Search results for ""Author Thames"

'Exquisitely written and lavishly illustrated, this delightful book brings five centuries of Ottoman culture to life. Diana Darke constantly amazes the reader with fascinating facts and points of relevance between the Ottoman past and the present day' - Eugene Rogan, author of The Fall of the Ottomans A richly illustrated guide to the Ottoman Empire, 100 years since its dissolution, unravelling its complex cultural legacy and profound impact on Europe, North Africa and the Middle East. At its height, the Ottoman Empire spread from Yemen to the gates of Vienna. Western perceptions of the Ottomans have often been distorted by Orientalism, characterizing their rule as oppressive and destructive, while seeing their culture as exotic and incomprehensible. Based on a lifetime’s experience of living and working across its former provinces, Diana Darke offers a unique overview of the Ottoman Empire’s cultural legacy one century after its dissolution. She uncovers a vibrant, sophisticated civilization that embraced both arts and sciences, whilst welcoming refugees from all ethnicities and religions, notably Christians and Jews. Darke celebrates the culture of the Ottoman Empire, from its aesthetics and architecture to its scientific and medical innovations, including the first vaccinations. She investigates the crucial role that commerce and trade played in supporting the empire and increasing its cultural reach, highlighting the significant role of women, as well as the diverse religious values, literary and musical traditions that proliferated through the empire. Beautifully illustrated with manuscripts, miniatures, paintings and photographs, The Ottomans: A Cultural Legacy presents the magnificent achievements of an empire that lasted over 600 years and encompassed Asian, European and African cultures, shedding new light on its complex legacy.

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Simon Carter is an Australian rock climber and photographer. He began working as a professional photographer, and established Onsight Photography in 1994. Since then, he has travelled widely and built up an extensive body of work encompassing many of the world's best climbing destinations. Carter is the recipient of several photography accolades and the author of four previous coffee-table books, including Images from the Edge (2005), which won the Mountain Image award at the Banff Mountain Book Festival.

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Yuval Zommer is an award-winning and bestselling author, illustrator, and environmentalist based in London. He studied at the Royal College of Art, and worked for many years as a creative director at leading advertising agencies before becoming an author and illustrator. Titles in his Big Book series have been worldwide bestsellers.

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John Szczepaniak is a journalist and novelist. He's written for Retro Gamer, GamesTM, Official PlayStation Magazine, Game Developer Magazine, Gamasutra, The Escapist, GameFAN MkII, nRevolution, 360 Magazine, Play UK, X360, Go>Play, Next3, The Gamer's Quarter, Retro Survival, NTSC-uk, Tom's Hardware Guide, Insomnia, GameSetWatch, Shenmue Dojo, Pixel Nation plus others. Alex Wiltshire is a journalist, writer and a former editor of Edge magazine. He edited Britsoft: An Oral History, and is author of several books, including the bestselling Minecraft Blockopedia. He is senior narrative editor at Mojang, and writes a column about game design for Rock Paper Shotgun.

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Introducing Manuals - the most comprehensive study of corporate identity design manuals from the golden era of identity design. The 41 manuals featured have been expertly photographed, retaining all essential details, and are presented in a spacious and functional layout, allowing you to fully appreciate these wonderful examples of sophisticated information design. These include manuals for Canadian National Railways (1965); New York City Transit Authority (1970); Olivetti (1971); NASA (1976); PTT [Dutch postal/telephone services] (1989); RAC (1998). The photography is accompanied by a foreword by the late Massimo Vignelli, an afterword by designer Lance Wyman, and texts from Adrian Shaughnessy, Richard Danne, Martha Fleming, Greg D'Onofrio and Patricia Belen, alongside interviews with branding and visual identity practitioners Armin Vit, Sean Perkins, John Lloyd, Michael Burke, Sean Wolcott, Liza Enebeis and John Bateson.

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The mass of available data about World War II has never been as large as it is now, yet it has become increasingly complicated to interpret it in a meaningful way. Packed with cleverly designed graphics, charts and diagrams, World War II: Infographics offers a new approach by telling the story of the conflict visually. Encompassing the conflict from its roots to its aftermath, more than 50 themes are treated in great detail, ranging from the rise of the Far Right in pre-war Europe and mass mobilization, to evolving military tactics and technology and the financial and human cost of the conflict. Throughout, the shifting balance of power between the Axis and the Allies and the global nature of the war and its devastation are made strikingly clear. Original, accessible and fascinating, World War II: Infographics will delight history buffs, graphic design aficionados, and everyone seeking an overview of the war that shaped the world as we know it.

