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This book provides the first systematic overview of German sociology today. Thirty-four chapters review current trends, relate them to international discussions and discuss perspectives for future research. The contributions span the whole range of sociological research topics, from social inequality to the sociology of body and space, addressing pressing questions in sociological theory and innovative research methods. TOC: Introduction Culture / Uta Karstein and Monika Wohlrab-Sahr Demography and Aging / François Höpflinger Economic Sociology / Andrea Maurer Education and Socialization / Matthias Grundmann Environment / Anita Engels Europe / Monika Eigmüller Family and Intimate Relationships / Dirk Konietzka, Michael Feldhaus, Michaela Kreyenfeld, and Heike Trappe (Felt) Body. Sports, Medicine, and Media / Robert Gugutzer and Claudia Peter Gender / Paula-Irene Villa and Sabine Hark Globalization and Transnationalization / Anja Weiß Global South / Eva Gerharz and Gilberto Rescher History of Sociology / Stephan Moebius Life Course / Johannes Huinink and Betina Hollstein Media and Communication / Andreas Hepp Microsociology / Rainer Schützeichel Migration / Ludger Pries Mixed-Methods and Multimethod Research / Felix Knappertsbusch, Bettina Langfeldt, and Udo Kelle Organization / Raimund Hasse Political Sociology / Jörn Lamla Qualitative Methods / Betina Hollstein and Nils C. Kumkar Quantitative Methods / Alice Barth and Jörg Blasius Religion / Matthias Koenig Science and Higher Education / Anna Kosmützky and Georg Krücken Social Inequalities―Empirical Focus / Gunnar Otte, Mara Boehle, and Katharina Kunißen Social Inequalities―Theoretical Focus / Thomas Schwinn Social Movements / Thomas Kern Social Networks / Roger Häußling Social Policy / Birgit Pfau-Effinger and Christopher Grages Social Problems / Günter Albrecht Social Theory / Wolfgang Ludwig Schneider Society / Uwe Schimank Space. Urban, Rural, Territorial / Martina Löw Technology and Innovation / Werner Rammert Work and Labor / Brigitte Aulenbacher and Johanna Grubner List of Contributors Index

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"The book provides a fresh take on the difference between the lived experience inside Ferrari and the perception from outside, combining intense scrutiny and global fan adulation." — Motorsport.com “The photographs in the book, reproduced with startling clarity while still maintaining a period-correct palette, are a joy to study, demonstrating with profound evidence the progression of the drivers, cars, and competition—as well as the photographers' techniques—through the decades” - Car and Driver "The book’s rich visual history and detailed descriptions make it a must-have for any Ferrari enthusiast... ." — Global Village Space "Beautiful photography is a great way to focus on Ferrari racing, from early Grand Prix to present-day Formula 1." — Car and Driver "A must-have book for the Ferrari fan." — Antique & Collectors Trader "...simply oozes the Ferrari mystique from every page. Even though I've loved Ferrari for decades, reading this book was like falling in love with Ferrari all over again for the very first time. Yes, no question, it's a must-have Ferrari book." — Prancing Horse Magazine Ferrari is the beating heart of the global sporting phenomenon that is Formula 1. Its founder, Enzo Ferrari, was born on the racetrack as a competition driver before he became a creator of mythical road cars. No other team can inspire the passion or match the stories of triumph and tragedy. Rainer Schlegelmilch and Ercole Colombo are two of Formula 1’s most legendary photographers. They covered the sport from the 1960s onwards, with amazing access inside the Scuderia. Here, for the first time, they come together to pay tribute to Formula 1’s most iconic team. Ferrari: From Inside and Outside features contributions from iconic figures including Piero Ferrari, Luca di Montezemolo, Stefano Domenicali, Jean Todt and legendary designer Mauro Forghieri. The book is edited by internationally celebrated Formula 1 commentator and Michael Schumacher’s biographer, James Allen.

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In den 1960er Jahren sicherte die DDR-Regierung ihre Macht einerseits durch die Militarisierung der Gesellschaft und andererseits durch die Einschüchterung Andersdenkender. Maßnahmen wie der Mauerbau 1961 und die Einführung der Wehrpflicht 1962 führten zum Widerstandsverhalten christlicher Individuen und Gruppen aufgrund ihrer friedensethischen Überzeugungen. Der vorliegende Band widmet sich der Frage, wie sich in den 1960er Jahren die Benachteiligung von Christen in der DDR gestaltete und welche Formen von Widerstand zu beobachten sind. Versammelt sind hier 17 Beiträge, die anlässlich der Jenaer Tagung "Diskriminierung von Christen in den 1960er Jahren der DDR" vom 27. bis 29. September 2021 von Expertinnen und Experten verschiedener Disziplinen verfasst wurden. Der Fokus richtet sich zunächst auf die Militarisierung der Gesellschaft aus religionssoziologischer, militärtheoretischer, kirchenpolitischer und bildungspraktischer Perspektive. Danach werden Formen des christlichen Widerstandes untersucht, die das DDR-Regime zu staatlichen Gegenmaßnahmen provozierten. Anschließend werden spezifische Arten von Diskriminierung christlicher Individuen und Gruppen analysiert und kategorisiert. Schließlich erfolgt eine konfessionelle Ausdifferenzierung der Thematik, in der Diskriminierungen speziell von Zeugen Jehovas, Mennoniten, Katholiken und Protestanten in den Blick genommen werden. Abgerundet wird der Sammelband durch ein Interview mit Rainer Eppelmann, der als Pfarrer, Bürgerrechtler, Politiker und ehemaliger Minister für Abrüstung und Verteidigung der letzten DDR-Regierung wirkte.

