Search results for ""author margie"

Domesticity gets a bad rap. We associate it with stasis, bourgeois accumulation, banality, and conservative family values. Yet in Extreme Domesticity, Susan Fraiman reminds us that keeping house is just as likely to involve dislocation, economic insecurity, creative improvisation, and queered notions of family. Her book links terms often seen as antithetical: domestic knowledge coinciding with female masculinity, feminism, and divorce; domestic routines elaborated in the context of Victorian poverty, twentieth-century immigration, and new millennial homelessness. Far from being exclusively middle-class, domestic concerns are shown to be all the more urgent and ongoing when shelter is precarious.Fraiman's reformulation frees domesticity from associations with conformity and sentimentality. Ranging across periods and genres, and diversifying the archive of domestic depictions, Fraiman's readings include novels by Elizabeth Gaskell, Sandra Cisneros, Jamaica Kincaid, Leslie Feinberg, and Lois-Ann Yamanaka; Edith Wharton's classic decorating guide; popular women's magazines; and ethnographic studies of homeless subcultures. Recognizing the labor and know-how needed to produce the space we call "home," Extreme Domesticity vindicates domestic practices and appreciates their centrality to everyday life. At the same time, it remains well aware of domesticity's dark side. Neither a romance of artisanal housewifery nor an apology for conservative notions of home, Extreme Domesticity stresses the heterogeneity of households and probes the multiplicity of domestic meanings.

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Tabloid headlines such as ‘Anti-social Feral Youth,’ ‘Vile Products of Welfare in the UK’ and ‘One in Four Adolescents is a Criminal’ have in recent years obscured understanding of what social justice means for young people and how they experience it. Youth marginality in Britain offers a new perspective by promoting young people’s voices and understanding the agency behind their actions. It explores different forms of social marginalisation within media, culture and society, focusing on how young people experience social discrimination at a personal and collective level. This collection from a wide range of expert contributors showcases contemporary research on multiple youth deprivation of personal isolation, social hardship, gender and ethnic discrimination and social stigma. With a foreword from Robert MacDonald, it explores the intersection of race, gender, class, asylum seeker status and care leavers in Britain, placing them in the broader context of austerity, poverty and inequality to highlight both change and continuity within young people’s social and cultural identities. This timely contribution to debates concerning youth austerity in Britain is suitable for students across youth studies, sociology, education, criminology, youth work and social policy.

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Souvenirs are part of global and local travel and tourism in all corners of the world. This book portrays souvenirs as expressions of culture and as triggers of cultural change. The volume provides critique and theorisation of souvenirs of places, people and experiences in the context of lives lived at the margins of society, politics, tourism flows and urbanisation. Case studies in sustainable tourism illustrate dynamic ways that consumers and suppliers use souvenirs to respond to, resist and (re)interpret global and local influences upon cultures across informal, hybrid and formal economies.

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Essays on the post-modern reception and interpretation of the middle ages. This volume not only defines medievalism's margins, as well as its role in marginalizing other fields, ideas, people, places, and events, but also provides tools and models for exploring those issues and indicates new subjects towhich they might apply. The eight opening essays address the physical marginalizing of medievalism in annotated texts on medieval studies; the marginalism of oneself via medievalism; medievalism's dearth of ecotheory and religious studies; academia's paucity of pop medievalism; and the marginalization of races, ethnicities, genders, sexual orientations, and literary characters in contemporary medievalism. The seven subsequent articles build on this foundation while discussing: the distancing of oneself (and others) during imaginary visits to the Middle Ages; lessons from the margins of Brazilian medievalism; mutual marginalization among factions of Spanish medieval studies; and medievalism in the marginalization of lower socio-economic classes in late-eighteenth- and early nineteenth-century Spain, of modern gamers, of contemporary laborers, and of Alfred Austin, a late-nineteenth- and early twentieth-century poet also known as Alfred the Little. In thus investigating the margins of and marginalization via medievalism, the volume affirms their centrality to the field. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Nadia R. Altschul, Megan Arnott, Jaume Aurell, Juan Gomis Coloma, Elizabeth Emery, Vincent Ferré, Valerie B. Johnson, Alexander L. Kaufman, Erin Felicia Labbie, VickieLarsen, Kevin Moberly, Brent Moberly, Alicia C. Montoya, Serina Patterson, Jeff Rider, Lindsey Simon-Jones, Richard Utz, Helen Young.

