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TRANSLATED BY PETER ORAMOn the Century of Anna Akhmatova's Birth(Joseph Brodsky, July 1989)The page and the fire, the millstone, the grain,the blade of the axe, the hacked crop of hair –God cares much for these, yet, as were they his own,for two words – Love, Forgiveness – still fonder's his care.In them beats a broken pulse, cracking of bones,the knock of the spade; and even-paced, soft(since life comes once only), more clear ring their tonesfrom the dead's mouths than from soundproofedheavens aloft.Great soul, over oceans my reverence I'm sendingfor finding them for us; to you, your remainsin our native soil sleeping, I give thanks for findingthe blest gift of speech in earth's deaf-mute domains.An anthology of poems by the major literary figures in Russia, writing to, about, or in memory of other poets, following a tradition which started in the early years of the twentieth century and continued through the subsequent decades, more or less until the millennium.With the great names of Russian poetry represented – among them Akhmatova, Tsvetaeva, Mandelstam, Pasternak, Bloch, Nabakov and Brodsky – this is a unique approach and promises to be a publication of great significance both in the UK and in Russia.Peter Oram is known both as a translator (from Russian and German) and as a poet, novelist and short story writer. He has had two novels published – Maddocks (Gomer Press), and The Rub (Starborn Books) and a collection of poems, White (Starborn Books).

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Italy's Alta Via 1, a 180km trail through the Italian Alps following the northern flank of the Aosta Valley, boasts magnificent views of the Alpine giants: Mont Blanc, the Matterhorn, the Grand Combin and Monte Rosa. Indeed, it is sometimes known as the Giants' Trail and can be combined with a sister-route, the Alta Via 2 (covered in a separate Cicerone guide), which runs along the southern flank of the valley, to form the Tor des Géants. Stretching from Donnas to Courmayeur, the Alta Via 1 offers fantastic alpine walking, with welcoming refuges and small hotels providing overnight accommodation (and great food) along the way. The guide presents the route in two sections, for the advantage of those who can't spare the full fortnight-plus needed to walk the entire AV1. The trail is described in 16 stages, with alternative stages covering some popular variants, including an optional detour to visit the famed monastery at the Great St Bernard Pass. Each stage includes clear route description and mapping, plus notes on local points of interest and accommodation options. An alternative itinerary, list of useful contacts, kitlist and glossary can be found in the appendices. The AV1 crosses cols of nearly 3000m as it traverses the side-valleys of the main Aosta Valley. Suited to those with some experience of alpine trekking, the walking is demanding but without technical difficulty. And the rewards are many: quieter huts, breathtaking vistas and a chance to immerse yourself in fabulous mountain landscapes overlooked by soaring, snow-clad giants.

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This is the story of William Mitchell’s life – his career and body of work from an early age to a life of art with international commissions offered 80 years later. Bill’s zest for life, his love of London, his determination to cover the world with sculptures, murals and decoration are main themes, as his work in Qatar, Los Angeles, San Francisco, Paris and Hawaii testifies. He worked with famous architects such as Basil Spence and Sir Freddie Gibberd who designed the Liverpool Metropolitan Cathedral of Christ the King where Bill created the famous bronze sculpted doors and designed the Portland Stone frontispiece. He also produced the Stations of the Cross at Clifton Cathedral, Bristol and the Grade II listed Corn King and Spring Queen figures at Wexham and has had a total of nine works of art listed Grade II by English Heritage – more than any other artist. Included are stories about his discussions on art with Princess Margaret, his clashes with Prince Philip, his battles with Mohamed Al Fayed and the phenomenal success of the Egyptian Hall and Escalator in Harrods. He designed the Hall and executed the carving on all 300 panels cladding the walls – no mean achievement for any sculptor but Bill was by then 75 years old. Self Portrait contains a vast array of illustrations of Bill’s work and in so doing reveals the man – a true creative genius, who invariably had a smile or comic story, and whose energy carried projects to completion despite the many challenges. It’s a brilliant and inspiring story.

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Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English culture and its language. In particular, the subject of disinterment (exhumation) attracted the attention of antiquaries. They constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. These 'texts' accompanied and enhanced the traditional texts of chronicle, literature, and epitaph. This study explores the cooperation of ideology and aesthetic, the paradox of allure and revulsion, and the uncanny attraction to death. In each case there is a desire for the dead to speak in a contemporary voice; each historical personage becomes symbolic of larger aspects of the contemporary culture. The discourse of the noble body in death is reconfigured to validate English nationalist ideals and to establish the past as a Golden Era of unimpeachable superiority. It was not enough simply to study the lives and deaths of historical figures. Itwas necessary to disinter the corpses, engage physically with the dead, and experience the discourse of validation. THEA TOMAINI is Associate Professor of English (Teaching) at the University of Southern California.

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Based partly on a series of posts coming out of the Bulletin for the Study of Religion blog, this volume includes greatly expanded essays by Ruth Mas, Sarah Imhoff and James Crossley as well as new pieces by Devin Stewart, Carlos Segovia, Alexandre Caeiro and Emmanuelle Stefanidis, Russell McCutcheon and Salman Sayyid. This volume, thus, brings together a variety of scholars both inside and outside of Islamic Studies in order to grapple with such questions as: what, if anything, is unique about Islamic Studies? How should Islamic studies as religious studies engage with postcolonial critique? What is the role of identity politics in such endeavors? What are the lines between descriptive (hermeneutic) work and theoretical explanations of Islamic texts? What can scholars in related areas, such as the study of Judaism and early Christianity, offer to this conversation by way of analogy? Can ethical, political, or theological concerns function critically to help theorize Islam? The volume is divided into four sections: Theory and Identity Politics in the Study of Islam, which looks at the role of identity, knowledge production, and political commitments among scholars of Islam; Critique and Identity in Qur'anic Studies, which deals with challenges in applying critical-historical methods to the study of the Qur'an and how these methods relate to some of the issues raised Omid Safi and Aaron Hughes; Comparative Views from Outside Islamic Studies, which provides a comparative view of how scholars have dealt with similar concerns in the study of Judaism and Christianity; and A Critical Appraisal, which offers a direct challenge to Safi and Hughes.

