Search results for ""university of california press""

This is the second volume in Jeffrey Hopkins's valuable series on the Mind-Only School of Buddhism. Dzong-ka-ba (1357-1419) is generally regarded as one of the greatest Tibetan philosophers, and his "Mind-Only" discourse on emptiness is considered a landmark in Buddhist philosophy. In Volume 2, Emptiness in the Mind-Only School of Buddhism, Hopkins provided a translation of the introduction and section on the Mind-Only School in The Essence of Eloquence. The present volume places this enigmatic and influential exposition in its historical and philosophical contexts. Reflections on Reality conveys the intellectual vibrancy of the different cultural interpretations of this text and expands the key philosophical issues it addresses.

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The role of markets in linking local communities to larger networks of commerce, culture, and political power is the central element in Anand A. Yang's provocative and original study. Yang uses bazaars in the northeast Indian state of Bihar during the colonial period as the site of his investigation. The bazaar provides a distinctive locale for posing fundamental questions regarding indigenous societies under colonialism and for highlighting less familiar aspects of colonial India. At one level, Yang reconstructs Bihar's marketing system, from its central place in the city of Patna down to the lowest rung of the periodic markets. But he also concentrates on the dynamics of exchanges and negotiations between different groups and on what can be learned through the 'voices' of people in the bazaar: landholders, peasants, traders, and merchants. Along the way, Yang uncovers a wealth of details on the functioning of rural trade, markets, fairs, and pilgrimages in Bihar. A key contribution of "Bazaar India" is its many-stranded narrative history of some of South Asia's primary actors over the past two centuries. But Yang's approach is not that of a detached observer; rather, his own voice is engaged with the voices of the past and with present-day historians. By focusing on the world beyond the mud walls of the village, he widens the imaginative geography of South Asian history. Readers with an interest in markets, social history, culture, colonialism, British India, and historiographic methods will welcome his book.

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James L. Gelvin brings a new and distinctive perspective to the perennially fascinating topic of nationalism in the Arab Middle East. Unlike previous historians who have focused on the activities and ideas of a small group of elites, Gelvin details the role played by non-elites in nationalist politics during the early part of the twentieth century. Drawing from previously untapped sources, he documents the appearance of a new form of political organization--the popular committee--that sprang up in cities and villages throughout greater Syria in the immediate aftermath of the First World War. These committees empowered a new type of nationalist leadership, made nationalist politics a mass phenomenon for the first time, and articulated a view of nation and nationalism that continues to inform the politics of the region today. Gelvin does more than recount an episode in the history of nationalism in the Arab Middle East. His examination of leaflets, graffiti, speeches, rumors, and editorials offers fresh insights into the symbolic construction of national communities. His analysis of ceremonies--national celebrations, demonstrations, theater--contributes to our understanding of the emergence of mass politics. By situating his study within a broader historical context, Gelvin has written a book that will be of interest to all who wish to understand nationalism in the region and beyond.

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Herod the Great, King of Judaea from 444 B.C., is known as one of the world's great villains. This notoriety has overshadowed his actual achievements, particularly his role as a client king of Rome during Augustus's reign as emperor. An essential aspect of Herod's responsibilities as king of Judaea was his role as a builder. Remarkably innovative, he created an astonishing record of architectural achievement, not only in Judaea but also throughout Greece and the Roman east. Duane W. Roller systematically presents and discusses all the building projects known to have been initiated by Herod, and locates this material in a broad historical and cultural context. Bringing together previously inaccessible material, Roller enriches our understanding of the enigmatic Herod and provides new insights into Roman architecture. Herod was instrumental in the diffusion of the Augustan architectural revolution into the provinces and was the first to build outside Italy such Italian architectural forms as the basilica, amphitheater, villa, and Italian temple. Herod's legacy provided a groundwork for the architectural Romanization of the east, influencing the construction of the great temple complexes and palaces so familiar from later Roman architecture. Herod, like Augustus himself, was not only interested in architecture but also in diplomatic and financial contacts among cities of the region. In addition to providing a repertorium of the building projects, this study is also an exploration of international relations in the eastern Mediterranean at the beginning of the Roman imperial period.