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This book highlights a range of individuals and groups in UK society who experience exclusion or marginalisation, including Roma, young carers and people with Autism Spectrum Disorders. It takes a unique practice-based focus, designed to encourage discussion about diversity in society and to debunk myths about 'the others'.

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Looks at the the emergence of new forms of marginality as part of the new map of Europe. The contributors focus on regions, cities, and social groups which at first sight are missing out; the people and places on the edge of dominant economic, political and cultural systems which carry the stigma of marginality.

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“Somewhere in the tangle of the subject’s burden and the subject’s desire is your story.”—Alex Tizon Every human being has an epic story. The late Pulitzer Prize–winning writer Alex Tizon told the epic stories of marginalized people—from lonely immigrants struggling to forge a new American identity to a high school custodian who penned a New Yorker short story. Edited by Tizon’s friend and former colleague Sam Howe Verhovek, Invisible People collects the best of Tizon’s rich, empathetic accounts—including “My Family’s Slave,” the Atlantic magazine cover story about the woman who raised him and his siblings under conditions that amounted to indentured servitude.Mining his Filipino American background, Tizon tells the stories of immigrants from Cambodia and Laos. He gives a fascinating account of the Beltway sniper and insightful profiles of Surfers for Jesus and a man who tracks UFOs. His articles—many originally published in the Seattle Times and the Los Angeles Times—are brimming with enlightening details about people who existed outside the mainstream’s field of vision. In their introductions to Tizon’s pieces, New York Times executive editor Dean Baquet, Atlantic magazine editor in chief Jeffrey Goldberg, Pulitzer Prize winners Kim Murphy and Jacqui Banaszynski, and others salute Tizon’s respect for his subjects and the beauty and brilliance of his writing. Invisible People is a loving tribute to a journalist whose search for his own identity prompted him to chronicle the lives of others.

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“Somewhere in the tangle of the subject’s burden and the subject’s desire is your story.”—Alex Tizon Every human being has an epic story. The late Pulitzer Prize–winning writer Alex Tizon told the epic stories of marginalized people—from lonely immigrants struggling to forge a new American identity to a high school custodian who penned a New Yorker short story. Edited by Tizon’s friend and former colleague Sam Howe Verhovek, Invisible People collects the best of Tizon’s rich, empathetic accounts—including “My Family’s Slave,” the Atlantic magazine cover story about the woman who raised him and his siblings under conditions that amounted to indentured servitude.Mining his Filipino American background, Tizon tells the stories of immigrants from Cambodia and Laos. He gives a fascinating account of the Beltway sniper and insightful profiles of Surfers for Jesus and a man who tracks UFOs. His articles—many originally published in the Seattle Times and the Los Angeles Times—are brimming with enlightening details about people who existed outside the mainstream’s field of vision. In their introductions to Tizon’s pieces, New York Times executive editor Dean Baquet, Atlantic magazine editor in chief Jeffrey Goldberg, Pulitzer Prize winners Kim Murphy and Jacqui Banaszynski, and others salute Tizon’s respect for his subjects and the beauty and brilliance of his writing. Invisible People is a loving tribute to a journalist whose search for his own identity prompted him to chronicle the lives of others.

