Search results for ""edinburgh university press""

Virginia Woolf, Fashion and Literary Modernity places Woolf's writing in the context of sartorial practice from the Victorian period to the 1930s, and theories of dress and fashion from Thomas Carlyle to Walter Benjamin, Wyndham Lewis and J.C. Flugel. Bringing together studies in fashion, body culture and modernism, the book explores the modern fascination with sartorial fashion as well as with clothes as objects, signs, things, and embodied practice. Fashion was deeply implicated with the nineteenth-century modern and remained in focus for the modernities that continued to be proclaimed in the early decades of the following century. Clothing connects with the modernist topoi of the threshold, the trace and the interface; it is the place where character becomes image and where relations between subject and object, organic and inorganic play themselves out in a series of encounters and ruptures. Clothes also facilitate explorations in modern materialism, for instance as informing surrealist attempts to think the materiality of things outside the system of commodities and their fetishisation. Woolf's work as cultural analyst and writer of fiction provides illuminating illustrations of all of these aspects, "thinking through clothes" in representations of the present, investigations of the archives of the past, and projections for the future. Key Features: *Contributes new research to Woolf and Modernism studies *Explores the significance of textual representations of dress and sartorial fashion in modernist literature *Interdisciplinary approach which brings together studies of fashion, culture and literature *Adds a specific author focused analysis to current work on cultural embodiment and performance

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In recent years there has been much political talk and academic debate on the subject of active citizenship, to which Bernard Crick's work has been central. His 'mission statement' (repeated here) is to induce 'no less than a change in political culture', to replace passive democracy, grounded on unsocial individualism and consumer values, with the republican ideal of 'active citizens, willing, able and equipped to have an influence on public life!'. Here a group of political actors and academics, who believe a radically more active citizenship is a worthy aim, are invited to spell out in their particular area of concern, the obstacles and how they might be overcome, either by institutional innovation or changes in culture, and what be the benefits for democracy in the UK. Bernard Crick's first and final essays set the tone, respectively, on Civic Republicanism Today and Political Identity. Other contributors consider active citizenship in relation to: Labour Government Policy (David Blunkett and Matthew Taylor); Scottish Devolution (George Reid); Public Services (David Donnison); Gender Equality (Rhona Fitzgerald); Schools (Pamela Munn); Multiculturalism (Dina Kiwan); Integrating Immigrants (Elizabeth Meehan); Lifelong Learning (John Annette); Europe and International Understanding (Derek Heater); Young People (Andrew Lockyer) and Scottish Independence (Kevin Francis).

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Throughout his career, Deleuze developed a series of original philosophies of time and applied them successfully to many different fields. Now James Williams presents Deleuze's philosophy of time as the central concept that connects his philosophy as a whole. Through this conceptual approach, the book covers all the main periods of Deleuze's philosophy: the early studies of Hume, Nietzsche, Kant, Bergson and Spinoza, the two great philosophical works, Difference and Repetition and Logic of Sense, the Capitalism and Schizophrenia works with Guattari, and the late influential studies of literature, film and painting. The result is an important reading of Deleuze and the first full interpretation of his philosophy of time.

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This book offers an overview of the contending approaches to the nation and nationalism, in a European context. Part One explores a wide variety of theoretical perspectives including the controversial issue of theoretical dichotomy (civic versus ethnic nationalism) and attempts to overcome it. Part Two introduces three types of nationalism: as ideology, social movement and attitude, allowing for a systematic treatment of sub-state and central state nationalism. The final Part looks at European nationalism in practice, offering new empirical findings from both in-depth single country cases and cross-country comparisons. Key Features *The only textbook on the nation and nationalism which covers the main methodological and analytical issues and gives comparative empirical insights into nationalism in Western and Eastern Europe *Combines a clear exposition of contemporary theoretical positions and perspectives with the authors' own appraisal and synthesis *Presents a critical assessment of the breadth of the literature in the field *Regards nationalism as a contemporary rather than just a historical phenomenon *Challenges the concepts and theories regarding the nation and nationalism with a growing body of relevant empirical research *Includes empirical findings of contemporary nationalist tendencies for instance from Britain, Bulgaria, Denmark, Germany, Italy, Latvia, Poland, and Sweden.

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Is reality TV a coherent genre? This book addresses this question by examining the characteristics, contexts and breadth of reality TV through a history of its programming trends. Paying attention to stylistic connections as well as key concepts, this study breaks reality television down into three main 'generations': the camcorder generation, the competition generation and the celebrity generation. Beginning with a consideration of the applicability of the term 'genre' for this televisual hybrid, the book takes a transnational approach to investigating the forms and formats of reality TV framed by relevant popular and critical discourses. Key Questions * What formal characteristics broadly define reality TV? * Can reality TV be considered a genre when it relies so heavily on mixing together elements of establishes television genres, film practices and even industries unrelated to television, such as pop music and modelling? * How can the genealogy of reality TV programming trends help us to understand the cultural discourses and concepts with which reality TV is associated. e.g. surveillance, performance, voyeurism, celebrity and even reality itself?

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This is the first collection of essays bringing together Deleuzian philosophy and postcolonial theory. Bignall and Patton assemble some of the world's leading figures in these fields - including Reda Bensmaia, Timothy Bewes, Rey Chow, Philip Leonard, Nick Nesbitt, John K. Noyes, Patricia Pisters, Marcelo Svirsky and Simon Tormey - to explore rich linkages between two previously unrelated areas of study. They deal with colonial and postcolonial social, cultural and political issues in Asia, Africa, the Americas, Australia and Palestine. Topics include colonial government, nation building and ethics in the contemporary context of globalisation and decolonisation; issues relating to resistance, transformation and agency; and questions of 'representation' and discursive power as practiced through postcolonial art, cinema and literature. This book constitutes a timely intervention to debates in poststructuralist, postcolonial and postmodern studies. It will be of interest to students in cultural studies, cinema and film studies, languages and literature, political and postcolonial studies, critical theory, social and political philosophy.

