Search results for ""Author A.J. Smith""

'Best described as George R.R. Martin meets H.P. Lovecraft, The Glass Breaks is a fine example of British fantasy writing at its most entertaining' Guardian A MAN OF THE DAWN CLAW WILL BE THE ALWAYS KING. It will ever be so. They will always rule... but they will not always lead.Prince Oliver Dawn Claw, heir to the Kingdom of the Four Claws, is thrust into a world he doesn't understand as he waits for his father to die. Away from home, with few allies – and too many enemies – he faces a new and otherworldly threat from beneath the sea. Alliances break and masks fall, as the Dark Brethren reveal their true master. Meanwhile, Adeline Brand – called the Alpha Wolf – refuses to wait, and becomes the edge of the sword that swings back at the Dreaming God. Assembling allies and crushing resistance, she enters a fight she doesn't know if she can win, as the sea begins to rise. PRAISE FOR A.J. SMITH: 'An epic feat of world-building from one of British fantasy's most innovative voices' Bookseller 'British fantasy writing at its most entertaining' Guardian 'Interesting and enticing, deftly sidesteps fantasy cliché and thrusts you towards the next installment' SFX

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The epic conclusion to a new trilogy from one of the most exciting voices in British fantasy. The glass breaks, the sword falls, the sea rises. Lord Marius Cyclone faces an unimaginable danger. The mighty legions of Santago Cyclone – known as the Bloodied Harp – and King Oliver Dawn Claw will be upon the Dark Harbour in less than a day, and truce seems impossible, even as the end of the world of Form creeps ever nearer. But the tide waits for no man. Marius has only one choice if his people are to survive: flight, into the Void. Meanwhile, a primal power awakens. The Sunken God has lived through many ages; watched countless civilisations rise and fall. And he will not let his quarry flee without a fight. Praise for The Glass Breaks: 'Best described as George R.R. Martin meets H.P. Lovecraft, The Glass Breaks is a fine example of British fantasy writing at its most entertaining' Guardian

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Between the desert plains of Karesia and the icy wastes of Ranen, there once lay the kingdom of Ro. Its lands were fertile. Its men and women were prosperous. Their god – the One – was satisfied. But then the men of Ro grew unwatchful, and the armies of the south took their chance. Now the Seven Sisters rule the Kingdom, enslaving their people with sorcery of pleasure and blood. Soon, they will appoint a new god. The Long War rumbles on... but the Red Prince has yet to enter the field of battle. ALL THAT WAS DEAD WILL RISE. ALL THAT NOW LIVES WILL FALL...

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The dead god is waking. His power-mad priestess has deployed a mass of men and beasts onto the plains of Ro Weir. Faced with this black swarm, the last remnants of a nation crumbles and falls. This is the final battle for the mortal lands of Ro. Far to the north, the ice men of Rowanoco muster their Exemplars against the witch’s assassins. In the blistering southern deserts, a squire with no master walks unscathed through a poisoned city. And, in the halls beyond the world, a thrice-born man dares to tread the path of Giants... All that was dead will rise. All that now lives will fall... This is the final epic battle for the Lands of Ro.

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The epic conclusion to the Form & Void trilogy. Ages end and the sea rises. As the sea rises, so too does the old world.

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The city of Ro Canarn burns. With their father's blood fresh upon the headsman's sword, Lord Bromvy and Lady Bronwyn, the last scions of the house of Canarn, face fugitive exile or death. In the court of Ro Tiris, men fear to speak their minds. The Army of the Red marches upon the North. Strange accidents befall those who dare question the King's new advisors. Those foolish enough to speak their names call them the Seven Sisters: witches of the fire god; each as beautiful and as dangerous as a flame. And, called from the long ages of deep time by war and sacrifice, the children of a dead god are waking with a pitiless cry. All that was dead will rise. All that now lives will fall...

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'Convincing action sequences, vivid world-building and fascinating magic. Best described as George RR Martin meets HP Lovecraft, The Glass Breaks is a fine example of British fantasy writing at its most entertaining' Guardian. Seventeen-year-old Duncan Greenfire is alive. Three hours ago, he was chained to the rocks and submerged as the incoming tide washed over his head. Now the waters are receding and Duncan's continued survival has completed his initiation as a Sea Wolf. It is the 167th year of the Dark Age. The Sea Wolves and their Eastron kin can break the glass and step into the void, slipping from the real world and reappearing wherever they wish. Wielding their power, they conquered the native Pure Ones and established their own Kingdom. The Sea Wolves glory in piracy and slaughter. Their rule is absolute, but young Duncan Greenfire and duellist Adeline Brand will discover a conspiracy to end their dominion, a conspiracy to shatter the glass that separates the worlds of Form and Void and unleash a primeval chaos across the world. 'Epic fantasy at its scary, fun, sarcastic, shock-laden best' THE BOOKBAG.

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In the court of every city in the lands of Ro, a sorceress sits. And in the minds of that city's people, each sorceress weaves a song. She and her sisters sing of the liberation of the land, the taming of the highland tribes, and the birth of a precious new race: the children of a dead god. Of course, they do not sing of the death of young Prince Christophe at the hands of that god. Particularly as his replacement dances so well to their tune. Yet all songs have an end. An ending speeded when the assassin Rham Jas Rami accepts a commission from Bromvy Black Guard, traitor duke of Canarn. The rebellion of Ro has begun...

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Prince Oliver Dawn Claw, heir to the Kingdom of the Four Claws, is thrust into a world he doesn't understand as he waits for his father to die. Meanwhile, Adeline Brand refuses to wait, and enters a fight she doesn't know if she can win.

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