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This defining and original book explores the history of monopoly power and of its relation to competition, focusing on the innovative contributions of the Italian Marginalists ? Pareto, Pantaleoni, De Viti de Marco and Barone. Manuela Mosca analyses their articulate vision of competition, and the structural and strategic entry barriers considered in their works to enrich existing literature on the history of the sources of market power. The book is not limited to the reconstruction of the elaboration of pure theory, it also highlights its policy implications and how this group applied their theories as cutting-edge experiments in analysing the labour market, socialism, the Great War and gender issues, against the background of the political situation of the period.Monopoly Power and Competition is a vital resource for historians of economic thought, as it explores a relatively untouched area of microeconomics in historical perspective, and reveals the theories surrounding monopoly power and competition. Microeconomists and industrial organisation scholars would similarly benefit from the knowledge of the origins of many microeconomic tools and notions.

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Hellboy, Mike Mignola's famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman's dynamic study explores how comics produce a heightened "adventure of reading" in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader's imagination to inhabit. Drawing upon other media - including children's books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts - Bukatman reveals the mechanics of creating a world on the page. He also demonstrates the pleasurable and multiple complexities of the reader's experience, invoking the riotous colors of comics that elude rationality and control and delving into shared fictional universes and occult detection, the horror genre and the evocation of the sublime, and the place of abstraction in Mignola's art. Monsters populate the world of Hellboy comics, but Bukatman argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans, but it will entice anyone interested in the medium of comics and the art of reading.

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Outsider art is work produced outside the mainstream of modern art by self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals and others beyond the perceived margins of society. Coined in 1972 the term is derived from art brut', which the artist Jean Dubuffet began promoting just after the Second World War. Both focus on the idea of a raw', untaught creativity, which is still a contentious and much-debated issue. Is this a natural phenomenon, requiring only the right circumstances (isolation or alienation) to be revealed; or is it more like a mirage projected by the very culture it is supposed to be escaping from? Behind the polemic and the commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, radical originality and the artist's social or psychological eccentricity. Although Outsider art is often presented as a recent discovery, these ideas belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. If Outsiders are in some way outside' the conventional art world, what happens to them, and to the works they create, when they are introduced to it? David Maclagan has been writing on Outsider art for over twenty-five years, and this book sets out to challenge many of the received ideas in the field. This book will be of interest to the growing number of people interested in the field of Outsider art, and all those studying concepts of artistic creativity and their cultural background.

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This book approaches the city as a site of multiple contestations and contradictions and aims to highlight struggles over space, resources, identities, and meaning taking place within South Asian cities. It explores the ways in which the adoption of neoliberal models of development have impacted South Asian cities and their citizens, focusing on both Indian and Pakistani cities, highlighting similarities and differences in urban change on both sides of theborder.

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'Iceland's 1100 Years' recounts the history of a society on the margin of Europe as well as on the margin of reaching the size and wealth of a proper state. Iceland is unique among the European societies in being founded as late as the Viking Age, and in surviving for centuries without any central power after Christianity had introduced the art of writing. This was the age of the Sagas, which are not only literature but also a rare treasury of sources about a stateless society. In sharp contrast to the prosperous society portrayed by the Sagas, early modern Iceland appears to have been extremely poor and miserable. It is challenging to question whether the deterioration was due to foreign rule, to a colder climate, or to an unfortunate internal power structure. Or was the Golden Age perhaps the invention of 19th-century nationalists? Iceland adopted nationalism quickly and thoroughly. In the mid-nineteenth century about 60,000 inhabitants, mostly poor peasants, set out to gain independence from Denmark, which was finally achieved in 1944 with the foundation of a republic. In recent decades Iceland has caught up economically with its closest neighbours. This has come about mainly through the mechanisation of fishing, which gave rise to a second battle for sovereignty, this time over the country's fishing grounds.

