Search results for ""Transcript Verlag""

Ayse Güngör investigates art practices between art and anthropology in Turkey, as well as the implications of contemporary art for those disciplines. She discusses various approaches based on anthropological theories on the forms of relation and theories of artistic practices on socio-political issues. Based on long-term research with contemporary artists such as Nil Yalter, Gülsün Karamustafa, Esra Ersen, Kutlug Ataman, Tayfun Serttas, Köken Ergun, Dilek Winchester and Artikisler Collective, this book analyzes the objectives of art and anthropology in order to determine new possibilities and divergences arising from this interdisciplinary confluence.

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How do humans, their needs, and technology interact in society? Marcel Siegler explores the dialectical relationship between human needs and desires, the demands and requirements of the built world, and the forms of organization that hold both humans and the built world together. He argues that complex societal constellations emerge from the actions individuals perform with the technological means at hand to satisfy their needs and desires in the short and long run. Based on a novel, complementary reading of French philosopher Jean-Paul Sartre, the study develops a conceptual framework for analyzing the intricate machinations of sociotechnical systems from a perspective on situated human-technology interaction.

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Hate is being reinvented. Over the last two decades, online platforms have been used to repackage racist, sexist and xenophobic ideologies into new sociotechnical forms. Digital hate is ancient but novel, deploying the Internet to boost its allure and broaden its appeal. To understand the logic of hate, Luke Munn investigates four objects: 8chan, the cesspool of the Internet, QAnon, the popular meta-conspiracy, Parler, a social media site, and Gab, the "platform for the people." Drawing together powerful human stories with insights from media studies, psychology, political science, and race and cultural studies, he portrays how digital hate infiltrates hearts and minds.

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In Bolivia's plurinational conjuncture, novel political articulations, legal reform, and processes of collective identification converge in unprecedented efforts to 're-found' the country and transform its society. This ethnography explores the experiences of Afrodescendants in plurinational Bolivia and offers a fresh perspective on the social and political transformations shaping the country as a whole. Moritz Heck analyzes Afrobolivian social and cultural practices at the intersections of local communities, politics, and the law, shedding light on novel articulations of Afrobolivianity and evolving processes of collective identification. This study also contributes to broader anthropological debates on blackness and indigeneity in Latin America by pointing out their conceptual entanglements and continuous interactions in political and social practice.

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In post-war Greece, Western Allies, the country's conservative political elite and parts of the middle class have shared a dream of consolidating and maintaining the country's western, bourgeois-liberal orientation. In 1947, with the civil war still raging in the country, the Greek government chose the path of the capitalist countries and joined the American programme for the reconstruction of war-torn Europe. Miltiadis Zermpoulis examines the social and political changes brought about by the civil war, the dominance of conservatives in the political arena and the promotion of political surveillance and compliance technologies in the daily life of Greece's second largest city, Thessaloniki.

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Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

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This book addresses two developments in the conceptualisation of citizenship that arise from the "war on terror", namely the re-culturalisation of membership in a polity and the re-moralisation of access to rights. Taking an anthropological perspective, it traces the ways in which the trans-nationalisation of the "war on terror" has affected notions of "the dangerous other" in different political and social contexts, asking what changes in the ideas of the state and of the nation have been promoted by the emerging culture of security, and how these changes affect practices of citizenship and societal group relations.

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In the past decades, international port cities have been strongly affected by global transformation processes, dramatically altering life and work around the ports, the built environment and public imagery of urban waterfronts. Based on recent theories of city-port development, the ethnographic studies in this volume focus on local stakeholders' perceptions and strategies in port cities in Europe and Latin America. This book covers a wide variety of urban fields, from traditional dockland communities, inland waterway sailors and new forms of migration and exile, to active agents of urban transformation.

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In a globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Contributors are, among others, Gabriele Brandstetter, Dieter Heitkamp, Royston Maldoom and Meg Stuart.

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This book presents results of an international conference which addressed the interaction of aesthetical and technological dimensions within the formation of contemporary society. The contributions discuss the production of time and space, self and nature, individual and society in the image of technology. They focus on the productive tensions and convergences between aesthetic and technological concepts when implemented in everyday life. The volume contains - among others - texts about technologies of visualisation, the aesthetics of warfare and the design of technological lifeworlds.