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This title charts the birth and development of Italian neorealism. Surveying the major creative contributions to and critical receptions of this trend in Italian postwar cinema, the book begins by tracing the roots of neorealist film and drawing parallels to neorealist fiction. It then explores the ways in which neorealist cinema positioned itself in relation to the processes of postwar reconstruction, and what relations it may be said to have established with non-cinematic practices in the redefinition of national identity. It discusses the impact neorealism has had on 1960s avant-garde cinema and on contemporary directors. It re-considers critical discourses that have emerged over the past few decades. It accounts for the revolutionary nature of neorealist film as its key practitioners conceived it.

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Despite the fact that time, evolution, becoming and genealogy are central concepts in Deleuze's work there has been no sustained study of his philosophy in relation to the question of history. This book aims to open up Deleuze's relevance to those working in history, the history of ideas, science studies, evolutionary psychology, history of philosophy and interdisciplinary projects inflected by historical problems. The essays in this volume (all by internationally recognised Deleuze scholars) cover all aspects of Deleuze's philosophy and its relation to history, ranging from the application of Deleuze's philosophy to historical method, Deleuze's own use of the history of philosophy, his interpretations of other historical thinkers (such as Hume and Nietzsche) and the complex theories of time and evolution in his work. Contributors include: Paul Patton, Manuel DeLanda, John Protevi, Ian Buchanan, Tim Flanagan, James Williams, Eve Bischoff, Jay Lampert.

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Derrida and Lacan: Another Writing argues that Jacques Derrida's philosophical understanding of language should be supplemented by Jacques Lacan's psychoanalytic approach to the symbolic order. Lacan adopts a non-philosophical, genetic or developmental approach to the question of language and in doing so isolates a dimension that Derrida cannot properly envisage: the imaginary. Michael Lewis argues that the real must be understood not just in relation to the symbolic but also in relation to the imaginary. The existence of an alternative approach to the real that is other than language allows us to identify the idiosyncrasies of Derrida's purely transcendental approach, an approach that addresses language in terms of its conditions of possibility. Lacan shows us that an attention to the genesis of the symbolic order of language and culture should lead us to understand this real other in a different way. This book relates transcendental thought to the insights of non-philosophical thought, and, more specifically, it proposes a way in which philosophy might relate to the insights of the human and natural sciences. By critically juxtaposing Derrida and Lacan, Derrida and Lacan: Another Writing attempts to systematise Slavoj ae'iae'ek's presentation of a Lacanian alternative to Derridean deconstruction. This work should be of interest to all readers in continental thought and transcendental philosophy, deconstruction, psychoanalysis, and literary studies.

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Praise for the first edition: 'An excellent book that tries to come to grips with the ever-increasing role of sport in the media as a particular phenomenon of 20th-century popular culture.' European Journal of Communication (2000) 'Excellent, well written and informative! of interest and use to a wider constituency.' Times Higher Education Supplement (May 2000) The fully revised and updated version of this classic text examines the link between three key obsessions of the 21st century: the media, sport and popular culture. Gathering new material from around the 2007 Rugby World Cup, the Beijing Olympics and the rise of new sports stars such as boxing's Amir Khan and cycling's Victoria Pendleton, the authors explore a wide range of sports, as well as issues including nationalism, gender, race, political economy and the changing patterns of media sport consumption. For those interested in media and sport the second edition combines new and original material with an overview of the developing field of media sport, and examines the way in which the media has increasingly come to dominate how sport is played, organized and thought about in society. It traces the historical evolution of the relationship between sport and the media and examines the complex business relationships that have grown up around television, sponsors and sport. Covers the following topics: the history of media in sport; television, sport and sponsorship; why sport matters to television; sports stars; sports journalism; fans and the audience; sport in the digital media economy.

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Throughout her career, Elizabeth Bowen, the Anglo-Irish novelist and short story writer, also wrote literary essays that display a shrewd, generous intelligence. Always sensitive to underlying tensions, she evokes the particular climate of countries and places in "Hungary," "Prague and the Crisis," and "Bowen's Court." In "Britain in Autumn," she records the strained atmosphere of the blitz as no other writer does. Immediately after the war, she reported on the International Peace Conference in Paris in a series of essays that are startling in their evocation of tense diplomacy among international delegates scrabbling to define the boundaries of Europe and the stakes of the Cold War. The aftershock of war registers poignantly in "Opening Up the House": owners evacuated during the war return to their houses empty since 1939. Other essays in this volume, especially those on James Joyce, Jane Austen, and the technique of writing, offer indispensable mid-century evaluations of the state of literature. The essays assembled in this volume were published in British, Irish, and American periodicals during Bowen's lifetime. She herself did not gather them into any collection. Some of these essays exist only as typescript drafts and are published here for the first time. Bowen's observations on age, toys, disappointment, charm, and manners place her among the very best literary essayists of the modernist period.

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The Edinburgh Critical History of Philosophy is a seven-volume reference work on the history of philosophy. This volume begins with the rise of German Idealism and Romanticism, traces the developments of naturalism, positivism, and materialism and of later-century attempts to combine idealist and naturalist modes of thought. Written by a team of leading international scholars this crucial period of philosophy is examined from the novel perspective of themes and lines of thought which cut across authors, disciplines, and national boundaries. This fresh approach will open up new ways for specialists as well as students to conceptualise the history of 19th-century thought within philosophy, politics, religious studies and literature.

