Search results for ""Aperture""

Virginia Woolf ’s prescient 1928 novel Orlando tells the story of a young nobleman who, during the era of Elizabeth I, mysteriously shifts gender, and lives on for three centuries without aging. Today, Orlando remains startlingly fresh for its playful imagining of gender fluidity. In 1992, filmmaker Sally Potter released an adaptation of the book with Tilda Swinton carrying the film as Orlando. Woolf ’s tale has continued to hold sway over Swinton, who describes the book’s ability “to change like a magic mirror. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.”This special issue of Aperture magazine, guest edited by Swinton, will draw upon the themes of the novel—gender, indeterminate space, and the passage of time—and offer readers a collection of images and writings that celebrate openness and curiosity, in contrast to a contemporary political moment of insurgent parochialism and divisiveness. “Woolf wrote Orlando,” Swinton notes, “in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit: as Orlando him/herself so memorably remarks at the critical moment of transformation: ‘Same person, different sex: no difference at all.’ The issue of Aperture, then, will be a salute to indetermination. Peopled by voices and visions of artists and writers who are kaleidoscopically wired.”

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“Family” delves into the ways photographers have chronicled their relationships with those closest to them, be it immediate family or their community of friends. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.

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This fall, Aperture magazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create for themselves. In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. “What I’m doing integrates mythology, religion, empirical data, dreams,” says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston. In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross’s precise, empathic gaze. “Ross is guided by a rapt, intense, wholehearted belief in the individual,” Bengal writes. A portfolio of Michael Schmidt’s acutely observed work from the 1970s and ’80s reveals the realms within realms of a once divided Berlin, while Feng Li’s surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence. Throughout “Cosmologies,” artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.

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Following Aperture’s acclaimed city issues centered around photography in Delhi, Mexico City, Los Angeles, New York, Tokyo, and São Paulo, the magazine’s Fall edition considers Accra as a site of vivid photographic styles connected to visual culture in Ghana and West Africa. From the pioneering midcentury studio photography and photojournalism of James Barnor to the sensitive and experimental work of Eric Gyamfi, Accra is at the center of dialogues around Pan-Africanism and is a point of return for the African Diaspora. The Accra issue, edited in collaboration with Lyle Ashton Harris and Nii Obodai, may include contributions from Ekow Eshun, John Akomfrah, David Adjaye, Taiye Selasi, Lloyd Foster, Anakwa Dwamena, and Rénee Mussai.

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In role-play and sex-play, illuminating theater, jokes, leisure, and fantasy. This edition of Aperture focuses on "Playtime." Taking its name from the 1967 film by Jacques Tati, the articles and portfolios explore how photography illuminates, facilitates, and participates in the many definitions of play-from role-play and sex-play to theater and jokes to leisure and fantasy. The issue features an interview with artist Chrisian Marclay about improvisation and the relationship between images and sounds; a conversation with Erwin Wurm about the possibilities and risks of using humor in contemporary art; and new, never-before-published work by Sophie Calle. Additionally, writer Eric Banks visits Saul Leiter's studio; Tim Davis examines the art of the photographic one-liner; Robin Kelsey surveys the artists who turned to games, whimsy, and clowning around in the 1960s and '70s; and Aveek Sen considers Italo Calvino's short story "The Adventure of a Photographer." Plus portfolios from Jo Ann Callis, Kauyoshi Usui, Bruno Munari, James Mollison, a little-known group of Cambridge University students who scaled campus buildings in the 1930s, and more.

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This winter, Aperture magazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, “Latinx” spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life. In “Latinx,” Carribean Fragoza traces Laura Aguilar’s influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today. “Collectively, their images cast a greater net for the multiple ways of seeing Latinx people,” Tompkins Rivas notes of the issue’s photographers, “creating a visual archive whose edges are yet to be defined.”

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If the year 2020 has resembled a disquieting sci-fi plot or a sinister speculative work, this year has also shown us that other ways of living are possible—if the collective will exists. But is it naive to speak of utopia today? In this issue, artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, or a “no place” (the literal meaning of the word utopia), but rather a way of reconsidering the everyday. Salamishah Tillet considers Tyler Mitchell’s portraits of Black people resting in open green space, while Sara Knelman shows the liberatory possibilities of feminist collage work of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields. From Afro-Futurist aesthetics to the eco-idealism of Biosphere 2, “Utopia” issue explores the role of photographs in shaping our future.

