Search results for ""Author Bernd"

Create those memorable moments with this unique and very challenging milestone book - the first of it''s kind. Use props in order to set the stage for each photo. Have family and friends get involved in the fun. Share your photos with friends, family and communities, and enjoy welcoming feedback. Good luck with your journey and have a great time. Enjoy!

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Bernardo y Canelo van juntos al Gran Circo Tibora, pero como no permiten llevar perros, Canelo debe ocultarse en una cesta durante la función. Más tarde, en casa, deciden aprender trucos y malabares de circo por su cuenta. Con una dosis de humor, Fernando Krahn retrata la amistad incondicional que existe entre un niño y su mascota.

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Red Squirrel Phonics is a new series of decodable readers from Raintree, packed with real stories using words that children can read. The programme teaches children phonics skills in a sequential and systematic way so that they can learn the sounds (phonemes) and the letters that represent them (graphemes) and then practise and apply this knowledge through reading appealing, decodable texts that make sense. This ensures that every beginner reader will experience success in their reading from their very first book! This is a Level 6 book. Bernard is Ernesta’s annoying little brother. He keeps asking questions so she can’t read her book.

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Bernard's got a problem: he's found a monster in the back garden but his mum and dad are just too busy to notice. So Bernard tries to befriend the monster… and that doesn't go quite to plan. Loved by children, monsters and adults for forty years, David McKee's iconic picture book is celebrated in this special anniversary paperback. ‘...even more relevant in an era of parents glued to their mobile phones’ DAILY MAIL, Best Reads Ever 'Arguably the finest children’s book ever written, McKee’s clever fable is both a warning to neglectful parents and a very funny story about being ignored.' THE i NEWSPAPER 'My favourite books for very young children are Where the Wild Things Are by Maurice Sendak and Not Now Bernard by David McKee.' Michael Rosen 'Not Now Bernard is THE book of our times' Frank Cottrell-Boyce 'It's so good!' Adam Buxton 'Funny to a four year old and meaningful to a 36 year old' Ben Bailey Smith aka Doc Brown

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Create those memorable moments with this unique and very challenging milestone book - the first of it''s kind. Use props in order to set the stage for each photo. Have family and friends get involved in the fun. Share your photos with friends, family and communities, and enjoy welcoming feedback. Good luck with your journey and have a great time. Enjoy!

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García Lorca's drama about the shattering effects of emotional repression on a family of cloistered daughters, in a version by playwright Rona Munro for the critically acclaimed Shared Experience Theatre Company. When Bernarda's husband dies, she locks all the doors and windows. She tells her grown-up daughers to sew and be silent. 'There are eight years of mourning ahead of us. While it lasts not even the wind will get into this house.' But locks can't hold back the growing tide of desire... Rona Munro's version of The House of Bernarda Alba was first staged by Shared Experience Theatre Company at Salisbury Playhouse in March 1999 before a UK tour.

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A landmark survey of one of the most significant American photographers of the twentieth century Best known for his intimate portrayals of barrio communities of the Southwest United States, Louis Carlos Bernal made photographs in the late 1970s and 1980s that draw upon the resonance of Catholicism, Indigenous beliefs, and popular practices tied to the land. For Bernal, photography was a potent tool in affirming the value of individuals and communities who lacked visibility and agency. Working in both black and white and in color, he photographed the interiors of homes and their inhabitants, often presenting his subjects surrounded by the objects they lived with—framed portraits of family members, religious pictures and statuaries, small shrines festooned with flowers, and elements of contemporary popular culture. Bernal viewed these spaces as rich with personal, cultural, and spiritual meaning, and his unforgettable photographs express a vision of la vi

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Berlin detective Bernie Gunther bows out at last in the 14th and final book of the Sunday Times and New York Times bestselling series. With an introduction by Ian Rankin.'One of the greatest anti-heroes ever written' LEE CHILD'One of the greatest master story-tellers in English' ALAN FURSTBerlin, 1928, the height of the Weimar Republic. Bernie is a young detective working in Vice when he asked to investigate the Silesian Station killings: four prostitutes murdered in as many weeks, and in the same gruesome manner. Bernie hardly has time to acquaint himself with the case files before another murder occurs. Until now, no one has shown much interest in these victims - there are plenty in Berlin who'd like the streets washed clean of such degenerates. But this time the girl's father runs Berlin's foremost criminal ring, and he's prepared to go to extreme lengths to find his daughter's killer. It seems that someone is determined to rid Berlin of anyone less than perfect. The voice of Nazism is becoming a roar that threatens to drown out all others. But not Bernie Gunther's...

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" La casa de Bernarda Alba " sigue siendo hoy un título frecuente en las carteleras teatrales, y no solo españolas. Desde su estreno en Buenos Aires en 1945, directores, escenógrafos y actores la han sentido como un reto. Quizá es difícil imaginar hoy una situación similar a la que se plantea en la obra. Vivir en un pueblo pequeño, donde el peso de la honra y la tradición ahoga a la mujer hasta el punto de que el luto por la muerte de alguien significa encerrarse durante ocho años en una casa sin tan siquiera poder asomarse a la ventana. Esta es la situación descrita en la obra. Un drama en el que un clamor callado de anhelos insatisfechos intenta encontrar algún resquicio hacia la libertad y la vida.

