Search results for ""Author Anne""

This is a catalogue of the exhibition at Houghton Library in 1985 of Spanish and Portuguese sixteenth-century books in the Department of Printing and Graphic Arts, with a Preface by Anne Anninger. The catalogue describes forty exceptional items included in the exhibition, while the Bibliography offers information on 210 additional Iberian items in Houghton collections.

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Beth Hubble has grown up in extreme poverty in Dock Cottages and although she loves training to become a nurse, problems at home are never far from her mind. Doctors have told her mother that, after fourteen pregnancies, she is too frail to survive another, but they will do nothing more. Beth is determined to help, but, in 1920, birth control is a taboo subject, and her quest for knowledge is thwarted at every turn. Meanwhile Beth has fallen for Andrew Langford, a hospital lab technician, who she hopes will take her away from the tenements for good. But will Beth ever find the love and happiness that she deserves?

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Wyclif's ideas caused a major upheaval both in the country of his birth and in the Bohemian area of central Europe; that upheaval affected theological, ecclesiastical and political developments from the late 14th to the early 16th centuries. Some of those ideas were transmitted orally through Wyclif's university teaching in Oxford, and in his preaching in London and Lutterworth, but the main medium through which his message was disseminated was the written word, using the universal western language of Latin. The papers in this collection look at aspects of that dissemination, from the organization and revision of Wyclif's works to form a summa of his ideas, the techniques devised to identify and make accessible his multifarious writings, the attempts of the orthodox clerical establishment to destroy them, through to the fortunes of his texts in the Reformation period; manuscripts written in England and those copied abroad, mostly in Bohemia, are considered. Although most of the papers have been published previously, a new edition of the important Hussite catalogue of Wyclif's writings is provided, and three lengthy sections contribute new material and additions and corrections to previous listings of Wyclif manuscripts.

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In the past, Luton was a market town and, for many years, was also a centre for the brewing industry. In the 19th century it became famous for hat making, and more recently it has grown into a thriving industrial centre. During the Second World War it played an important part in the manufacture of army vehicles, and children bound for school had to dodge the Churchill tanks on their way to various theatres of conflict. Nowadays, Luton Airport is the gateway for all types of traveller and the town is well known for its famous football team. Luton has always provided visitors with a warm welcome and many have stayed and made the town their home. Local industry offered employment opportunities in the early 20th century and many had cause to be grateful for its relative prosperity during the Great Depression. Following the Second World War, immigrants from the Indian subcontinent and from the West Indies brought with them colourful new cultures that are celebrated in the annual Carnival. This fascinating and illustrated account of Luton’s past will inform and delight anyone who lives in the town and inspire those who grew up here.

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It is January 1793. France is at war with Belgium, Prussia and Austria, and Louis XVI has just been sentenced to death. In Paris, a small group of people fears for the future of a throneless France surrounded by countries terrified that republican ideas - or anarchy - will spread throughout the continent. They are determined to rescue the king, but when their leader is murdered a plan must be pieced together and executed within three days.

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When Elsa Gripper dies in childbirth on Christmas Eve, 1912, her grief-stricken husband is unable to cope with his two newborn babies, Lucy and Patsy, so the twins are separated. Lucy is taken home with Elsa's parents, who run a successful business, Mersey Antiques, and she grows up spoiled and pampered with no interest in the family firm. Patsy has a more down-to-earth upbringing, living with their father and other grandmother above the Railway Arms. And through further tragedy she learns to be responsible from an early age. Then Patsy is invited to work for her grandfather at Mersey Antiques, which she hopes will bring her closer to Lucy. But it is to take a series of dramatic events for the twins to be drawn together.

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When Dorothy Mortimer finds herself pregnant, she is sent away to family friends the Benders to have the child. Dorothy wants nothing to do with her daughter Lizzie, so the Benders arrange for the child to be brought up by the O'Malley's, a feckless family living on the estate. Lizzie is unaware of her parentage but her brother Joey is suspicious of the attention she receives from the Benders... Eventually he takes Lizzie to Merseyside to claim what is rightfully hers. But Joey's obsession to provide Lizzie with the riches she deserves leads to the destruction of their love, and Lizzie finds herself drawn to the family she has never known...