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'Sensitive, moving and finely textured' Guardian'Fantastic' Dan SnowFor the great majority of his long life, Benjamin Franklin was a loyal British royalist. In 1757, having made his fortune in Philadelphia and established his fame as a renowned experimental scientist, he crossed the Atlantic to live as a gentleman in the heaving metropolis of London. With just a brief interlude, a house in Craven Street was to be his home until 1775. From there he mixed with both the brilliant and the powerful, whether in London coffee house clubs, at the Royal Society, or on his summer travels around the British Isles and continental Europe. He counted David Hume, Matthew Boulton, Joseph Priestley, Edmund Burke and Erasmus Darwin among his friends, and as an American colonial representative he had access to successive Prime Ministers and even the King.The early 1760s saw Britain's elevation to global superpower status with victory in the Seven Years War and the succession of the young, active George III. These two events brought a sharp new edge to political competition in London and redefined the relationship between Britain and its colonies. Though Franklin long sought to prevent the break with Great Britain, his own actions would finally help cause that very event. On the eve of the American War of Independence, Franklin fled arrest and escaped by sea. He would never return to London. With his unique focus on the fullness of Benjamin Franklin's life in London, George Goodwin has created an enthralling portrait of the man, the city and the age.

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Hot Comb offers a poignant glimpse into black women s lives and coming-of-age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular Hot Comb is about a young girl s first perm a doomed ploy to look cool and stop seeming too white in the all-black neighborhood her family has just moved into. In Virgin Hair, taunts of tender-headed sting as much as the perm itself. My Lil Sister Lena shows the stress of being the only black player on a white softball team. Lena s hair is the team curio, an object to be touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Throughout Hot Comb, Ebony Flowers re-creates classic magazine ads idealizing women s need for hair relaxers and products. Change your hair form to fit your life form and Kinks and Koils Forever call customers from the page. Realizations about race, class, and the imperfections of identity swirl through these stories and ads, which are by turns sweet, insightful, and heartbreaking. Flowers began drawing comics while earning her Ph.D., and her early mastery of sequential storytelling is nothing short of sublime. From her black-and-white drawings to her color construction-paper collages, Hot Comb is a propitious display of talent from a new cartoonist who has already made her mark.

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Experience the serene vistas and unforgettable thrills of this stunning national treasure with Moon Grand Canyon. Inside you'll find:*Flexible Itineraries: Adventure-packed ideas for anything from a week-long trip to a single day in the park *Strategic Advice: Find tips for outdoor adventurers, families, history buffs, and more, with options for different levels of accessibility and tips on minimising your environmental impact *The Best Hikes in and Around the Grand Canyon: Detailed descriptions, individual trail maps, mileage and elevation gains, and backpacking options *Get Outside: Go backcountry camping in the inner canyon or rafting down the Colorado River. Head to the Havasupai reservation's Havasu Canyon for a waterfall-filled hike, or ride horseback through the South Rim. Mountain bike along the Rainbow Rim or stroll along a 70-foot skywalk stretching into the canyon *Experience Native American Culture: Advice on respectfully visiting reservations, supporting local businesses and artists, and the history of the region's tribes *How to Get There: Up-to-date information on gateway towns, park entrances, park fees, and tours *Where to Stay: Campgrounds, cabins, resorts, and more both inside and outside the park *Planning Tips: When to go, what to pack, safety information, and how to avoid the crowds, with full-colour photos and detailed maps throughout *Insider Know-How: Explore with Grand Canyon expert Tim HullFind your adventure in Grand Canyon National Park with Moon.

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Take your baking skills to the next level with Simply Beautiful Homemade Cakes, an incredible collection of cakes and cupcakes with simple decorating techniques. Lindsay Conchar of the popular baking blog Life, Love & Sugar has selected 60 recipes that will have your friends and family saying "wow" twice: the first time when they see how beautiful the cake is, the second time when they take a bite! With easy decorating tricks and top-notch recipes, everyday home bakers can make desserts that stand out in a crowd without slaving in the kitchen. Lindsay devotes a chapter to step-by-step decorating tutorials that readers can apply to any cake in the book, such as how to use a spatula to ice a perfectly smooth cake, or pipe pretty designs with frosting. Then readers have a huge variety of out-of-this-world cake recipes to choose from, including Peach Crumble Cheesecake, German Chocolate Cupcakes, a single-layer Blueberry Coconut Cake, Cookies & Cream Ice Cream Cake (no ice-cream machine required!) and holiday treats like Maple Pumpkin Cream Cheese Cupcakes. Divided by type of cake, readers can easily find the type of cake they'd like. The longest chapter features 16 stunning layer cakes like the Bourbon Spice Toffee Layer Cake and Lemon Raspberry Layer Cake. With Simply Beautiful Homemade Cakes, even beginner bakers can make show-stopping cakes with ease for an occasion or every day.

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Decades after the rise of rock music in the 1950s, the rock concert retains its allure and its power as a unifying experience - and as an influential multi-billion-dollar industry. In Rock Concert, acclaimed interviewer Marc Myers sets out to uncover the history of this compelling phenomenon, weaving together ground-breaking accounts from the people who were there.Myers combines the tales of icons like Joan Baez, Ian Anderson, Alice Cooper, Steve Miller, Roger Waters and Angus Young with figures such as the disc jockeys who first began playing rock on the radio; the audio engineers that developed new technologies to accommodate ever-growing rock audiences; music journalists, like Rolling Stone's Cameron Crowe; and the promoters who organized it all, like Michael Lang, co-founder of Woodstock, to create a rounded and vivid account of live rock's stratospheric rise.Rock Concert provides a fascinating, immediate look at the evolution of rock 'n' roll through the lens of live performances, spanning the rise of R&B in the 1950s, through the hippie gatherings of the '60s, to the growing arena tours of the '70s and '80s. Elvis Presley's gyrating hips, the British Invasion that brought the Beatles in the '60s, the Grateful Dead's free flowing jams and Pink Floyd's The Wall are just a few of the defining musical acts that drive this rich narrative. Featuring dozens of key players in the history of rock and filled with colourful anecdotes, Rock Concert will speak to anyone who has experienced the transcendence of live rock.

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The first two books in the steamy medieval romance series All the King's Men from Margaret Mallory -- together for the first time in print!Knight of DesireHis surcoat still bloody from battle, William FitzAlan comes to claim the strategic borderlands granted to him by the king. One last prize awaits him at the castle gates: the lovely Lady Catherine Rayburn. Catherine risked everything to spy for the crown. Her reward? Her lands are declared forfeit and she is given this choice: marry FitzAlan or be taken to the Tower. Catherine agrees to give her handsome new husband her body, but she's keeping secrets, and dare not give him her heart. As passion ignites and danger closes in, Catherine and William must learn to trust in each other to save their marriage, their land, and their very lives.Knight of PleasureLady Isobel Hume is an expert swordswoman who knows how to choose her battles. When the king asks her to wed a French nobleman to form a political alliance, she agrees. But that's before the devilishly charming Sir Stephen Carleton captures her heart-and tempts her to betray her betrothed, her king, and her country. Sir Stephen Carleton enjoys his many female admirers -- until he dedicates himself to winning the lovely Isobel. So when a threat against the king leads Isobel into mortal danger, Stephen has a chance to prove that he is more than a knight of pleasure. . . and that love can conquer all.