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In this moving and thoughtful book, Kathleen Woodward explores the politics and poetics of the emotions, focusing on American culture since the 1960s. She argues that we are constrained in terms of gender, race, and age by our culture’s scripts for “emotional” behavior and that the accelerating impoverishment of interiority is a symptom of our increasingly media-saturated culture. She also shows how we can be empowered by stories that express our experience, revealing the value of our emotions as a crucial form of intelligence.Referring discreetly to her own experience, Woodward examines the interpenetration of social structures and subjectivity, considering how psychological emotions are social phenomena, with feminist anger, racial shame, old-age depression, and sympathy for non-human cyborgs (including robots) as key cases in point. She discusses how emerging institutional and discursive structures engender “new” affects that in turn can help us understand our changing world if we are attentive to them—the “statistical panic” produced by the risk society, with its numerical portents of disease and mortality; the rage prompted by impenetrable and bloated bureaucracies; the brutal shame experienced by those caught in the crossfire of the media; and the conservative compassion that is not an emotion at all, only an empty political slogan.The orbit of Statistical Panic is wide, drawing in feminist theory, critical phenomenology, and recent theories of the emotions. But at its heart are stories. As an antidote to the vacuous dramas of media culture, with its mock emotions and scattershot sensations, Woodward turns to the autobiographical narrative. Stories of illness—by Joan Didion, Yvonne Rainer, Paul Monette, and Alice Wexler, among others—receive special attention, with the inexhaustible emotion of grief framing the book as a whole.

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If there was a moment during the sixties, seventies, or eighties that changed the history of the women’s film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, Chick Flicks—with its definitive, the-way-it-was collection of essays—captures the birth and growth of feminist film as no other book has done.For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice, Elle, Out, and the Advocate, and her commentaries on the public radio program “The World” have secured her a place as a central figure in the remarkable history of what she deems “cinefeminism.” In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women’s involvement in cinema but of one of its key players as well. The first book-length work from Rich—whose stature and influence in the world of film criticism and theory continue to grow—Chick Flicks exposes unexplored routes and forgotten byways of a past that’s recent enough to be remembered and far away enough to be memorable.

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A handsomely designed overview of Chan’s acclaimed Badlands imprint and his latest sculptural series exploring the metaphor of the “breather” This volume surveys Paul Chan’s publications and works made between 2010 and 2022 following his return to artmaking. The exhibition takes as its organizing principle the notion of the “breather,” a word that can signify a moment of rest or pause but can also reference a purposeful redirection toward other activities. Chan’s turn to publishing through the founding of his independent press Badlands Unlimited represented a type of “breather.” Badlands for Chan embodied a radical break that seeded new ideas and ways of working. The term is also what Chan titles a recent major body of work. Breathers is an ongoing series of pneumatic sculptures and installations that he considers a new genre of moving-image works. Tacitly and overtly, the metaphor of the “breather” underscores each of the works in the Walker Art Center exhibition, which, with the artist’s input, is conceived in four sections. The exhibition catalog includes scholarly contributions by Chan; Pavel Pys, Curator of Visual Arts at the Walker Art Center; and Vic Brooks, Senior Curator of Time-based Visual Art at Experimental Media and Performing Arts Center Rensselaer Polytechnic Institute (EMPAC). Paul Chan (born 1973) is an artist, writer and publisher who lives in New York. Chan is the winner of the Hugo Boss Prize in 2014, a biennial award honoring artists who have made visionary contributions to contemporary art. Chan founded the independent press Badlands Unlimited in 2010. Badlands has published over 50 books, including the works of Yvonne Rainer, Calvin Tomkins, Lynne Tillman, Hans Ulrich Obrist, Carroll Dunham, Claudia La Rocco, Dread Scott, Martine Syms, Craig Owens, Petra Cortright, Cauleen Smith, Ian Cheng, Rachel Rose, Aruna D’Souza and many others.