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'A brilliant and beautifully written book about capitalism and the patriarchy, about Dalit India and digital America, about power and family and love' Alex Preston, Observer, 'Fiction to look out for in 2022'Vauhini Vara's lyrical and thought-provoking debut novel begins in India in the 1950s, following a young man born into a Dalit family of coconut farmers in a remote village in Andhra Pradesh. King Rao, as he comes to be known, later moves to the US, where he studies in Seattle, meeting the love of his life and his business partner, the smart and self-assured Margie. King Rao ultimately rises up through Silicon Valley to become the most famous tech CEO in the world and the leader of a powerful, corporate-owned global government. Yet he ultimately ends up living on a remote island off the coast of Washington state, an exile from the world which he has helped build.There, in a beautiful home on an otherwise deserted island, he brings up his brilliant daughter, Athena. Shielded from the world's glances, in many ways she has an idyllic childhood, but she will be forced to reexamine her father's past and take steps to try to decide her own future. She is unlike other girls, and she will find the outside world much more hostile than her father did when he left the coconut grove he called home.A profound and moving novel about technology, consciousness and revolution, The Immortal King Rao asks how we build the worlds in which we live, and whether we ever have the power to leave them?

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Por qué Ceuta se ha convertido en uno de los principales graneros de yihadistas del Estado Islámico en España? Cómo afecta a la seguridad del Estado el peligro de los retornados? Es el barrio ceutí de El Príncipe un modelo que corre el riesgo de trasladarse a otras barriadas marginales del resto de ciudades españolas? El barrio de El Príncipe, a diferencia de su versión televisiva, no cuenta con una comisaría de policía, sus calles no están limpias y en las casas no viven familias musulmanas tan liberales como la de Fátima. En la ficción, los habitantes del barrio viven rodeados de hachís, rezan en mezquitas oscuras y clandestinas en las que se promulga el odio al infiel y la guerra santa, y la policía es corrupta. En la versión real hay islamistas radicales y narcotraficantes, sí, pero también personas honradas que luchan duramente por evitar que su barriada se parezca a la de esa exitosa ficción televisiva. Este libro es un viaje al corazón del barrio de El Príncipe para conocer hist

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En el panorama del ensayo español contemporáneo no abundan los textos dedicados a la literatura comparada, es decir, que se atrevan con el enorme esfuerzo metodológico que supone manejar, además de varias literaturas, un ingente material que aúna múltiples disciplinas, que van de las ciencias humanas y sociales a la filosofía. Podemos, pues, felicitarnos doblemente por cuanto no sólo presentamos uno de los ensayos más ambiciosos y exigentes que se hayan escrito en nuestro país en los últimos años, sino porque su autor, Claudio Guillén, es una autoridad en la materia, reconocida internacionalmente.El índice de Múltiples moradas bastaría ya para seducir tanto al lector curioso como al especialista, pues por sus páginas no sólo desfilan los grandes nombres y las tendencias o estilos de la literatura universal, sino que la mirada crítica del autor es capaz de iluminar territorios específicos de las humanidades: el dolor del exilio en la literatura, el surgimiento d

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The world has changed. Rather than a clash of civilisations, the West now faces revolts from the margins, driven by widening economic divisions, rising global elites and dangerous environmental constraints. The emergence of global terrorist movements such as ISIS is indicative of a growing threat for which traditional military responses are simply not fit for purpose. At a time when the world adjusts to new international leadership - from Trump in the US to Macron in France - and as the balance of power starts to shift away from the West, this updated edition of Paul Rogers' acclaimed book looks at the new challenges facing global security, and how we might start to address them.

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Aldred's Marginalia provides an introductory discussion to the explanatory comments in the Lindisfarne Gospels.

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Tim Burton has had a massive impact on twentieth and twenty-first century culture through his films, art, and writings. This book examines how his aesthetics, influences, and themes reflect the shifting social expectations in American culture by tracing his Burton's move from a peripheral figure in the 1980s to the center of Hollywood filmmaking.