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‘Vanessa Nakate continues to teach a most critical lesson. She reminds us that while we may all be in the same storm, we are not all in the same boat.’ - Greta ThunbergNo matter your age, location or skin colour, you can be an effective activist.Devastating flooding, deforestation, extinction and starvation. These are the issues that not only threaten in the future, they are a reality. After witnessing some of these issues first-hand, Vanessa Nakate saw how the world’s biggest polluters are asleep at the wheel, ignoring the Global South where the effects of climate injustice are most fiercely felt.Inspired by a shared vision of hope, Vanessa’s commanding political voice demands attention for the biggest issue of our time and, in this rousing manifesto for change, shows how you can join her to protect our planet now and for the future.Vanessa realized the importance of her place in the climate movement after she, the only Black activist in an image with four white Europeans, was cropped out of a press photograph at Davos in 2020. This example illustrates how those who will see the biggest impacts of the climate crisis are repeatedly omitted from the conversation. As she explains, ‘We are on the front line, but we are not on the front page.’Without A Bigger Picture, you’re missing the full story on climate change.‘An indispensable voice for our future.’ - Malala Yousafzai‘A powerful global voice.’ - Angelina Jolie

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*Shortlisted for the CWA Gold Dagger for Best Crime Novel of 2017*Chicago, 1928. In the stifling summer heat three disturbing events take place. A clique of city leaders is poisoned in a fancy hotel. A white gangster is found mutilated in an alleyway in the Black Belt. And a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend Louis Armstrong. While the police take little interest in the Black Belt murder, crime scene photographer Jacob Russo can’t get the dead man’s image out of his head, and so he embarks on his own investigation. And Dante Sanfelippo – rum-runner and fixer – is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with problems of his own as he is forced to return to the city he thought he’d never see again . . . As the three parties edge closer to the truth, their paths cross and their lives are threatened. But will any of them find the answers they need in the capital of blues, booze and corruption?Dead Man’s Blues is the gripping second installment in Ray Celestin's prize-winning City Blues quartet. It is followed by the third book in the series, The Mobster's Lament.

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In popular mythology, the Overland Trail is typically a triumphant tale, with plucky easterners crossing the Plains in caravans of covered wagons. But not everyone reached Oregon and California. Some 6,600 migrants perished along the way and were buried where they fell, often on Indigenous land. As historian Sarah Keyes illuminates, their graves ultimately became the seeds of U.S. expansion. By the 1850s, cholera epidemics, ordinary diseases, and violence had remade the Trail into an American burial ground that imbued migrant deaths with symbolic power. In subsequent decades, U.S. officials and citizens leveraged Trail graves to claim Native ground. Meanwhile, Indigenous peoples pointed to their own sacred burial grounds to dispute these same claims and maintain their land. These efforts built on anti-removal campaigns of the 1820s and 30s, which had established the link between death and territorial claims on which the significance of the Overland Trail came to rest. In placing death at the center of the history of the Overland Trail, American Burial Ground offers a sweeping and long overdue reinterpretation of this historic touchstone. In this telling, westward migration was a harrowing journey weighed down by the demands of caring for the sick and dying. From a tale of triumph comes one of struggle, defined as much by Indigenous peoples’ actions as it was by white expansion. And, finally, from a migration to the Pacific emerges instead a trail of graves. Graves that ultimately undergirded Native dispossession.

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For nearly two decades, the area surrounding the French port of Calais has been a temporary staging post for thousands of migrants and refugees hoping to cross the Channel to Britain. It achieved global attention when, at the height of the migrant crisis in 2015, all those living there were transferred to a single camp that became known as ‘the Jungle’. Until its dismantling in October 2016, this precarious site, intended to make its inhabitants as invisible as possible, was instead the focal point of international concern about the plight of migrants and refugees. This new book is the first full account of life inside the Jungle and its relation to the global migration crisis. Anthropologist Michel Agier and his colleagues use the particular circumstances of the Jungle, localized in space and time, to analyse broader changes under way in our societies, both locally and globally. They examine the architecture of the camp, reconstruct how everyday life and routine operated and analyse the mixed reactions to the Jungle, from hostile government policies to movements of solidarity. This comprehensive account of the life and death of Europe’s most infamous camp for migrants and refugees demonstrates that, far from being an isolated case, the Jungle of Calais brings into sharp relief the issues that confront us all today, in a world where the large-scale movement of people has become, and is likely to remain, a central feature of social and political life.

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Perhaps no NBA player today is as exciting and yet enigmatic as Kyrie Irving. Martin Gitlin’s biography chronicles Irving’s brilliance on the court as a devastating one‑on‑one talent, examines the influence of his father, the untimely death of his mother, his growth as a basketball player in high school and college, and his journey in the NBA. Nicknamed the “Isolation Assassin,” Irving has earned the distinction as the most incredible isolation player in the league, outperforming rivals such as Stephen Curry and Russell Westbrook with his crossover dribble, drives to the basket, stop‑and‑go moves, and smooth, feathery jumpers, a distinction borne out, moreover, by his championship-clinching shot against Curry’s Golden State Warriors in 2016. Yet while he speaks of maximizing his talent, he has shown reluctance to maximize the production of his teammates by passing the ball, as well as his overall defense. Irving expresses his desire to win championships yet demanded a trade away from the franchise best suited to deliver him a second. Off the court there is no one like Irving either. An educated individual who claims that the earth could be flat and that dinosaurs perhaps never existed, Irving is a man of puzzling contradictions who seeks self-actualization and contentment through a variety of pursuits, including reflection, music, and acting. Gitlin, a veteran writer who has followed Irving’s career from the beginning, has much to tell about one of the most mysterious and sensational athletes of our time whose appeal transcends his sport.

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Complicating perspectives on diversity in video games Gamers have been troublemakers as long as games have existed. As our popular understanding of “gamer” shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the troubles that emerge both confirm and challenge our understanding of identity politics. In Gamer Trouble, Amanda Phillips excavates the turbulent relationships between surface and depth in contemporary gaming culture, taking readers under the hood of the mechanisms of video games in order to understand the ways that difference gets baked into its technological, ludic, ideological, and social systems. By centering the insights of queer and women of color feminisms in readings of online harassment campaigns, industry animation practices, and popular video games like Portal and Mass Effect, Phillips adds essential analytical tools to our conversations about video games. She embraces the trouble that attends disciplinary crossroads, linking the violent hate speech of trolls and the representational practices marginalizing people of color, women, and queers in entertainment media to the dehumanizing logic undergirding computation and the optimization strategies of gameplay. From the microcosmic level of electricity and flicks of a thumb to the grand stages of identity politics and global capitalism, wherever gamers find themselves, gamer trouble follows. As reinvigorated forms of racism, sexism, and homophobia thrive in games and gaming communities, Phillips follows the lead of those who have been making good trouble all along, agitating for a better world.