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The world's oldest work of literature, the Epic of Gilgamesh recounts the adventures of the semimythical Sumerian king of Uruk and his ultimately futile quest for immortality after the death of his friend and companion, Enkidu, a wildman sent by the gods. Gilgamesh was deified by the Sumerians around 2500 BCE, and his tale as we know it today was codified in cuneiform tablets around 1750 BCE and continued to influence ancient cultures—whether in specific incidents like a world-consuming flood or in its quest structure—into Roman times. The epic was, however, largely forgotten, until the cuneiform tablets were rediscovered in 1872 in the British Museum's collection of recently unearthed Mesopotamian artifacts. In the decades that followed its translation into modern languages, the Epic of Gilgamesh has become a point of reference throughout Western culture. In Gilgamesh among Us, Theodore Ziolkowski explores the surprising legacy of the poem and its hero, as well as the epic's continuing influence in modern letters and arts. This influence extends from Carl Gustav Jung and Rainer Maria Rilke's early embrace of the epic's significance—"Gilgamesh is tremendous!" Rilke wrote to his publisher's wife after reading it—to its appropriation since World War II in contexts as disparate as operas and paintings, the poetry of Charles Olson and Louis Zukofsky, novels by John Gardner and Philip Roth, and episodes of Star Trek: The Next Generation and Xena: Warrior Princess. Ziolkowski sees fascination with Gilgamesh as a reflection of eternal spiritual values—love, friendship, courage, and the fear and acceptance of death. Noted writers, musicians, and artists from Sweden to Spain, from the United States to Australia, have adapted the story in ways that meet the social and artistic trends of the times. The spirit of this capacious hero has absorbed the losses felt in the immediate postwar period and been infused with the excitement and optimism of movements for gay rights, feminism, and environmental consciousness. Gilgamesh is at once a seismograph of shifts in Western history and culture and a testament to the verities and values of the ancient epic.

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New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity. Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.

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Roger Ebert wrote the foreword to this collection of 35 in-depth interviews with the world's leading filmmakers and critics, from Fonda to Fassbinder, from Canby to Costa-Gavras, from Sarris to Sayles. Cineaste, America's leading magazine on the art and politics of the cinema, has become known for its in-depth interviews with filmmakers and film critics of international stature. The best of these interviews are now collected in this volume. The interviews: Constantin Costa-Gavras, Glauber Rocha, Miguel Littin, Bernardo Bertolucci, Ousmane Sembene, Elio Petri, Dusan Makavejev; Gillo Pontecorvo; Alain Tanner, Jane Fonda, Francesco Rosi, Lina Wertmuller, Roberto Rossellini, Tomas Gutierrez Alea, Gordon Parks, Rainer Werner Fassbinder, John Howard Lawson, Paul Schrader, Agnes Varda, Bertrand Tavernier, Andrew Sarris, Bruce Gilbert, Jorge Semprun, Vincent Canby, John Berger, Andrzej Wajda, John Sayles, Krzysztof Zanussi, Molly Haskell, Budd Schulberg, Satyajit Ray. The unique value of these interviews will be the comments by the filmmakers on the crucial artistic and political decisions confronted in the making of their films, many of which have become classics of their kind. The filmmakers and critics talk about their own development, films which influenced their work, and the continuing controversies and alternative approaches in filmmaking. They take on their critics and their own previous positions with a clarity and forcefulness to be expected from some of the leading practitioners of their art. The interviews are introduced with a foreword by Roger Ebert, television commentator and critic for the Chicago Sun-Times. Mr. Ebert discusses the relation of art and politics and some of the common perspectives which unite filmmakers of different cultures and of diverse artistic and political temperaments. Among the subjects of these wide-ranging talks are: the choice between popular and experimental forms of narrative; the filmmaker's responsibility to society; blacks and women in the movies; the rise of third world filmmaking; Hollywood's left and progressives; the conditions of filmmaking in different societies; the challenges of independent production; different forms of censorship, from the U.S. to Poland; trends in criticism and auteur theory to feminism; the power of the reviewer.

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This unique troika of Handbooks provide indispensable coverage of the history of economic analysis. Edited by two of the foremost academics in the field, they gather together insightful and original contributions from scholars across the world. The encyclopaedic breadth and scope of the original entries will make these Handbooks an invaluable source of knowledge for all serious students and scholars of the history of economic thought.Each Handbook can be read individually and acts as a self-contained volume in its own right. They can be purchased separately or as part of a three-volume set.Volume III contains entries on the development of major fields in economics from the inception of systematic analysis until modern times. The reader is provided with succinct summary accounts of the main problems, the methods used and the results obtained across time. The emphasis is on both the continuity and major changes that have occurred in the economic analysis of problematic issues such as economic growth, income distribution, employment, inflation, business cycles and financial instability.Contributors: M. Assous, A. Baccini, Jr., A. Baujard, É. Bertrand, M. Boumans, J.L. Cardoso, M. Dal Pont-Legrand, J. De Boyer Des Roches, M. De Vroey, S. Di Rizzello, S. Diatkine, K. Dopfer, A.K. Dutt, R. Ege, G. Erreygers, D. Foley, R. Gómez Betancourt, D. Haas, H. Hagemann, E. Hosoda, H. Igersheim, A. Kirman, J. Kleinert, H. Kliemt, H.D. Kurz, R. Leonard, P. Malgrange, A. Maneschi, P. Mehrling, S. Mohun, M. Mosca, S. Noto, A. Opocher, N. Palan, F. Petri, A. Rainer, S. Rizzello, J.B. Rosser, M. Salles, N. Salvadori, M. Schütz, R. Signorino, A. Spada, P. Steiner, A. Stirati, R. Strohmaier, R. Sturn, C. Sunna, J.-F. Thisse, P. Tubaro, K. Watarai