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Historical anthropology: critical exchange between two decidedly distinct disciplines or innovative mode of knowledge production? As this volume’s title suggests, the essays Brian Keith Axel has gathered in From the Margins seek to challenge the limits of discrete disciplinary epistemologies and conventions, gesturing instead toward a transdisciplinary understanding of the emerging relations between archive and field. In original articles encompassing a wide range of geographic and temporal locations, eminent scholars contest some of the primary preconceptions of their fields. The contributors tackle such topics as the paradoxical nature of American Civil War monuments, the figure of the “New Christian” in early seventeenth-century Peru, the implications of statistics for ethnography, and contemporary South Africa's “occult economies.” That anthropology and history have their provenance in—and have been complicit with—colonial formations is perhaps commonplace knowledge. But what is rarely examined is the specific manner in which colonial processes imbue and threaten the celebratory ideals of postcolonial reason or the enlightenment of today’s liberal practices in the social sciences and humanities. By elaborating this critique, From the Margins offers diverse and powerful models that explore the intersections of historically specific local practices with processes of a world historical order. As such, the collection will not only prove valuable reading for anthropologists and historians, but also for scholars in colonial, postcolonial, and globalization studies. Contributors. Talal Asad, Brian Keith Axel, Bernard S. Cohn, Jean Comaroff, John L. Comaroff, Nicholas B. Dirks, Irene Silverblatt, Paul A. Silverstein, Teri Silvio, Ann Laura Stoler, Michel-Rolph Trouillot

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In Fighting for Dignity, Sarah S. Willen explores what happened when the Israeli government launched an aggressive deportation campaign targeting newly arrived migrants from countries as varied as Ghana and the Philippines, Nigeria, Colombia, and Ukraine. Although the campaign was billed as a solution to high unemployment, it had another goal as well: to promote an exclusionary vision of Israel as a Jewish state in which non-Jews have no place. The deportation campaign quickly devastated Tel Aviv's migrant communities and set the stage for even more aggressive antimigrant and antirefugee policies in the years to come. Fighting for Dignity traces the roots of this deportation campaign in Israeli history and the Israeli-Palestinian conflict and shows how policies that illegalize and criminalize migrants wreak havoc in their lives, endanger their health, and curtail the human capacity to flourish. Children born to migrant parents are especially vulnerable to developmental and psychosocial risks. Drawing on nearly two decades of ethnographic engagement in homes and in churches, medical offices, advocacy organizations, and public spaces, Willen shows how migrants struggle to craft meaningful, flourishing lives despite the exclusions and vulnerabilities they endure. To complement their perspectives, she introduces Israeli activists who reject their government's exclusionary agenda and strive to build bridges across difference, repair violations of migrants' dignity, and resist policies that violate their own moral convictions. Willen's vivid and unflinching ethnography challenges us to reconsider our understandings of global migration, human rights, the Middle East— and even dignity itself.

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As she did in The Return of Martin Guerre, Natalie Zemon Davis here retrieves individual lives from historical obscurity to give us a window onto the early modern world. As women living in the seventeenth century, Glikl bas Judah Leib, Marie de l’Incarnation, and Maria Sibylla Merian, equally remarkable though very different, were not queens or noblewomen, their every move publicly noted. Rather, they were living “on the margins” in seventeenth-century Europe, North America, and South America. Yet these women—one Jewish, one Catholic, one Protestant—left behind memoirs and writings that make for a spellbinding tale and that, in Davis’ deft narrative, tell us more about the life of early modern Europe than many an official history.All these women were originally city folk. Glikl bas Judah Leib was a merchant of Hamburg and Metz whose Yiddish autobiography blends folktales with anecdotes about her two marriages, her twelve children, and her business. Marie de l’Incarnation, widowed young, became a mystic visionary among the Ursuline sisters and cofounder of the first Christian school for Amerindian women in North America. Her letters are a rich source of information about the Huron, Algonquin, Montagnais, and Iroquois peoples of Quebec. Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname. Along the way she abandoned her husband to join a radical Protestant sect in the Netherlands.Drawing on Glikl’s memoirs, Marie’s autobiography and correspondence, and Maria’s writings on entomology and botany, Davis brings these women to vibrant life. She reconstructs the divergent paths their stories took, and at the same time shows us each amid the common challenges and influences of the time—childrearing, religion, an outpouring of vernacular literature—and in relation to men. The resulting triptych suggests the range of experience, self-consciousness, and expression possible in seventeenth-century Europe and its outposts. It also shows how persons removed from the centers of power and learning ventured in novel directions, modifying in their own way Europe’s troubled and ambivalent relations with other “marginal” peoples.