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Published in 1986, Nan Goldin’s Ballad of Sexual Dependency, with its fresh, unflinching portrayal of the photographer’s circle of friends, dramatically changed the course of photography. Decades on, the series retains its searing power, influencing new generations of artists. Goldin herself remains a bold, singular force in our culture. Recently, she has taken on the Sackler family, shining a light on their role in creating America’s opioid crisis. Goldin’s trenchant activism is a reminder of the artist’s power to effect social change. The Ongoing Ballad issue of Aperture magazine is organized around the themes contained within the original ballad—intimacy, friendship, community, love, sex, trauma, music—while also honoring the urgent role of the artist as a force for cultural and social change.

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In a time of hyperactive communication, unending consumerism, and political confusion, Wolfgang Tillmans guest-edits an issue of Aperture on the subject of spirituality and its connection to solidarity. “People are touched and moved by experiences of genuine solidarity,” Tillmans notes. “Solidarity describes a degree of selflessness, or experiences that remind people of values higher than the pure mate-rialistic culture we’re in.” This issue, featuring contributions by leading artists, scientists, novelists,and philosophers, will look at different ways of considering humanity’s longing for spiritual connection—from the shared sense of purpose behind global mass protests, to the collective spirit of the dance floor, to how image-makers have strived to visualize the intangible and the inexplicable. Key features include: a look at the role of spiritualism in the work of Minor White, Aperture’s founding editor; esteemed physicist Peter Galison on the recent landmark image of a black hole; David Swindells’s chronicle of underground rave culture in London; Siddhartha Mitter on images of protests in Hong Kong, Cairo, and Standing Rock; a collaborative project by Olivia Laing and Mary Manning; Sean O’Toole on Santu Mofokeng and South Africa’s spiritual landscapes; plus portfolios by Susan Hiller, Mare Nero, Harit Srikhao, and more

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Aperture magazine presents “Celebrations,” an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday. Throughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic. In “Celebrations,” Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays—including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC '77—reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.

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Guest edited by the acclaimed photographer Alec Soth, Aperture’s summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography. “Sleepwalking” covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medová to Sophie Calle’s discovery of an abandoned Parisian hotel to Soth’s own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Óscar Monzón, and others.

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Voyages, journeys, and the captivating spell of wanderlust. This edition of Aperture magazine, “Odyssey,” features photography about voyages, journeys, and the captivating spell of wanderlust. In the Words section, Tacita Dean discusses her personal quests with writer Travis A. Diehl; Eric Banks traces the midcentury journeys of famed travel writer Wilfred Thesiger; Alexander Stille looks at Italian mountain-photography pioneer Vittorio Sella; writer Sean O’Toole profiles the documentary projects of the Invisible Borders Trans-African Photographers Organisation, a West African photography collective; and multidisciplinary artist Taryn Simon speaks with Kate Fowle, of Moscow’s Garage Museum of Contemporary Art, about an artwork set for completion in the year 3015.

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This issue of Aperture considers the natural world in the age of climate change, extreme weather, and dramatically politicized landscapes. Earth focuses on our relationship with the natural world, during a moment of continued debate about global warming and extreme weather, and as the vulnerability of our natural environment is underscored each day. As we enter the anthropocene, the term used by scientists to describe an age when human activity has the greatest impact on the earth, what is the role of the artist and culture in addressing this crisis? How do photographers honor and draw inspiration from the natural world? How do aesthetics shape our understanding of ecological concerns? This issue features contributions by writers and photographers including Charlotte Cotton, T.J. Demos, Carolyn Drake, William Finnegan, Bill McKibben, Gideon Mendel, Aveek Sen, David Benjamin Sherry, Lieko Shiga, Thomas Struth, Bruno V. Roels, and Vasantha Yogananthan.

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Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mroué, Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida’s Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbjørn Rødland’s images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso’s recent Mao Zedong series; Brian Dillon on Dru Donovan’s recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler’s Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan’s enduring images of Martha Graham, and Babette Mangolte’s photographs of Trisha Brown’s dance performances.

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How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm. From interviews with leading architects—such as David Adjaye, Denise Scott Brown, and Annabelle Selldorf—and a reconsideration of the irreverent interiors magazine Nest, to previously unpublished work by Robert Adams and new portfolios by artists including Alejandro Cartagena, Fumi Ishino, Mauro Restiffe, and the duo Randhir Singh and Seher Shah, House & Home considers the concepts of home across diverse geographies and time periods.