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The sheer intensity and violence of Germany’s twentieth century—through the end of an empire, two world wars, two democracies, and two dictatorships—provide a unique opportunity to assess the power and endurance of commercial imagery in the most extreme circumstances. Selling Modernity places advertising and advertisements in this tumultuous historical setting, exploring such themes as the relationship between advertising and propaganda in Nazi Germany, the influence of the United States on German advertising, the use of advertising to promote mass consumption in West Germany, and the ideological uses and eventual prohibition of advertising in East Germany.While the essays are informed by the burgeoning literature on consumer society, Selling Modernity focuses on the actors who had the greatest stake in successful merchandising: company managers, advertising executives, copywriters, graphic artists, market researchers, and salespeople, all of whom helped shape the depiction of a company’s products, reputation, and visions of modern life. The contributors consider topics ranging from critiques of capitalism triggered by the growth of advertising in the 1890s to the racial politics of Coca-Cola’s marketing strategies during the Nazi era, and from the post-1945 career of an erotica entrepreneur to a federal anti-drug campaign in West Germany. Whether analyzing the growing fascination with racialized discourse reflected in early-twentieth-century professional advertising journals or the postwar efforts of Lufthansa to lure holiday and business travelers back to a country associated with mass murder, the contributors reveal advertising’s central role in debates about German culture, business, politics, and society.Contributors. Shelley Baranowski, Greg Castillo, Victoria de Grazia, Guillaume de Syon, Holm Friebe, Rainer Gries, Elizabeth Heineman, Michael Imort, Anne Kaminsky, Kevin Repp , Corey Ross, Jeff Schutts, Robert P. Stephens, Pamela E. Swett, S. Jonathan Wiesen, Jonathan R. Zatlin

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15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés,Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean

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The book traces Malevich's development from his beginnings in Ukraine and early years in Moscow - where he was closely involved in the Futurist circle - through to the late 1920s and beyond. The authors convincingly demonstrate that it is only through a close and sustained reading of Malevich's late - and still widely misunderstood - painterly oeuvre that his extraordinarily inventive stance can truly be comprehended.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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On the night of November 9, 1989, an electrified world watched as the Berlin Wall came down. Communism was dead, the Cold War was over, and freedom was on the rise—or so it seemed. We Were the People tells the story behind this momentous event. In an extraordinary series of interviews, the key actors in the drama that transformed East Germany speak for themselves, describing what they did, what happened and why, and what it has meant to them. The result is a powerful firsthand account of a rare historical moment, one that reverberates far beyond the toppled wall that once divided Germany and the world.The drama We Were the People recreates is remarkable for its richness and complexity. Here are citizens organizing despite threats of bloody crackdowns; party functionaries desperately trying to survive as time-honored political prerogatives crumble beneath their feet; an oppressed people discovering the possibilities of power and freedom, but also the sobering strangeness of new political realities. With their success, East Germans encountered the overpowering might of thie Western neighbor--and stand perplexed before the onslaught of real estate agents, glossy consumer ads, political professionalism--and the discovery that a lifetime of social experience has suddenly lost all usable context. They became, in the words of one participant, a people "without biography."Over all the recent events and unlikely turns recounted here, one thing remains paramount: the sweep of the initial democratic conception that animated the East German revolution. We Were the People brings this movement to life in all its drama and detail, and vividly recovers a historic moment that altered forever the shape of modern Europe.Some Voices of the PeopleBärbel Bohley/ "Mother of the Revolution"Rainer Eppelmann/ Protestant PastorKlaus Kaden/ Church Emissary to the OppositionHans Modrow/ Former Communist Prime MinisterLudwig Mehlhorn/ Opposition TheoristIngrid Köppe/ Opposition Representative Frank Eigenfeld/ New ForumHarald Wagner/ Democracy NowSebastian Pflugbeil/ Democratic StrategistEast German WorkersCornelia Matzke/ Independent Women's AllianceAndré Brie/ Party Vice-ChairmanGerhard Ruden/ Environmental ActivistWerner Bramke/ Party Academic