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This collection examines the presence of minority communities and dissident voices in Ireland both historically and in a contemporary framework. Accordingly, the contributions explore different facets of what we term “Irish minority and dissident identities,” ranging from political agitators drowned out by mainstream narratives of nationhood, to identities differentiated from the majority in terms of ethnicity, religion, class and health; and sexual minorities that challenge heteronormative perspectives on marriage, contraception, abortion, and divorce. At a moment when transnational democracy and the rights of minorities seem to be at risk, a book of this nature seems more pressing than ever. In different ways, the essays gathered here remind us of the importance of ‘rethinking’ nationhood, by a process of denaturalisation of the supremacy of white heterosexual structures.

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The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.

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This volume considers the place of feminist bioethics within the broader international bioethics community. Since its emergence two decades ago, the feminist perspective on bioethics has existed at the periphery of the discipline's mainstream. Concerns over reproduction and women's health issues-along with the concept that prevailing bioethical thought was fundamentally gendered-were largely subsumed by such overarching issues as the protection of research subjects and by theoretical and methodological frameworks derived from Kantian philosophy and practice-oriented principalism. Now feminist bioethics belongs to both the mainstream and the margins. The essays collected here explore the relation of feminist bioethics to mainstream bioethical thought and practice. The first section looks at the current trajectory of feminist bioethics, its contributions to the mainstream, and how different types of feminism can inform and strengthen feminist bioethics. In the second section, contributors address autonomy, universalism, and trust to probe how feminist perspectives have altered bioethical theory. The third section examines such challenging issues as cancer genetics, childbirth, rape, and prenatal selection to demonstrate the effect of feminist bioethics on mainstream methodology. Contributors to the fourth section reflect on the relationship between feminist bioethical thought and the viewpoints of racial, ethnic, and cultural minorities, including people with disabilities. Philosophically grounded, methodologically sound, and theoretically rigorous, this paradigm-challenging collection ponders the most dynamic areas of feminist inquiry into bioethical thought and practice and sketches future directions for this rapidly growing field.

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Wartime military service is held up as a marker of civic duty and patriotism, yet the rewards of veteran status have never been equally distributed. Certain groups of military veterans—women, people of color, LGBTQ people, and former service members with stigmatizing conditions, "bad paper" discharges, or criminal records—have been left out of official histories, excised from national consciousness, and denied state recognition and military benefits.Chronicling the untold stories of marginalized veterans in the twentieth and twenty-first centuries, Service Denied uncovers the generational divides, cultural stigmas, and discriminatory policies that affected veterans during and after their military service. Together, the chapters in this collection recast veterans beyond the archetype, inspiring an innovative model for veterans studies that encourages an intersectional and interdisciplinary analysis of veterans history. In addition to contributions from the volume editors, this collection features scholarship by Barbara Gannon, Robert Jefferson, Evan P. Sullivan, Steven Rosales, Heather Marie Stur, Juan Coronado, Kara Dixon Vuic, John Worsencroft, and David Kieran.