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Made in Dublin winner of Photography category in the British Design and Production Awards‘A singular new vision and an original contribution to the development of street photography’ Martin Parr Focused on D1, Dublin’s city centre, Eamonn Doyle’s three major bodies of work, ‘i’, ‘On’ and ‘End’ – with new and previously unpublished images brought together here for the first time – tell the tale of today’s Dublin and, in doing so, tell a broader story of today’s Ireland. Setting aside the nostalgia and cliché so often seen in ‘stories of Ireland’, Doyle’s vernacular photography is a thrill to the system, revealing the extraordinary within the ordinary to paint a striking portrait of a modern and multicultural capital city. Vivified in colour, the commonplace is seen anew, the everyday made epic as the city’s inhabitants appear in stark, graphic black and white going about their daily business. Far from pedestrian, Doyle’s work is the archetype of good street photography: real life brought to life through the lens and voice of the street. Punctuating the photography with specially commissioned narratives is the distinctive voice of Kevin Barry, evoking the world beyond the frame: the sights, smells, sounds and sensations of a Dubliner’s daily life. Designed by Doyle’s longtime collaborator Niall Sweeney, fusing contemporary Irish word and contemporary Irish image, Made in Dublin is one of the most exciting and original books of street photography in recent years.

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Brings together a wealth of research and an expansive selection of photographs to create an enduring account of America's first known trans network, Casa Susanna. In the 1950s and 60s, an underground network of transgender women and cross-dressing men found refuge at a modest house in the Catskills region of New York. Known as Casa Susanna, the house provided a safe place to express their true selves and live for a few days as they had always dreamed - dressed as and living as women without fear of being incarcerated or institutionalized for their self-expression. This book opens up that now-lost world. The photographs - mostly discovered by chance in a New York flea market in 2004 - chronicle the experiences of men who dressed as women, gender nonconforming people, and transwomen in states of relaxation, experimentation, connection and joy. All of this was made possible by Susanna Valenti who - on her own journey toward womanhood - created Casa Susanna, a protected space where others could crossdress and live freely as women. Supplementing the images are excerpts from Transvestia, a magazine that allowed those who had been cast out by a rigidly binary society to connect in a different medium. The people who came to Casa Susanna found a spot where they could explore and celebrate their own and each other’s femininity, as they could not do elsewhere. Their creations are also a reminder that there were, and still are, many ways to explore the boundaries of gender.

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From the startingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil pichadores, Brazil's graffiti captivates with entirely fresh ideas, techniques and messages. Whether one’s taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight. With graffiti worldwide becoming more homogenized, this book is a reminder of the strengths of creative independence and the rich fruits of cultural diversity.

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Giorgio Vasari’s Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1569) is a classic of cultural history. A monumental assembly of artists’ lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters. No Life is more vivid than that of Leonardo, a near-contemporary of Vasari – not even Vasari’s account of Michelangelo, whom he knew and idolized. This beautiful edition offers a literary translation that respects the 16th-century Italian, transposing Vasari’s vocabulary into its modern equivalent. Martin Kemp is an eminent scholar, who has written on the vocabulary of Renaissance writings on art, and has co-translated Leonardo on Painting and Leonardo’s Codex Leicester. Translated in partnership with Lucy Russell, the text will be the first to cover both the 1550 edition and the expanded version of 1568, and the first to integrate the texts of the two editions on the page. Discreet endnotes will provide succinct comments in the light of modern knowledge of Leonardo’s career. Illustrated with all the works of art discussed by Vasari and a selection of Leonardo’s studies of science and technology, this will be the perfect accompaniment to Leonardo’s 500th anniversary celebrations.

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A major new study of Black figurative art from Africa and the African diaspora, covering 100 years from the early 20th century to now. Published to accompany a major exhibition at Zeitz MOCAA, Cape Town, this book presents a comprehensive exploration of Black self representation through portraiture and figuration, celebrating Black subjectivity and Black consciousness from Pan-African and Pan-Diasporic perspectives. With a primary focus on representational painting, When We See Us celebrates how artists from Africa and the African diaspora have imagined, positioned, memorialized and asserted African and African diasporic experiences during a 100-year period spanning from the early 20th century to the present. The publication demonstrates how generations of artists throughout the 20th century and at the beginning of the 21st have critically engaged with multiple notions of Blackness and Africanity. Figurative painting by Black artists has risen to a new prominence in the field of contemporary art over the last decade. This timely and revelatory publication and exhibition will highlight the many ways in which artists have contributed to the critical discourse on topics such as Pan-Africanism, the Civil Rights Movement, African Liberation and Independence movements, the Anti-Apartheid and Black Consciousness mobilisations, Decoloniality and Black Lives Matter.

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Raymond Briggs has changed the face of children’s picture books, with his innovations of both form and subject. Stylistically versatile, he has illustrated some sixty books, twenty of them with his own text, and first became a household name in the late 1970s and early 1980s with a handful of books – Father Christmas, Fungus the Bogeyman, The Snowman, When the Wind Blows – that were entertaining and subversive and appealed to both children and adults. The refrains of his work are class, family, love and loss. Nevertheless, his default mode of expression is humour. Briggs is always funny, and the balance between this and melancholy is his defining characteristic, though his style ranges from the romantic to the grotesque, from the fanciful to the direct. Encompassing sixty years of Raymond Briggs’s work, from political picturebooks to children’s classics, this study explores his themes of class, family and loss, and how he demonstrates both emotional power and great technical skill.