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A new emphasis on diversity and difference is displacing older myths of nation or community. A new attention to gender, race, language or religion is disrupting earlier preoccupations with class. But the welcome extended to heterogeneity can bring with it a disturbing fragmentation and closure. Can we develop a vision of democracy through difference: a politics that neither denies group identities nor capitulates to them? In this volume, Anne Phillips develops the feminist challenge to exclusionary versions of democracy, citizenship and equality. Relating this to the crisis in socialist theory, the growing unease with the pretensions of Enlightenment rationality, and the recent recuperation of liberal democracy as the only viable politics, she builds on debates within feminism to address general questions of difference. When democracies try to wish away group difference and inequality, they fail to meet their egalitarian promise. When yearnings towards an undifferentiated unity become the basis for radical politics and change, too many groups drop out of the picture. Through her critical discussions of recent feminist and socialist theory Anne Phillips rejects this democracy of denial. She also warns, however, of the dangers on the other side. The simpler celebrations of diversity risk freezing group differences as they are, encouraging a patchwork of local identities from which people can speak only to themselves. Her arguments then combine in a powerful restatement of the case for a more active and participatory democracy. It is only through enhanced communication and discussion that people can respect and learn from their differences.

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This beautiful book explains the art and craft of making the most natural-looking silk botanicals. With clear step-by-step sequences, it considers the details of flowers and demonstrates how you can make immaculate interpretations from a range of silk and millinery fabrics. Anne Tomlin, a passionate and renowned silk flower-making specialist, generously shares her ideas and techniques so this intricate practice can be enjoyed by all milliners, textile artists and designers. Encourages forensic observation of the structures and colours of individual flowers Gives instructions on techniques, including how to paint with dyes and mix colours, stiffen silk, and shape petals and leaves Explains how to capture the detail and essence of more than thirty flowers, from the tiniest common daisy to the complex tightly-pleated English rose Features over 400 beautiful illustrations, including templates for each flower. This book studies a variety of flowers and shows how to recreate them in silk using unique and individual techniques. Inspired by flowering blooms, it encourages experimentation and problem-solving to discover sympathetic methods of making silk flowers to immortalise their fleeting beauty. It explains how to capture the personalities that make each of these flowers individual, encouraging you to observe the wonders of nature more closely and to think about how you might interpret what you see.

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The description for this book, Medicine, Mind, and the Double Brain: A Study in Nineteenth-Century Thought, will be forthcoming.

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He can have any woman in London - except the one he wants... Heiress Clarissa Studley yearns to be loved for more than her fortune. Warmhearted, but plain and shy, she wishes to marry, but has two firm rules: no rakes and no fortune-hunters - her father was both, and she''ll never forget the misery he caused. So, when Race, Lord Randall, starts to pay Clarissa attention, she knows she must keep him at a distance. Attractive and charming he might be, Race''s reputation precedes him and she''s observed first hand his flirtatious ways with London society beauties. But Race sees a beauty in Clarissa that others cannot, and for the first time in his life, he is truly in love. And when a rival for Clarissa''s affections appears - a handsome, wounded war hero, heir to his great-aunt''s fortune - Race becomes desperate as Clarissa seems tempted to make a safer, tamer choice. Can Race convince Clarissa that his love is true and that she can trust him with her heart? And can Clarissa put aside h

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At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Building Green explores the experience of environmental architects in Mumbai, one of the world's most populous and population-dense urban areas and a city iconic for its massive informal settlements, extreme wealth asymmetries, and ecological stresses. Under these conditions, what does it mean to learn, and try to practice, so-called green design? By tracing the training and professional experiences of environmental architects in India's first graduate degree program in Environmental Architecture, Rademacher shows how environmental architects forged sustainability concepts and practices and sought to make them meaningful through engaged architectural practice. The book's focus on practitioners offers insights into the many roles that converge to produce this emergent, critically important form of urban expertise. At once activists, scientists, and designers, the environmental architects profiled in Building Green act as key agents of urban change whose efforts in practice are shaped by a complex urban development economy, layered political power relations, and a calculus of when, and how, their expert skills might be operationalized in service of a global urban future.

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“Truth to Nature,” a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand “truth,” these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception.Drawing on sources ranging from artists’ letters to scientific treatises, Nature’s Truth illuminates the dynamic relationship between art and science throughout the nineteenth century. Anne Helmreich reveals how these practices became closely aligned as artists sought to maintain art’s relevance in a world increasingly defined by scientific innovation, technological advances, and a rapidly industrializing society. Eventually, despite consensus between artists and critics about the need for “truth to nature,” the British arts community sharply contested what constituted truth and how truth to nature as an ideal could be visually represented. By the early twentieth century, the rallying cry could no longer hold the reform movement together. Helmreich’s fascinating study shows, however, that this relatively short-lived movement had a profound effect on modern British art.An insightful examination of changing conceptions of truth and the role of art in modern society, Nature’s Truth reframes and recontextualizes our notions of British art.