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SHORTLISTED FOR THE HEALTH & WELLBEING AWARDS 2022 'Anna is THE go-to on all things dating and relationships. There is just no one with better knowledge, balanced wisdom and experience than her.' - Katie Piper ''Whether you are single, dating or in it for the long haul, tips and solutions for all the common dating and relationship problems are here.' - Louise Pentland ''Straight-up, professional and practical advice.... where has this book been all my life!?' - Dr Ranj Singh 'Anna manages to balance speaking openly about matters of the heart without preaching. It’s a 21st century bible for anyone - singles, couples, throuples - looking for love.' - Anna Whitehouse 'A brilliant bible for anyone at any stage of their relationship.' - Lucie Cave ---- From Celebs Go Dating's relationship expert Anna Williamson comes the must-read guide to navigating love. Whether you're fed up of the single life, wanting to dip your toe into the dating world, or perhaps you're a marriage or long-term relationship veteran, Anna shares advice, tips and techniques for all your dating and relationship needs: – Boosting confidence and building self-esteem. – How to go from seeing each other to being with each other. – Feeling empowered – identifying and setting boundaries. – From bicker to barney – arguing dos and don'ts. – Three's a crowd? Baby-proofing your relationship. – Saying and doing things better by communicating effectively. – Tackling the tricky topics – from sex and intimacy to dividing the household chores. This is your personal pocket guide to help steer you into the right love lane.

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SHORTLISTED FOR THE BETTY TRASK AWARDSHORTLISTED FOR THE HWA DEBUT CROWNLONGLISTED FOR THE POLARI FIRST NOVEL PRIZESarah Day's MUSSOLINI'S ISLAND is a novel of sexuality and desire, of hidden passions and the secrets we keep locked within us. Based on the true story of the rounding up of a group of Sicilian gay men in 1939, this book is sure to appeal to readers of the Elena Ferrante novels, Anthony Doerr's ALL THE LIGHT WE CANNOT SEE or Virginia Baily's EARLY ONE MORNING.'A fascinating debut...the setting and characters are strong and the story is written with verve. Day is a talent to watch' - The Times Francesco has a memory of his father from early childhood, a night when life for his family changed. From that night, he has vowed to protect his mother and to follow the words of his father: Non mollare. Never give up.As Francesco is herded into a camp on the island of San Domino, he realises that someone must have handed a list of names to the fascist police. Locked in spartan dormitories, resentment and bitterness between the men grows each day.Elena, an illiterate island girl, is drawn to the handsome Francesco. Sometimes, she is given a message to pass on. She's not sure who they are from; she knows simply that Francesco is hiding something. When Elena discovers the truth about the group of prisoners, the fine line between love and hate pulls her towards an act that can only have terrible consequences for all.

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A crowning collection from the award-winning short story writer Pamela Painter.Pamela Painter's short stories have been praised by Margot Livesey for their "wicked intelligence and ruthless humor." In Fabrications, which brings together 7 new and 24 selected stories, characters struggle to avoid the chaos in their lives, but—driven by addictions and appetites—often bring on disaster. Nobody is ordinary in Painter's stories. A burglar can't believe what he is asked to do by the woman whose jewelry he is stealing. Hitchhikers, hell-bent on murder, are thwarted by the miracle of story-telling. A wife can make rooms—and her husband—disappear, but saves the family dog. A young woman insists on the romance of being married in an Elvis Presley chapel, but for the wrong reasons. Fabrications is a testament to Painter's lyric skill and psychological insight across her career.Praise for Previous Books by Pamela Painter "These wonderful stories—about dogs and housewives, scholars and teenagers—vividly demonstrate Painter's wicked intelligence and ruthless humor and her utterly democratic interest in all our faults and foibles. . . . [A] quirky, sexy, irresistible collection."—Margot Livesey "Pamela Painter's stories are warm, wise, funny, and ultimately true to the way we live now—trying to carry on in the face of things breaking down around us. Reading each story is a thrill—for the full-blown lives, astute details, exact metaphors, and pitch-perfect dialogue. She's like a carpenter—nailing it, again and again."—Bobbie Ann Mason"This is fiction of immense beauty, full of wisdom and informed by rare grace."—Steve Yarbrough

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An essential guide to understanding literary theory and criticism in the European tradition What is Literature? A Critical Anthology explores the most fundamental question in literary studies. ‘What is literature?’ is the name of a problem that emerges with the idea of literature in European modernity. This volume offers a cross-section of modern literary theory and reflects on the history of thinking about literature as a specific form. What is Literature? reveals how ideas of the literary draw on the foundations of Western thought in ancient Greece and Rome, charting the emergence of modern literature in the eighteenth century, and including selections from the present state of the art. The anthology includes the work of leading writers and critics of the last two thousand years including Plato, Henry James, Virginia Woolf, Edward Said, Gayatri Chakravorty Spivak, Jacques Rancière, and many others. The book is an insightful examination of the nature of literature, its meanings and values, functions and forms, provocations and mysteries. What is Literature? brings together in one volume influential and intriguing essays that show our enduring fascination with the idea of literature. This important guide: Contains a broad selection of the most significant texts on the topic of literature Includes leading writers from ancient times to the most recent thinkers on literature and criticism Encourages readers to reflect on the varied meanings of “literature” What is Literature? A Critical Anthology is a unique collection of texts that will appeal to every student and scholar of literature and literary criticism in the European tradition.

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A prophecy poisoned. A queendom at stake. A magic vial of tears holds their fates.A sweeping fantasy about betrayal, sisterhood, and deadly quests for power, with a stunning, slow-burn sapphic romance.For centuries, the citizens of Velle have waited for their New Maiden to return. The prophecy states she will appear as the third daughter of a third daughter. When the fabled child is finally born to Velle's reigning queen all rejoice except for Elodie, the queen's eldest child, who has lost her claim to the crown.The only way for Elodie to protect Velle is to retake the throne. To do so, she must debilitate the Third Daughter - her youngest sister, Brianne. Desperate, Elodie purchases a sleeping potion from Sabine, who sells sadness. But the apothecary mistakenly sends the princess away with a vial of tears instead of a harmless sleeping brew. Sabine's sadness is dangerously powerful, and Brianne slips into a slumber from which she will not wake.With the fates of their families and country hanging in the balance, Sabine and Elodie hurry to revive the Third Daughter while a slow-burning attraction between the two girls erupts in full force.PRAISE FOR ADRIENNE TOOLEY'Majestically dark' Morgan Rhodes'Would recommend this book so hard' NetGalley Reviewer, *****'Emotionally gripping and devastating' Leslie Vedder'I don't think I'll ever come out of an Adrienne Tooley book feeling anything other than awed and emotionally vulnerable' NetGalley Reviewer, *****'Subtly vicious and achingly tender' Allison Saft