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An unforgettable journey through art history with Yves Saint Laurent as a guide. January 1962 saw the launch of the very first collection by Yves Saint Laurent. To celebrate the 60th anniversary of the founding of his couture house, the Musée Yves Saint Laurent Paris is organizing a unique retrospective of the couturier’s work that juxtaposes his creations with art works from the collections of four major Paris institutions: the Musée d’Orsay, the Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris and the Musée Picasso, as well as presenting a behind-the-scenes glimpse into the secrets of couture at the Musée Yves Saint Laurent. From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces. Here, androgynous silhouettes and Proustian gowns stand alongside Manet’s Le Déjeuner sur l’herbe, feather patterns respond to Jackson Pollock’s drip paintings, flowing silhouettes merge with a mural by Raoul Dufy, Lucio Fontana’s neon lights make metallic fabrics sparkle and the motifs on a coat echo The Dance by Henri Matisse. Exploring the couturier’s deliberate homages to the masters of art and his never-ending quest for new means of aesthetic expression, this book takes readers on an unforgettable journey through art history with Yves Saint Laurent as a guide.

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As we face a world that is undergoing unparalleled change, no area is more dynamic than business. To help us understand, navigate and succeed in this new world, the team at Monocle brings together its unique knowledge of culture, politics, economics, and business. Featuring stories of people running enterprises on every scale, the inspirational tales in this book provide readers with insights into the challenges and joys of creativity and entrepreneurship. These unmatched case studies reveal, among many success stories, how leaders choose branding, hire teams and design workspaces for today’s needs. Whether you are planning to make a life change, start a new business, or reinvigorate an existing one, The Monocle Book of Entrepreneurs is a resource for anyone who wants to make a difference in their work and life.

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Bridget Riley’s paintings are developed carefully over time, the result of methodically working through pictorial variables such as colour, tone, scale, and rhythm. Studies are central to this process, allowing Riley to concentrate on the analysis and synthesis that lie at the heart of her working practice. Riley says, ‘Because my work is based on enquiry, studies are my chief method of exploration and my way into paintings’ (2005). This volume richly illustrates the thinking that goes into Riley’s work through a selection of over 150 drawings, colour analyses, notations, scale studies and cartoons, most of which were exhibited at the artist’s recent seminal retrospective exhibitions in Edinburgh and London from 2019 to 2020 organized by the National Galleries of Scotland. The selection spans most of Riley’s working life, tracing the origins and evolving nature of her remarkable body of work. Riley’s beginnings are also documented through selected childhood drawings, work made during and immediately following her studies at Goldsmiths’ College and the Royal College of Art, and her early explorations into abstraction. The artist’s working method is brought into high relief in a newly commissioned conversation with Riley and Sir John Leighton, Director of the National Galleries of Scotland. The text explores the cardinal moments in the artist’s practice and the impulses that bring her work into existence. The volume also includes four previously published texts dedicated to Riley’s studies and practice written by the artist herself, art historians, curators and museum directors, which shed further light on the enduring role of drawing and the process of exploration central to her work.With over 200 illustrations

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Celebrating the centennial of Saul Leiter’s birth, the official retrospective of a revolutionary figure in twentieth-century photography. Saul Leiter photographed and painted nearly every day for over sixty years, amassing an enormous archive, most of which remained unseen during his lifetime. Finding inspiration within a few blocks of his apartment in Lower Manhattan, he was a master at discovering beauty in the most ordinary places. Celebrated today for his evocative colour photographs of New York in the 1950s and 1960s, which were unknown in their day, Leiter also found success as a fashion photographer for Harper’s Bazaar. All the while he was shooting black-and-white street scenes on his daily walks, and nudes and intimate portraits back home, while continuing his painting explorations with abstract watercolours, whimsical sketchbooks and painted photographs. Created in collaboration with the Saul Leiter Foundation, this definitive monograph brings together these diverse yet interconnected bodies of work – including much that was previously unpublished – to reveal the complete artist for the first time.

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Lavishly illustrated and exquisitely deisgned, this book opens with a stunning series of images of style icons – historic and modern – wearing their favoured emerald jewelry. As befits a prized gemstone that is twenty times rarer than diamond, here we see together, for the first time, pieces worn by celebrities ranging from filmstars to royalty, all alongside classic images of emeralds from art, advertising and fashion, celebrated in a text by Franca Sozzani, editor of Vogue Italia . The second part of this major volume showcases more than forty of the world’s most significant and famous pieces of emerald jewelry, including many previously unseen designs from private and royal collections. Historic creations that are up to 5,500 years old are represented alongside all the modern jewelry houses. The third and final part of Emerald tells the story of the emerald trade from mine to market, illustrated with specially commissioned photography taken across four continents.