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Synthesizing Hope opens up the material and social world of pharmaceuticals by focusing on an unexpected place: iThemba Pharmaceuticals. Founded in 2009 with a name taken from the Zulu word for hope, the small South African startup with an elite international scientific board was tasked with drug discovery for tuberculosis, HIV, and malaria. Anne Pollock uses this company as an entry point for exploring how the location of the scientific knowledge production matters, not only for the raw materials, production, licensing, and distribution of pharmaceuticals but also for the making of basic scientific knowledge. Consideration of this case exposes the limitations of global health frameworks that implicitly posit rich countries as the only sites of knowledge production. Analysis of iThemba identifies the problems inherent in global north/south divides at the same time as it highlights what is at stake in who makes knowledge and where. It also provides a concrete example for consideration of the contexts and practices of postcolonial science, its constraints, and its promise. Synthesizing Hope explores the many legacies that create conditions of possibility for South African drug discovery, especially the specific form of settler colonialism characterized by apartheid and resource extraction. Paying attention to the infrastructures and laboratory processes of drug discovery underscores the materiality of pharmaceuticals from the perspective of their makers, and tracing the intellectual and material infrastructures of South African drug discovery contributes new insights about larger social, political, and economic orders.

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Synthesizing Hope opens up the material and social world of pharmaceuticals by focusing on an unexpected place: iThemba Pharmaceuticals. Founded in 2009 with a name taken from the Zulu word for hope, the small South African startup with an elite international scientific board was tasked with drug discovery for tuberculosis, HIV, and malaria. Anne Pollock uses this company as an entry point for exploring how the location of the scientific knowledge production matters, not only for the raw materials, production, licensing, and distribution of pharmaceuticals but also for the making of basic scientific knowledge. Consideration of this case exposes the limitations of global health frameworks that implicitly posit rich countries as the only sites of knowledge production. Analysis of iThemba identifies the problems inherent in global north/south divides at the same time as it highlights what is at stake in who makes knowledge and where. It also provides a concrete example for consideration of the contexts and practices of postcolonial science, its constraints, and its promise. Synthesizing Hope explores the many legacies that create conditions of possibility for South African drug discovery, especially the specific form of settler colonialism characterized by apartheid and resource extraction. Paying attention to the infrastructures and laboratory processes of drug discovery underscores the materiality of pharmaceuticals from the perspective of their makers, and tracing the intellectual and material infrastructures of South African drug discovery contributes new insights about larger social, political, and economic orders.

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The CSEC® Chemistry Concise Revision Course provides full coverage of the CSEC® Chemistry syllabus. This book provides comprehensive and authoritative guidance for the course. It adopts a practical, supportive approach to help students with their learning. Revision exam and assessment guidance questions throughout consolidate this learning. Comprehensive coverage of the CSEC® Chemistry course, presented in an engaging, full-colour format Revision questions at the end of each topic help to secure knowledge and understanding Exam-style questions at the end of each section provide effective practice for the actual exam Answers are available for free at www.collins.co.uk/caribbean

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This Chemistry Workbook for CSEC is a valuable activity book for CSEC Chemistry students. It covers all aspects of the Caribbean Examinations Council’s Certificate of Secondary Education Chemistry syllabus. This book provides excellent practice for the structured question from Paper 2 of the CSEC Examination and is a great aid to revision and examination practice. It has been specially written to help CSEC students maximize their exam scores.

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This Biology Workbook for CSEC is a valuable activity book for CSEC Biology students. It covers all aspects of the Caribbean Examinations Council’s Certificate of Secondary Education Biology syllabus. This book provides excellent practice for the structured question from Paper 2 of the CSEC Examination and is a great aid to revision and examination practice. It has been specially written to help CSEC students maximize their exam scores.

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The author’s account of being abandoned by her mother as a young child and her life in homes and institutions will captivate any reader. The mystery of her search for her mother and constant rejections will leave the reader wondering what demons drove her to be so elusive. “Call Me Auntie” was the best her mother could offer but this was just the start of a bizarre sequence of events. After discovering she had a brother and looking for her long lost family in Barbados the author finally came to understand she “may be a princess after all”. Call Me Auntie is a story of survival, resilience and changing attitudes to racism and ethnicity as the author forged a successful career beginning as a Woolworth’s shop girl before joining the police, then moving into social work. Extract: ‘Our new house-parents were Harold and Dora … He was a big guy who always looked angry. She was a little mousy figure but with a steel will underneath … Overnight, the household regime changed. As controlled as our lives might have been in the [previous houseparents’] time, the changes were shocking. Chores had to be performed to much higher standards, and there were new ones … There were new rules, routines, and responsibilities. But this was not all. With the new chores and new rules, our fear set in.'