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Even after 20 years of children's rights and new thinking about childhood, children are still frequently seen as apolitical. All over the world there has been a growing emphasis on 'participation', but much of this is adult-led, and spaces for children's individual and collective autonomy are limited. "Children, politics and communication" questions many of the conventional ways in which children are perceived. It focuses on the politics of children's communication, in two senses: children as political actors, and the micropolitics of children's interaction with each other and with adults. It looks at how children and young people communicate and engage, how they organise themselves and their lives, and how they deal with conflict in their relationships and the world around them. These are children at the margins, in various ways, but they are not victims; they are finding ways to take charge of their own lives. The book is also about adults and how they can interact with children and young people in ways that are sensitive to children's feelings, empowering and supportive of their attempts to be autonomous. With international contributions from a range of disciplines, "Children, politics and communication" is timely and relevant for policy makers, practitioners and researchers engaging with children and young people.

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An exploration of the diverse lived experiences of marginality in Scottish society from the sixteen to the eighteenth century.

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On Shifting Ground examines how it is to become a man in a place and time defined by economic contraction and carceral expansion. Jamie J. Fader draws on in-depth interviews with a racially diverse sample of Philadelphia's millennial men to analyze the key tensions that organize their lives: isolation versus connectedness, stability versus "drama," hope versus fear, and stigma and shame versus positive, masculine affirmation. In the unfamiliar cultural landscape of contemporary adult masculinity, these men strive to define themselves in terms of what they can accomplish despite negative labels, as well as seeking to avoid "becoming a statistic" in the face of endemic risk.

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The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.

Read more less

In Fighting for Dignity, Sarah S. Willen explores what happened when the Israeli government launched an aggressive deportation campaign targeting newly arrived migrants from countries as varied as Ghana and the Philippines, Nigeria, Colombia, and Ukraine. Although the campaign was billed as a solution to high unemployment, it had another goal as well: to promote an exclusionary vision of Israel as a Jewish state in which non-Jews have no place. The deportation campaign quickly devastated Tel Aviv's migrant communities and set the stage for even more aggressive antimigrant and antirefugee policies in the years to come. Fighting for Dignity traces the roots of this deportation campaign in Israeli history and the Israeli-Palestinian conflict and shows how policies that illegalize and criminalize migrants wreak havoc in their lives, endanger their health, and curtail the human capacity to flourish. Children born to migrant parents are especially vulnerable to developmental and psychosocial risks. Drawing on nearly two decades of ethnographic engagement in homes and in churches, medical offices, advocacy organizations, and public spaces, Willen shows how migrants struggle to craft meaningful, flourishing lives despite the exclusions and vulnerabilities they endure. To complement their perspectives, she introduces Israeli activists who reject their government's exclusionary agenda and strive to build bridges across difference, repair violations of migrants' dignity, and resist policies that violate their own moral convictions. Willen's vivid and unflinching ethnography challenges us to reconsider our understandings of global migration, human rights, the Middle East— and even dignity itself.

Read more less

Both its defenders and detractors have described the argument from marginal cases as the most important to date in defense of animal rights. Hotly debated among philosophers for some twenty years, the argument concludes that no morally relevant characteristic distinguishes human beings–including infants, the severely retarded, the comatose, and other "marginal cases"--from any other animals. Babies and Beasts presents the first book-length exploration of the broad range of views relating to the argument from marginal cases and sorts out and evaluates its various uses and abuses. Daniel Dombrowski analyzes the views of many who are prominent in the debate-- Peter Singer, Thomas Regan, H. J. McCloskey, Jan Narveson, John Rawls, R. G. Frey, Peter Carruthers, Michael Leahy, Robert Nozick, and James Rachels are included--in a volume that will be essential to philosophers, animal rights activists, those who work in clinical settings, and others who must sometimes deal with "marginal cases."