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A new collection of Saul Leiter's work, much of it published here for the first time. Saul Leiter remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter’s painterly images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour, at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. In recent years, Leiter has been in the spotlight more and more with a series of exhibitions and publications. His studio in New York's East Village, where he had lived since 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the ‘complete’ archive. This volume contains works discovered through this process, valuable documents that reveal the secrets of Saul Leiter's creation, unpublished works, popular colour works and black-and-white works that have not been published so far, as well as works that trace the memories of those closest to him taken in private. As Saul Leiter said, ‘Photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.’ This is Forever Saul Leiter.

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First published in 1814 and expanded in 1821 – long before the era of colour photography or print – Syme’s edition of Werner’s Nomenclature of Colours attempted to establish a universal colour reference system to help identify, classify and represent species from the natural world. Werner’s set of 54 colour standards was enhanced by Patrick Syme with the addition of colour swatches and further references from nature, taking the total number of hues classified to 110. The resulting resource proved invaluable not only to artists but also to zoologists, botanists, mineralogists and anatomists. In Nature’s Palette this technicolour trove has, for the first time, been enhanced with the addition of illustrations of the animals, vegetables and minerals Werner referenced alongside each colour swatch and accompanied by expert text explaining the uses and development of colour standards in relation to zoology, botany, minerology and anatomy. This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral that Syme cited. Readers can see for themselves Tile Red in the Cock Bullfinch’s breast, Shrubby Pimpernel and Porcelain Jasper; or admire the Berlin Blue that Syme identified on the wing feathers of a Jay, in the Hepatica flower and in Blue Sapphire. Displays of contemporary collector’s cabinets of birds, butterflies, eggs, flowers and minerals are interspersed at intervals throughout the compendium, with individual specimens colour matched to colour swatches. Still a much-loved reference among artists, naturalists and everyone fascinated by colour today, Werner’s Nomenclature of Colours finds its fullest expression in this beautiful and comprehensive colour reference system.With 1000 illustrations in colour

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The official photobook commemorating the 50th anniversary of The Dark Side Of The Moon. March 2023 marks fifty years since the release of Pink Floyd's classic album The Dark Side Of The Moon. Designed by Pentagram to high specifications, this celebratory publication brims with rare and unseen photographs and reveals the visual conception of the original iconic album artwork. It will be a covetable package for the legions of Floyd fans out there – new and old. • Presents rare and unseen backstage and onstage photography of the band during the album tours of 1972 to 1975. • 129 candid photographs by Storm Thorgerson, Jill Furmanovsky, Aubrey Powell and Peter Christopherson document the soundchecks, the shows and the after shows. • A review of the October 1972 Wembley gig, originally published in Melody Maker, provides insight into one of the Floyd’s most celebrated performances. • Reveals the visual conception of the iconic album artwork. • Includes a complete listing of the tour dates.

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The definitive survey of Keith Tyson's thirty-year career. British Turner Prize-winning artist Keith Tyson is known for a distinctive and diverse body of work including drawing, painting, installation and sculpture. Showing a wide range of influences, from mathematics and science through to poetry and mythology, he is interested in how art emerges from the combination of information systems and physical processes that surround us every day. For over thirty years, Tyson has probed, dissected, explored and questioned reality. Not fixed to one artistic style, Tyson sets out to challenge himself and the audience, whilst working with diverse materials – paint, clay, metal, resin – to question our knowledge of the world we perceive as real, and art’s role in representing it. With newly commissioned texts from an internationally diverse array of writers, and including a previously unpublished interview with the artist, this is the definitive survey of one of the most restless and adventurous creators working today.

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An authoritative new publication that revisits Munch’s work in its entirety. Edvard Munch occupies a pivotal place in artistic modernity. His work is permeated by a singular vision of the world, with a powerful symbolist dimension that goes beyond the masterpieces he created in the 1890s, and which gives his art a great coherence. For Munch, humanity and nature were united in the cycle of life, death and rebirth, which is reflected in the unending recurrence of certain motifs and colour combinations in his work. He wrote: ‘These paintings, which are, admittedly, relatively difficult to understand, will be […] easier to grasp if they are integrated into a whole.’ Published to accompany the major exhibition at the Musée d’Orsay, Edvard Munch: A Poem of Life, Love and Death presents about a hundred works – paintings, drawings, prints and engraved blocks – reflecting the diversity of Munch’s practice. Seven essays explore the artist in his philosophical and scientific milieu and the places that shaped the man and his art, as well as offering a rare glimpse of Munch’s attempts at creative writing. They also examine the historical evolution of his monumental Frieze of Life series and the world-famous Scream. This publication invites readers to revisit the painter’s work in its entirety by following the thread of an ever-inventive pictorial thinking: a vision that is both fundamentally coherent, even obsessive, and at the same time constantly renewed.