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Jessica Khoury brings her masterful world-building and emotional depth to an exciting fantasy series. In a world where everyone is born with wings, stone monsters prowl the skies, hunting those who dare to fly too high. In the Clandoms, everyone is born with wings, with tight-knit communities formed around bird types: Jay, Falcon, Crow. Ellie Meadows dreams of growing up to join the Goldwings - the famed knights who defend all the people of the Clandoms. It was a Goldwing, after all, who saved her life on that terrible day her parents were killed. There's just one problem: Ellie is a Sparrow, and the Goldwings are almost invariably picked from the higher clans like Eagles and Ospreys. This rigid hierarchy means that Ellie is destined to become a farmer. Determined to honor her parents' memories and prove herself worthy of the Goldwings, Ellie sets out on her own for the capital. But her journey will be dangerous. Foul creatures called gargols lurk behind every cloud, ready to slay anyone unlucky enough to be caught outside in a storm - just as Ellie's family was. Soon her path intertwines with a colorful band of fellow outcasts, each with their own aspirations... and their own secrets. Ellie's new friends offer not just roadside companionship. They'll challenge her ideas of right, wrong, and what truly makes a hero. Fast-paced, highly imaginative middle grade fantasy Perfect for fans of Wings of Fire Explores important issues such as racism, classism, privilege and systemic oppression

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The influx of southern and eastern European immigrants to the United States at the beginning of the twentieth century resulted in a stereotype of Catholics as poor, illiterate laborers. As prejudice against the unwelcome newcomers spread, Irish- and German-American Catholics—many of whom were American-born—felt threatened. Although genuinely concerned about the welfare of fellow Catholics, they feared the loss of their hard-earned economic security and slowly rising social position. By identifying common interests, the women of Chicago's Catholic community found a solution that simultaneously served the needy and cemented the status of the middle class. In More than Neighbors, Deborah A. Skok tells the story of Chicago's Catholic settlement houses and day nurseries and the cross-class alliances they fostered. For poor women, these institutions provided child care, social services, and employment. For white-collar working girls, they offered volunteer opportunities as well as classes on job skills. For upwardly mobile women, they afforded the ability to demonstrate Christian charity and to take leading roles in the political and cultural life of the city. Settlements enabled Catholic women from all social strata to come together for their mutual benefit, despite conflicts over issues of class and ethnicity. By giving equal attention to the religious as well as to the social component of the settlement house movement, Skok illuminates the dynamics of class mobility, ethnic group interaction, and the gendered relations of power. Historians can no longer ignore the significance of Jane Addams' neighbors.

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Tracing the progression of images of women's bodies through nearly two centuries of literature, Fasick analyzes selected novels from Samuel Richardson to D. H. Lawrence to construct a historical overview of class and gender relations as reflected and refracted in the pages of the English novel. Though recent discussion and women's roles in literature and culture has centered on women's sexuality as the defining factor in the female character, Fasick focuses instead on ways that writers have depicted women as possessing nurturing qualities that distinguish them from men. Rigid adherence to this idealization of femininity constructs a standard difficult for women to achieve. Held to the ideal, Fasick asserts, women appear grossly culpable rather than simply human. Fasick begins with an analysis of Samuel Richardson's novels that examines three linked themes: sensibility, maternity, and anorexia. She continues with a discussion of Frances Burney's treatment of the expressive female body. She then analyzes novels by Charles Dickens, William Makepeace Thackeray, Elizabeth Gaskell, and Charlotte Bronte in light of Victorian attitudes toward women and food and toward female invalidism. In conclusion, she returns to Richardson, pairing his novel Pamela with Lawrence's Lady Chatterley's Lover for an examination of cross-class romance and the resulting implications for class and gender. Throughout, references to conduct books and periodical literature of the time provide contexts that illuminate the primary texts. Fasick's insights will interest students of the novel, eighteenth- and nineteenth-century fiction, women's studies and gender studies, and class relations in literature.

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Working from the Bible to contemporary art, Shibboleth surveys the linguistic performances behind the politics of border crossings and the policing of identities. In the Book of Judges, the Gileadites use the word shibboleth to target and kill members of a closely related tribe, the Ephraimites, who cannot pronounce the initial shin phoneme. In modern European languages, shibboleth has come to mean a hard-to-falsify sign that winnows identities and establishes and confirms borders. It has also acquired the ancillary meanings of slogan or cliché. The semantic field of shibboleth thus seems keyed to the waning of the logos in an era of technical reproducibility—to the proliferation of technologies and practices of encryption, decryption, exclusion and inclusion that saturate modern life. The various phenomena we sum up as neoliberalism and globalization are unimaginable in the absence of shibboleth-technologies. In the context of an unending refugee crisis and a general displacement, monitoring and quarantining of populations within a global regime of technics, Paul Celan’s subtle yet fierce reorientation of shibboleth merits scrupulous reading. This book interprets the episode in Judges together with Celan’s poems and Jacques Derrida’s reading of them, as well as passages from William Faulkner’s Absalom, Absalom! and Doris Salcedo’s 2007 installation Shibboleth at the Tate Modern. Redfield pursues the track of shibboleth: a word to which no language can properly lay claim—a word that is both less and more than a word, that signifies both the epitome and the ruin of border control technology, and that thus, despite its violent role in the Biblical story, offers a locus of poetico-political affirmation.

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In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right.As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.

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In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right.As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.

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Workers in India program software applications, transcribe medical dictation online, chase credit card debtors, and sell mobile phones, diet pills, and mortgages for companies based in other countries around the world. While their skills and labor migrate abroad, these workers remain Indian citizens, living and working in India. A. Aneesh calls this phenomenon “virtual migration,” and in this groundbreaking study he examines the emerging “transnational virtual space” where labor and vast quantities of code and data cross national boundaries, but the workers themselves do not. Through an analysis of the work of computer programmers in India working for the American software industry, Aneesh argues that the programming code connecting globally dispersed workers through data servers and computer screens is the key organizing structure behind the growing phenomenon of virtual migration. This “rule of code,” he contends, is a crucial and underexplored aspect of globalization.Aneesh draws on the sociology of science, social theory, and research on migration to illuminate the practical and theoretical ramifications of virtual migration. He combines these insights with his extensive ethnographic research in offices in three locations in India—in Delhi, Gurgaon, and Noida—and one in New Jersey. Aneesh contrasts virtual migration with “body shopping,” the more familiar practice of physically bringing programmers from other countries to work on site, in this case, bringing them from India to New Jersey. A significant contribution to the social theory of globalization, Virtual Migration maps the expanding transnational space where globalization is enacted via computer programming code.

