Search results for ""Author Adrian Johnston""

In 2012, philosopher and public intellectual Slavoj Žižek published what arguably is his magnum opus, the one-thousand-page tome Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A sizable sequel appeared in 2014, Absolute Recoil: Towards a New Foundation of Dialectical Materialism. In these two books, Žižek returns to the German idealist G. W. F. Hegel in order to forge a new materialism for the twenty-first century. Žižek’s reinvention of Hegelian dialectics explores perennial and contemporary concerns: humanity’s relations with nature, the place of human freedom, the limits of rationality, the roles of spirituality and religion, and the prospects for radical sociopolitical change.In A New German Idealism, Adrian Johnston offers a first-of-its-kind sustained critical response to Less Than Nothing and Absolute Recoil. Johnston, a leading authority on and interlocutor of Žižek, assesses the recent return to Hegel against the backdrop of Kantian and post-Kantian German idealism. He also presents alternate reconstructions of Hegel’s positions that differ in important respects from Žižek’s version of dialectical materialism. In particular, Johnston criticizes Žižek’s deviations from the secular naturalism and Enlightenment optimism of his chosen sources of inspiration: not only Hegel, but Karl Marx and Sigmund Freud too. In response, Johnston develops what he calls transcendental materialism, an antireductive and leftist materialism capable of preserving and advancing the core legacies of the Hegelian, Marxian, and Freudian traditions central to Žižek.

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This book deals with a new materialist theory of subjectivity mobilising philosophy, psychoanalysis, politics and science. Armed with resources provided by German idealism, Marxism, psychoanalysis, the life sciences and contemporary philosophy, Johnston formulates an account of subjectivity that is both materialist and naturalist, and does full justice to human beings as irreducible to natural matter alone. At the same time, he argues against relapses into idealisms, dualisms and spiritualisms. It critically engages with some of today's most important thinkers, including Slavoj Zizek, Alain Badiou, Catherine Malabou, Jean-Claude Milner, Martin Hagglund, William Connolly and Jane Bennett. It is split into three parts: Zizek: Dossier of an Ongoing Debate; Psychoanalysis: The Unconscious between Philosophy, Science and Religion; and, Politics: True and False Utopias. It combines Continental-style philosophy with science.

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Through a novel synthesis of Marxism and psychoanalysis, Adrian Johnston reveals how the relentless pursuit of profits is not fundamentally animated by human acquisitiveness.

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Through a novel synthesis of Marxism and psychoanalysis, Adrian Johnston reveals how the relentless pursuit of profits is not fundamentally animated by human acquisitiveness.

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Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines-European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience-Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions. Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science.

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Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines-European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience-Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions. Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science.

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The first volume of The Idea of Communism followed the 2009 London conference called in response to Alain Badiou's 'communist hypothesis', where an all-star cast of radical intellectuals put the idea of communism back on the map.This volume brings together papers from the subsequent 2011 New York conference organized by Verso and continues this critical discussion, highlighting the philosophical and political importance of the communist idea, in a world of financial and social turmoil.Contributors include Alain Badiou, Etienne Balibar, Bruno Bosteels, Susan Buck-Morss, Jodi Dean, Adrian Johnston, François Nicolas, Frank Ruda, Emmanuel Terray and Slavoj Zizek.

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When it comes to the question of objectivity in current philosophical debates, there is a growing prominence of two opposite approaches: nominalism and realism. By absolutising intersubjectivity, the nominalist approach is moving towards the abandonment of the very notion of truth and objective reality. For its part, the realist approach insists on the category of the object-in-itself as irreducible to any kind of subjective mediation. Despite their seeming mutual exclusiveness, both approaches share a fundamental presupposition, namely, that of a neat separation between the spheres of subjectivity and objectivity as well as between fiction and truth. This collection offers a rethinking of the relationship between objectivity and fiction through engaging with a series of 'objective fictions', including such topics as fetishes, semblances, lies, rumours, sophistry, fantasies and conspiracy theories. It does so through engagement with modern and contemporary philosophical traditions and psychoanalytic theory, with all of these orientations being irreducible to either nominalist or realist approaches.

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Rethinks objectivity and fiction in contemporary philosophy, psychoanalysis and Marxism beyond the realism nominalism divide Rethinks the concept of objectivity through its relation to fiction beyond their mere opposition Conceptualises 'objective fictions' Highlights a shared background underpinning realist and nominalist approaches to the relation between subjectivity and objectivity Revitalises modern/contemporary philosophical currents, psychoanalytic theory and the Marxist critique of political economy beyond the realism-nominalism divide Includes contributions from a mix of renowned thinkers and from the new generation, including Slavoj i ek, Mladen Dolar, Frank Ruda and Samo Tom i? Relying on contemporary continental philosophy, psychoanalytic theory and the Marxist tradition, this volume moves beyond the deadlock between nominalism and realism. It rethinks the relationship between objectivity and fiction through engaging with a series of 'objective fictions', including fetishes, semblances, lies, rumours, sophistry, fantasies, and conspiracy theories, among other phenomena. What all these phenomena exhibit are paradoxical entanglements of subjectivity with objectivity and of fiction with truth. When it comes to questions of objectivity in current philosophical debates and public discourse, we are witnessing the re-emergence and growing importance of two classical, opposed approaches: nominalism and (metaphysical) realism. Today's nominalist stances, by absolutizing intersubjectivity, are moving towards the abandonment of the very notion of truth and objective reality. By contrast, today's realist positions, including those bound up with scientific discourse, insist on the category of the object-in-itself as irreducible to any kind of subjective mediation. However, despite their seeming mutual exclusivity, both approaches share fundamental presuppositions, namely, those of neat separations between the spheres of subjectivity and objectivity as well as between the realms of fiction and truth.

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