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A major study of Ukrainian art from 1900 to the mid-1930s – with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel. How does artistic life flourish during revolution and conflict? Ukraine in the early 1900s endured unimaginable political upheaval, yet this became a period of true renaissance in Ukrainian art, literature, theatre and cinema. In the Eye of the Storm: Modernism in Ukraine, 1900–1930s presents the ground-breaking art produced in Ukraine in the early 20th century, focusing on the three key cultural centres of Kyiv, Kharkiv and Odesa. Against a complicated socio-political backdrop of collapsing empires, World War I, the revolutions of 1917 with the ensuing Ukrainian War of Independence, and the eventual creation of Soviet Ukraine, several strands of distinctly Ukrainian art emerged. While émigrés such as Sonia Delaunay and Alexander Archipenko found fame outside their homeland, the followers of Mykhailo Boichuk focused on Byzantine revivalism, and the artists of the Kultur Lige sought to promote the development of contemporary Yiddish culture. The first avant-garde exhibitions in Ukraine featured the radical art of Davyd Burliuk and Alexandra Exter, and the dynamic canvases of the Kyiv-based Cubo-Futurist Oleksandr Bohomazov. In Kharkiv, Vasyl Yermilov championed the industrial art of Constructivism, while Vadym Meller, Anatol Petrytskyi, Oleksandr Khvostenko-Khvostov and Borys Kosarev revolutionized theatre design. The attempt to build a national identity in Ukraine resulted in a polyphony of styles and artistic developments across a full range of media – from oil paintings, sketches and sculpture to collages, cinema posters and theatre designs. Twelve internationally renowned scholars, including curators from the National Art Museum of Ukraine, bring to life this astonishing period of creativity in Ukraine and all the movements it encompassed.

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As featured on BBC RADIO 4's Start the Week: a dazzling look at modern videogame worlds seen through an architectural lens, utilizing maps, diagrams and graphic illustrations to offer new perspectives on the art of virtual world building. Videogame Atlas presents a journey through twelve well-known videogame worlds via panoramic maps, intricate exploded diagrams and detailed illustrations. The book offers a playful new way of seeing these beloved virtual worlds using the practices and academic rigour that underpins real-world architectural theory. Titles such as Minecraft, Assassin’s Creed Unity and Final Fantasy VII are explored in exhaustive detail through over 200 detailed illustrations of the micro and macro, each with supporting commentary and architectural theory. Taking influence from high-end architectural monographs, the book is carefully designed to the smallest of details and its production is intricately executed. This book, printed in five colours, with neon ink throughout, is a culmination of Luke and Sandra’s work, which includes founding the Videogame Urbanism studio at the Bartlett School of Architecture, UCL that promotes the use of game technologies in architectural education.

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World renowned for its collection of Islamic art, the al-Sabah Collection in Kuwait also houses an important collection of ancient art. Splendors of the Ancient East presents a selection of ancient artefacts from the al-Sabah Collection, most of them reproduced for the first time. This selection is united by the personal vision of Sheikh Nasser Sabah al-Ahmad al-Sabah and his wife, Sheikha Hussah Sabah al-Salem al-Sabah. This vision is informed by a love of the beauty of these objects and an interest in the material culture of this region, from which grew some of the distinctive forms and design vocabulary of Islamic art. Covering a time span of some 4,000 years, from the Bronze Age up to the dawn of the Islamic era, this book celebrates some of the beautiful objects created in the Near East and beyond including Central and South Asia.

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The many fun and delicious things you can do with a bar of chocolate, richly illustrated and guaranteed to make your mouth water. There’s a whole world of chocolate-y creativity out there for you to experiment with. Grab a saucepan, a couple of bowls and a wooden spoon, and you’ll quickly be creating chocolate balloons, dainty chocolate cups, bonfire-roasted banana splits, gourmet-spiced hot chocolate with all the flavours, mug cakes and brownies. Choc-full of delicious richness, the recipes in How to Eat Chocolate will inspire greed, gluttony and self-indulgence – all the virtues that a self-respecting chocoholic holds dear – and the colourful retro-style illustrations will make it an irresistible gift.

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The many stimulating and aromatic things you can do with a coffee bean, richly illustrated and sure to perk you up! Discover how to make a perfect cup, from stimulating ristretto to comforting mocha; experiment with spices and spirits and the many varieties of coffee drinks; and learn how to make some delicious recipes using your favourite flavour. Jump-start your brew with this coffee knowledge! You'll discover how to master the bean to make your own dream cup, and the colourful package makes the book a perfect gift for the person in your life who simply can't do anything before their first cup of the day.

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A boardbook edition of this magical book in the award-winning If I had a... series. Have you ever imagined what it would be like to have a unicorn for a pet? Besides being much less angry than a troll and far more conveniently sized than a giant, unicorns only ever eat ice-cream for breakfast AND... every time you get upset they feed you candyfloss! In this humorous, energetically rhyming tale, a little girl experiences exactly what life would be like with a magical creature for a pet – from sprinkling stardust on grumpy parents to sliding into football practice on a rainbow. This book celebrates the magic of unicorns in a way that will appeal to children who are allergic to pink.