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Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home.Discussing the roles television has played in different institutions from 1945 to the present day, McCarthy draws on a wide array of sources. These include retail merchandising literature, TV industry trade journals, and journalistic discussions of public viewing, as well as the work of cultural geographers, architectural theorists, media scholars, and anthropologists. She also uses photography as a research tool, documenting the uses and meanings of television sets in the built environment, and focuses on such locations as the tavern and the department store to show how television is used to support very different ideas about gender, class, and consumption. Turning to contemporary examples, McCarthy discusses practices such as Turner Private Networks’ efforts to transform waiting room populations into advertising audiences and the use of point-of-sale video that influences brand visibility and consumer behavior. Finally, she inquires into the activist potential of out-of-home television through a discussion of the video practices of two contemporary artists in everyday public settings.Scholars and students of cultural, visual, urban, American, film, and television studies will be interested in this thought-provoking, interdisciplinary book.

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In Public Privates, a book about looking and being looked at, about speculums, spectacles, and spectators, about display, illumination, and reflection, Terri Kapsalis makes visible the practices and representations of gynecology. The quintessential examination of women, gynecology is not simply the study of women’s bodies, but also serves to define and constitute them. Any critical analysis of gynecology is therefore, as Kapsalis affirms, an investigation of what it means to be female. In this respect she considers the public exposure of female "privates" in the performance of the pelvic exam. From J. Marion Sims’s surgical experiments on unanesthetized slave women in the mid-nineteenth century, to the use of cadavers and prostitutes to teach medical students gynecological techniques, Kapsalis focuses on the ways in which women and their bodies have been treated by the medical establishment. Removing gynecology from its private cover within clinic walls and medical textbook pages, she decodes the gynecological exam, seizing on its performative dimension. She considers traditional medical practices and the dynamics of "proper" patient performance; non-traditional practices such as cervical self-exam; and incarnations of the pelvic examination outside the bounds of medicine, including its appearance in David Cronenberg’s film Dead Ringers and Annie Sprinkle’s performance piece "Public Cervix Announcement." Confounding the boundaries that separate medicine, art, and pornography, revealing the potent cultural attitudes and anxieties about women, female bodies, and female sexuality that permeate the practice of gynecology, Public Privates concludes by locating a venue from which challenging, alternative performances may be staged.

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Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.

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Explores the alternative radio that refuses to succumb to the big business that monopolizes the airwaves Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull? Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded to monopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived. Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers established broadcasters have erected to ensure their dominance. Using lively anecdotes drawn from firsthand interviews, Walker chronicles the story of the unsung heroes of American radio who, despite those barriers, carved out spaces for themselves in the spectrum, sometimes legally and sometimes not. Walker's engaging, meticulous account is the first comprehensive history of alternative radio in the United States. From the unlicensed amateurs who invented broadcasting to the community radio movement of the 1960s and 1970s, from the early days of FM to today's micro radio movement, Walker lays bare the hidden history of broadcasting. Above all, Rebels on the Air is the story of the pirate broadcasters who shook up radio in the 1990sand of the new sorts of radio we can expect in the next century, as the microbroadcasters crossbreed with the even newer field of Internet broadcasting.

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Tracing the movement of people to and from Liberia in the nineteenth century.Established by the American Colonization Society in the early nineteenth century as a settlement for free people of color, the West African colony of Liberia is usually seen as an endpoint in the journeys of those who traveled there. In Atlantic Passages, Robert Murray reveals that many Liberian settlers did not remain in Africa but returned repeatedly to the United States, and he explores the ways this movement shaped the construction of race in the Atlantic world.Tracing the transatlantic crossings of Americo-Liberians between 1820 and 1857, in addition to delving into their experiences on both sides of the ocean, Murray discusses how the African neighbors and inhabitants of Liberia recognized significant cultural differences in the newly arrived African Americans and racially categorized them as “whites.” He examines the implications of being perceived as simultaneously white and Black, arguing that these settlers acquired an exotic, foreign identity that escaped associations with primitivism and enabled them to claim previously inaccessible privileges and honors in America.Highlighting examples of the ways in which blackness and whiteness have always been contested ideas, as well as how understandings of race can be shaped by geography and cartography, Murray offers many insights into what it meant to be Black and white in the space between Africa and America.Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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Selected by Choice magazine as an Outstanding Academic Title During the eighteenth century, North American colonists began to display an increasing appetite for professional and amateur theatrical performances and a familiarity with the British dramatic canon ranging from the tragedies of Shakespeare, Addison, and Rowe to the comedies of Farquhar, Steele, and Gay. This interest sparked demand for both the latest hits of the London stage and a body of plays centered on patriotic (and often partisan) British themes. As relations between the crown and the colonies soured, the texts of these plays evolved into a common frame of reference for political arguments over colonial policy. Making the transition to print, these arguments deployed dramatic texts and theatrical metaphors for political advantage. Eventually, with the production of American propaganda plays during the Revolution, colonists began to develop a patriotic drama of their own, albeit one that still stressed the "British" character of American patriotism. Performing Patriotism examines the role of theatrical performance and printed drama in the development of early American political culture. Building on the eighteenth-century commonplace that the theater could be a school for public virtue, Jason Shaffer illustrates the connections between the popularity of theatrical performances in eighteenth-century British North America and the British and American national identities that colonial and Revolutionary Americans espoused. The result is a wide-ranging survey of eighteenth-century American theater history and print culture.

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Send a sincere "thank you" on these Vintage Washi design note cards! 8 UNIQUE DESIGNS: Each box includes 8 different Vintage Washi designs—5 cards of each design. Featuring vintage designs from the early 1900s, these cards display traditional Japanese motifs such as fans, water, flowers, nature, and butterflies. Bright colors combined with soft, muted shades of blue, orange, and pink add to the vintage beauty of these intricate washi designs. 40 BLANK, FOLDED CARDS: Whether you're writing a thank you card for a wedding, graduation, or birthday, these 40 blank cards allow you to personalize your own message Each card measures 4.5x3 inches and opens either horizontally or vertically. 41 Envelopes: With 41 sealable envelopes simply slip your handwritten card in; address and add a standard USPS stamp. Your gratitude will be sent with ease. The envelopes measure at 5x3.5 inches, which meets the U.S. Postal Service requirements for mailing with a standard stamp. Inspired by Traditional Japanese Artwork: Washi is the Japanese term for papers traditionally made from the long bark fibres of three plants— Kozo (paper mulberry), Mitsumata (indigenous Japanese crop, "the feminine element"), and Gampi (an early and noble fibre, known for its richness). Washi stems from two words: wa (meaning "Japanese") and shi (meaning "paper"). The washi designs included in this pack are inspired by vintage papers dating back to 1906, each highlighting the classic features of traditional washi that make it so inviting.