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Pascual de Gayangos (1809-97) celebrated Spanish Orientalist and polymath, is recognised as the father of the modern school of Arabic studies in Spain. He gave Islamic Spain its own voice, for the first time representing Spain's 'other' from 'within' not from without. This collection, the first major study of Gayangos, celebrates the 200th anniversary of his birth. Covering a wide range of subjects, it reflects the multiple fields in which Gayangos was involved: scholarship on the culture of Islamic and Christian Spain; history, literature, art; conservation and preservation of national heritage; formation of archives and collections; education; tourism; diplomacy and politics. Amalgamating and understanding Gayangos's multiple identities, it reinstates his importance for cultural life in nineteenth-century Spain, Britain and North America. It is also argued that Gayangos's scholarly achievements and his influence have a political dimension. His work must be seen in relation to the quest for a national identity which marked the nineteenth century: what was the significance of Spain's Islamic past, and the Imperial Golden Age to the culture of modern Spain? The chapters, informed by post-colonial theory, reception theory and theories of national identity, uncover some of the complexities of the process that shaped Spain's national identity. In the course of this book, Gayangos is shown to be a figure with many facets and several intellectual lives: Arabist, historian, liberal, researcher, editor, numismatist, traveller, translator, diplomat, perhaps a spy, a generous collaborator and one of Spain's greatest bibliophiles.

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This volume brings together the best of T. C. Smout's recent articles and contributions to books and journals on the topic of environmental history and offers them as a collection of 'explorations'. The author's interests are multi-faceted and, though often focussed on post-1600 Scotland, by no means restricted to that area.

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Descartes' Meditations is one of the first texts that a philosophy student will study, and one that many come back to time and again. Rather than simply telling the reader what to think, Meditations invites us to take a philosophical journey. This book prepares readers for that journey, helping them to engage with each of the meditations and suggesting ways through the more difficult passages. This guide also offers students a fresh approach by bringing to life the path of self-discovery encapsulated in the work, while maintaining the emphasis on metaphysics. By focusing on what the text itself has to say, rather than what has been said about it by others, it will help readers at all levels to discover - or rediscover - why Descartes' Meditations is one of the cornerstones of philosophy.

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This innovative book proposes the expansion of the existing idea of an interwar Scottish Renaissance movement to include its international significance as a Scottish literary modernism interacting with the intellectual and artistic ideas of European modernism as well as responding to the challenges of the Scottish cultural and political context. Topics range from the revitalisation of the Scots vernacular as an avant-garde literary language in the 1920s and the interaction of literature and politics in the 1930s to the fictional re-imagining of the Highlands, the response of women writers to a changing modern world and the manifestations of a late modernism in the 1940s and 1950s. Writers featured include Hugh MacDiarmid, Lewis Grassic Gibbon, Neil M. Gunn, Edwin and Willa Muir, Catherine Carswell, Sydney Goodsir Smith and Sorley MacLean. Key Features *The first study of a Scottish modernism extending in its impact to the 1950s and drawing on influences from British and European modernism *Original perspectives on the literature of the period through discussion of a range of writers and writing genres *Detailed consideration of the work of women writers in the context of modernism and in their response to social change *A contribution to the expansion of the idea of modernism in its focus both on the modernist artist's role in social and national renewal and on writing from the peripheries of small town, rural and island cultures in contrast to metropolitan culture

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This is the second published volume describing the flora of the Arabian Peninsula and the Socotran archipelago. Examining all the native flowering plants and ferns (3500--4000 species), as well as major crop and amenity plants of economic importance, the Flora covers Saudi Arabia, Yemen, Oman, the United Arab Emirates, Qatar, Bahrain and Kuwait. Volume 5, Part 1 is devoted to the grasses and includes accounts of approximately 470 species arranged in 20 tribes, accompanied by notes on ecology and distribution. In addition, there are 65 illustrations and keys to aid identification throughout the text, followed by distribution maps of each species.

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The Bush aboon Traquair, like Allan Ramsay's The Gentle Shepherd, is a pastoral drama with songs, and in this play Hogg celebrates the life of the people of his native community in Ettrick Forest. At times earthy and at times hilarious, The Bush focuses on rural courtship, and it derives part of its energy from its presentation of a contrast between the old ways and an emerging (but not always admirable) modernity. Here, as elsewhere in Hogg's writings, the shepherds and ewe-milkers of Ettrick Forest operate in a pastoral world that is noticeably realistic and convincing. They pursue their love adventures as ardently as if they were inhabitants of the more literary pastoral world of the Forest of Arden, but as they do so they also have to cope with some very unpoetical and very troublesome sheep. It appears that The Bush was first drafted around 1813, but the first publication of Hogg's play came when a bowdlerised version was included in his posthumous Tales and Sketches (1837). Douglas Mack's edition includes the first-ever publication of the unbowdlerised version of The Bush aboon Traquair. Written on the occasion of George IV's famous royal visit to Edinburgh in 1822, The Royal Jubilee is another pastoral drama with songs. In this 'Scottish Mask', Hogg brings a group of representative Scottish spirits to a 'romantic dell' on Arthur's Seat. The spirits (including an Ossianic Highlander who has suffered dispossession, and the ghost of an old Covenanter) give expression to past Scottish grievances against royalty, while indicating their hope that the King's visit will bring renewal and a fresh start. This potentially ambiguous expression of loyalty is further complicated by various Jacobite references and echoes as the spirits prepare to welcome a Hanoverian king, returning to the ancient kingdom of his Stuart ancestors.