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This winter, Aperture magazine presents “Reference,” an issue that considers the role images play in the creation of something else.­ Spanning fashion design, architecture, film, and print, “Reference” includes a conversation between renowned British author and curator Ekow Eshun and rising fashion designer Grace Wales Bonner; an interview with South African artist William Kentridge on the images that undergird his sprawling output; critic Mimi Zeiger on the work of Los Angeles–based architectural studio Johnston Marklee; an essay by Jesse Dorris on the potential of handmade zines; and David Campany on the function and purpose of photographs today. Further, works by James Welling, Jojo Gronostay, Deborah Turbeville, Sheida Soleimani, Katrien de Blauwer, and Stephanie Syjuco highlight each artist’s unique use of source material. The Photobook Review for this issue opens with a sweeping interview with Ramón Reverté—the editor in chief and creative director at Editorial RM—and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.

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The Native America issue, edited in collaboration with the artist Wendy Red Star, considers the wide-ranging work of photographers and lens-based artists who are posing challenging questions about land rights, narratives of identity and heritage, and histories of colonialism at a moment when debates around nationalism and borders in North America are deeply contested. With contributions by Indigenous photographers, scholars, writers, and curators—including Rebecca Belmore, Natalie Diaz, Martine Gutierrez, Duane Linklater, Terese Marie Mailhot, Wanda Nanibush, Julian Brave NoiseCat, and Tommy Pico—the issue will look into the historic, often fraught relationship between photography and Native representation, while also offering new perspectives by emerging artists who are engaged with defining what it means to be a citizen in North America today.

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To mark Aperture ’s return to a US-based printer, we present an issue that reflects on the image of American manufacturing, from the automobile as a symbol of the rise and fall of domestic industry, to how the worker, as subject, has fascinated photographers, from Lewis Hine to Lee Friedlander. A series of portfolios by contemporary photographers portray daily life in regional cities and communities, such as Pittsburgh and Buffalo. As debates continue about the country’s economic future and the outsourcing of jobs, this issue offers an urgent reflection on life, work, and pursuit of happiness, in the USA today. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally- curious alike.

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Aperture issue 229 will explore photography as it relates to transgender lives, histories, and communities. Guest edited by Zackary Drucker, the artist, activist, and producer of the television series Transparent , the issue will feature archival work and new photography by leading contemporary photographers.

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The latest in a series of city-based issues, Mexico City profiles the dynamic photographic culture of Mexico’s capital, home to a thriving contemporary art scene, revered photography institutions, and world-class museums. From icons Lola Álvarez Bravo, Tina Modotti, and Graciela Iturbide to the most exciting figures at work today, the issue presents a range of photography as well as Mexican and Latin American writers—both veterans and newcomers—to an international audience.

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A detailed look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty-five years—the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography. Platform: Africa presents a new generation of powerful artists, and is produced in collaboration with guest editors Bisi Silva, Founder and Artistic Director of the Centre for Contemporary Art in Lagos, Nigeria; John Fleetwood, director of the South Africa-based platform Photo and former head of the Market Photo Workshop in Johannesburg; and Aicha Diallo, Associate Editor of Contemporary And.

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The poet brings his fascination with formal poetry to 21st century subjects — internet culture, science, postmodern architecture — even as he also explores intimacy, gay love, and emotionally-charged objects in this bilingual (Polish/English) collection. Dehnel's range of style and diction includes poems based on the classic Polish thirteen-syllable line and intricate rhyming stanzas, to prose poems and freer lyrics. "My restlessness… is one of my strongest traits—that insatiability for places, books, paintings, people," he says.

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This spring Aperture magazine presents “We Make Pictures in Order to Live” an issue that nods to the late, celebrated writer Joan Didion and looks at photography’s relationship to storytelling. “We live entirely, especially if we are writers,” Didion writes in her iconic essay “The White Album,” “by the imposition of a narrative line upon disparate images, by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O’Neill, as well as features on Adraint Bereal and Charles “Teenie” Harris.

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As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, "Aperture" magazine releases "Vision & Justice," a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience. "Vision & Justice" includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation--Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Tegu Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine.