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A Christmas Message is Anne Perry's 14th novella in her festive series.Christmas 1900. Victor Narraway, Thomas Pitt's former boss and his new wife Vespasia are travelling by train from Jaffa to Jerusalem. Although enjoying their time together and the interesting people they meet, Vespasia soon becomes concerned that someone is watching their every move.When one of their new acquaintances is found murdered, the only clue is a mysterious piece of parchment written in a foreign tongue, and a message imploring Narraway to continue the stranger's quest. Sensing its importance, Narraway and Vespasia decide to fulfil their dead friend's wish.Continuing to Jerusalem with the parchment in hand, they quickly find themselves embroiled in danger. With Vespasia's fears suddenly realised and a watcher on their trail, will Narraway and Vespasia's fates follow that of their friend or can they make it to the Holy Land unscathed?A Christmas Message is the tantalising new festive tale from the pen of Anne Perry, the master of Victorian crime.

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Writers Guild Award-winner Anne Toole is a creative writer whose credits include TV series, video games, animation and live action, comics, and short fiction. With a penchant for telling stories with a light tone and a dark underbelly, she prefers writing contemporary mysteries, science fiction, fantasy, horror and the occasional romance.

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Pianist Max Silento has been murdered, but who did it? It wasn’t Scarlet – she would have made it look like a death of natural causes, and then DI Ronnie Twist and her sergeant, Luke Carter, wouldn’t be poking around. Scarlet would do almost anything for retired judge Ada, but going to jail was never part of the bargain. Unable to confide in her manipulative employer and benefactor, Scarlet knows one of her new-found family must be to blame… but what could the motive possibly be? Who is the killer in the seemingly perfect Rosewood family? As the police net closes in around her, Scarlet puts her home-grown detective skills to use in a race against time to uncover the killer before she is arrested herself. Set in the market town of Beverley, this is the second Twist in the Tale novel.

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Man and Bird in the Palaeolithic of Western Europe considers the nature of the interaction between birds and hunter-gatherers. It examines aspects of avian behaviour and the qualities that could be (and were) targeted at different periods by hunter-gatherers, who recognised the utility of the diversity of avian groups in various applications of daily life and thought. It is clear from the records of excavated sites in western Europe that during the evolution of both the Neanderthal period and the subsequent occupations of Homo sapiens, avian demographics fluctuated with the climate along with other aspects of both flora and fauna. Each was required to adapt to these changes. The present study considers these changes through the interactions of man and bird as evidenced in the remains attached to Middle and Upper Palaeolithic occupation sites in western Europe and touches on a variety of prey/predator relationships across other groups of plant and animal species. The book describes a range of procurement strategies that are known from the literature and artistic record of later cultures to have been used in the trapping, enticement and hunting of birds for consumption and the manufacture of weapons, domestic items, clothing, ceremony and cultural activities. It also explores how bird images and depictions engraved or painted on the walls of caves or on the objects of daily use during the Upper Palaeolithic may be perceived as communications of a more profound significance for the temporal, seasonal or social life of the members of the group than the simple concept of animal. Certain bird species have at different times held a special significance in the everyday consciousness of particular peoples and a group of Late Glacial, Magdalenian settlements in Aquitaine, France, appear to be an example of such specialised culling. A case study of the treatment of snowy owl at Arancou in the Atlantic Pyrenees seems to illustrate such a specialisation. Discussion of the problems of reconciling dating and research methods, of the last two hundred years of Palaeolithic research, and of possible directions for future research offer an open conclusion to the work.

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Reviews ‘Anne Rowe, a scrupulous Murdoch scholar of many years’ standing, has written a slim but comprehensive overview of the writer’s career, attending successively to aspects of her output in both genres, encompassing matters intellectual, spiritual, experiential and geographical.’ Stuart Walton, The London Magazine

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What's happening to Brunette? Bruises and a sore body ... the Siyagruvers are worried about her. Also, something is bugging Mncedisi and it's his livelihood that's at stake.

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Tracing developments from the classical period to the early industrial revolution and beyond, Anne Murcott provides us with an accessible and entertaining social history of food packaging. From tin cans, glass jars and bottles, plastic trays and stretch-wrap, Murcott shows the importance of food packaging for global food systems. As a pioneering excursion into the many aspects of the history of food packaging, the book examines shifts from domestic to commercial production, the emergence of associated technologies, changes in retailing, implications for policy and practice, along with current concerns about overpackaging. Taking a wide historical and geographical angle, Murcott draws on sources such as trade magazines, manufacturers’ archives, company histories, packaging textbooks, histories of international trade and interviews with key industry ‘insiders’. Written by a leading figure in the field, this book will benefit students of social studies of food production and consumption, of cultural studies, as well as researchers and those interested in the history of food.

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When a man is found murdered on the doorstep of a respectable house in Bedford Square, Victorian England's finest and most controversial policeman, Thomas Pitt, is called immediately to the scene. The only clue to the victim's identity is a silver snuff box found on the body, curiously at odds with the man's dishevelled appearance. Pitt soon discovers that the box, and the house where the body was found, belong to General Balantyne, a man Pitt knows to be a pillar of the community. He is dismayed to learn that Balantyne can barely recall the evening, let alone account for his movements.

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