Search results for ""Author Alexander""

Zadok Rules - Hallelujah! is a witty and whistle-stop tribute to kings and queens, royal music through the ages and the works of G. F. Handel. The result of a commission by period instrument orchestra The Hanover Band, this entertaining new community choral piece launched in Arundel Cathedral in 2013, marking the 60th Anniversary of the Coronation of Queen Elizabeth II, and is an 8-minute celebration of our rich cultural heritage. Based on the music of Handel, Arne (and Henry VIII!), it sets a rhyming text that cleverly traces all of the English monarchs from William the Conqueror to the present day. Lyrics include: Start with the Normans, Willy, Willy, Henry, Stee, Henry Two was a Plantagenet, Dick, John, Henry Three. Zadok Rules can be performed by children's choir and/or SATB chorus, with either chamber orchestra or piano accompaniment. In addition to the printed vocal score, there is a digital bundle available via fabermusicstore.com, incorporating single-line children's part, children's part plus piano accompaniment and free audio learning tracks. Vocal scores can also be hired, along with the full score and set of band parts (hire@fabermusic.com).

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(Is this the way to) Amarillo? is about a man travelling to find his fiancée in Amarillo, Texas. After the second verse and chorus there’s a chance to go a cappella: the piano can leave out the small notes and give the singers a chance to show off what they can do! This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing!

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Famba Naye is a South-African song, often sung at funerals. The first verse means ‘go with her, father’ (‘baba’ means ‘father’), followed by ‘you are love’, ‘we are sad’ and ‘sing with her’. The optional solo at the beginning of each verse sets up the call-and-response form that is so common in African vocal music. This song works beautifully with or without accompaniment. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing!

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My Song Is Love Unknown is a wonderful sacred work, set for a solo quartet of singers and SATB choir, and is based on John Ireland's well-loved hymn-tune Love Unknown. Alexander L'Estrange expertly takes fragments of Ireland's melody, developing, interweaving and re-harmonising them to create a powerful, ethereal sound-world that perfectly reflects the poem's themes of love, sorrow, passion, death and ecstasy. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles.

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Zimbe! Come sing the songs of Africa! is the 40-minute choral fusion of African song and jazz for SATB chorus, children’s choir and jazz quintet which established composer Alexander L’Estrange's name worldwide and spawned a hugely successful series of large-scale works for the same forces. The addition of the children’s choir provides an opportunity for adult or secondary school SATB choirs to team up with local primary school or youth choirs, bringing communities together through singing, something for which L'Estrange has long been a passionate advocate. The work opens and closes with an attention-grabbing Njooni Zimbe*! Nyimbo za Africa! imploring us to "Come, sing the Songs of Africa!"; by the time you've heard the vibrant sequence of twelve songs, which includes playground, wedding, funeral, drinking, protest, worship songs and lullabies, you will want to do just that. Zimbe! is the ideal piece for choirs who have enjoyed performing L'Estrange's Songs of a Rainbow Nation, works by Karl Jenkins or David Fanshawe's African Sanctus. (* "Zimbe" is the anglicised version of the Swahili word "Ziimbe") Conductor’s score and band parts available for hire (contact: hire@fabermusic.com); Children’s rehearsal CD available on request; SATB part-learning CDs available here; Children's choral part available as sheet music download. Ideal for projecting or printing copies. Full CD also available.

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Prayers for Peace is a collection of three beautiful prayer settings by Alexander L'Estrange: God be in my head, Lighten our Darkness, and The Lord's Prayer. Ideal as introits, anthems or in a concert programme, the pieces are testament to L'Estrange's ability to write music which is simple and accessible yet at the same time full of expression and exquisite harmonies. The settings are for unaccompanied SATB but they have an optional piano/organ part to provide support if required. Prayers for Peace is part of Faber Music's exciting Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers, offering a thrilling array of varied styles. Browse the full perusal score on scorelibrary.fabermusic.com.

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The Gospel Train is a crowd-pleasing collection of gospel favourites such as Go Down, Moses, Oh Happy Day! and Ain’t No Mountain High Enough. It also includes Standing In The Need of Prayer, a well-loved spiritual with a simple, meditative melody and a pleasing, repetitive chord sequence. These spirituals are arranged for soprano and alto voices with a straightforward piano accompaniment, and form part of the Choral Basics series, which has been carefully designed to provide rewarding, varied repertoire for beginner choirs. Perfect for singers of all ages, the series offers attractive, idiomatic arrangements for SA and SAMen choirs, with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music, spirituals, folk song, pop classics, hit shows and original pieces, this series offers everything a budding choir could wish for.