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The 1993 government assault on the Branch Davidian compound near Waco, Texas, resulted in the deaths of four federal agents and eighty Branch Davidians, including seventeen children. Whether these tragic deaths could have been avoided is still debatable, but what seems clear is that the events in Texas have broad implications for religious freedom in America. James Tabor and Eugene Gallagher's bold examination of the Waco story offers the first balanced account of the siege. They try to understand what really happened in Waco: What brought the Branch Davidians to Mount Carmel? Why did the government attack? How did the media affect events? The authors address the accusations of illegal weapons possession, strange sexual practices, and child abuse that were made against David Koresh and his followers. Without attempting to excuse such actions, they point out that the public has not heard the complete story and that many media reports were distorted. The authors have carefully studied the Davidian movement, analyzing the theology and biblical interpretation that were so central to the group's functioning. They also consider how two decades of intense activity against so-called cults have influenced public perceptions of unorthodox religions. In exploring our fear of unconventional religious groups and how such fear curtails our ability to tolerate religious differences, "Why Waco? is an unsettling wake-up call. Using the events at Mount Carmel as a cautionary tale, the authors challenge all Americans, including government officials and media representatives, to closely examine our national commitment to religious freedom.

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Linking the personal and the political, Anna Clark depicts the making of the working class in Britain as a 'struggle for the breeches.' The late eighteenth and early nineteenth centuries witnessed significant changes in notions of masculinity and femininity, the sexual division of labor, and sexual mores, changes that were intimately intertwined with class politics. By integrating gender into the analysis of class formation, Clark transforms the traditional narrative of working-class history. Going beyond the sterile debate about whether economics or language determines class consciousness, Clark integrates working people's experience with an analysis of radical rhetoric. Focusing on Lancashire, Glasgow, and London, she contrasts the experience of artisans and textile workers, demonstrating how each created distinctively gendered communities and political strategies. Workers faced a 'sexual crisis,' Clark claims, as men and women competed for jobs and struggled over love and power in the family. While some radicals espoused respectability, others might be homophobes, wife-beaters, and tyrants at home; a radical's love of liberty could be coupled with lust for the life of a libertine. Clark shows that in trying to create a working class these radicals closed off the movement to women, instead adopting a conservative rhetoric of domesticity and narrowing their notion of the working class.

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Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man. These pages present a young suitor, a grief-stricken widower, an affectionate father, and a man with an abiding genius for friendship. The great spokesman for individualism and self-reliance turns out to have been a good neighbor, an activist citizen, a loyal brother. Here is an Emerson who knew how to laugh, who was self-doubting as well as self-reliant, and who became the greatest intellectual adventurer of his age. Richardson has, as much as possible, let Emerson speak for himself through his published works, his many journals and notebooks, his letters, his reported conversations. This is not merely a study of Emerson's writing and his influence on others; it is Emerson's life as he experienced it. We see the failed minister, the struggling writer, the political reformer, the poetic liberator. The Emerson of this book not only influenced Thoreau, Fuller, Whitman, Dickinson, and Frost, he also inspired Nietzsche, William James, Baudelaire, Marcel Proust, Virginia Woolf, and Jorge Luis Borges. Emerson's timeliness is persistent and striking: his insistence that literature and science are not separate cultures, his emphasis on the worth of every individual, his respect for nature. Richardson gives careful attention to the enormous range of Emerson's readings - from Persian poets to George Sand - and to his many friendships and personal encounters - from Mary Moody Emerson to the Cherokee chiefs in Boston - evoking both the man and the times in which he lived. Throughout this book, Emerson's unquenchable vitality reaches across the decades, and his hold on us endures.

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Border Matters locates the study of Chicano culture in a broad social context. Jose Saldivar examines issues of representation and expression in a diverse, exciting assortment of texts--corridos, novels, poems, short stories, punk and hip-hop music, ethnography, paintings, performance, art, and essays. Saldivar provides a sophisticated model for a new kind of U.S. cultural studies, one that challenges the homogeneity of U.S. nationalism and popular culture by foregrounding the contemporary experiences and historical circumstances facing Chicanos and Chicanas. This intellectually adventurous, politically engaged study applies borderlands and diaspora theory to Chicano cultural practices in a way that permanently changes our understanding of both the Chicano experience and the meaning of cultural theory. Defying national (and nationalistic) paradigms of culture, Saldivar argues that the culture of the borderlands is trans-national, constituting a social space in which new relations, hybrid cultures, and multi-voiced aesthetics are negotiated. Saldivar's critical readings treat culture as a social force and reveal the presence of social contexts within cultural texts. Border Matters maps out a new terrain for the study of culture, reshaping the way we understand migration, national identity, and intellectual inquiry itself.