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Introduces students to a wide range of modernist writers and critical debates in modernism studies. Discussing canonical modernist writers such as James Joyce and T. S. Eliot alongside less familiar writers such as Mina Loy and Djuna Barnes, the guide takes students through a wide-ranging modernist literary landscape. It considers how the publishing networks and collaborative projects which connected writers in the period were central to the creation of English-language modernism. It also introduces students to recent critical debates in modernism studies, with separate chapters on modernism and the writing of geography and exile, the relationship between modernism, obscenity and literary censorship, and modernism and mass culture - with a particular focus on the modernist interest in film - and modernism and politics. The book also considers the changing meaning of the word modernism through twentieth and twenty-first century criticism. Key Features: *Introduces a wide range of modernist writers, including familiar authors such as T. S. Eliot, James Joyce, Ezra Pound and Wyndham Lewis and less canonical figures such as H.D., Mina Loy, Djuna Barnes and Laura Riding *Modernism is presented as an extensive literary landscape, something that has featured significantly in recent critical discussions of modernism *Introduces students to modernist techniques and to recent debates *Shows how English-language modernism emerged, and connects this to recent debates about modernist publishing and networks Key Words: Modernism, Modernist Literature, Publishing, Obscenity, Censorship, Mass Culture, Politics

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We both love and hate our journalists. They are perceived as sexy and glamorous on the one hand, despicable and sleazy on the other. Opinion polls regularly indicate that we experience a kind of cultural schizophrenia in our relationship to journalists and the news media: sometimes they are viewed as heroes, at other times villains. From Watergate to the fabrication scandals of the 2000s, journalists have risen and fallen in public esteem. In this book, leading journalism studies scholar Brian McNair explores how journalists have been represented through the prism of one of our key cultural forms, cinema. Drawing on the history of cinema since the 1930s, and with a focus on the period 1997-2008, McNair explores how journalists have been portrayed in film, and what these images tell us about the role of the journalist in liberal democratic societies. Separate chapters are devoted to the subject of female journalists in film, foreign correspondents, investigative reporters and other categories of news maker who have featured regularly in cinema. The book also discusses the representation of public relations professionals in film. Illustrated throughout and written in an accessible and lively style suitable for academic and lay readers alike, Journalists in Film will be essential reading for students and teachers of journalism, and for all those concerned about the role of the journalist in contemporary society, not least journalists themselves. An appendix contains mini-essays on every film about journalism released in the cinema between 1997 and 2008.

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We both love and hate our journalists. They are perceived as sexy and glamorous on the one hand, despicable and sleazy on the other. Opinion polls regularly indicate that we experience a kind of cultural schizophrenia in our relationship to journalists and the news media: sometimes they are viewed as heroes, at other times villains. From Watergate to the fabrication scandals of the 2000s, journalists have risen and fallen in public esteem. In this book, leading journalism studies scholar Brian McNair explores how journalists have been represented through the prism of one of our key cultural forms, cinema. Drawing on the history of cinema since the 1930s, and with a focus on the period 1997-2008, McNair explores how journalists have been portrayed in film, and what these images tell us about the role of the journalist in liberal democratic societies. Separate chapters are devoted to the subject of female journalists in film, foreign correspondents, investigative reporters and other categories of news maker who have featured regularly in cinema. The book also discusses the representation of public relations professionals in film. Illustrated throughout and written in an accessible and lively style suitable for academic and lay readers alike, Journalists in Film will be essential reading for students and teachers of journalism, and for all those concerned about the role of the journalist in contemporary society, not least journalists themselves. An appendix contains mini-essays on every film about journalism released in the cinema between 1997 and 2008.

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This book offers a broad look at the sex lives and sexual beliefs of ancient Athenians 479-323 BCE. Within each of the five chapters James Robson focuses on a key area of the sexual life of the Athenians - Marriage, Same-Sex Relationships, Prostitution, Rape and Adultery, and Sex Appeal, Fantasy and Taboo - providing an overview of each topic and an introduction to the scholarly debates that still rage about how the ancient evidence should be interpreted. Access to sources provided in the form of translated extracts from literary works and images from vase painting allows the student to directly engage in these debates. Sex and Sexuality in Classical Athens also addresses a whole range of issues key to our broader understanding of classical Greek culture, such as the power dynamics of sexual desire and sexual acts and the position of women in society. Students will be encouraged to scrutinize the debates and documents and form opinions concerning the ways in which ancient Athenians perceived and experienced their sexual world. It provides a concise and lively introduction to this field of study. It explores major areas of debate. It reflects trends in scholarship. It encourages students to be active cultural historians through the interrogation of primary sources. It includes suggestions for further reading, essay questions, a glossary of technical terms and useful website resources.

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Modern Arab Journalism offers a new outlook in studying Arab news media. It approaches its subject from an innovative angle, asking a series of key questions: * How is Arab journalism different from or similar to journalism in other countries? * What defines the tasks of journalists? * Who has access to this field? * How is power distributed inside the field of Arab journalism? * When were the media programs launched at Arab universities and what characterizes them? Although the field of Arab journalism has received tremendous attention from the public as well as journalistic circles around the world in recent times, this book presents the first detailed exploration of the area, opening up a new research agenda and challenging the concepts taken for granted in Arab media scholarship. Key Features: * Includes discussion of neglected issues such as globalisation and Arab media * Reviews Arab scholars' work in the area * Presents a challenging discussion about the role of Arab media in the public sphere * Offers a detailed case study of the reporting of the Iraq War in 2003

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This exciting collection of work introduces a major shift in debates on sexuality: a shift away from discourse, identity and signification, to a radical new conception of bodily materialism. Moving away from the established path known as queer theory, it suggests an alternative to Butler's matter/representation binary. It thus dares to ask how to think sexuality and sex outside the discursive and linguistic context that has come to dominate contemporary research in social sciences and humanities. Deleuze and Queer Theory is a provocative and often militant collection that explores a diverse range of themes including: the revisiting of the term 'queer'; a rethinking of the sex-gender distinction as being implied in Queer Theory; an exploration of queer temporalities; the non/re-reading of the homosexual body/desire and the becoming-queer of the Deleuze/Guattari philosophy. It will be essential reading for anyone interested not just in Deleuze's and Guattari's philosophy, but also in the fields of sexuality, gender and feminist theory.