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Although his film career extended from the early days of sound to the British New Wave and beyond, Sir John Mills is nonetheless remembered as the archetypal hero of the Second World War. Regarded as an English 'everyman', his performances crossed the class divide and, in his easy transition from below decks to above, he came to represent a newly democratic masculine ideal. But what was this exemplary masculinity and what became of it in the aftermath of war? John Mills and British Cinema asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change. Through detailed analysis of a wide range of classic British films, John Mills and British Cinema exposes the shifting constructions of 'national' masculinity, arguing that the screen persona of the actor is a fundamental, and often overlooked, dimension of British cinema. Features * Provides the first critical examination of the film career of Sir John Mills. * Uses contemporary feminist and gender theories to examine the body of the actor as a crucial dimension of the film text. * Explores the concept of a 'national cinema' from an innovative new perspective. * Provides stimulating new readings of key British films, including Forever England, The Way to the Stars, Great Expectations, Scott of the Antarctic, Hobson's Choice, Ice Cold in Alex, Tunes of Glory, The Family Way and Ryan's Daughter.

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A decade ago no one except geologists had heard of tantalum or 'coltan' - an obscure mineral that is an essential ingredient in mobile phones and laptops. Then, in 2000, reports began to leak out of Congo: of mines deep in the jungle where coltan was extracted in brutal conditions watched over by warlords. The United Nations sent a team to investigate, and its exposé of the relationship between violence and the exploitation of coltan and other natural resources contributed to a re-examination of scholarship on the motivations and strategies of armed groups. The politics of coltan encompass rebel militias, transnational corporations, determined activists, Hollywood celebrities, the rise of China, and the latest iGadget. Drawing on Congolese and activist voices, Nest analyses the two issues that define coltan politics: the relationship between coltan and violence in the Congo, and contestation between activists and corporations to reshape the global tantalum supply chain. The way production and trade of coltan is organised creates opportunities for armed groups, but the Congo wars are not solely, or even primarily, about coltan or minerals generally. Nest argues the political significance of coltan lies not in its causal link to violence, but in activists' skillful use of mobile phones as a symbol of how ordinary people and transnational corporations far from Africa are implicated in Congo's coltan industry and therefore its conflict. Nest examines the challenges coltan initiatives face in an activist 'marketplace' crowded with competing justice issues, and identifies lessons from coltan initiatives for the geopolitics of global resources more generally.

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A lively history of the peculiar math of votingSince the very birth of democracy in ancient Greece, the simple act of voting has given rise to mathematical paradoxes that have puzzled some of the greatest philosophers, statesmen, and mathematicians. Numbers Rule traces the epic quest by these thinkers to create a more perfect democracy and adapt to the ever-changing demands that each new generation places on our democratic institutions.In a sweeping narrative that combines history, biography, and mathematics, George Szpiro details the fascinating lives and big ideas of great minds such as Plato, Pliny the Younger, Ramon Llull, Pierre Simon Laplace, Thomas Jefferson, Alexander Hamilton, John von Neumann, and Kenneth Arrow, among many others. Each chapter in this riveting book tells the story of one or more of these visionaries and the problem they sought to overcome, like the Marquis de Condorcet, the eighteenth-century French nobleman who demonstrated that a majority vote in an election might not necessarily result in a clear winner. Szpiro takes readers from ancient Greece and Rome to medieval Europe, from the founding of the American republic and the French Revolution to today's high-stakes elective politics. He explains how mathematical paradoxes and enigmas can crop up in virtually any voting arena, from electing a class president, a pope, or prime minister to the apportionment of seats in Congress.Numbers Rule describes the trials and triumphs of the thinkers down through the ages who have dared the odds in pursuit of a just and equitable democracy.

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Why nationalism is a permanent political force—and how it can be harnessed once again for liberal endsAround the world today, nationalism is back—and it’s often deeply troubling. Populist politicians exploit nationalism for authoritarian, chauvinistic, racist, and xenophobic purposes, reinforcing the view that it is fundamentally reactionary and antidemocratic. But Yael (Yuli) Tamir makes a passionate argument for a very different kind of nationalism—one that revives its participatory, creative, and egalitarian virtues, answers many of the problems caused by neoliberalism and hyperglobalism, and is essential to democracy at its best. In Why Nationalism, she explains why it is more important than ever for the Left to recognize these qualities of nationalism, to reclaim it from right-wing extremists, and to redirect its power to progressive ends.Far from being an evil force, nationalism’s power lies in its ability to empower individuals and answer basic human needs. Using it to reproduce cross-class coalitions will ensure that all citizens share essential cultural, political, and economic goods. Shifting emphasis from the global to the national and putting one’s nation first is not a way of advocating national supremacy but of redistributing responsibilities and sharing benefits in a more democratic and just way. In making the case for a liberal and democratic nationalism, Tamir also provides a compelling original account of the ways in which neoliberalism and hyperglobalism have allowed today’s Right to co-opt nationalism for its own purposes.Provocative and hopeful, Why Nationalism is a timely and essential rethinking of a defining feature of our politics.

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The only graduate-level textbook on quantum field theory that fully integrates perspectives from high-energy, condensed-matter, and statistical physicsQuantum field theory was originally developed to describe quantum electrodynamics and other fundamental problems in high-energy physics, but today has become an invaluable conceptual and mathematical framework for addressing problems across physics, including in condensed-matter and statistical physics. With this expansion of applications has come a new and deeper understanding of quantum field theory—yet this perspective is still rarely reflected in teaching and textbooks on the subject. Developed from a year-long graduate course Eduardo Fradkin has taught for years to students of high-energy, condensed-matter, and statistical physics, this comprehensive textbook provides a fully "multicultural" approach to quantum field theory, covering the full breadth of its applications in one volume. Brings together perspectives from high-energy, condensed-matter, and statistical physics in both the main text and exercises Takes students from basic techniques to the frontiers of physics Pays special attention to the relation between measurements and propagators and the computation of cross sections and response functions Focuses on renormalization and the renormalization group, with an emphasis on fixed points, scale invariance, and their role in quantum field theory and phase transitions Other topics include non-perturbative phenomena, anomalies, and conformal invariance Features numerous examples and extensive problem sets Also serves as an invaluable resource for researchers

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Pollination and Floral Ecology is the most comprehensive single-volume reference to all aspects of pollination biology--and the first fully up-to-date resource of its kind to appear in decades. This beautifully illustrated book describes how flowers use colors, shapes, and scents to advertise themselves; how they offer pollen and nectar as rewards; and how they share complex interactions with beetles, birds, bats, bees, and other creatures. The ecology of these interactions is covered in depth, including the timing and patterning of flowering, competition among flowering plants to attract certain visitors and deter others, and the many ways plants and animals can cheat each other. Pollination and Floral Ecology pays special attention to the prevalence of specialization and generalization in animal-flower interactions, and examines how a lack of distinction between casual visitors and true pollinators can produce misleading conclusions about flower evolution and animal-flower mutualism. This one-of-a-kind reference also gives insights into the vital pollination services that animals provide to crops and native flora, and sets these issues in the context of today's global pollination crisis. * Provides the most up-to-date resource on pollination and floral ecology * Describes flower advertising features and rewards, foraging and learning by flower-visiting animals, behaviors of generalist and specialist pollinators--and more * Examines the ecology and evolution of animal-flower interactions, from the molecular to macroevolutionary scale * Features hundreds of color and black-and-white illustrations