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More than two million people are currently incarcerated in the United States. While the country accounts for 5 percent of the global population, it is home to 25 percent of the world’s prison population. How can photography help us understand this vast system, and the lives shaped—and disrupted—by mass incarceration? From a reflection on the origins of the mug shot to stark aerial views of supermax prisons to recent projects focused on everyday life in New York’s Riker’s Island, Louisiana’s Angola Prison, and California’s San Quentin Prison, this issue considers the visual record, and human toll, of a national crisis that is often removed from public view. Prison Nation is organized with contributing editor Nicole Fleetwood, author of the forthcoming book, Carceral Aesthetics: Prison Art and Public Culture.

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As part of Aperture magazine’s ongoing series of issues that profile the photographic culture of a particular city, the “Los Angeles” issue will explore how one of America’s most photogenic cities is also an essential hub for some of today’s most important photography and photo-based art. “Los Angeles” will feature key figures in the city’s photography community and portfolios by figures who continue a conceptual tradition long associated with the city’s art scene.

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With its vibrant street life, vast media industry, and influence on the fashion world, New York has long been considered the capital of photography. Since last March, though, life in the city has been altered in unthinkable ways due to the Covid-19 health crisis and the protests in support of Black lives. Aperture’s New York issue will be released on the one-year anniversary of the city’s shut down due to the Covid-19 crisis. The issue will honor community and public space in the city and highlight the distinct ways in which this city has fostered a vital image culture. Contributions will include Jamel Shabazz’s decades-long chronicle of Black life in the city; Deana Lawson’s distinct vision of Brooklyn; Vince Aletti on the tradition of the “New York issue” in magazine publishing; a conversation between Philip Montgomery and Kathy Ryan, Director of Photography at The New York Times Magazine; as well as highlights from a range of unique photo archives in the city. Additional contributors may include An-My Le?, Farah Al Qasimi, Ari Macropolous, Ryan McGinley, Irina Rozovksy, Olivia Laing, Jim Jarmusch, among others.

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When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence—even something of a legend—among serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972— along with the posthumous retrospective at The Museum of Modern Art—offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus’s friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus’s photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

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Must-read conversations with nine of the world’s most influential photographers. The Interview Issue features in-depth conversations with a selection of influential photographers of an older generation, who continue to produce and publish, about their lifelong engagement with photography. What compels someone to become a photographer? And what drives someone to continue to be one, for as many as seven decades? How does a veteran photographer describe years of questioning politics, personal experience, social unrest, landscape, and history through the camera? For this issue, Aperture offers nine in-depth interviews, firsthand accounts that underscore the generosity and intelligence of their speakers. Born between 1928 and 1947, the nine photographers featured―Bruce Davidson, Paolo Gasparini, David Goldblatt, Guido Guidi, Ishiuchi Miyako, William Klein, Bertien van Manen, Boris Mikhailov, and Rosalind Fox Solomon―are still active today, adding to their already unparalleled bodies of work. In these pages, the medium is considered from various points of view, offering a range of philosophies, values, and perspectives, yet for all the differences within this group, they share a fundamental curiosity about the human experience.

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Winner of the 2020 Hugo Boss PrizeOne of the most intriguing photographers of her generation, Deana Lawson’s subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a striking visual language to describe black identities, through figurative portraiture and social documentary accounts of ceremonies and rituals. Lawson works with large-format cameras and models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body—often nude—is central. Throughout her work, Lawson seeks to portray the personal and the powerful in black life. Deana Lawson: An Aperture Monograph features forty-five beautifully reproduced photographs and an extensive interview with the filmmaker Arthur Jafa. “Outside a Deana Lawson portrait you might be working three jobs, just keeping your head above water, struggling. But inside her frame you are beautiful, imperious, unbroken, unfallen.” — Zadie Smith

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Walker Evans helped define documentary photography and is considered one of the most influential artists of the twentieth century. He captured the American experience from the late 1920s to the early 1970s with graceful articulation. From 1935 to 1937, he captured rural America during the Great Depression while working for the Farm Security Administration. Much of Evans’s work from that period focused on three sharecropping families in the South, culminating in the revolutionary book Let Us Now Praise Famous Men, with text by James Agee (1941). His enduring appreciation for inanimate objects and the vernacular as subject matter is evident in his photographs of shop windows, rural churches, billboards, architecture, and displays of American culture as he saw it. Included in this publication is a new, insightful text by historian David Campany, presenting this definitive work to new audiences. Walker Evans (born in St. Louis, Missouri, 1903; died in New Haven, Connecticut, 1975) was the forerunner of the documentary tradition in American photography and created an unparalleled body of work throughout his life. His renowned work is in permanent collections throughout the world and has been the subject of several retrospectives, including at the Metropolitan Museum of Art and Museum of Modern Art, New York.