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Modern Arab Journalism offers a new outlook in studying Arab news media. It approaches its subject from an innovative angle, asking a series of key questions: * How is Arab journalism different from or similar to journalism in other countries? * What defines the tasks of journalists? * Who has access to this field? * How is power distributed inside the field of Arab journalism? * When were the media programs launched at Arab universities and what characterizes them? Although the field of Arab journalism has received tremendous attention from the public as well as journalistic circles around the world in recent times, this book presents the first detailed exploration of the area, opening up a new research agenda and challenging the concepts taken for granted in Arab media scholarship. Key Features: * Includes discussion of neglected issues such as globalisation and Arab media * Reviews Arab scholars' work in the area * Presents a challenging discussion about the role of Arab media in the public sphere * Offers a detailed case study of the reporting of the Iraq War in 2003

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This book examines the relevance of nonviolent tactics to current debates about political action and political thought. Nonviolent political action has played a significant role in achieving social and political change in the last century. Mahatma Gandhi and Martin Luther King were prominent proponents of nonviolence. Nonviolent political action or civil resistance has also been central to toppling communist regimes in Eastern Europe and to pro-democracy popular movements in Serbia, Georgia and the Ukraine. By scrutinising the theories behind nonviolence, such as the role of the state, the rule of law and the nature of social and political power, Atack establishes nonviolence as a credible theme within Western political thought.

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Now available in paperback, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture within a theoretical framework that makes use of history, psychoanalysis and anthropology. Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency. Features * Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England * The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre

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REVIEW FROM PREVIOUS EDITION: 'A slim and useful student textbook for English Syntax. Although most of the examples are from English, the book introduces general concepts which provide the necessary tools for a basic syntactic analysis of any language. The book concentrates on topics that will remain useful to the student who does not go on to study linguistics but, say, literature or EFL teaching.' - The Year's Work in English Studies In this revised and fully updated new edition of his popular textbook, Jim Miller discusses the central concepts of syntax which are applied in a wide range of university courses, in business communication, in teaching and in speech therapy. The book deals with concepts which are central to traditional grammar but have been greatly refined over the past forty years: parts of speech and how to recognise them, constructions and their interrelationships, subordinate clauses and how to recognise the different types, subjects and objects, Agents and Patients and other roles. The book draws out the connections between syntax and meaning and between syntax and discourse; in particular, a new chapter focuses on the analysis of discourse and the final chapter deals with tense, aspect and voice, topics which are central to the construction of texts and are of major importance in second language learning. They are also areas where meaning and grammar interconnect very closely. Key features: *Coverage of central themes with a wide application outside the study of syntax *Explains basic concepts, supported by a glossary of technical terms *Exercises and sources for further reading provided.

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In a world where our lives are increasingly mediated by technologies it is surprising that more attention is not paid to the work of Gilles Deleuze. This is especially strange given Deleuze's often explicit focus and reliance on the machine and the technological. This volume offers readers a collective and determined effort to explore not only the usefulness of key ideas of Deleuze in thinking about our new digital and biotechnological future but, also aims to take seriously a style of thinking that negotiates between philosophy, science and art. This exciting collection of essays will be of relevance not only to scholars and students interested in the work of Deleuze but, also, to those interested in coming to terms with what might seem an increasing dominance of technology in day to day living. Contributors to this volume include: William Bogard, Abigail Bray, Ian Buchanan, Verena Conley, Ian Cook, Tauel Harper, Timothy Murray, Saul Newman, Luciana Parisi, Patricia Pisters, Mark Poster, Horst Ruthrof, David Savat, Bent Meier Sorensen and Eugene Thacker.

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'Challenging and accessible, this book opens up new political questions as it describes the new ways in which life has become more comprehensively securitised.' Professor Michael Dillon, Politics and International Relations, Lancaster University The contemporary political imagination and social landscape are saturated by the idea of security and thoughts of insecurity. This saturation has been accompanied by the emergence of a minor industry generating ideas about how to define and redefine security, how to defend and improve it, how to widen and deepen it, how to civilise and democratise it. In this book Mark Neocleous takes an entirely different approach and offers the first fully fledged critique of security. Challenging the common assumption that treats security as an unquestionable good, Neocleous explores the ways in which security has been deployed towards a vision of social order in which state power and liberal subjectivity have been inscribed into human experience. Treating security as a political technology of liberal order-building, engaging with the work of a wide range of thinkers, and ranging provocatively across a range of subject areas - security studies and international political economy; history, law and political theory; international relations and historical sociology - Neocleous explores the ways in which individuals, classes and the state have been shaped and ordered according to a logic of security. In so doing, he uncovers the violence which underlies the politics of security, the ideological circuit between security and emergency powers, and the security fetishism dominating modern politics. Key features: * Makes original use of diverse historical materials concerning the question of security * Provides a distinctive account of theoretical debates about security within the tradition of social and political theory * Gives a genuinely inter-disciplinary account of security, moving between political thought, history, sociology, and law * Is the first fully-fledged critique of security.

