Search results for ""Author Anastasija Ropa""
Trivent Publishing Practical Horsemanship in Medieval Arthurian Romance
The figure of a knight on horseback is the emblem of medieval chivalry. Much has been written on the ideology and practicalities of knighthood as portrayed in medieval romance, especially Arthurian romance, and it is surprising that so little attention was hitherto granted to the knight's closest companion, the horse. This study examines the horse as a social indicator, as the knight's animal alter ego in his spiritual peregrinations and earthly adventures, the ups and downs of chivalric adventure, as well as the relations between the lady and her palfrey in romance. Both medieval authors and their audiences knew more about the symbolism and practice of horsemanship than most readers do today. By providing the background to the descriptions of horses and horsemanship in Arthurian romance, this study deepens the readers' appreciation of these texts. At the same time, critical reading of romance supplies information about the ideology and daily practice of horsemanship in the Middle Ages that is otherwise impossible to obtain from other sources, be it archaeology, chronicles or administrative documentation.
£67.95
Trivent Publishing Historical Practices in Horsemanship and Equestrian Sports
New things are forgotten old things – this rediscovery of the past is especially important in horsemanship and equestrian sports. Despite advances in sciences and technology, the physiologies and psychologies of the two principal agents, the equid and the human, have undergone relatively few changes since horse domestication.The studies collected in this volume outline such essential and recurring challenges in equestrianism as gender issues, equine identification, the use of hyperflexion and groundwork in training, as well as many others, from prehistory to this day.
£106.04
De Gruyter The Horse in Premodern European Culture
This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.
£122.46
Trivent Publishing The Liminal Horse: Equitation and Boundaries
The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how one reconciles the very different roles played by the horse in human history.
£101.61
ibidem-Verlag, Jessica Haunschild u Christian Schon From Vocal Poetry to Song: Towards a Theory of Song Objects
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.
£18.00