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Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.

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In "Comrades and Enemies" Zachary Lockman explores the mutually formative interactions between the Arab and Jewish working classes, labor movements, and worker-oriented political parties in Palestine just before and during the period of British colonial rule. Unlike most of the historical and sociological literature on Palestine in this period, "Comrades and Enemies" avoids treating the Arab and Jewish communities as if they developed independently of each other. Instead of focusing on politics, diplomacy, or military history, Lockman draws on detailed archival research in both Arabic and Hebrew, and on interviews with activists, to delve into the country's social, economic, and cultural history, showing how Arab and Jewish societies in Palestine helped to shape each other in significant ways. "Comrades and Enemies" presents a narrative of Arab-Jewish relations in Palestine that extends and complicates the conventional story of primordial identities, total separation, and unremitting conflict while going beyond both Zionist and Palestinian nationalist mythologies and paradigms of interpretation.

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"German Expressionism", one of the most significant movements of early European modernism, was an enormously powerful element in Germany's cultural life from the end of the Wilhelmine Empire to the Third Reich. While the movement embraced such diverse artists as E. L. Kirchner, Wassily Kandinsky, Kathe Kollwitz, and George Grosz, all the participants shared an almost messianic belief in the power of art to change society. Rose-Carol Washton Long has drawn together over eighty documents crucial to the understanding of "German Expressionism", many of them translated for the first time into English.

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Essays on Aristotle's Rhetoric offers a fresh and comprehensive assessment of a classic work. Aristotle's influence on the practice and theory of rhetoric, as it affects political and legal argumentation, has been continuous and far-reaching. This anthology presents Aristotle's Rhetoric in its original context, providing examples of the kind of oratory whose success Aristotle explains and analyzes. The contributors--eminent philosophers, classicists, and critics--assess the role and the techniques of rhetorical persuasion in philosophic discourse and in the public sphere. They connect Aristotle's Rhetoric to his other work on ethics and politics, as well as to his ideas on logic, psychology, and philosophy of language. The collection as a whole invites us to reassess the place of rhetoric in intellectual and political life.

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China's most important love comedy, Wang Shifu's "Xixiangji", or "The Story of the Western Wing", is a rollicking play that chronicles the adventures of the star-crossed lovers Oriole and Student Zhang. Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings; it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions.

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The American experience in Vietnam divided us as a nation and eroded our confidence in both the morality and the effectiveness of our foreign policy. Yet our understanding of this tragic episode remains superficial because, then and now, we have never grasped the passionate commitment with which the Vietnamese clung to and fought over their own competing visions of what Vietnam was and what it might become. To understand the war, we must understand the Vietnamese, their culture, and their ways of looking at the world. Neil L. Jamieson, after many years of living and working in Vietnam, has written the book that provides this understanding. Jamieson paints a portrait of twentieth-century Vietnam. Against the background of traditional Vietnamese culture, he takes us through the saga of modern Vietnamese history and Western involvement in the country, from the coming of the French in 1858 through the Vietnam War and its aftermath. Throughout his analysis, he allows the Vietnamese--both our friends and foes, and those who wished to be neither--to speak for themselves through poetry, fiction, essays, newspaper editorials and reports of interviews and personal experiences. By putting our old and partial perceptions into this new and broader context, Jamieson provides positive insights that may perhaps ease the lingering pain and doubt resulting from our involvement in Vietnam. As the United States and Vietnam appear poised to embark on a new phase in their relationship, Jamieson's book is particularly timely.

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In a remarkable example of history as detective work, Brian Martin pieces together the fascinating and complex story of the Shanghai Green Gang and its charismatic leader, Du Yuesheng. Martin sifts through a variety of fragmentary and at times contradictory evidence--from diplomatic dispatches to memoirs to police reports--to produce the most comprehensive account of this chaotic period of Chinese history. In analyzing the Green Gang's system of organized crime in Shanghai, the author broadens our understanding of a critical aspect of Chinese urban history and sheds light on the history of drug trafficking and organized crime worldwide. Martin argues that the Green Gang, the most powerful secret society in China during the first half of the twentieth century, was a resilient social organization that adapted successfully to the complex environment of a modernizing urban society. Illustrating its multilayered and complex relations with the bourgeoisie, the industrial proletariat, and the foreign and domestic political authorities, Martin demonstrates how these factors led to the Green Gang's absorption into the corporate state system after 1932.