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This guide combines detailed literary history with discussion of contemporary debates about Scottishness. The book considers the rise of Scottish Studies, the development of a national literature, and issues of cultural nationalism. Beginning in the medieval period during a time of nation building, the book goes on to focus on the 'Scots revival' of the eighteenth and nineteenth centuries before moving on to discuss the literary renaissance of the twentieth century. Debates concerning Celticism and Gaelic take place alongside discussion of key Scottish writers such as William Dunbar, Robert Burns, Walter Scott, Thomas Carlyle, Margaret Oliphant, Hugh MacDiarmid, Alasdair Gray, Janice Galloway and Liz Lochhead. The book also considers emigre writers to Scotland; Scottish literature in relation to England, the United States and Ireland; and postcolonialism and other theories that shed fresh light on the current status and future of Scottish literature. Key Features *Identifies the main trends in the emergence and development of Scottish literature, situating them in historical and cultural context *Discusses long-running debates about Scottish language and national identity through detailed readings of authors and texts *Introduces students to a variety of comparative and theoretical approaches which further develop an understanding of Scottish literature *Encourages reflection on questions of Scottish nationalism, cultural politics, canonicity and the rise of Scottish Studies

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Theory is valuable to the degree that it enables us to read differently: a nuanced approach shows that the most obvious interpretation is never the whole story. In these essays, brought together here for the first time, world-renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction, together with his moment in history. Teasing out the meanings of the narrative poems, as well as some of the more familiar plays, Shakespeare in Theory and Practice demonstrates the possibilities of an attention to textuality that also draws on the archive. A reading of the Sonnets, written specially for this book, analyses their intricate and ambivalent inscription of desire. Belsey has been intimately involved with poststructuralism as it has emerged and developed in the English-speaking world. While the earliest essays published here are strongly influenced by Roland Barthes and Louis Althusser, both writers acknowledged a debt to the psychoanalytic account of representation as always unstable, designed at once to reveal and to repress, and Belsey's later work has come to owe more to Lacanian psychoanalysis, in addition to Derridean deconstruction.Between them, these essays trace the progress of theory in the course of three decades, while a new introduction offers a narrative and analytical overview, from a participant's perspective, of some of its key implications. Written with verve and conviction, this book shows how texts can be seen to offer access to the dissonances of the past when theory finds an outcome in practice. Key Features *A very special critic writing on the central figure of English literature *Provides an exemplary demonstration of poststructuralist theory at work *Pays particular attention to desire as a theme and as a component of interpretation *Provides close readings of the texts combining the historical and theoretical

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The philosophy of Gilles Deleuze is increasingly gaining the prestige that its astonishing inventiveness calls for in the Anglo-American theoretical context. His wide-ranging works on the history of philosophy, cinema, painting, literature and politics are being taken up and put to work across disciplinary divides and in interesting and surprising ways. However, the backbone of Deleuze's philosophy - the many and varied sources from which he draws the material for his conceptual innovation - has until now remained relatively obscure and unexplored. This book takes as its goal the examination of this rich theoretical background. Presenting essays by a range of the world's foremost Deleuze scholars, and a number of up and coming theorists of his work, the book is composed of in-depth analyses of the key figures in Deleuze's lineage whose significance - as a result of either their obscurity or the complexity of their place in the Deleuzean text - has not previously been well understood. This work will prove indispensable to students and scholars seeking to understand the context from which Deleuze's ideas emerge. Included are essays on Deleuze's relationship to figures as varied as Marx, Simondon, Wronski, Hegel, Hume, Maimon, Ruyer, Kant, Heidegger, Husserl, Reimann, Leibniz, Bergson and Freud.

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'It will be a grand book for thae Englishers for they winna understand a word of it' Hogg's boast to William Blackwood Witty, humorous and comical as the title implies, the eccentric nature of many of the poems collected here nevertheless belies the often serious and moral issues contained within. Newly available in paperback, and including many of Hogg's better known longer pieces, the present volume is based on the first edition of A Queer Book to be published since 1832 - though the similarity between the two editions ends with the running order. While the text for the original edition was substantially reworked by the publisher to smooth out Hogg's use of Scots, this volume brings together manuscripts from all over the world to provide material as near to his final copy as possible. The result is a vibrant collection including many poems which have never been studied critically before. A thorough introduction to the best of Hogg's poetry.

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Deleuze was intensely aware of the need for philosophy to take an active part in shaping and critiquing the world. Philosophy, as Deleuze saw it, engages in politics by inventing new concepts and using them as weapons against opinion, the ultimate barrier to thought. He did not specify a particular political program, nor espouse a particular political dogma. Politics for Deleuze was always a matter of experiment and invention in the search for the revolutionary path that would finally deliver us from the baleful enchantments of capitalism. Deleuze and Politics brings together some of the most important Deleuze scholars in the field today to explore and explain Deleuze's political philosophy. The essays in this volume focus on three key issues: *The ontology of Deleuze's political philosophy *The philosophical debate between Deleuze and contemporary critical theory *The application of Deleuze's political philosophy to real-world events Deleuze and Politics will be of interest to cultural studies, philosophy and politics students. Contributors include: Ian Buchanan, Claire Colebrook, Manuel DeLanda, Isabelle Garo, Eugene W. Holland, Ralf Krause, Gregg Lambert, Philippe Mengue, Paul Patton, Jason Read, Marc Rolli, Nicholas Thoburn and Janell Watson

