Search results for ""Author Alexander Streitberger""

Comprehensive overview of a highly influential contemporary artist’s work Victor Burgin counts among the most versatile figures within art and visual culture since the late 1960s. His artwork both connects with and reacts to minimalism, conceptual art, staged photography, appropriation art, video art and, more recently, computer-based imaging. As a scholar his thinking is informed by phenomenology, semiotics, poststructuralism, feminist theory, and psychoanalysis.This monograph provides a comprehensive and unique overview of Victor Burgin’s body of work over the past five decades. Identifying the concept of ‘psychical realism’ as an overarching umbrella term, Alexander Streitberger traces back the artist’s parallel unfolding of practice and theory, while situating this process within various historical contexts and critical debates. Five chapters link insightful case studies to key issues such as conceptual art and situational aesthetics, the relationship between representation and politics, postmodernist concepts of space, and the digital environment of media images. The book is richly illustrated and includes a sequence from the major work Dear Urania (2016) especially designed by the artist for this book.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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The Grid examines the multiple uses of the grid in contemporary art. Textile weaves, graphic grids, framework for materials, typological systems, spatio-temporal frameworks, computer matrix, narratives and documentary devices. The Grid presents works by renowned artists including Max Bill, François Morellet, Vera Molnár, Carl Andre, Sol LeWitt, Dennis Oppenheim, Esther Ferrer, Gina Pane, Christian Boltanski, Sherrie Levine, Claudia Andujar, Analívia Cordeiro and Anna Bella Geiger. "Each grid has its own texture, uniqueness, individuating features, capacities for creative enactment, and relationship to other grids, as much as each person combines and utilises a grid for him- or herself.’ Hannah B. Higgins

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Mapping the possibilities of photofilmic images. This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture. This volume also contains, as an artist’s contribution, a substantial and richly illustrated interview with Eric Baudelaire. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Eric Baudelaire (Paris), Brianne Cohen (Amherst College), Stefanie Diekmann (University of Hildesheim), Evgenia Giannouri (Paris 3 Sorbonne Nouvelle), Lilian Haberer (University of Cologne), Jana J. Haeckel (UCL), Ágnes Pethö (Sapientia University of Transylvania, Romania), Eivind Rossaak (National Library of Norway), Linda Schädler (ETH Zurich), Terry Smith (University of Pittsburgh), Alexander Streitberger (UCL), Hilde Van Gelder (KU Leuven).

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"Disassembled" Images takes as a point of departure Allan Sekula's productive approach of disassembling elements in order to reassemble them in alternative constellations. Some of the most pressing issues of our time, such as human labor in a globalized economy or the claim for radical democracy, are recurrent themes in Sekula's oeuvre and are investigated by a wide range of experts in this book. Addressing a variety of artworks, both by Sekula and other artists, the collected essays focus on three crucial aspects within recent politically engaged art: collecting as a tool for representing folly and madness, the confrontation of the maritime space of ecological disasters and geopolitical processes with alternative models of solidarity, and what Sekula named "critical realism" as a reflective method in search of new social agencies and creative freedom. A text-image portfolio by Marco Poloni completes this profound reflection on Sekula's influential legacy within contemporary visual art. This publication is GPRC-labeled (Guaranteed Peer Review Content). Contributors: Anthony Abiragi (University of Colorado), Barbara Baert (KU Leuven), Edwin Carels (School of Arts KASK/HoGent/M HKA), Ronnie Close (American University in Cairo), Bart De Baere (M HKA), Stefanie Diekmann (Hildesheim University), Carles Guerra (Fundacio Antoni Tapies), Clara Masnatta (ICI Berlin), W. J. T. Mitchell (University of Chicago), Marco Poloni (Berlin), Anja Isabel Schneider (KU Leuven/ M HKA), Stephanie Schwartz (University College London), Jonathan Stafford (Nottingham Trent University), Alexander Streitberger (UC Louvain), Hilde Van Gelder (KU Leuven), Benjamin Young (Parsons School of Design)

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