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The perfect book for troubled times, this collection of over 25 real-life stories shows how heroic acts of kindness can change our world for the better. In this uplifting collection of stories by Alexandra Stewart, children are introduced to real-life heroes and heroines who have chosen to act in kindness, even when they have been faced with terrible persecution, prejudice, disaster and illness. Aimed at empowering children who feel the weight of the world on their shoulders, these stories are designed to help readers make positive choices in their own lives by embracing kindness as their superpower. Stories include Harriet Tubman’s remarkable rescue missions to free enslaved African Americans; the French village of Le Chambon’s protection of Jewish refugees under Nazi persecution during the Second World War; and the Fukushima workers who volunteered to clean up after the nuclear crisis in Japan; as well as everyday examples of kindness in sporting competitions, neighbourly acts of kindness and random acts of kindness towards complete strangers.

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A history of the world told through the prism of language, from Shakespeare to Anne Frank, Martin Luther King to Greta Thunberg. A History of Words for Children explores the uniquely human ability to transfer thoughts from one brain to another using words. Written in a lively narrative style, the book presents a history of the world and human development through the prism of language, introducing readers to the civilisations, inventions and wordsmiths who have shaped the way we communicate. Divided into themed chapters, the book explores what words are and how humans communicate using spoken language and sign; the development of written scripts and writing implements, including paper; the history of manuscripts and printed books, including worldwide bestsellers and famous libraries; the process of learning another language; dialects and accents and the way language can reflect our identity; the power of words to calm, inspire, rally crowds and rule nations; graffiti’s role in spreading messages; codes and invented languages; the patterns of poetry; the future of words, including emojis; and languages facing extinction.

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Cleopatra tells her version of events as the ruler of the last ancient Egyptian dynasty. In this hilarious and revealing tell-all, the politically savvy, multilingual, cosmopolitan ruler of Alexandria, Cleopatra, reveals herself to be the world’s first influencer. Finally able to tell her own version of events, she will have readers reeling at the remarkable skill with which she raised an army of mercenaries to counter her bullying brother and secure the support of two of the world’s most powerful men – Julius Caesar and Mark Antony. Chris Naunton’s expert text is accompanied by Guilherme Karsten’s illustrations, which give the ancient Egyptian queen a relatable, modern make-over. Witty, contemporary and full of sass, this is Cleopatra #nofilter.

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A little boy has a problem with his dragon: he’s no longer able to breathe fire. What to do? How on earth do you rekindle a despondent dragon’s flame? The little boy tries shaking him by his tail, and jumping on his belly, and tickling his legs… No joy. How about goading him somehow? – make him angry, fuel his jealousy… Still no luck. Maybe sticking false flames on the side of his face would work – but, no, that makes it all worse. Much, much worse. Now the dragon’s downright depressed. Oh no! He decides that he’ll just have to tell him that he loves him just the way he is, even though he can’t breathe fire, and that he will always be his dragon – and plants a big fat kiss on his cheek. What do you think happens next?

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Luna and her best friend, Franklin the dragon, love stories and want to visit all the places they’ve read about in books. But for all their reading they still don’t know where dragons come from. And Franklin is now so old – 605 to be exact – he can’t remember himself! They search high and low, but to no avail. Until one evening, Luna’s tortoise, Neil Armstrong, notices something far away in the sky… The three friends set out on their biggest adventure yet – all the way to the moon – in the hope of reuniting Franklin with his long lost family.

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A little boy has a problem with his dragon: he’s no longer able to breathe fire. What to do? How on earth do you rekindle a despondent dragon’s flame? The little boy tries shaking him by his tail, and jumping on his belly, and tickling his legs… No joy. How about goading him somehow? – make him angry, fuel his jealousy… Still no luck. Maybe sticking false flames on the side of his face would work – but, no, that makes it all worse. Much, much worse. Now the dragon’s downright depressed. Oh no! He decides that he’ll just have to tell him that he loves him just the way he is, even though he can’t breathe fire, and that he will always be his dragon – and plants a big fat kiss on his cheek. What do you think happens next?

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As read on Cbeebies bedtime storiesIn this charming trip of the imagination, a little girl delights in experiencing life at a slower pace as she shares her day with a sleepy sloth who moves so slowly, moss grows in his fur! This sloth may be sleepy but it’s a champion on the jungle gym, thanks to its super gripping skills. And climbing trees has never been so easy! But the little girl’s hairdresser is less than impressed to find not just moss but also moths in its fur – and by the time our sleepy sloth has finished its morning walk, the day is almost done. Through rollicking rhymes and bold, graphic illustrations, If I had a sleepy sloth imagines the positives and negatives of having a sloth for a pet and provides a welcome alternative to the fast pace of modern life by creating the time for readers to simplyb-r-e-a-t-h-e.