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This open access book examines places on the margins and the dynamics through which a marginal position of a place is created. Specifically, it explores how places, mostly in sparsely populated areas, often perceived as immobile and frozen in time, come into being and develop through interference of everyday mobilities and creative practices that cut across the spheres of culture and nature as usually defined. Through fieldwork and case studies from areas in Iceland, Finland, Greenland, and Scotland, the book’s twelve chapters draw out the multiple relations through which places emerge, where people compose their lives as best they can with their surroundings. A special concern is to explore the links between travelling, landscape, and material culture and how places and margins are enacted through mobilities and creative practices of humans and other beings. The emphasis on mobility disturbs the perception of a place as a bounded entity and offers a useful and necessary understanding of places as mobile and fluid. Mobilities on the Margins is a novel and timely contribution to the exploration of human and more-than-human interactions in a world of increasingly fluid mobilities and insistent crises.

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This volume considers the place of feminist bioethics within the broader international bioethics community. Since its emergence two decades ago, the feminist perspective on bioethics has existed at the periphery of the discipline's mainstream. Concerns over reproduction and women's health issues-along with the concept that prevailing bioethical thought was fundamentally gendered-were largely subsumed by such overarching issues as the protection of research subjects and by theoretical and methodological frameworks derived from Kantian philosophy and practice-oriented principalism. Now feminist bioethics belongs to both the mainstream and the margins. The essays collected here explore the relation of feminist bioethics to mainstream bioethical thought and practice. The first section looks at the current trajectory of feminist bioethics, its contributions to the mainstream, and how different types of feminism can inform and strengthen feminist bioethics. In the second section, contributors address autonomy, universalism, and trust to probe how feminist perspectives have altered bioethical theory. The third section examines such challenging issues as cancer genetics, childbirth, rape, and prenatal selection to demonstrate the effect of feminist bioethics on mainstream methodology. Contributors to the fourth section reflect on the relationship between feminist bioethical thought and the viewpoints of racial, ethnic, and cultural minorities, including people with disabilities. Philosophically grounded, methodologically sound, and theoretically rigorous, this paradigm-challenging collection ponders the most dynamic areas of feminist inquiry into bioethical thought and practice and sketches future directions for this rapidly growing field.

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Comprehending Drug Use, the first full-length critical overview of the use of ethnographic methods in drug research, synthesizes more than one hundred years of study on the human encounter with psychotropic drugs. J. Bryan Page and Merrill Singer create a comprehensive examination of the whole field of drug ethnography-methodology that involves access to the hidden world of drug users, the social spaces they frequent, and the larger structural forces that help construct their worlds. They explore the important intersections of drug ethnography with globalization, criminalization, public health (including the HIV/AIDS epidemic, hepatitis, and other diseases), and gender, and also provide a practical guide of the methods and career paths of ethnographers.

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Secular assumptions are being introduced piecemeal into our way of life. From the Millennium Dome (what exactly was it celebrating?) to the restrictions on the wearing of crosses and abolition of nativity plays, Christianity is being marginalised. Christian social initiatives at local levels are now so severely restricted that several Christian bodies issue guidelines on handling local council prejudice. There is a widespread if ill-defined sense that a valuable heritage is slipping away. Yet the Bible and Prayer Book are seminal for our language and literature; Christian social action predated the modern welfare state; our laws are based on Christian ethical systems. Christians should push back, re-engaging with politicians and opinion formers. Christians must be salt and light. Introverted Christianity must give way to engagement with the world, not defensively but with confidence and hope. It is time for a proper debate about the place of faith in modern Britain.

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Forgiveness has traditionally been associated with a duty to remember in order for reconciliation to be possible. Human failure, evil, and atrocities could thus only be forgiven on the basis of a saving memory. Forgetting, by contrast, had to be excluded in the interest of a truthful and genuinely new beginning. Historical experience, it seemed, supported this account. The essays collected in this volume seek to challenge this traditional picture - by elaborating on the notion of forgetting, by reappreciating its constructive or even necessary impact on our lives, by paying heed to the potential obstacles for reconciliation due to an unforgiving remembrance, by clarifying the relationship between remembrance and forgetting, which is not necessarily complementary, and by finding new ways of relating forgiveness to forgetting ultimately leading to the precarious question of whether even God forgets when he forgives.

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