Search results for ""Author Alan Warner""

Shortlisted for The Winston Graham Historical Prize A battle lost. A daring escape. A long walk into obscurity. The ultimate failure… In the aftermath of the disastrous Battle of Culloden, a lonely figure takes flight with a small band of companions through the islands and mountains of the Hebrides. His name is Charles Edward Stuart: better known today as Bonnie Prince Charlie. He had come to the country to take the throne. Now he is leaving in exile and abject defeat. In prose that is by turns poetic, comic, macabre, haunting and humane, multi- award-winning author Alan Warner traces the frantic last journey through Scotland of a man who history will come to define for his failure. 'Written in carefully crafted prose . . . this reimagining of Charles Edward Stuart’s escape from Culloden is a triumph' – Stuart Kelly, The Scotsman

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Shortlisted for The Winston Graham Historical Fiction Prize andThe Highland Book PrizeA battle lost. A daring escape. A long walk into obscurity. The ultimate failureIn the aftermath of the disastrous Battle of Culloden, a lonely figure takes flight with a small band of companions through the islands and mountains of the Hebrides. His name is Charles Edward Stuart: better known today as Bonnie Prince Charlie. He had come to the country to take the throne. Now he is leaving in exile and abject defeat.In prose that is by turns poetic, comic, macabre, haunting and humane, multi- award-winning author Alan Warner traces the frantic last journey through Scotland of a man who history will come to define for his failure.''Written in carefully crafted prose . . . this reimagining of Charles Edward Stuart's escape from Culloden is a triumph'' Stuart Kelly,The Scotsman

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Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can.

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High up in the Conrad Flats that loom bleakly over Acton, two future stars of the literary scene - or so they assume - are hard at work, tapping out words of wit and brilliance between ill-paid jobs writing captions for the Cat Calendar 1985 and blurbs for trashy novels with titles like Brothel of the Vampire. Just twenty-one but already well entrenched in a life eked out on dole payments, pints and dollops of porridge and pasta, Llewellyn and Cunningham don't have it too bad: a pub on the corner, a misdirected parental allowance, and the delightful company of Aoife, Llewellyn's model fiancée, mother of his young baby - and the woman of Cunningham's increasingly vivid dreams.Alan Warner's superb new novel sees the author of Morvern Callar at the top of his game.

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A wistfully charming spin on the classic English Country House novel transposed to the late 70s: comic fiction at its very finest by one of Scotland's most celebrated literary figures

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It is off-season in a remote Highland sea port: twenty-one-year-old Morvern Callar, a low-paid employee in the local supermarket, wakes one morning to find her strange boyfriend has committed suicide and is dead on their kitchen floor. Morvern's laconic reaction is both intriguing and immoral. What she does next is even more appalling...WINNER OF THE SOMERSET MAUGHAM AWARD

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'One of our finest writers' Michael Moorcock'Alan Warner is one of our best living writers' Jenni FaganKitchenly 434 is set in a sprawling Tudorbethan mansion in Sussex, Kitchenly Mill Race, on the cusp of the arrival of Margaret Thatcher as Prime Minister. In some ways, the last days of an Age of Innocence.Marko Morrell, guitarist in Fear Taker, is one of the biggest rock stars in the world. His demanding lifestyle means he is frequently in absentia at Kitchenly, his idyllic country retreat, and so it is his butler (or 'help'), Crofton Clark, who is charged with the maintenance and housekeeping. When, one day, two young girls arrive looking for Marko clutching their copies of Fear Taker LPs, Crofton finds himself on a romantic misadventure which leads to the tragi-comic unravelling of the fantasies he has been living by.A novel about delusional male behaviour, opening and closing curtains, self-awareness, loneliness and 'getting it together in the country', Kitchenly 434 is a magnificent novel about the Golden Age of Rock in the bucolic English countryside.

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Winner of the James Tait Black Fiction PrizeFor 16-year-old Simon Crimmons there is not a lot to do. Going nowhere, fed up with school, he leaves to work as a driver on the trains. That summer he is introduced to a world of grown-up glamour, strikes and girlfriends. When Simon falls for the ethereal, aristocratic Varie, he finds freedom and adventure but will it be at a price? Too ‘posh’ for the railways, too ‘working class’ for Varie, Simon must navigate what it means to be a man as his world is turned upside down.

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NOW A MAJOR MOTION PICTUREThe choir from Our Lady of Perpetual Succour School for Girls is being bussed to the national finals in the big, big city. It's an important day for The Sopranos, with pub-crawling, shoplifting and body-piercing being the top priorities. And with a newly anchored nuclear sub in the bay, the Man Trap disco will be full of submariners on shore-leave tonight. There is no time for delays – or even for winning…But after the fifth bottle of alco-pop on the bus it's clear that all is not going to plan, for anyone. The Sopranos are never going to be the same.

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As a child Iain Crichton Smith was raised speaking Gaelic on the island of Lewis. At school in Stornoway he spoke English. Like many islanders before and since, his culture was divided: two languages and two histories entailing exile. His divided perspective delineated the tyranny of history and religion, of the cramped life of small communities, and gave him a compassionate eye for the struggle of women and men in a world defined by denials. After the Dance proves that big themes – love, history, power, submission, death – can be addressed without the foil of irony and acquire resonance when given a local habitation and a voice that risks pure, humane, impassioned speech. This updated edition includes the story ‘Home’

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