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Songs Of A Rainbow Nation comprises four great songs from South Africa arranged for soprano, alto and combined men's voices with a straightforward piano accompaniment - ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing. Included are: Hamba Lulu - a wedding song with a gentle, comforting rhythm; Jesu Ukukhanya - featuring a call-and-response structure where a simple solo line is followed by a choral answer; Si Njay, Njay, Njay - a joyfully exuberant song with an infectious rhythm which can also be performed a cappella with some optional percussion for greater effect; and Weeping - a South African pop song from the band Bright Blue which uses as its chorus the refrain from the Zulu anthem N’kosi Sikeleli Africa (God Bless Africa). If you enjoy these songs, try L’Estrange’s hit cantata Zimbe! Come sing the songs of Africa! The arrangements form part of the Choral Basics series, which has been carefully designed to provide rewarding, varied repertoire for beginner choirs. Perfect for singers of all ages, the series offers attractive, idiomatic arrangements for SA and SA/Men choirs, with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music, spirituals, folk song, pop classics, hit shows and original pieces, this series offers everything a budding choir could wish for.

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Love's Philosophy brings together three exquisite original songs by Alexander L’Estrange exploring love and longing. Inspired by the English song of composers such as Roger Quilter and Gerald Finzi and with stunning texts by Shelley, Tennyson and Byron, these evocative pieces are sure to become classics of the 21st century. Set for soprano and alto, and combined men's voices with a straightforward piano accompaniment, this collection is part of the Choral Basics series - ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing.

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Finally a comprehensive overview of speech quality in VoIP from the user's perspective! Speech Quality of VoIP is an essential guide to assessing the speech quality of VoIP networks, whilst addressing the implications for the design of VoIP networks and systems. This book bridges the gap between the technical network-world and the psychoacoustic world of quality perception. Alexander Raake’s unique perspective combines awareness of the technical characteristics of VoIP networks and original research concerning the perception of speech transmitted across them. Starting from the network designer’s point of view, the different characteristics of the network are addressed, and then linked to features perceived by users. This book provides an overview of the available knowledge on the principal, relevant aspects of speech and speech quality perception, of speech quality assessment, and of transmission properties of telephone and VoIP networks, and of the related perceptual features and resulting speech quality. Discussing new research into the specific time-varying degradations VoIP brings along, but also the considerable potential of quality improvement to be achieved with wideband speech transmission, Alexander Raake demonstrates how network and service characteristics impact on the users perception of quality. Speech Quality of VoIP: Offers an insight into speech quality of VoIP from a user's perspective. Presents an overview of different modelling approaches and a parametric network-planning model for quality prediction in VoIP networks. Draws on innovative new research on the quality degradation characteristic of VoIP. Explains in detail how telephone speech quality can be greatly enhanced with VoIP’s wideband speech transmission capability. Assesses the vast collection of references into the technical and scientific literature related to VoIP quality. Illustrates concepts throughout with mathematical models, algorithms and simulations. Speech Quality of VoIP is the definitive guide for researchers, engineers and network planners working in the field of VoIP, Quality of Service, and speech communication processing in telecommunications. Advanced undergraduate and graduate students on telecommunication and networking courses will also find this text an invaluable resource.

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Exorbitant Enlightenment compels us to see eighteenth- and early nineteenth-century literature and culture in new ways. This book reveals a constellation of groundbreaking pre-1790s Anglo-German relations, many of which are so radical so exorbitant that they ask us to fundamentally rethink the ways we grasp literary and intellectual history, especially when it comes to Enlightenment and Romanticism. Regier presents two of the great, untold stories of the eighteenth century. The first story uncovers a forgotten Anglo-German network of thought and writing in Britain between 1700 and 1790. From this Anglo-German context emerges the second story: about a group of idiosyncratic figures and institutions, including the Moravians in 1750s London, Henry Fuseli, and Johann Caspar Lavater, as well as the two most exorbitant figures, William Blake and Johann Georg Hamann. The books eight chapters show how these authors and institutions shake up common understandings of British literary and European intellectual history and offer a very different, much more counter-intuitive view of the period. Through their distinctive conceptions of language, Blake and Hamann articulate in different yet deeply related ways a radical critique of instrumental thought and institutional religion. They also argue for the irreducible relation between language and the sexual body. In each case, they push against some of the most central cultural and philosophical assumptions, then and now. The book argues that, when taken seriously, these exorbitant figures allow us to uncover and revise some of our own critical orthodoxies.

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For millennia, cavalry was the premier combat arm. Horses gave armies mobility and speed; often cavalry charges, either on the enemy’s flanks and into his rear or through his center, led to the decision in a battle. This book analyzes the use of mounted troops from prehistoric times to recent conflicts in Europe, Asia, Africa, and the Americas. In contrast to many military history treatises that seek to identify a decline of cavalry over time in favor of modern infantry, Alexander Querengässer argues that only modern motor vehicles were able to replace cavalry. The book examines the many historical uses of cavalry, analyzing conditions for its employment, the role of geographic and climatic factors in its use, and developments in equipment and tactics. More than two hundred contemporary illustrations round out the volume.

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