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Presents a diverse perspective of successful, inspirational and progressive women in science and engineering Women of today from 29 countries provide overviews of their successful careers, the challenges they faced, and offer advice. They have lived in the same era, and perhaps also the same environment as you. Successful Women Ceramic and Glass Scientists and Engineers: 100 Inspirational Profiles features women born in the 1920’s to 1970’s. Reflecting a diversity of backgrounds and different sectors of the workforce, their profiles include: ̶- Affiliation, points of contact, accomplishments (most-cited publication, most prestigious recognitions/awards, etc.), personal insight on her best career moment ̶ Brief biography, highlights of her successes, images from her career ̶ Personal commentary on her own career and pointers for younger scientists building careers This book provides novelty, inspiration, motivation and a bright perspective for the next generation of scientists and engineers seeking exciting and fulfilling careers. This book will be invaluable to mentors/professors, students and prospective students in science and engineering, scholars of gender studies, and scientific and engineering societies and organizations.“Lynnette Madsen has done a great service in writing this book, not just for women, but for society at large, because in the twenty-first century, we can no longer underutilize or ignore that half of the best."̶ Rita Colwell, Director, United States National Science Foundation 1998-2004, Distinguished University Professor, University of Maryland, College Park, and Johns Hopkins Bloomberg School of Public Health "The book shows that opportunities in science exist in many countries around the world. Reading about the ways that took those women to their current positions is an exciting adventure." ̶ Yury Gogotsi, Professor, Drexel University "In addition to chronicling careers of great scientists, this book presents an array of career paths to young women and men -- a must read." ̶ Dr. Rainer Waser, Professor, Aachen University, Germany “It is inspiring to see that the successful women highlighted in this work are approaching life with courage and joy; they are changing paradigms and serving as voices for young girls. They are passionate about making a difference and breaking barriers; they are classy and fabulous." ̶ Dr. Olivia Graeve, Professor, University of California, San Diego

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What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century Passion plays. However, the author’s intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book’s textual basis is truly European—including works from Germany, France, England, and Spain—and goes beyond “literary” texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program—a systematically informed, structured analysis sensitive to the historical context—identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ’s death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book’s major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Fundamentals of Building Construction Materials and Methods Second Edition Edward Allen This remarkably complete introduction to the art of building sets the materials and building systems in an historical context. This unique evolutionary approach to building construction includes a description of how materials are obtained and processed, an outline of the people and organizations who work with each material, their tools and working methods, and the role of one building system in relation to others. Chapters include a listing of key terms and concepts useful in enlarging a technical vocabulary, review questions that underscore key concepts, and exercises that apply lessons to real-life situations. 1990 (0 471-50911-6) 803 pp. Understanding Infrastructure A Guide for Architects and Planners George Rainer This landmark reference--written for concerned professionals--describes the basic mechanisms essential to city function. Each element of infrastructure is discussed--from water supply, sewers and storm drainage, solid and hazardous wastes, energy, telecommunication, streets, bridges, to water-front infrastructure, rail/transit and aviation, buses, and parks--and set in a context familiar to the design professional. Includes an extensive discussion of standard and innovative solutions as well as relevant environmental, legal, and economic considerations. 1990 (0 471-50546-3) 278 pp. Construction Specifications Writing Principles and Procedures Third Edition Harold J. Rosen and Tom Heineman The classic guide to the principles and practice of specifications writing has been fully updated to reflect the latest AIA and CSI standards, the newest computer applications to spec writing, and the linkage of key databases to specifications. Retaining the format of its successful predecessors, this Third Edition outlines the basic principles, concepts and uses of specifications, showing how they relate to contract documents developed by the architect and engineer. Specific guidelines include methods for establishing the scope and general requirements of the project specification, evaluating and specifying building materials, and writing specifications that conform to industry standards in style and format. 1990 (0 471-61892-6) 286 pp.

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Text in English & German. When at the end of the 1960s Michael Nether set out for Berlin, that city held enormous attraction for young intellectuals and artists, just as it had done in the Roaring Twenties. There were demonstrations and happenings, there was Kommune 1 with Rainer Langhans and Uschi Obermeier, and everywhere people held endless discussions that continued throughout the night. Scandalous theatrical performances and legendary concerts with musicians such as Bob Dylan, Mick Jagger, Leonard Cohen and George Moustaki gave expression to a new sensibility. And then there was Klaus Kinski, in his unforgettable performance of Jesus Christ and other one-man shows. Nether photographed what he saw face to face -- 'on stage' -- including stars of international cinema like Claudia Cardinale, Roman Polanski, Peter Ustinov or Pier Paolo Pasolini. One of his first photos was the scene of a 1969 student demonstration at the Berlin Gedächtniskirche. Crowds of people throng the streets observed by countless curious passersby, and the police are there with their vans. The composition of the picture can hardly have happened by chance. Cars and the façades of buildings are points of reference past which people wind like a huge serpent. At the centre top of the picture there is a bright light. The photo sums up the atmosphere of departure and the state of mind of an entire generation. Here Nether demonstrates that he is an articulate documentary photographer. Towards the end of the 1970s, Nether returned to his home region of Swabia. Here he went into business with a partner, worked for advertising agencies -- for instance, taking photographs for Porsche in the company's research and development centre in Weissach -- but he also gradually made a name for himself as a photographic artist, with his own gallery in Bietigheim-Bissingen; particularly noteworthy were his pictures of prominent celebrities such as Wolf Biermann, Martin Walser, Woody Allen or Helmut Newton, as well as numerous photos of performances by the Stuttgart Ballet, but also of "street people". He succeeds in subtly communicating with the latter in these photos and making this dialogue visible. Today his main interest focuses on photographing portraits and nudes. In 2009 the International Center of Photography in New York purchased 100 photographs by Nether.