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Over the course of three days in 1970, June 5, 6, and 7, simply sitting on a white bench in a Hamburg park, Thomas Bernhard delivered a powerful monologue for Three Days (Drei Tage), filmmaker Ferry Radax’s commanding film portrait of the great Austrian writer. Radax interwove the monologue with a variety of metaphorically resonant visual techniques—blacking out the screen to total darkness, suggestive of the closing of the observing eye; cuts to scenes of cameramen, lighting and recording equipment; extreme camera distance and extreme closeup. Bernhard had not yet written his autobiographical work Gathering Evidence, published originally in five separate volumes between 1975 and 1982, and his childhood remembrances were a revelation. This publication of Bernhard’s monologue and stills from Radax’s artful film allows this unique portrait of Bernhard to be savored in book form.

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Bernard Plossu, born in Vietnam in 1945, is one of today's best-known French photographers. His photos reflect locales he has visited all over the world: Senegal, Turkey, Poland, Mexico, Guatemala, and the American West. The photographs here were taken by Plossu in the late 1970s and are images of New Mexico - where the sun, the dust, the rain, the mud, the wind, the snow, the altitude (7000 feet), and the smells forge a uniqueness.

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Using close readings of Shaw's plays and letters, as well as archival research, David Clare illustrates that Shaw regularly placed Irish, Irish Diasporic, and surrogate Irish characters into his plays in order to comment on Anglo-Irish relations and to explore the nature of Irishness.

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Bernice is having a truly rotten time at her friend's birthday party. First, everyone else gets a piece of cake with a frosting rose. But not Bernice. Then, everyone else gets strawberry-melon soda. Bernice gets the prune-grapefruit juice. And it's warm. The last straw is the one lousy (squished) candy she gets from the pinata. So when the balloons arrive, Bernice knows just what she has to do: grab them all. And then, poor cross Bernice gets carried up, up, and away. Luckily, she figures out just how to make her way back down to the party...and she brightens lots of other animals' days on her way.

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Esta colección constituye un sistema ameno y accesible para familiarizar a los niños con la lectura de cuentos y para acercarlos al mundo de la comunicación y representación matemática.Cada cuento propone el conocimiento de un número (del 1 al 10, más el 0), que podrá identificarse de forma auditiva (al escucharlo repetidas veces a lo largo de la historia) y visual (al ver la grafía de la cifra destacada en el texto).La colección incluye propuestas de juego que inciden en aspectos como la comprensión e interpretación del contenido del cuento, la identificación de los primeros números, la asociación de imágenes a números, la conexión con experiencias de la vida cotidiana, la estimulación y ampliación de vocabulario y conocimientos matemáticos, la práctica de la expresión gráfica, la coordinación visomotriz, la creatividad e imaginación, etc.Como último juego, se proponen dos actividades: la primera consiste en colorear y recortar una carta con la que los niños podrán conform

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"...a milestone in American religious publishing." New Catholic World Bernard of Clairvaux-Selected Works translation and foreword by G.R. Evans introduction by Jean Leclercq, O.S.B. preface by Ewert H. Cousins "Lord, you are good to the soul which seeks you. What are you then to the soul which finds? But this is the most wonderful thing, that no one can seek you who has not already found you. You therefore seek to be found so that you may be sought for, sought so that you may be found." —Bernard of Clairvaux (1090–1153) Born in Fontaines-lès-Dijon in 1090, Bernard had become, by his twenty-fifth birthday, the abbot of a Cistercian monastery which he had founded in the valley of Clairvaux near Aube, France, some four years earlier. There in those isolated and rugged surroundings he became the spokesman for a revival of monastic life in an age when the radical spirit of religious life was endangered by a movement, best seen in the excesses of the monks of Cluny, that stressed the adaptation of the rule of St. Benedict to the exigencies-and taste for princely comforts-of the royal courts of twelfth-century France. But Bernard's dedication to the strict observance of Benedict's rule was mingled not with the abrasive, shrill style of the prophet but with a sweetness and purity of vision that earned him the title Doctor mellifluous. For he possessed a sense of the love of God, the importance of humility, and the sheer beauty of holiness that has made his writings favorites of scholars and laymen alike throughout the ages. Here in a new translation by G.R. Evans are the writings that have had such a major role in shaping the Western monastic tradition and influencing the development of catholic mystical theology. Together with an introduction by the master of Bernard studies, Jean Leclercq, they comprise a volume that occupies a place of special importance in the chronicle of the history of the Western spiritual adventure. †

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Face au peloton d’exécution qui allait le fusiller le 17 août 1946 à 7 h 05 à Alençon, Bernard Jardin, très pâle, prononçait d’une voix assez faible ses derniers mots : « Vive le national socialisme », puis avant que les balles ne fusent, il ajoutait « Et vive la France quand même ». À notre connaissance, Bernard Jardin demeure le seul auxiliaire de la Sipo-SD en Normandie à proclamer jusqu’au bout son adhésion au national-socialisme. Pourquoi ce jeune homme commis boucher choisit-il délibérément le camp nazi ? L’appât du gain l’amène d’abord à monter des affaires de marché noir. Repéré par Hildebrandt, le chef roué et manipulateur de l’antenne ornaise du Sipo-SD, Bernard Jardin devient d’abord agent de renseignement avant de prendre la responsabilité d’opérations contre la Résistance ornaise ; en quelques mois, lui et son équipe, portent des coups très durs à celle-ci. D’abord enquêteur, Jardin frappe et torture ses victimes avant de devenir un assassin.

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Gracefully written and brilliantly illustrated, this handsome new volume captures the vision, the wit, and the down-to-earth inventiveness of one of the most influential and beloved architects of the early 20th century. Raised in Greenwich Village and trained in Paris, Maybeck spent most of his long career in northern California. An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco. This incisive overview-the first to feature colour reproductions of Maybeck's exquisite interiors and exteriors-analyses every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings. Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.

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