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In this vivid ethnography set in contemporary Peru, Susan Stokes provides a compelling analysis of the making and unmaking of class consciousness among the urban poor. Her research strategy is multifaceted; through interviews, participant observation, and survey research she digs deeply into the popular culture of the social activists and shantytown residents she studies. The result is a penetrating look at how social movements evolve, how poor people construct independent political cultures, and how the ideological domination of oppressed classes can shatter. This work is a new and vital chapter in the growing literature on the formation of social movements. It chronicles the transformation of Peru's poor from a culture of deference and clientelism in the late 1960s to a population mobilized for radical political action today.

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This is a comprehensive reference grammar of Ingush, a language of the Nakh branch of the Nakh-Daghestanian or East Caucasian language family of the central Caucasus (southern Russia). Ingush is notable for its complex phonology, prosody including minimal tone system, complex morphology of both nouns and verbs, clause chaining, long-distance reflexivization, and extreme degree of syntactic ergativity.

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Many reasons can be given for the rise of Christianity in late antiquity and its flourishing in the medieval world. In asking how Christianity succeeded in becoming the dominant ideology in the unpromising circumstances of the Roman Empire, Averil Cameron turns to the development of Christian discourse over the first to sixth centuries A.D., investigating the discourse's essential characteristics, its effects on existing forms of communication, and its eventual preeminence. Scholars of late antiquity and general readers interested in this crucial historical period will be intrigued by her exploration of these influential changes in modes of communication. The emphasis that Christians placed on language - writing, talking, and preaching - made possible the formation of a powerful and indeed a totalizing discourse, argues the author. Christian discourse was sufficiently flexible to be used as a public and political instrument, yet at the same time to be used to express private feelings and emotion. Embracing the two opposing poles of logic and mystery, it contributed powerfully to the gradual acceptance of Christianity and the faith's transformation from the enthusiasm of a small sect to an institutionalized world religion.

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The twentieth century has seen people displaced on an unprecedented scale and has brought concerns about refugees into sharp focus. There are forty million refugees in the world--1 in 130 inhabitants of this planet. In this first interdisciplinary study of the issue, fifteen scholars from diverse fields focus on the worldwide disruption of "trust" as a sentiment, a concept, and an experience. Contributors provide a rich array of essays that maintain a delicate balance between providing specific details of the refugee experience and exploring corresponding theories of trust and mistrust. Their subjects range widely across the globe, and include Palestinians, Cambodians, Tamils, and Mayan Indians of Guatemala. By examining what individuals experience when removed from their own culture, these essays reflect on individual identity and culture as a whole.

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The environmental crisis is global in scope, yet contemporary environmental ethics is centered predominantly in Western philosophy and religion. Earth's Insights widens the scope of environmental ethics to include the ecological teachings embedded in non-Western worldviews. J. Baird Callicott ranges broadly, exploring the sacred texts of Islam, Hinduism, Jainism, Taoism, Confucianism, and Zen Buddhism, as well as the oral traditions of Polynesia, North and South America, and Australia. He also documents the attempts of various peoples to put their environmental ethics into practice. Finally, he wrestles with a question of vital importance to all people sharing the fate of this small planet: How can the world's many and diverse environmental philosophies be brought together in a complementary and consistent whole?

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In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house 'with Roman eyes'. Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them. In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the 'Four Styles' (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gem-like Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century. In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.

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"From the Ground Up describes Rincon in detail, from the day the brainstorm to bid on the land took shape in the mind of a Perini Co. executive until its champagne-soaked opening party...The book emerges as a helpful primer on what it takes to build a tiny, self-contained city. Engineering problems are cleanly explained, architectural cant is kept to a minimum and a bookshelf of financial detail is boiled down to essentials." (Marshall Kilduff, San Francisco Chronicle Book Review). "This engrossing study, flavored with the appeal of San Francisco and written by Los Angeles Times national correspondent Frantz, examines the combination of dreaming and entrepreneurship required to succeed in the cyclical realty business." (Publishers Weekly). "Frantz...is a business reporter of real skill and sophistication...The genius of [his] book is in the details." (Johnathan Kirsch, Los Angeles Times).

