceptualizations of space and of writing Challenges the core assumption that literary historiography of the time period is essentially rhetorical nature After the Past: Sallust on History and Writing History is an accessible and useful resource for students of Latin literature and Roman history from the advanced undergraduate through professional levels, and for all those with an interest in historiography as a literary genre in Greco-Roman antiquity and in the literary history of the late Republic and triumviral period.

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This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.

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