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Anniversary issue features seven original commissions by leading photographers and artists, and seven essays about Aperture’s legacy by award-winning writers and critics This fall, Aperture celebrates seventy years in print with an issue that explores the magazine’s past while charting its future. Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features seven original artist commissions as well as seven essays by some of the most incisive writers working today––each engaging with the magazine’s archive in distinct ways. Among the original artist commissions, Iñaki Bonillas selects iconic images and texts from the Aperture’s archive from the 1950s to produce open-ended narrative collages. Dayanita Singh reflects on the 1960s and the family album as a serious photographic form. Yto Barrada enacts sculptural interventions to issues and spreads from the 1970s, using remnants of the late artist Bettina Grossman’s color paper cutouts. Mark Steinmetz draws inspiration from the magazine’s Summer 1987 issue, “Mothers & Daughters,” to compose a photo essay of his wife, the photographer Irina Rozovsky, and their daughter Amelia. Considering the matrix of censorship, art, and religion in the 1990s, John Edmonds creates a tableau about family, faith, and grief. Hannah Whitaker explores the turn of the century, and the ways in which our anxieties about technology create speculative worlds. And Hank Willis Thomas draws on Aperture’s issues from the 2010s to create a series of collages that reference traditional quilt patterning, revivifying history and remixing the present.Looking back upon Aperture’s legacy, Darryl Pinckney reconsiders the photographer and editor Minor White, whose vision shaped the magazine for nearly two decades, beginning in the 1950s. Olivia Laing writes about the 1960s and the tensions between reportage and artistry in the work of Dorothea Lange, W. Eugene Smith, and others. Geoff Dyer revisits to the 1970s, which he considers a decade of new ideas and deeper reflection on the medium, looking into the works of William Eggleston and Ralph Eugene Meatyard. Brian Wallis looks back at the politics, art, identity, and the “culture wars” of the 1980s, while Susan Stryker reflects on Aperture’s archive from the 1990s and its foregrounding of identity beyond the gender binary, evoking Catherine Opie, Elaine Reichek, and Aperture’s pathbreaking “Male/Female” issue. Lynne Tillman illustrates how photographers searched for the tangible in an increasingly digital world in the 2000s, and the Pulitzer Prize-winning critic Salamishah Tillet shows how the photo album became a source of connection and narrative amid the information overabundance of the 2010s.

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The best photography and critical writing produced in Brazil today. This edition of Aperture features some of the best photography and critical writing being produced in Brazil today, as seen through the prism of the dynamic city of São Paulo. Working in collaboration with guest editor Thyago Nogueira, editor of Brazilian photography magazine ZUM and head of the Contemporary Photography Department at Instituto Moreira Salles in São Paulo, this timely issue features portfolios of great photography and writing by Brazilian curators, critics and historians, as well as highlights from the leading institutions and galleries of the largest city in the largest country in South America. In the Words section, Sérgio Burgisurveys the city's artistic activity across the twentieth century; Natalia Brizuela tells the story of Hercule Florence, who pioneered an early form of photography; Ronaldo Entler presents five politically engaged photography collectives; Cassiano Elek Machado reviews one record of the city's nuances and conflicts as preserved in photobooks; and Silas Martí looks at a new network of independent exhibition venues, residences, and galleries. The Pictures section features Christopher Phillips on Caio Reisewitz's lush imagery; Heloísa Espada on Geraldo de Barros's post-modern photographs; Agnaldo Farias on Bárbara Wagner's alternate version of Afro-Brazilian performance groups; Tobi Maier introduces conceptual artist Hudinilson Urbano Jr.; Rodrigo Moura on Mauro Restiffe’s photographs of Oscar Niemeyer’s funeral; Ana Maria Maia on Jonathas de Andrade's subtly subversive Education for Adults posters; Sarah Hermanson Meister on Regina Silveira's 1970s photograms; a portfolio of recent work from emerging photographer Sofia Borges; and Claudia Andujar explores the experience of Eastern European immigrants fleeing the Second World War.

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As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases “Vision & Justice,” a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience. "Vision & Justice” includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation - Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine. "Vision & Justice” features two covers. This issue comes with an image by Awol Erizku, Untitled (Forces of Nature #1), 2014.