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What is a constructivist teacher and what do they do? This collection of essays will answer these questions as well as suggest specific ways to become or rejuvenate oneself using this approach. Constructivist teachers 'walk the talk' along seven dimensions: learning and development; authority and facilitation; action and reflection; autonomy and community; process and content; power and empowerment; critical thinking and multiple perspectives. While these behaviors may at first appear to be opposites, the key is achieving balance among them. Essays are organized around these themes and the conclusions support interdisciplinary content, reflection, and life-long learning.

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This unique troika of Handbooks provides indispensable coverage of the history of economic analysis. Edited by two of the foremost academics in the field, the volumes gather together insightful and original contributions from scholars across the world. The encyclopaedic breadth and scope of the original entries will make these Handbooks an invaluable source of knowledge for all serious students and scholars of the history of economic thought.Each Handbook can be read individually and acts as a self-contained volume in its own right. It can be purchased separately or as part of a three-volume set.Volume I contains original biographical profiles of many of the most important and influential economists. These inform the reader about their lives, works and impact on the further development of the discipline. The emphasis is on their lasting contributions to our understanding of the complex system known as the economy. The entries also shed light on the means and ways in which the functioning of this system can be improved and its dysfunction reduced.Contributors include: T. Asada, T. Aspromourgos, M. Assous, V. Avtonomov, R. Baranzini, A. Baujard, A. Béraud, É. Bertrand, O. Bjerkholt, P. Boettke, D. Bögenhold, A. Brewer, G. Campagnolo, V. Caspari, V. Chick J. Creedy, F. Dal Degan, M. Dal Pont-Legrande, M. Dardi, J. de Boyer des Roches, D. Diatkine, V. Di Giovinazzo, R.W. Dimand, R. Dujmovits, I. Eliseeva, R.B. Emmett, N. Eyguesier, G. Faccarello, O. Favereau, A. Fossati, W. Gaertner, C. Gehrke, A. Giuliani, J. Glaeser, M. Gödl, R. Gómez Betancourt, H. Gram, M.E.L. Guidi, D. Haas, H. Hagemann, G.C. Harcourt, M.J. Holler, H. Janssen, J. Jespersen, J. Joachim Zweynert, P. Kalmbach, Y.-F. Kao, J.E. King, A. Kirman, H. Klausinger, M. Knell, S. Kolev, H.D. Kurz, B.J. Loasby, N. Makasheva, C. Martin, M. McLure, A. Molavi Vasséi, A.E. Murphy, L. Nellinger, S. Oliver, A. Opocher, A. Orain, T. Raffaelli, A. Rainer, G. Rubin, M. Rutherford, M. Salles, N. Salvadori,B. Schefold, M. Schneider, C.P. Schröder, M.H. Schütz, U. Schwalbe, R. Signorino, N. Skaggs, P. Spahn, P. Steiner, R. Sturn, H.-M. Trautwein, K. Tribe, R. Van den Berg, V. Vanberg, K. Velupillai, R. Venkatachalam, C.C. von Weizsäcker, L.R. Wray, K. Yahia