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Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish philosopher and cultural and literary critic. Richard Wolin's book remains among the clearest and most insightful introductions to Benjamin's writings, offering a philosophically rich exposition of his complex relationship to Adorno, Brecht, Jewish Messianism, and Western Marxism. Wolin provides nuanced interpretations of Benjamin's widely studied writings on Baudelaire, historiography, and art in the age of mechanical reproduction. In a new Introduction written especially for this edition, Wolin discusses the unfinished Arcades Project, as well as recent tendencies in the reception of Benjamin's work and the relevance of his ideas to contemporary debates about modernity and postmodernity.

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Claudio Veliz adopts the provocative metaphor of foxes and hedgehogs that Isaiah Berlin used to describe opposite types of thinkers. Applying this metaphor to modern culture, economic systems, and the history of the New World, Veliz provides an original and lively approach to understanding the development of English and Spanish America over the past 500 years. According to Veliz, the dominant cultural achievements of Europe's English- and Spanish-speaking people have been the Industrial Revolution and the Counter-Reformation, respectively. These overwhelming cultural constructions have strongly influenced the subsequent historical developments of their great cultural outposts in North and South America. The British brought to the New World a stubborn ability to thrive on diversity and change that was entirely consistent with their vernacular Gothic style. The Iberians, by contrast, brought a cultural tradition shaped like a vast baroque dome, a monument to their successful attempt to arrest the changes that threatened their imperial moment. Veliz writes with erudition and wit, using a multitude of sources - historians and classical sociologists, Greek philosophers, today's newspaper sports pages, and modern literature - to support a novel explanation of the prosperity and expanding cultural influence of the gothic fox and the economic and cultural decline endured by the baroque hedgehog.

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The nations of Latin America came into being without a strong sense of national purpose and identity. In "The Invention of Argentina", Nicholas Shumway offers a cultural history of one nation's efforts to determine its nature, its destiny, and its place among the nations of the world. His analysis is crucial to understanding not only Argentina's development but also current events in the Argentine Republic.

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In this generously illustrated book, Anne Hollander examines the representation of the body and clothing in Western art, from Greek sculpture and vase painting through medieval and renaissance portraits, to contemporary films and fashion photography. First published ahead of its time, this book has become a classic.

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Conventional wisdom claims that the seventeenth century gave birth to the material and ideological forces that culminated in the Industrial Revolution and the rise of capitalism. Not true, according to Neal Wood, who argues that much earlier reformers--Dudley, Starkey, Brinklow, Latimer, Crowley, Becon, Lever, and Thomas Smith, as well as the better-known More and Fortescue--laid the groundwork by fashioning an economic conception of the state in response to social, economic and political conditions of England. Wood's innovative study of these early Tudor thinkers, who upheld the status quo yet condemned widespread poverty and suffering, will interest historians, political scientists, and social and political theorists.

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David Snow and Leon Anderson show us the wretched face of homelessness in late twentieth-century America in countless cities across the nation. Through hundreds of hours of interviews, participant observation, and random tracking of homeless people through social service agencies in Austin, Texas, Snow and Anderson reveal who the homeless are, how they live, and why they have ended up on the streets. Debunking current stereotypes of the homeless, "Down on Their Luck" sketches a portrait of men and women who are highly adaptive, resourceful, and pragmatic. Their survival is a tale of human resilience and determination, not one of frailty and disability.

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The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition. With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.

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Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, "They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive. Now film scholar Robert Carringer has reconstructed Welles's own version of Ambersons, using all available surviving evidence including rare studio documents and the recollections of Welles himself and other original participants in the film. Carringer reaches startling conclusions about where the responsibility for the film's undoing ultimately lies. His spellbinding--and no doubt controversial--book will be eagerly welcomed by film historians and enthusiasts.

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Science once had an unshakable faith in its ability to bring the forces of nature - even human nature - under control. In this wide-ranging book Anson Rabinbach examines how developments in physics, biology, medicine, psychology, politics, and art employed the metaphor of the working body as a human motor. From nineteenth-century theories of thermodynamics and political economy to the twentieth-century ideals of Taylorism and Fordism, Rabinbach demonstrates how the utopian obsession with energy and fatigue shaped social thought across the ideological spectrum.