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This issue explores the myriad ways in which Asian American image makers have negotiated the tension between being seen and unseen as strategies of survival, play, and reclamation, from the pursuit of anonymity or effacement during times of exclusion to practices of self-fashioning and commemoration within communities. Just as the term “Asian American” covers an incredible diversity of people from different geographic origins, classes, cultures, and historical experiences, there is no one approach to Asian American photography. This summer edition of Aperture highlights the photographers and writers who are telling new stories about what it means to be Asian in America. They explore areas of hope and connection alongside doubt, uncertainty, and trauma across generations. Through text and image, they take part in a project of reclaiming agency and humanity while charting an evolution of Asian American identities.

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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s The Concert ? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? Aperture Conversations presents a selection of interviews pulled from Aperture’s publishing history, highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Through the history of Aperture’s booklist, online platform, and Aperture magazine, Aperture Conversations celebrates the artist’s voice, collaborations, and the photography community at large.

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Aperture Magazine Releases Winter Issue, “Desire,” Featuring an Expansive Interview with Renowned Fashion Photographer Juergen Teller(New York—December 12, 2023) This winter, Aperture magazine presents “Desire,” an edition that considers desire as both an impulse and a state of mind. The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition Juergen Teller: i need to live, opening at the Grand Palais Éphémère in Paris on December 16, 2023.Photographers are natural voyeurs. The compulsion to want—or, in today’s parlance, to manifest—emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.Andrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing—and being seen. Moeko Fujii revisits Hisae Imai, an ascendent figure in Tokyo’s art and fashion scenes of the 1960s, and Lucy McKeon finds new resonance in the sensual self-portraits Melissa Shook made as a young woman and mother. In “Desire,” photographers render reality as unearthly—and take the viewer somewhere else altogether.For more information and to preview select content from the issue, visit aperture.org/magazine.

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The Aperture Masters of Photography Series has become a touchstone of Aperture’s longstanding commitment to introducing the history and art of photography to a broader public. Each volume provides an ongoing comprehensive view of the artists who have helped shape the medium. Initially presented as the History of Photography Series in 1976, the first volume featured Henri Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture’s own Michael Hoffman. Twenty volumes have been published in total, each of them devoted to an image-maker whose achievements have accorded them vital importance in the history of photography. Each volume presents an evocative selection of the photographer’s life’s work, introduced with a foreword by a notable curator or historian of each artist. The series will be relaunched in Fall 2014, beginning with books on Paul Strand and Dorothea Lange, elegantly updated and refreshed for today’s photography-hungry audiences, and introducing new, image-by-image commentary and chronologies of the artists’ lives for each of the previously published titles. The series will also include entirely new titles on individual artists. The Aperture Masters of Photography Series is an unparalleled library of both historical and contemporary photographers, and serves as an accessible compilation for anyone studying the history of photography.

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This summer, Aperture presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. The issue explores multiple incarnations of the city’s photographic culture, from O. P. Sharma's experimental works from the 1960s to Aditi Jain’s intimate tableaux of Delhi’s trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh’s best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi’s feminist staged portraits from the 1980s and ’90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints.

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Elements of Style investigates the role of style, dress, and beauty in the formation of individual identity. From the stunning studio work of Kwame Brathwaite, the Harlem-based photographer who advanced the potent political slogan “Black Is Beautiful,” to Collier Schorr’s representations of the queer community in fashion contexts, to Pieter Hugo’s portraits of young students at a Beijing art school, this issue reveals, across time and geographies, how fashion and style help us to see who we are and who we might become. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.

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This book describes the application of polarimetric synthetic aperture radar to earth remote sensing based on research at the NASA Jet Propulsion Laboratory (JPL). This book synthesizes all current research to provide practical information for both the newcomer and the expert in radar polarimetry. The text offers a concise description of the mathematical fundamentals illustrated with many examples using SAR data, with a main focus on remote sensing of the earth. The book begins with basics of synthetic aperture radar to provide the basis for understanding how polarimetric SAR images are formed and gives an introduction to the fundamentals of radar polarimetry. It goes on to discuss more advanced polarimetric concepts that allow one to infer more information about the terrain being imaged. In order to analyze data quantitatively, the signals must be calibrated carefully, which the book addresses in a chapter summarizing the basic calibration algorithms. The book concludes with examples of applying polarimetric analysis to scattering from rough surfaces, to infer soil moisture from radar signals.