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This unique troika of Handbooks provides indispensable coverage of the history of economic analysis. Edited by two of the foremost academics in the field, the volumes gather together insightful and original contributions from scholars across the world. The encyclopaedic breadth and scope of the original entries will make these Handbooks an invaluable source of knowledge for all serious students and scholars of the history of economic thought.Each Handbook can be read individually and acts as a self-contained volume in its own right. It can be purchased separately or as part of a three-volume set.Volume I contains original biographical profiles of many of the most important and influential economists. These inform the reader about their lives, works and impact on the further development of the discipline. The emphasis is on their lasting contributions to our understanding of the complex system known as the economy. The entries also shed light on the means and ways in which the functioning of this system can be improved and its dysfunction reduced.Contributors include: T. Asada, T. Aspromourgos, M. Assous, V. Avtonomov, R. Baranzini, A. Baujard, A. Béraud, É. Bertrand, O. Bjerkholt, P. Boettke, D. Bögenhold, A. Brewer, G. Campagnolo, V. Caspari, V. Chick J. Creedy, F. Dal Degan, M. Dal Pont-Legrande, M. Dardi, J. de Boyer des Roches, D. Diatkine, V. Di Giovinazzo, R.W. Dimand, R. Dujmovits, I. Eliseeva, R.B. Emmett, N. Eyguesier, G. Faccarello, O. Favereau, A. Fossati, W. Gaertner, C. Gehrke, A. Giuliani, J. Glaeser, M. Gödl, R. Gómez Betancourt, H. Gram, M.E.L. Guidi, D. Haas, H. Hagemann, G.C. Harcourt, M.J. Holler, H. Janssen, J. Jespersen, J. Joachim Zweynert, P. Kalmbach, Y.-F. Kao, J.E. King, A. Kirman, H. Klausinger, M. Knell, S. Kolev, H.D. Kurz, B.J. Loasby, N. Makasheva, C. Martin, M. McLure, A. Molavi Vasséi, A.E. Murphy, L. Nellinger, S. Oliver, A. Opocher, A. Orain, T. Raffaelli, A. Rainer, G. Rubin, M. Rutherford, M. Salles, N. Salvadori,B. Schefold, M. Schneider, C.P. Schröder, M.H. Schütz, U. Schwalbe, R. Signorino, N. Skaggs, P. Spahn, P. Steiner, R. Sturn, H.-M. Trautwein, K. Tribe, R. Van den Berg, V. Vanberg, K. Velupillai, R. Venkatachalam, C.C. von Weizsäcker, L.R. Wray, K. Yahia

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May 1992. In Russia, Boris Yeltsin is showing millions of communists the spectre of capitalism. Yugoslavia is disintegrating. United Germany is uncertain about their next move, and communism is collapsing all around. And in a corner of old Calcutta, Herbert Sarkar, sole proprietor of a company that delivers messages from the dead, decides to give up the ghost. Decides to give up his aunt and uncle, his friends and foes, his fondness for kites, his aching heart that broke for Buki, his top terrace from where he stared up at the sky, his Ulster overcoat with buttons like big black medals, his notebook full of poems, his Park Street every evening when the sun goes down, his memory of a Russian girl running across the great black earth as the soldiers lift their guns and get ready to fire, his fairy who beat her wings against his window and filled his room with blue light . . .Now in a new translation, Herbert, the beloved cult favourite by Nabarun Bhattacharya, and winner of the 1997 Sahitya Akademi Award, is a ‘scathingly satiric, wildly energetic, and yet depply tender’ portrayal of a doomed young man and a city struggling to resist forces that, alas, prove to be entirely beyond their control.Praise for Herbert‘This first U.S. publication brings off a remarkable resurrection, one that erupts full-blooded, alive with laughter, stink and rage.’— John Domini, Washington Post‘Swift and strange, [Herbert] tells the story of its titular character, an orphan whose life is characterized by loss and longing: a sweeping view of the richness and the turmoil of Bengali culture, literature, and politics in the twentieth century.’— New Yorker‘[Sunandini] Banerjee’s acrobatic translation is both enormously fun and true to the radical content. The writing disrupts the hegemony of the English language from the inside by celebrating the multilingualism possible within it.’— Asymptote‘Nimble and vivid, Bhattacharya’s slippery narrative slithers forward and sideways through time: an acute, idiosyncratic reading experience.’ — Publishers Weekly‘What is needed [now] is a kind of novel that attends to how society is being organized by certain vested interests; a novel that goes to the heart—rather, goes for the jugular—of the economic system itself. [Herbert] is prophetic of this tradition to come.’— Ratik Asokan, 4Columns‘[Herbert] reads like Rainer Maria Rilke’s Notebooks of Malte Laurids Brigge set in Calcutta. Featuring a young man with an open channel to the dead who drinks and grieves to excess, it is a mosaic of manic and immersive episodes. It is a spinning drunken stumble through a city that feels menacingly sensual.’— Nate McNamara, LitHub

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Comprehensive Biomarker Discovery and Validation for Clinical Application provides the reader with an extensive introduction into all aspects of proteomics biomarker discovery, validation and development. It discusses the current status of science and technology, its limitations, bottlenecks as well as future development trends to improve the success rate of translating biomarker discovery into useful clinical tests. The most important feature of the book is to provide an overview of current technologies and the challenges encountered during biomarker discovery and validation, such as patient selection, sample handling, data processing, statistical analysis and registration and approval of validated biomarkers through European and US regulatory authorities. The authors introduce the reader to each of these topics in significant detail and provide examples or guidelines for best practice. There are prominent chapters included on biomarkers in translational and personalised medicine; an introduction to regulatory affairs and bring biomarkers to the market; biomarker discovery and the use of mass spectrometry based profiling platforms; MALDI imaging techniques in tissue-based biomarkers discovery and a clinical application study on the use of diagnostic assays for early diagnosis of heart failure using various proteomic methods. The book concludes with a final chapter on future trends in biomarker discovery and validation. The book targets a readership of industrial and academic researchers that are involved in biomarker discovery and validation or that manage biobanks, develop sample preparation methods, analytical profiling systems and bioinformatics tools. Common pitfalls and success stories in biomarker discovery are highlighted and guidelines for best practice are provided for the different parts of the procedure. The book will be an essential information resource for scientists working in the field.