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This book provides a solution to the ecological inference problem, which has plagued users of statistical methods for over seventy-five years: How can researchers reliably infer individual-level behavior from aggregate (ecological) data? In political science, this question arises when individual-level surveys are unavailable (for instance, local or comparative electoral politics), unreliable (racial politics), insufficient (political geography), or infeasible (political history). This ecological inference problem also confronts researchers in numerous areas of major significance in public policy, and other academic disciplines, ranging from epidemiology and marketing to sociology and quantitative history. Although many have attempted to make such cross-level inferences, scholars agree that all existing methods yield very inaccurate conclusions about the world. In this volume, Gary King lays out a unique--and reliable--solution to this venerable problem. King begins with a qualitative overview, readable even by those without a statistical background. He then unifies the apparently diverse findings in the methodological literature, so that only one aggregation problem remains to be solved. He then presents his solution, as well as empirical evaluations of the solution that include over 16,000 comparisons of his estimates from real aggregate data to the known individual-level answer. The method works in practice. King's solution to the ecological inference problem will enable empirical researchers to investigate substantive questions that have heretofore proved unanswerable, and move forward fields of inquiry in which progress has been stifled by this problem.

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The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life.In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance.Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.

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For as long as there have been nations, there has been an “international”—a sphere of cross-border relations. But for most of human history, this space was sparsely occupied. States and regions were connected by long-distance commerce and the spasms of war, yet in their development they remained essentially separate. The century after 1750 marked a major shift. Fleeting connection gave way to durable integration. Culture, politics, and society were increasingly, and indelibly, entangled across continents. An Emerging Modern World charts this transformative period, addressing major questions about the roots of the present from a distinctly global perspective.Why, for instance, did industrialization begin in England and not in China? Was there early capitalist development outside of the West? Was the Enlightenment exclusively a European event? Led by editors Sebastian Conrad and Jürgen Osterhammel, a distinguished group of historians tackles these issues, along with the roles of nomads and enslaved people in fostering global integration, the development of a bourgeoisie outside Euro-America, Hinduism’s transformation from local practices into a universal system, the invention of pan-Islamic identity, and the causes and effects of the revolution in time regimes. The world appeared to be undergoing such a radical renewal that the impression of an epochal watershed was widespread.This fourth volume in the six-volume series A History of the World engages the political, economic, social, and intellectual ferment of the eighteenth and nineteenth centuries outside Europe and North America. In doing so, it bears witness to the birth of the modern world.

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An unflinching story of ambition and the dangers of loyalty and love in the Soviet Union, by the creator of The Crown, updated and revised for the 2023 West End production.If the politicians cannot save Russia, then we businessmen must. We have not just the responsibility but the duty to become Russian heroes.1991. The Fall of the Soviet Union.With the dawning of a new Russia, there are winners and losers, and today's patriot can fast become tomorrow's traitor. As a new generation of oligarchs fights to seize control, we follow billionaire businessman Boris Berezovsky - the 'kingmaker' behind Vladimir Putin - from the president's inner circle to public enemy number one, in this unflinching story of patronage, ambition and the dangers of loyalty and love.Winner of the Critics' Circle Best New Play Award 2023, Peter Morgan's Patriots opened at the Almeida Theatre, London, in July 2022, and transferred to the West End's Noël Coward Theatre the following year. This is the revised West End edition.'Morgan describes his plays as an "odd collection of pas de deux - dances between very different kinds of people." This chemistry of opposition is the seam out of which he has mined some terrific tales . . . His newest eloquent exercise in warring dualities is Patriots . . . Morgan's unusually absorbing saga of Berezovsky's complex personality and tragic predicament - alienated both from his country andfrom himself - is definitely worth it. In the deadening heat of this confounding summer, it brings the refreshing novelty of intelligence and stimulation.' John Lahr

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'Original, intelligent and beautifully written. . . alive with period detail.'DAILY MAIL'A gem of a book.' ELODIE HARPER, THE WOLF DEN TRILOGY'Such a joy.' JO BROWNING WROE, A TERRIBLE KINDNESS'Utterly transporting, piercingly honest and intimate.' INGRID PERSAUD, LOVE AFTER LOVEBlackpool, 1938. Miss Margaret Finch - a rather demure young woman - has just begun work in a position that relies on her discretion and powers of observation. Then, her path is crossed by the disgraced Rector of Stiffkey (aka Harold Davidson), who is the subject of a national scandal. Margaret is determined to discover the truth behind the headlines: is Davidson a maligned hero or an exploiter of the vulnerable? But her own troubles are never far away, and Margaret's fear that history is about to repeat itself means she needs to uncover that truth urgently. This deeply evocative novel ripples with the tension of a country not yet able to countenance the devastation of another war. Margaret walks us along the promenade, peeks into the baths and even dares a trip on the love boat in this, her first seaside summer season, on a path more dangerous than she could ever have imagined.Readers are loving The Misadventures of Margaret Finch:***** 'Fascinating. The novel perfectly captures Blackpool in its heyday. . . you will not be able to put this down'***** 'Absolutely loved this!'***** 'A wonderful blend of fact, fiction and history to make a fascinating story'***** 'Engaging and captivating, I'm going to miss Margaret et al enormously.'

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This title focuses on the dramatic process underlying the development of cultural mystique in the articulation of elite organization. The symbolic beliefs and practices involved act to reconcile, camouflage, or mystify a major contradiction in the development and functioning of elite groups, a contradiction between their universalistic functions and particularistic interests, between their duties to serve wider publics and their simultaneous endeavor to promote their own sectional power. Concentrating on the detailed, experimental study of one power elite within a modern small-scale nation-state--Sierra Leone--Cohen analyzes these processes. But his findings are systematically worked out within a general, cross-cultural comparative perspective, and he thereby further develops his earlier formulations about the instrumental functions of culture in politcal organization. Culture is analyzed in terms of symbolic forms, symbolic functions, and dramaturgical techniques. Politico-cultural causation is explored as it operates in chains of dramatic performances on different levels of social organization. Familiar, everyday symbolic events are taken out of their ordinary ideological sequences and, as Brecht would put it, thrown into crisis by showing their involvement in major power struggles. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

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