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How can one negotiate and integrate the claims of feminism and multiculturalism through a discourse of rights? This is a timely question: the apparent opposition between feminist and multicultural justice is a central problem in contemporary political theory. It also responds to a deep suspicion about invoking a political discourse that is accused of being either eurocentric, androcentric or both. In this book Monica Mookherjee draws on Iris Young's idea of 'gender as seriality' in order to reconfigure feminism in a way that responds to cultural diversity. She contends that a discourse of rights can be formulated and that this task is crucial to negotiating a balance between women's interests and multicultural claims. The argument is worked through in the context of a set of difficult dilemmas in modern liberal democracies: *the resurgence of the feminist controversy over the Hindu practice of widow-immolation (sati) *gender-discriminatory Muslim divorce laws in the famous Shah Bano controversy in India *forced marriage in South Asian communities in the UK *the rights of evangelical Christian parents to exempt their children from secular education *the recent controversy about the rights of Muslim girls to wear the hijab in state schools in France This valuable and innovative perspective on an important contemporary issue aims to stimulate debate about a set of important concepts central to discourses of feminism and multiculturalism in contemporary political philosophy, including human rights and capabilities, toleration, citizenship practices, cultural rights, the ethic of care, communitarianism and the politics of recognition.

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How do we understand Christmas? What does it mean? This book is a lively introduction to the study of popular culture through one central case study. It explores the cultural, social and historical contexts of Christmas in the UK, USA and Australia, covering such topics as fiction, film, television, art, newspapers and magazines, war, popular music and carols. Chapters explore the ways in which the production of meaning is mediated by the social and cultural activities surrounding Christmas (watching Christmas films, television, listening or engaging with popular music and carols), its relationship to a set of basic values (the idealised construct of the family), social relationships (community), and the ways in which ideological discourses are used and mobilised, not least in times of conflict, terrorism and war. Packed with examples ranging from Charles Dickens' seminal text, A Christmas Carol, Coca-colonisation and Santa Claus, Victorian cartoons and Christmas cards, to Dr Who, The Office, 'A Fairy Tale of New York', 'Happy Christmas (War is Over)', and such dystopian films as Jingle All the Way and All I Want For Christmas, the case studies offer an incisive account of the ways in which Christmas relates to social change, and how such recent events as 9/11 and the continuing conflict in Iraq focus attention on traditional themes of community and family. Christmas, Ideology and Popular Culture offers students and scholars alike an opportunity to explore the hidden agendas of the world's most popular festival and what it means to the outsider looking in.

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This book brings together academics, writers and politicians to explore the range and nature of the media in Scotland. The book includes chapters on the separate histories of the press, broadcasting and cinema, on the representation and construction of Scotland, the contemporary communications environment, and the languages used in the media. Other chapters consider television drama, soap opera, broadcast comedy, gender, the media and politics, race and ethnicity, gender, popular music, sport and new technology, the place of Gaelic, and current issues in screen fiction. The book offers a comprehensive picture of the media in Scotland and is the first to do so. It raises a number of important questions about how Scotland presents itself at home and abroad as well as analyzing questions of politics, economics and governance. Among the contributors are David Bruce, Myra Macdonald, Brian McNair, Hugh O'Donnell, Mike Russell, Philip Schlesinger and Brian Wilson.

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An eighth-century scholar and linguist born in Persia, S

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This book is an important contribution to the current lively debate about the relationship between law and society in the Roman world. This debate, which was initiated by the work of John Crook in the 1960's, has had a profound impact upon the study of law and history and has created sharply divided opinions on the extent to which law may be said to be a product of the society that created it. This work is a modest attempt to provide a balanced assessment of the various points of view. The chapters within this book have been specifically arranged to represent the debate. It contains an introductory chapter by Alan Watson, whose views on the relationship between law and society have caused some controversy. In the remaining chapters a distinguished international group of scholars address this debate by focusing on studies of law and empire, codes and codification, death and economics, commerce and procedure. This book does not purport to provide a complete survey of Roman private law in light of Roman society. Its primary aim is to address specific areas of the law with a view to contributing to the larger debate.

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Jean Baudrillard was perhaps the most controversial of all social and cultural theorists. He has been variously vilified as a 'postmodernist', an 'overrated French theorist' and one of the 'intellectual imposters'. In his seventies he survived global fame and a name check in The Matrix; he also contracted cancer. His comments on 9/11, Abu Ghraib and Europe's suburban riots have been eagerly sought and digested. However, his translated publications since his first book in 1968 have left a trail of confusion and misinterpretation. Jean Baudrillard is a notorious figure but few have read many examples of his entire oeuvre. There is now though a chance to read Baudrillard's texts in an overall historical, social and political context and for a cool re-assessment to be made of his life and work, after his death. This book is a central part of that project. It concentrates on what Baudrillard has written over five decades and the order in which he wrote it. The Reader comprises extracts of Baudrillard's writings from the sixties to the noughties, with an editorial introduction and a concluding reading guide. Key Features *Arranged chronologically in order of first publication in French, the Reader illustrates the development and interconnectedness of Baudrillard's work since the 1960s. *Each section has an extract of one of Jean Baudrillard's writings translated into English, prefaced by a short bibliographical introduction setting the scene. *The Reader will be of interest to students and staff in a range of university courses across the globe and to those general readers interested in public intellectuals, media events and contemporary theory.