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One day Bear decides he will sing with the birds – he has heard every tune and he knows all the words. But as hard as he tries to fit in with their song, when he opens his mouth it comes out sort of wrong. Each creature is different, that’s just how it goes, but will Bear ever realise what’s under his nose? Bear wakes every morning to beautiful birdsong, and longs to join in. He stretches his legs, puts on his cap and braces and thinks he must try to join in with the beautiful bird song all around him in the forest. But he is downhearted to discover his song is more of ‘a holler, a howl and rumbling growl; With a sort of snore, all combined in a “ROAR!”’. His wise friend, Owl, tries to encourage him by pointing out that Bear is not a bird, but Bear gets the wrong end of the stick and attempts to fly, as if that might improve the quality of his song by making him more bird-like. In the end, Bear concentrates on what he does best. All of the forest animals gather to watch him perform his new song, and cheer in amazement at his newfound talent. Satisfied with finding what makes him unique, Bear smiles to himself and promptly falls back to sleep.

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As read by Eddie Redmayne for CBeebies Christmas Day Bedtime StoryWINNER of the 'Best Preschool Book' - Made For Mums Awards 2018A little girl dreams of having her very own pet. But what kind of animal would make the best companion? A mouse is too small; a cat is too ordinary; and a fish is too… wet! As she plays with her toy dinosaur, inspiration strikes. What about a real, live dinosaur? She could ride it to school. It would need lots of food to eat, a swimming pool to drink from, and a dino flap so it could come and go. At the end of a day spent busily imagining, the girl trudges up to bed with her little plastic dinosaur. As she falls asleep, the dinosaur from her daydreams stands in the garden with its head poking through the bedroom window, making her dreams come true.

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This landmark book offers a synthesis of celebrated Magnum photographer Susan Meiselas’s views on her work and the role of the documentary photographer. Through text drawn largely from exclusive interviews with editor Mark Holborn, she offers a remarkable commentary on her career, from early work with carnival strippers, through groundbreaking reportage on Nicaragua and El Salvador, to projects encompassing subjects as varied as the Dani tribe of Indonesia, the Kurds of Northern Iraq and victims of domestic violence in California. Central to Meiselas’s work are themes of collaboration, return and exchange. With over 110 photographs – some classics, others rarely published – this book demonstrates how the frontline on which Meiselas has worked involves a bearing of witness and a gathering of evidence. As Meiselas has stated: ‘To continue on is to be curious – to be compelled to confront, to examine, to expose, to engage, and not know where you will end up or how the journey will change you. The frontline is always a choice.’

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This yearbook from husband-and-wife duo Danielle and Olivier Föllmi reveals the spiritual wisdom of the Far East. Each of Olivier's photographs is accompanied by the thoughts of a great master, including Confucius, Lao-tzu, Dogen Zenji, Chuang-tzu, Hong Zicheng and the Buddha. Their words have guided generation after generation for thousands of years, and they continue in this volume to enrich our views and lives with thoughts on nature, self-awareness, family and society. The photographs take us to captivating temples in Thailand, the lavishly mystic nature of Cambodia, mist-enshrouded landscapes in Myanmar, bamboo forests in Vietnam, rice paddies in China and Zen gardens in Japan. The book as a whole teaches us, one day at a time, the wisdom of the East.

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Shoes is an inspiring, impeccably researched and concise history of footwear through the ages. After a general introduction, chronological chapters illustrated throughout retrace the history of footwear from the Middle Ages to today, featuring shoes and boots that once belonged to both anonymous and famous male and female wearers, from battered old ‘chimney shoes’ hidden away for good luck to the elegant styles of the Renaissance, from Elizabethan mules to the first stilettos. A detailed glossary, bibliography and index conclude the book.

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Abu Jani and Sandeep Khosla have built a 28-year partnership that has included designing for India’s leading actors and actresses, working with directors on costumes for epic Bollywood films, and building a brand that exudes luxury, artistry and Indian tradition. Known both for their fashion creations for men and women and for interior design, their reputation extends far beyond India: many international celebrities wear Jani-Khosla creations, among them Dames Judi Dench and Maggie Smith, Sophie Marceau and Sarah Brown. Paramount in their work is Abu Jani and Sandeep Khosla’s rediscovery and revivification of once moribund traditional crafts, and the glorious ways in which they make use of local artisans and reinvent their heritage by redeploying Indian antiques, artefacts and vintage textiles. This book is a sumptuous fanfare for a whole new world of high fashion.

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Philippe Apeloig’s design career began in 1985 at the Musée d’Orsay when he designed the poster for the Museum’s first exhibition, ‘Chicago, Birth of a Metropolis’. He is noted for his posters, many of which are in the collection of MoMA, and his typography, including the typefaces Octobre and Drop. This exhibition and book surveys and explores the entirety of Apeloig’s graphic design process and philosophy. His posters, logos, visual identities, books and animations are reproduced along with the steps in their development, and the major influences that fuel his work.