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David Attwell defends the literary and political integrity of South African novelist J.M. Coetzee by arguing that Coetzee has absorbed the textual turn of postmodern culture while still addressing the ethical tensions of the South African crisis. As a form of "situational metafiction," Coetzee's writing reconstructs and critiques some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, it takes seriously the condition of the society in which it is produced. Attwell begins by describing the intellectual and political contexts surrounding Coetzee's fiction and then provides a developmental analysis of his six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism and popular culture. Elegantly written, Attwell's analysis deals with both Coetzee's subversion of the dominant culture around him and his ability to see the complexities of giving voice to the anguish of South Africa.

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Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage. Dorra traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France and Sullivan in the United States are all well represented. The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarme are here, but so, too, are writers less well-known. A section on the Post-Impressionists and the 'Artists of the Soul' rounds out Dorra's rich and varied text, and his epilogue lays the groundwork for what was to follow symbolism. Dorra beautifully integrates the different aesthetic branches of symbolism, the different media and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.

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Tracing the life course of American teenagers in the mid-twentieth century, "Into One's Own" presents a compelling historical portrait of growing up.

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Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface--an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience. In this sixth edition of the book, George Perle employs the new and more consistent terminology for the identification of transpositional levels of twelve-tone sets that he first proposed in Twelve-Tone Tonality (1977).

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Columbus is the first blazing star in a constellation of European adventurers whose right to claim and conquer each land mass they encountered was absolutely unquestioned by their countrymen. How a system of religious beliefs made the taking of the New World possible and laudable is the focus of Kadir's timely review of the founding doctrines of empire. The language of prophecy and divine predestination fills the pronouncements of those who ventured across the Atlantic. The effects of such language and their implications for current theoretical debates about colonialism and decolonization are legion. Kadir suggests that in this supposedly postcolonial era, richer nations and the privileged still manipulate the rhetoric of conquest to justify and serve their own worldly ends. For colonized peoples who live today at the "ends of the earth," the age of exploitation may be no different from the age of exploration.

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Kevin Greene shows how archaeology can help provide a more balanced view of the Roman economy by informing the classical historian about geographical areas and classes of society that received little attention from the largely aristocratic classical writers whose work survives.

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Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets - the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including 'new' Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.

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In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian 'family romance,' reducing her art to a neurotic evasion of a traumatic childhood. But current knowledge about manic-depressive illness - its genetic transmission, its biochemistry, and its effect on brain function - reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.

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These essays provide a thorough introduction to economics for historians. The authors, all eminent scholars, show how to use economic thinking, economic models, and economic methods to enrich historical research. They examine such vital issues as long-term trends, institutions, labor--including an engaging dialogue between a labor historian and a labor economist--international affairs, and money and banking. Scholars and teachers of history will welcome this volume as an introduction and guide to economics, a springboard for their own research, and a lively and provocative source of collateral reading for students at every level. The combined research experience of these authors encompasses many varieties of economics and covers a kaleidoscopic array of nations, subjects, and time periods. All are expert in presenting the insights and complexities of economics to nonspecialist audiences.

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Rudolf Carnap and W. V. Quine, two of the twentieth century's most important philosophers, corresponded at length - and over a long period of time - on matters personal, professional, and philosophical. Their friendship encompassed issues and disagreements that go to the heart of contemporary philosophic discussions. Carnap (1891-1970) was a founder and leader of the logical positivist school. The younger Quine (1908) began as his staunch admirer but diverged from him increasingly over questions in the analysis of meaning and the justification of belief. That they remained close, relishing their differences through years of correspondence, shows their stature both as thinkers and as friends.The letters are presented here, in full, for the first time. The substantial introduction by Richard Creath offers a lively overview of Carnap's and Quine's careers and backgrounds, allowing the nonspecialist to see their writings in historical and intellectual perspective. Creath also provides a judicious analysis of the philosophical divide between them, showing how deep the issues cut into the discipline, and how to a large extent they remain unresolved.