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The German poet Theodor Fontane once wrote: “A good aphorism contains the wisdom of an entire book in one sentence.” The Art of a Successful Life goes a step further, collating a myriad of quotes all of which offer insights to inspire you to think about yourself, your life and your goals, and to give you the confidence and strength to cope with difficult situations. In this book, you will find quotes from a range of thinkers: from the physicist Stephen Hawking to the artist Michelangelo, and from entrepreneurs such as Henry Ford, Steve Jobs and Warren Buffett to Confucius, Cicero, Schopenhauer and Goethe. In bringing them together, the author provides an original and practical guide to everyday life. This, alongside the 20-week success programme featured in the book, will provide you with the inspiration and strength to successfully navigate a variety of situations in all areas of your life.

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Creativity is highly valued and admired as a characteristic of outstanding people. It is believed that creative individuals, because of their talent, playfully produce new and extraordinary things, that they are kissed by the muses or driven by mysterious forces. However, modern science has knowledge that sheds light on the secret of creativity. The author describes the essential elements of creativity in a generally understandable way: talent, knowledge, motivation, personality traits and environmental conditions. Then the five phases of the creative process are presented: preparation, incubation, illumination, realization and verification. From the analysis of creative personalities and processes, consequences are drawn for their promotion in school, work, science, culture, economy and politics. A sound understanding of creativity helps to discover and promote creative potential in the areas mentioned. In today's world with its diverse challenges, however, not only extraordinary, but also everyday creativity is of great practical importance. Paying attention to creative aspects in education, training, partnership, sexuality and personal development leads to a meaningful lifestyle.

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Based on their own experiences of in-depth case studies of software projects in international corporations, in this book the authors present detailed practical guidelines on the preparation, conduct, design and reporting of case studies of software engineering. This is the first software engineering specific book on the case study research method.

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Where did that raindrop come from? And where is it going next? A raindrop's journey is filled with thrills, spills and chills. Pack your bags, and get ready to follow it on its incredible journey!

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Raindrops are falling outside, but there’s still a world of colour to experience! Delightful rhymes and brilliant illustrations detail how a gloomy, rainy day might not actually be so gloomy after all when you get to spend time with Mum, Brown Bear, and the colours around you. And when a “beaming rainbow, bold and bright” cuts through the sky, everyone gets to experience the joy of all the colours that can only come after the rain.

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"This is how it all began..." From 'A Necklace of Raindrops' to 'The Patchwork Quilt', here are eight classic stories to treasure and enjoy. Beginning and ending with a birthday, this spell-binding collection conjures up a world filled with magic, where wishes can come true. A necklace of raindrops that keeps its owner dry in the heaviest rainstorm; a tiger that runs faster than the wind; a huge floating apple pie with a piece of sky in it; a baker's cat who swells to the size of a whale when his mistress feeds him yeast; a house that stands on one leg - these are just some of the objects and characters that figure in these delightful stories.

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Where did that raindrop come from? And where is it going next? A raindrop's journey is filled with thrills, spills and chills. Pack your bags, and get ready to follow it on its incredible journey!

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Fadeke Kokumo Rocks' poetry is alive with love, passion, humour, wisdom and brutal honesty. It is sharply observed, potent and insightful capturing beautifully the sixth dimension of the creative eye. It has a rich diversity of time and content which embraces the globe and its conflicts, domestic and urban. You can hear the monsoon rains of Africa, taste the mangoes of India, touch the compassion and spirit of the child and feel the pain of burning flesh as race riots rage in Scotland. What would happen if a raindrop took acid? What are the identifying characteristics of a "gaggle" in their natural environment? And have you noticed that there are no black babies on "New Baby" cards?

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A new translation of Rilke's great work with close readings of each of the ten elegies elucidating how their poetic attributes constitute their meaning. Rilke continues to be the most read and discussed German poet of the modern period. The Duino Elegies, together with the Sonnets to Orpheus, remain his greatest achievement. The themes of the ten elegies - and the conceptual world unique to Rilke from which they emerge - can best be understood through their poetic form: their imagery and neologistic formations, their angular syntax, their abrupt changes of tone and linguistic register, their use of multiple personae and speaking voices, and the often-ironic self-presentation of the author. Commentators, however, have often treated these features as mere formal devices that we can somehow see through to get to what really matters, that is, to what Rilke has to say about the human condition or the meaning of life, to his philosophy or worldview. On the contrary, they are constitutive of meaning in the elegies, and understanding them is crucial to our experience of reading Rilke's work. The purpose of this book is to make such features visible and to explain them to the reader as clearly as possible. This is the first full-length book in English devoted to the elegies in over thirty years. It offers an entirely new translation of each elegy, paired with the original German text, and a close reading of each.

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