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This book supports and deepens the existing interfaces between art, science, and technology - transgressing traditional principles and styles of research, and selectively overcoming the side-by-side coexistence in favour of an integrated "laboratory of the future". Instead of relying on traditional dualisms like nature-culture, subject-object, as well as man and machine, heterogeneous networks with humans and non-humans (Latour) are opened in shared contexts of agency. New momentary propositions are developed, meeting the complexity of discovering, exploring, and inventing - things: things which do not exist just as given beings. The artists and theoreticians can pursue using the tools and techniques of science actively - not only to comment them but also to fathom their possibilities, and employ them in their artistic and scientific projects. Machines as Agency is an artistic perspective.

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The fields of cross-cultural and cultural psychology both acknowledge the role of `culture' for the constitution of a meaningful practice. There are notable differences as well as remarkable commonalities between nomologically oriented cross-cultural psychology on the one hand and interpretive cultural psychology on the other. Contributions to this book discuss recent theoretical and methodological approaches from both fields in order to explore their joint potential for an advancement of the concept of culture, for the theoretical conceptualization and methodical completion of comparative cultural studies and the scientific understanding of cultural difference.This volume includes contributions by Ernest E. Boesch, Kenneth J. Gergen, Rom Harré, Gustav Jahoda and Jaan Valsiner.

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In this book, Natália Cantó Milá elaborates on Georg Simmel's relational approach to a theory of value, pointing at the heuristic possibilities that this approach offers to modern sociology and to a sociology of modernity. She does so by focusing on the theory of value Simmel developed in his "The Philosophy of Money", delivering an alternative reading of this book that views its theory of value as its main axial point. Simmel's theory of value is depicted by Cantó Milá as including an intrinsically sociological aspect, since economic as well as moral, ethic and aesthetic values are conceived as resulting from human relations.

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Migration is not a state of emergency, but a basic existential experience of humanity. It shapes contemporary societies by challenging established orders, creating transnational spaces beyond national hegemonies, creating new economies, influencing urban and communal ways of life, making inequality and precariousness visible locally and globally. Migration research as a social science does not narrow the focus to 'the migrants', but investigates the conditions for living together and shaping life between ethnicization and pluralization, discrimination and empowerment, division and participation.The Yearbook Migration and Society repeatedly turns the prism of narrative anew. The 2022/2023 edition focuses on the topic ?Climate?.

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How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.

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Studying the life situations of trans persons reveals preceding and ongoing political, societal and cultural transformations. This ethnographic study concerns individuals in Andalusia, Southern Spain, who do not fit the sex and gender assigned to them at birth. Christoph Imhof thus investigates issues leading back to the repressive situation during the dictatorship of Franco and to contemporary endeavours and achievements regarding acceptance, citizenship and self-determination. He highlights the pioneering role that Andalusia has played within Spain regarding trans issues since the late 1990s and shows how trans persons in Southern Spain have experienced the growing social, medical and legal acceptance of their gender non-conformity.

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While the disciplinary architecture of hospitals has long prevailed in psychiatry, many care teams now work in smaller structures, within communities. Ariane d'Hoop explores one of these places: Drawing on fieldwork in a psychiatric day center for teenagers, she traces how spatial arrangements matter in the care practice. From a corner in which one can withdraw, to a kitchen inviting to hang around, or displayed artworks that pique one's curiosity, caregivers use the material environment to stir up the slightest affinity from teenagers. This study thus expands our idea of what attachment is, and makes us more able to recognize the subtle dynamics between care, things, and spaces. With a preface by Jeannette Pols.

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Metropolitan research requires interdisciplinary collaboration in order to do justice to the complexities of metropolitan regions. This volume provides a scholarly and accessible overview of key methods and approaches in metropolitan research from a uniquely broad range of disciplines including architectural history, art history, heritage conservation, literary and cultural studies, spatial planning and planning theory, geoinformatics, urban sociology, economic geography, operations research, technology studies, transport planning, aquatic ecosystems research and urban epidemiology. It is this transdisciplinary perspective that allows metropolitain research to address recent social challenges of urban life, such as mobility, accessibility, or sustainability.

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Vituperation, disparagement, and debasement seem to have become part of the mainstream discourse in contemporary US-American media culture. Zooming in on a distinct televisual comedy genre, Katja Schulze explores the formal principles, media-specific realizations, and the cultural work of disparagement in contemporary female-led situation comedies. Subsequently, larger patterns of (gender-based) invective strategies and conventions that define the dynamism of this comedic genre come into view. Her study outlines case studies of popular sitcoms, like Parks and Recreation, Mike & Molly, and the revival of hit-sitcom Roseanne, thereby unearthing how the shows are able to stage humor as mass-mediated deprecation - a signifying practice with its own poetics and politics.

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