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A beautifully designed gift book devoted to the work of the renowned ceramics firm Wedgwood. Looking back at key moments in Wedgwood’s design history, this book celebrates the visual power and great design encapsulated by Wedgwood from its founding in 1759 to the present day. The name ‘Wedgwood’ has come to stand for something far beyond its illustrious and energetic founder: uniting art and industry; introducing design and artistic collaborations; the iconic blue and white of Wedgwood jasper. This book tells that story through the lens of design, reflecting the continuing role that Wedgwood and its designers, artists and employees played in setting trends, responding to the market and producing high-quality, desirable ceramics for a broad range of consumers, yet tied to the traditions established by Josiah Wedgwood in the eighteenth century. It presents highlights from the V&A Wedgwood Collection, reflecting the unique proposition of Wedgwood’s business: by operating in both the ‘ornamental’ and ‘useful’ markets, Wedgwood was able to bring innovative ceramic design to large areas of a captive market. These ceramics and their stories demonstrate the artistic heritage, craft and innovation that have become synonymous with the Wedgwood name.

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Manga is a visual form of narrative storytelling. Its roots are international, but the form as we know it today developed in Japan between the late 19th and early 20th centuries and has recently achieved global reach. Originally confined to comics, prints and graphic novels, manga has expanded to influence animation, fashion, gaming, street art and new media. It is a multi-billion pound industry, popular with people of all ages in Japan and increasingly all over the world, encompassing hundreds of genres, from sports, love, horror and ageing to global threats and sexual identity. There is a manga for everyone. For manga fans, this book celebrates the excitement of manga’s cross-cultural appeal and its long history of breaking barriers. For those new to manga, it offers the chance to become literate in what is fast becoming a universal visual grammar of our globalized age. Arranged into six thematic chapters, with essays by leading scholars, this volume showcases the work of Japan’s most influential manga-ka (manga creators) past and present, with printed manga extracts, original drawings, manga magazines, theatre, film, digital technologies and exclusive interviews with artists, editors and publishers. The first chapter focuses on understanding how manga is read, drawn and produced. The second explores its power of storytelling, and presentation of reality; the third, the power of manga to depict many different worlds, both seen and unseen. The fourth shifts the attention from the art form to its role in society, including fan groups, grassroots manga, Comiket events and the importance of cosplay. The penultimate chapter discusses the roots of modern manga in the work of 19th-century artists such as Hokusai and Kyosai, while the final chapter examines manga’s expansion into the avant-garde, its crossover into other media and its growing international reach and influence. Published in conjunction with a landmark, cutting-edge exhibition at the British Museum, this is manga as Western audiences have never before seen it: diverse yet universally familiar, traditional yet intensely modern, rooted in the 2D printed page but effortlessly leaping out of it.

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The definitive overview of and ultimate resource on the iconic architect-designed houses built in Japan from 1945 to the present. Imagine a terraced house whose courtyard separates the kitchen from the bedroom. Or a tiny, triangular tower of rooms stacked one above another. Quirky, experimental and utterly fascinating, the houses produced in Japan since the end of the Second World War are among the most exceptional in the world. The Japanese House Since 1945 is a cohesive chronology of the most compelling architect-designed Japanese homes, showing developments in form, material, architectural expression and family living over almost eight decades. Unparallelled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with clear prose and accompanied by compelling photographs and drawings, this book features 97 houses, divided among nine chapters and organized by decade. In addition to acquainting the reader with individual homes, the book illuminates the social, technological, geographic and historical factors behind these era-defining houses. Developments over the period are underscored by the visual presentation, as it evolves from monochrome to colour and from hand-drawn to digital. Decade lead-ins set the historical context for each chapter, while ‘Spotlight’ segments draw attention to the separate components of the Japanese house. ‘At Home’ sections, most written by architects and their family members, bring to life the experience of living in these unique houses.

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Norway-based Canadian architect Todd Saunders’ unique approach, set in some of the most remote locations on earth, splices modern sculptural forms with a deeply rooted respect for nature, most famously in his Fogo Island Hotel and artists’ studios in Newfoundland. Rather than imposing themselves upon the countryside and coast, Saunders’ residential buildings seek a sensitive accommodation with the topography and the flora, fauna and treescapes of the landscapes they inhabit. This is the first book to focus on Saunders’ houses and features eleven of his most recent and iconic projects across Scandinavia and Canada, many of which are in are stunning landscapes. Featuring a wealth of inspiring exterior and Nordic-style interior shots, each house is illustrated with photography specially commissioned for the book and are accompanied by texts written by Dominic Bradbury in close collaboration with the architect. Sections on process and ways of working, as well as Saunders’ inspirations and design philosophy are interwoven in separate sections, which include drawings, plans and photography.With 280 illustrations, 147 in colour

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The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the country’s traditional building crafts with sophisticated technologies and materials. From his iconic Glass House (1995) to Dundee’s V&A (2018), this is the complete record of Kuma’s built work, comprising thirty projects to date. Kenneth Frampton’s revised and updated essay frames Kuma’s work in the context of post-war Japan’s flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma’s ideas and buildings have received. The heart of the book consists of projects presented in detail, accompanied by descriptive text and detailed drawings, and organized by the material themes that have come to define the architect’s output. This new edition includes five new projects: Komatsu Seiren Fabric Laboratory fa-bo, Under One Roof project for the EPFL ArtLab, Japan House São Paulo, China Academy of Art’s Folk Art Museum, and the V&A Dundee.

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