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For blockbuster photographer Keith Hamshere it was the humble ukulele, given to him for his ninth birthday, that piqued his interest in the entertainment industry, leading to a long and impressive career in front of and behind the camera.Starting out in the late 1950s as a child actor, Keith decided to add another string to his bow, developing his interest in photography and becoming a society photographer at the heart of Swinging London.Keith's big break came in the mid 1960s, when unit photographer Johnny Jay began working on a new film directed by Stanley Kubrick. Recalling Keith's fascination with photography and his growing popularity, Johnny asked him if he would be interested in helping out on 2001: A Space Odyssey. Keith did not need to think twice about his answer.Following on from his stellar work on 2001, Keith went on to become an established stills photographer and amassed an impressive filmography, working on film

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An authoritative work on Synthetic Aperture Radar system engineering, with key focus on high resolution imaging, moving target indication, and system engineering technology Synthetic Aperture Radar (SAR) is a powerful microwave remote sensing technique that is used to create high resolution two or three-dimensional representations of objects, such as landscapes, independent of weather conditions and sunlight illumination. SAR technology is a multidisciplinary field that involves microwave technology, antenna technology, signal processing, and image information processing. The use of SAR technology continues grow at a rapid pace in a variety of applications such as high-resolution wide-swath observation, multi-azimuth information acquisition, high-temporal information acquisition, 3-D terrain mapping, and image quality improvement. Design Technology of Synthetic Aperture Radar provides detailed coverage of the fundamental concepts, theories, technology, and design of SAR systems and sub-systems. Supported by the author’s over two decades of research and practice experience in the field, this in-depth volume systematically describes SAR design and presents the latest research developments. Providing examination of all topics relevant to SAR—from radar and antenna system design to receiver technology and signal and image information processing—this comprehensive resource: Provides wide-ranging, up-to-date examination of all major topics related to SAR science, systems, and software Includes guidelines to conduct grounding system designs and analysis Offers coverage of all SAR algorithm classes and detailed SAR algorithms suitable for enabling software implementations Surveys SAR and computed imaging literature of the last sixty years Emphasizes high resolution imaging, moving target indication, and system engineering Design Technology of Synthetic Aperture Radar is indispensable for graduate students majoring in SAR system design, microwave antenna, signal and information processing as well as engineers and technicians involved in SAR system techniques.

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Master the principles and practices of Synthetic Aperture RadarThis comprehensive graduate-level textbook covers the theories and applications of Synthetic Aperture Radar and offers a solid grounding in its techniques and mathematics. Written by a recognized expert in the field, this is a unique resource to meet the growing demand for commercial SAR technologies and course offerings.Introduction to Synthetic Aperture Radar clearly explains the complex task of data collection, image formation, error correction, and image quality techniques, including detailed descriptions of commonly used image formation algorithms, such as Range Doppler Algorithm (RDA) and Polar Formatting Algorithm (PFA). From there, readers will learn the skills needed to handle advanced new applications. Continuous-wave LFM systems, interferometry, polarimetry, and moving objects are all discussed in complete detail.• Taught from a signal processing perspective • Stripmap and spotlight geometries are discussed and described• Quadrature demodulation and dechirp/stretch processing are covered in detail• Written by a signal processing expert and experienced educator

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An up-to-date analysis of the SAR wavefront reconstruction signal theory and its digital implementation With the advent of fast computing and digital information processing techniques, synthetic aperture radar (SAR) technology has become both more powerful and more accurate. Synthetic Aperture Radar Signal Processing with MATLAB Algorithms addresses these recent developments, providing a complete, up-to-date analysis of SAR and its associated digital signal processing algorithms. This book introduces the wavefront reconstruction signal theory that underlies the best SAR imaging methods and provides clear guidelines to system design, implementation, and applications in diverse areas-from airborne reconnaissance to topographic imaging of ocean floors to surveillance and air traffic control to medical imaging techniques, and numerous others. Enabling professionals in radar signal and image processing to use synthetic aperture technology to its fullest potential, this work: * Includes M-files to supplement this book that can be retrieved from The MathWorks anonymous FTP server at ftp://ftp.mathworks.com/pub/books/soumekh * Provides practical examples and results from real SAR, ISAR, and CSAR databases * Outlines unique properties of the SAR signal that cannot be found in other information processing systems * Examines spotlight SAR, stripmap SAR, circular SAR, and monopulse SAR modalities * Discusses classical SAR processing issues such as motion compensation and radar calibration

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