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This book represents the first comprehensive overview of the US-Iraqi relationship since 1979 and the first attempt to place the 2003 American invasion and subsequent occupation of Iraq in that wider historical context. Using a modified version of World Systems Theory, the book places American policy toward Iraq at the centre of a number of dynamics, including America's dominant role in managing the world capitalist system, the fundamental importance of Persian Gulf oil to that system, and long-term change in the American political system. It argues that American policy towards Iraq since 1979 has been shaped above all by the importance of Persian Gulf oil to the world economy and the consequent need to restore America's position as regional hegemon and guarantor of the global oil supply, which had been destabilized by the Iranian revolution. It also emphasizes the role of American domestic politics and above all the 'conservative ascendancy' which brought George W. Bush to the presidency, as a critical factor in explaining the 2003 invasion of Iraq. Key Features *Provides a comprehensive analysis of US-Iraqi relations from 1979 *Demonstrates that the second Iraq War is a result of a longer historical process and not just the product of 9/11 and the War on Terror *Deepens understanding of the underlying factors of US policy towards the Persian Gulf, and its oil *Uses World Systems Theory to analyse US foreign policy

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The American Short Story since 1950 offers a reappraisal and contextualisation of a critically underrated genre during a particularly rich period in its history. It offers new readings of important stories by key writers including Flannery O'Connor, John Cheever, Donald Barthelme, Raymond Carver, Lorrie Moore and Grace Paley. These readings are related throughout to the various contexts in which stories are written and published, including creative writing schools, story-writing handbooks, mass market and 'little' magazines. A long introduction tells the story of the American short story before 1950. The first four chapters are roughly chronological, covering the major trends (such as realism, fabulism and minimalism) in short fiction from the 1950s to 2000. The fifth explores the implications for the short story of its association with creative writing education. The sixth deals with the short story sequence since 1950. A conclusion surveys the state of short fiction today. Key Features *explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Diaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis * draws on previously unpublished interviews with many of these writers *explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops *considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem

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This original study explores a vital aspect of early modern cultural history: the way that warfare is represented in the theatre of Shakespeare and his contemporaries. The book contrasts the Tudor and Stuart prose that called for the establishment of a standing army in the name of nation, discipline and subjectivity, and the drama of the period that invited critique of this imperative. Barker examines contemporary dramatic texts both for their radical position on war and, in the case of the later drama, for their subversive commentary on an emerging idealisation of Shakespeare and his work. The book argues that the early modern period saw the establishment of political, social and theological attitudes to war that were to become accepted as natural in succeeding centuries. Barker's reading of the drama of the period reveals the discontinuities in this project as a way of commenting on the use of the past within modern warfare. The book is also a survey and analysis of literary theory over the last twenty-five years in relation to the issue of early modern war - and develops an argument about the study of literature and war in general. Features * Interdisciplinary approach addressing the early-modern period as one of particular importance in the history of warfare * Examines the way that the period helped shape modern attitudes to war * Sets Shakespeare in the context of those dramatists who preceded him, as well as his contemporaries and successors * Surveys the work of the past and considers the future of criticism in relation to warfare

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The Spanish Civil War (1936-1939) was reported by some of the most eminent journalists of the twentieth century and was the subject of reportage that still endures in public memory. However, these represent just a small fraction of the total news coverage of the war, raising the possibility that they provide a partial, even atypical, view of the international media's engagement with, and performance in, the conflict. This book provides the most extensive and detailed analysis of the reporting of the conflict ever undertaken, examining the personalities, routines, pressures and structures that shaped news coverage of the war in Britain as it unfolded. The book combines a comprehensive overview of the existing literature on the role of the news media in the conflict, with a vast amount of new evidence, gleaned from the author's detailed investigations in a range of official and media archives. Highlights include: *Analysis of the strategies used by Republican and Nationalist forces to control and manage international press opinion *Examination of journalists' personal experiences in Spain, and how these affected their political opinions and professional values *Scrutiny of the pressures exerted by the British government on news correspondents, editors and proprietors as it sought to convince domestic and international opinion of the validity of its policy of international non-intervention in the war *A systematic analysis of actual news coverage of the conflict, examining the extent to which media evaluations and interpretations of the conflict altered as events unfolded. Written in a highly accessible manner, this book will appeal to a wide readership, including students and academics working in the fields of politics, history and cultural, communication and media studies, as well as any other readers interested in the history and legacy of the Spanish Civil War.

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This volume contains the full texts of 175 acts issued under the seal of King Alexander III, together with notes on a further 155 'lost acts' that survive only in notices. These acts, many of which have never been published before, have been collected from a variety of archives in Scotland, England, Belgium and France. The Introduction examines the administrative contexts of the later thirteenth century in which the royal chancery drafted and authenticated charters, brieves and other written instruments, and the varied sources from which the collection is compiled. The texts include full Latin transcriptions and detailed English-language summaries of the contents of each act, together with a series of notes and comments on context and significance. By drawing together both original archive sources and widely scattered published sources, the volume offers a unique opportunity to understand how Scottish government and administration operated in the key period before the reign of Robert Bruce. The Regesta Regum Scottorum series has already made available in print a definitive edition of the written acts of several of the medieval kings of Scotland. It remains the standard reference for Scottish, British and European scholars interested in the history of royal chanceries, the evolution of medieval royal government and the growth of literate modes of expression in the Middle Ages.

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Everything you need to know about Heidegger's Being and Time in one volume. Being and Time is one of the most important publications in phenomenology of the twentieth century which has had a direct influence on not only many different philosophers, but also artists, writers and film makers. This book appeals to first-time readers of Heidegger and is free of technical jargon. Readers will be taken through Being and Time section by section, meaning it can be read alongside the main text.

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Everything you need to know about Derrida's Of Grammatology in one volume. Jacques Derrida was one of the most famous philosophers of the later twentieth century and Of Grammatology is his best known text. This book will provide the first commentary on Of Grammatology which can be read alongside of -- rather instead of -- the text itself, by students encountering Derrida for the first time.

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