Search results for ""Author A.E. Stallings""

Winner of the Anglo-Hellenic League Runciman Award 2023. Shortlisted for the London Hellenic Prize 2022. The Poetry Book Society Winter Special Commendation 2022. 'The ancients taught me how to sound modern,' A.E. Stallings said in an interview. 'They showed me that technique was not the enemy of urgency, but the instrument.' For her, 'technique' is rooted in traditions of strict forms and metres, an interest that sets her apart as modern - and American - in challenging ways, for being on the face of it old-fashioned, yet ambitiously experimental among the forms she uses. Raised in Atlanta, Georgia, she lives in Athens, Greece. Her poems come out of life's dailiness - as a wife, mother, teacher, an expatriate between languages, a brilliant translator of ancient and modern Greek. She also translates Latin, her most notable large work being the Penguin Lucretius, translated into fourteeners. Being a poet in Greece entails, for her, being part of that world. She was among volunteers helping refugees as they arrived in Greece, and their experience haunted her to write, 'My love, I'm grateful tonight / Our listing bed isn't a raft / Precariously adrift / As we dodge the coast guard light...' The sharp quatrain commends the observation to memory. The poems, without self-indulgence or confession, are intimate as they address 'My love', children or friends.

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The Greek folk songs "Dimotika Tragoudia in Greek" are songs of the Greek countryside, from island towns to mountain villages. They have been passed down from generation to generation in a centuries-long oral tradition, lasting until the present. They are songs of every aspect of old Greek life: from love songs and ballads, to laments for the dead, to songs of travel and brigands. Written down at the start of the nineteenth century, they are the first works of modern Greek poetry, playing a crucial role in forming the country's modern language and literature. Still known and sung today, they are the Homer of modern Greece. This new translation brings the songs to an English readership for the first time in over a century, capturing the lyricism of the Greek in modern English verse. Foreword by A.E. Stallings, American poet and translator.

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Renowned poet and acclaimed translator Charles Martin faithfully captures Euripides’s dramatic tone and style in this searing tale of revenge and sacrifice.The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance. In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other.

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