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An ambitious new work by a well-respected sociologist, Information and Organizations provides a bold perspective of the dynamics of organizations. Stinchcombe contends that the "information problem" and the concept of "uncertainty" provide the key to understanding how organizations function. In a delightful mix of large theoretical insights and vivid anecdotal material, Stinchcombe explores the ins and outs of organizations from both a macro and micro perspective. He reinterprets the work of the renowned scholars of business, Alfred Chandler, James March and Oliver Williamson, and looks in depth at corporations like DuPont and General Motors. Along the way, Stinchcombe explores subjects as varied as class consciousness, innovation, contracts and university administration. All of these analyses are distinguished by incisive thinking and creative new approaches to issues that have long confronted business people and those interested in organizational theory. A tour de force, Information and Organizations is a must-read for business people and scholars of many stripes. It promises to be a widely discussed and debated work.

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Our common image of the Middle Ages, constructed partly from popular accounts by Tuchman and Huizinga, is a period in European history when cultural activity was in decay. Van Oostrom convincingly challenges this notion by presenting evidence of a lively medieval court culture in the northern Netherlands. Not only is this a new chapter in Dutch literary and cultural history, it also provides a new perspective on the larger court culture of medieval Europe. Van Oostrom interweaves dynastic history, documentary evidence, art, architecture, and literature in his analysis of the medieval Dutch court. In expanding our knowledge of the period, this exemplary work confronts fundamental questions of how cultures shape themselves and how we can effectively reconstruct and define the past.

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A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of 'reactionary modernism', the rise of the 'New Woman', Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and, cultural, film, German, and women's studies.

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The Life of a Text offers a vivid portrait of one community's interaction with its favorite text--the epic Ramcaritmanas--and the way in which performances of the epic function as a flexible and evolving medium for cultural expression. Anthropologists, historians of religion, and readers interested in the culture of North India and the performance arts will find breadth of subject, careful scholarship, and engaging presentation in this unique and beautifully illustrated examination of Hindi culture. The most popular and influential text of Hindi-speaking North India, the epic Ramcaritmanas is a sixteenth century retelling of the Ramayana story by the poet Tulsidas. This masterpiece of pre-modern Hindi literature has always reached its largely illiterate audiences primarily through oral performance including ceremonial recitation, folksinging, oral exegesis, and theatrical representation. Drawing on fieldwork in Banaras, Lutgendorf breaks new ground by capturing the range of performance techniques in vivid detail and tracing the impact of the epic in its contemporary cultural context.

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Here is a brief, intelligent, even-handed analytical account of the origins of the Arab-Zionist conflict and its development from early in the twentieth century until 1948, focusing particularly on the period when Britain ruled Palestine under mandate from the League of Nations.

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Rip-roaring and rib-tickling, Francois Rabelais' irreverent story of the giant Gargantua, his giant son Pantagruel, and their companion Panurge is a classic of the written word. This complete translation by Donald Frame, helpfully annotated for the nonspecialist, is a masterpiece in its own right, bringing to twentieth-century English all the exuberance and invention of the original sixteenth-century French. A final part containing all the rest of Rabelais' known writings, including his letters, supplements the five books traditionally known as Gargantua and Pantagruel. This great comic narrative, written in hugely popular installments over more than two decades, was unsparingly satirical of scholarly pomposity and the many abuses of religious, legal, and political power. The books were condemned at various times by the Sorbonne and narrowly escaped being banned. Behind Rabelais' obvious pleasure in lampooning effete erudition and the excesses of society is the humanist's genuine love of knowledge and belief in the basic goodness of human nature. The bawdy wit and uninhibited zest for life that characterize his unlikely trio of travelers have delighted readers and inspired other writers ever since the exploits of Gargantua and Pantagruel first appeared.

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The Radiation Laboratory in Berkeley, California, was the birthplace of particle accelerators, radioisotopes, and modern big science. This first volume of its history is a saga of physics and finance in the Great Depression, when a new kind of science was born. Here we learn how Ernest Lawrence used local and national technological, economic, and manpower resources to build the cyclotron, which enabled scientists to produce high-voltage particles without high voltages. The cyclotron brought Lawrence forcibly and permanently to the attention of leaders of international physics in Brussels at the Solvay Congress of 1933. Ever since, the Rad Lab has played a prominent part on the world stage. The book tells of the birth of nuclear chemistry and nuclear medicine in the Laboratory, the discoveries of new isotopes and the transuranic elements, the construction of the ultimate cyclotron, Lawrence's Nobel Prize, and the energy, enthusiasm, and enterprise of Laboratory staff. Two more volumes are planned to carry the story through the Second World War, the establishment of the system of national laboratories, and the loss of Berkeley's dominance of high-energy physics.

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